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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1978FD it is the complementary color #E68702. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1978FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1978FD shade: #1E78F8, #2F8AFF, #409CFF, #51AEFF and #62C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1978FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1978FD shade: #1978FD, #0866EA, #0054D7, #0042C4 and #0030B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1978FD shade: #1C7AFD, #1C3DFD, #371CFD, #741CFD and #B11CFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1978FD shade: #1C7AFD, #1C3DFD and #1C1CFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1978FD shade matches the following richer shades: #1C7AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1978FD shade: #1C7AFD, #2E7DEA, #4180D8, #5383C5 and #6686B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1978FD shade: #1CF1FD, #1CB5FD, #1C7AFD, #1C3EFD and #361CFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1978FD shade: #0253C4, #0264ED, #1C7AFD, #4592FD and #6DAAFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1978FD shade: #1978FD, #CC1CFD and #D3FD1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1978FD shade: #1978FD, #FD1C7A and #7AFD1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1978FD shade: #1978FD, #CC1CFD, #FD9F1C and #4DFD1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1978FD shade: #1978FD, #FD1CEA, #FD9F1C and #1CFD2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

Complementary color

CMYK 0 / 41 / 99 / 10

HEX #E68702

RGB 230 135 2

HSL 35, 0.98%, 0.45%

LAB 65.09, 29.23, 70.79

 

CMYK 88 / 52 / 0 / 3

HEX #1E78F8

RGB 30 120 248

HSL 215.23, 0.94%, 0.55%

LAB 52.38, 22.13, -70.82

 

CMYK 82 / 46 / 0 / 0

HEX #2F8AFF

RGB 47 138 255

HSL 213.75, 1%, 0.59%

LAB 58.04, 14.79, -65.54

 

CMYK 75 / 39 / 0 / 0

HEX #409CFF

RGB 64 156 255

HSL 211.1, 1%, 0.63%

LAB 63.41, 5.72, -56.91

 

CMYK 68 / 32 / 0 / 0

HEX #51AEFF

RGB 81 174 255

HSL 207.93, 1%, 0.66%

LAB 68.93, -2.37, -48.15

 

CMYK 62 / 25 / 0 / 0

HEX #62C0FF

RGB 98 192 255

HSL 204.08, 1%, 0.69%

LAB 74.52, -9.52, -39.35

 

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

CMYK 97 / 56 / 0 / 8

HEX #0866EA

RGB 8 102 234

HSL 215.04, 0.93%, 0.47%

LAB 46.3, 27.36, -72.89

 

CMYK 100 / 61 / 0 / 16

HEX #0054D7

RGB 0 84 215

HSL 216.56, 1%, 0.42%

LAB 39.99, 31.44, -72.42

 

CMYK 100 / 66 / 0 / 23

HEX #0042C4

RGB 0 66 196

HSL 219.8, 1%, 0.38%

LAB 33.74, 35.84, -71.69

 

CMYK 100 / 73 / 0 / 31

HEX #0030B1

RGB 0 48 177

HSL 223.73, 1%, 0.35%

LAB 27.54, 40.16, -70.68

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 89 / 76 / 0 / 1

HEX #1C3DFD

RGB 28 61 253

HSL 231.2, 0.98%, 0.55%

LAB 39.03, 59.59, -95.52

 

CMYK 78 / 89 / 0 / 1

HEX #371CFD

RGB 55 28 253

HSL 247.2, 0.98%, 0.55%

LAB 35.47, 74.16, -101.41

 

CMYK 54 / 89 / 0 / 1

HEX #741CFD

RGB 116 28 253

HSL 263.47, 0.98%, 0.55%

LAB 40.63, 77.74, -92.69

 

CMYK 30 / 89 / 0 / 1

HEX #B11CFD

RGB 177 28 253

HSL 279.73, 0.98%, 0.55%

LAB 48.6, 84.25, -79.3

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 89 / 76 / 0 / 1

HEX #1C3DFD

RGB 28 61 253

HSL 231.2, 0.98%, 0.55%

LAB 39.03, 59.59, -95.52

 

