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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19815F it is the complementary color #E67EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19815F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19815F shade: #1E815A, #2F936D, #40A580, #51B793 and #62C9A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19815F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19815F shade: #19815F, #086F4C, #005D39, #004B26 and #003913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19815F shade: #18815E, #188142, #188126, #278118 and #438118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19815F shade: #18815E, #18817B, #186A81, #184E81 and #183281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19815F shade matches the following richer shades: #18815E and #0C8D63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19815F shade: #18815E, #25745A, #316856, #3E5B52 and #4A4F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19815F shade: #188126, #188142, #18815E, #18817A and #186C81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19815F shade: #0B3B2C, #125E45, #18815E, #1FA378 and #26C691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19815F shade: #19815F, #182681 and #813418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19815F shade: #19815F, #5E1881 and #815E18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19815F shade: #19815F, #182681, #81183B and #817318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19815F shade: #19815F, #2A1881, #81183B and #6F8118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

Complementary color

CMYK 0 / 45 / 30 / 10

HEX #E67EA0

RGB 230 126 160

HSL 340.38, 0.68%, 0.7%

LAB 65.19, 43.87, -0.12

 

CMYK 77 / 0 / 30 / 49

HEX #1E815A

RGB 30 129 90

HSL 156.36, 0.62%, 0.31%

LAB 47.9, -37.58, 13.33

 

CMYK 68 / 0 / 26 / 42

HEX #2F936D

RGB 47 147 109

HSL 157.2, 0.52%, 0.38%

LAB 54.63, -38.11, 11.88

 

CMYK 61 / 0 / 22 / 35

HEX #40A580

RGB 64 165 128

HSL 158.02, 0.44%, 0.45%

LAB 61.27, -38.34, 10.59

 

CMYK 56 / 0 / 20 / 28

HEX #51B793

RGB 81 183 147

HSL 158.82, 0.41%, 0.52%

LAB 67.82, -38.4, 9.44

 

CMYK 51 / 0 / 17 / 21

HEX #62C9A6

RGB 98 201 166

HSL 159.61, 0.49%, 0.59%

LAB 74.27, -38.35, 8.4

 

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

CMYK 93 / 0 / 32 / 56

HEX #086F4C

RGB 8 111 76

HSL 159.61, 0.87%, 0.23%

LAB 41.12, -35.76, 12.12

 

CMYK 100 / 0 / 39 / 64

HEX #005D39

RGB 0 93 57

HSL 156.77, 1%, 0.18%

LAB 34.24, -33.64, 14.09

 

CMYK 100 / 0 / 49 / 71

HEX #004B26

RGB 0 75 38

HSL 150.4, 1%, 0.15%

LAB 27.22, -30.67, 16.33

 

CMYK 100 / 0 / 67 / 78

HEX #003913

RGB 0 57 19

HSL 140, 1%, 0.11%

LAB 19.94, -27.27, 18.64

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 81 / 0 / 49 / 49

HEX #188142

RGB 24 129 66

HSL 144, 0.69%, 0.3%

LAB 47.35, -43.4, 26.12

 

CMYK 81 / 0 / 71 / 49

HEX #188126

RGB 24 129 38

HSL 128, 0.69%, 0.3%

LAB 47.02, -47.37, 39.63

 

CMYK 70 / 0 / 81 / 49

HEX #278118

RGB 39 129 24

HSL 111.43, 0.69%, 0.3%

LAB 47.23, -45.92, 45.29

 

CMYK 48 / 0 / 81 / 49

HEX #438118

RGB 67 129 24

HSL 95.43, 0.69%, 0.3%

LAB 48.21, -38.15, 46.55

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 81 / 0 / 5 / 49

HEX #18817B

RGB 24 129 123

HSL 176.57, 0.69%, 0.3%

LAB 48.67, -29.29, -4.9

 

CMYK 81 / 18 / 0 / 49

HEX #186A81

RGB 24 106 129

HSL 193.14, 0.69%, 0.3%

LAB 41.35, -15.23, -19.53

 

CMYK 81 / 40 / 0 / 49

HEX #184E81

RGB 24 78 129

HSL 209.14, 0.69%, 0.3%

LAB 32.32, 1.94, -33.68

 

CMYK 81 / 61 / 0 / 49

HEX #183281

RGB 24 50 129

HSL 225.14, 0.69%, 0.3%

LAB 23.87, 21.3, -47.29

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 91 / 0 / 30 / 45

HEX #0C8D63

RGB 12 141 99

HSL 160.47, 0.84%, 0.3%

LAB 51.87, -42.21, 13.63

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 68 / 0 / 22 / 55

HEX #25745A

RGB 37 116 90

HSL 160.25, 0.52%, 0.3%

LAB 43.69, -30.61, 7.46

 

CMYK 53 / 0 / 17 / 59

HEX #316856

RGB 49 104 86

HSL 160.36, 0.36%, 0.3%

LAB 39.96, -23.02, 4.61

 

CMYK 32 / 0 / 10 / 64

HEX #3E5B52

RGB 62 91 82

HSL 161.38, 0.19%, 0.3%

LAB 36.21, -12.97, 1.74

 

CMYK 6 / 0 / 3 / 69

HEX #4A4F4D

RGB 74 79 77

HSL 156, 0.03%, 0.3%

LAB 33.1, -2.46, 0.48

 

CMYK 81 / 0 / 71 / 49

HEX #188126

RGB 24 129 38

HSL 128, 0.69%, 0.3%

LAB 47.02, -47.37, 39.63

 

CMYK 81 / 0 / 49 / 49

HEX #188142

RGB 24 129 66

HSL 144, 0.69%, 0.3%

LAB 47.35, -43.4, 26.12

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 81 / 0 / 5 / 49

HEX #18817A

RGB 24 129 122

HSL 176, 0.69%, 0.3%

LAB 48.64, -29.6, -4.36

 

CMYK 81 / 16 / 0 / 49

HEX #186C81

RGB 24 108 129

HSL 192, 0.69%, 0.3%

LAB 42.01, -16.36, -18.53

 

CMYK 81 / 0 / 25 / 77

HEX #0B3B2C

RGB 11 59 44

HSL 161.25, 0.69%, 0.14%

LAB 21.51, -20.13, 4.79

 

CMYK 81 / 0 / 27 / 63

HEX #125E45

RGB 18 94 69

HSL 160.26, 0.68%, 0.22%

LAB 35.13, -29.05, 8.03

 

CMYK 81 / 0 / 27 / 49

HEX #18815E

RGB 24 129 94

HSL 160, 0.69%, 0.3%

LAB 47.88, -37.39, 10.98

 

CMYK 81 / 0 / 26 / 36

HEX #1FA378

RGB 31 163 120

HSL 160.45, 0.68%, 0.38%

LAB 59.75, -44.49, 12.8

 

CMYK 81 / 0 / 27 / 22

HEX #26C691

RGB 38 198 145

HSL 160.13, 0.68%, 0.46%

LAB 71.45, -51.93, 15.51

 

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

CMYK 81 / 71 / 0 / 49

HEX #182681

RGB 24 38 129

HSL 232, 0.69%, 0.3%

LAB 20.69, 29.58, -52.5

 

CMYK 0 / 60 / 81 / 49

HEX #813418

RGB 129 52 24

HSL 16, 0.69%, 0.3%

LAB 32.23, 31.6, 33.16

 

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

CMYK 27 / 81 / 0 / 49

HEX #5E1881

RGB 94 24 129

HSL 280, 0.69%, 0.3%

LAB 25.62, 47.71, -44.15

 

CMYK 0 / 27 / 81 / 49

HEX #815E18

RGB 129 94 24

HSL 40, 0.69%, 0.3%

LAB 42.37, 7.49, 42.85

 

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

CMYK 81 / 71 / 0 / 49

HEX #182681

RGB 24 38 129

HSL 232, 0.69%, 0.3%

LAB 20.69, 29.58, -52.5

 

CMYK 0 / 81 / 54 / 49

HEX #81183B

RGB 129 24 59

HSL 340, 0.69%, 0.3%

LAB 28.48, 45.66, 6.58

 

CMYK 0 / 11 / 81 / 49

HEX #817318

RGB 129 115 24

HSL 52, 0.69%, 0.3%

LAB 48.25, -4.67, 48.2

 

CMYK 81 / 0 / 26 / 49

HEX #19815F

RGB 25 129 95

HSL 160.38, 0.68%, 0.3%

LAB 47.92, -37.02, 10.45

 

CMYK 67 / 81 / 0 / 49

HEX #2A1881

RGB 42 24 129

HSL 250.29, 0.69%, 0.3%

LAB 18.93, 39.78, -55.36

 

CMYK 0 / 81 / 54 / 49

HEX #81183B

RGB 129 24 59

HSL 340, 0.69%, 0.3%

LAB 28.48, 45.66, 6.58

 

CMYK 14 / 0 / 81 / 49

HEX #6F8118

RGB 111 129 24

HSL 70.29, 0.69%, 0.3%

LAB 50.86, -20.58, 49.96

 

Description

Color code: HEX #19815F | qconv.com Color code: HEX #19815F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 129 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 129 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 26 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 26% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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