CMYK 89 / 89 / 0 / 1

HEX #1C1CFD

RGB 28 28 253

HSL 240, 0.98%, 0.55%

LAB 34.33, 73.46, -103.33

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 80 / 47 / 0 / 8

HEX #2E7DEA

RGB 46 125 234

HSL 214.79, 0.82%, 0.55%

LAB 53.16, 14.9, -61.76

 

CMYK 70 / 41 / 0 / 15

HEX #4180D8

RGB 65 128 216

HSL 214.97, 0.66%, 0.55%

LAB 53.51, 8.73, -51.06

 

CMYK 58 / 34 / 0 / 23

HEX #5383C5

RGB 83 131 197

HSL 214.74, 0.5%, 0.55%

LAB 54.14, 3.57, -39.26

 

CMYK 43 / 25 / 0 / 30

HEX #6686B2

RGB 102 134 178

HSL 214.74, 0.33%, 0.55%

LAB 55.16, 0.44, -26.73

 

CMYK 89 / 5 / 0 / 1

HEX #1CF1FD

RGB 28 241 253

HSL 183.2, 0.98%, 0.55%

LAB 87.12, -41.76, -19.09

 

CMYK 89 / 28 / 0 / 1

HEX #1CB5FD

RGB 28 181 253

HSL 199.2, 0.98%, 0.55%

LAB 69.74, -12.12, -45.85

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 89 / 75 / 0 / 1

HEX #1C3EFD

RGB 28 62 253

HSL 230.93, 0.98%, 0.55%

LAB 39.21, 59.06, -95.21

 

CMYK 79 / 89 / 0 / 1

HEX #361CFD

RGB 54 28 253

HSL 246.93, 0.98%, 0.55%

LAB 35.41, 74.12, -101.5

 

CMYK 99 / 58 / 0 / 23

HEX #0253C4

RGB 2 83 196

HSL 214.95, 0.98%, 0.39%

LAB 38.17, 24.66, -64.42

 

CMYK 99 / 58 / 0 / 7

HEX #0264ED

RGB 2 100 237

HSL 214.98, 0.98%, 0.47%

LAB 45.96, 29.66, -75.14

 

CMYK 89 / 52 / 0 / 1

HEX #1C7AFD

RGB 28 122 253

HSL 214.93, 0.98%, 0.55%

LAB 53.23, 22.67, -72.22

 

CMYK 73 / 42 / 0 / 1

HEX #4592FD

RGB 69 146 253

HSL 214.89, 0.98%, 0.63%

LAB 60.71, 11.54, -60.13

 

CMYK 57 / 33 / 0 / 0

HEX #6DAAFE

RGB 109 170 254

HSL 214.76, 0.99%, 0.71%

LAB 68.86, 4.38, -47.63

 

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

CMYK 19 / 89 / 0 / 1

HEX #CC1CFD

RGB 204 28 253

HSL 286.93, 0.98%, 0.55%

LAB 52.69, 87.92, -72.46

 

CMYK 17 / 0 / 89 / 1

HEX #D3FD1C

RGB 211 253 28

HSL 71.2, 0.98%, 0.55%

LAB 93.53, -38.02, 87.73

 

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

CMYK 0 / 89 / 52 / 1

HEX #FD1C7A

RGB 253 28 122

HSL 334.93, 0.98%, 0.55%

LAB 55.19, 81.19, 8.06

 

CMYK 52 / 0 / 89 / 1

HEX #7AFD1C

RGB 122 253 28

HSL 94.93, 0.98%, 0.55%

LAB 89.15, -68.3, 82.33

 

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

CMYK 19 / 89 / 0 / 1

HEX #CC1CFD

RGB 204 28 253

HSL 286.93, 0.98%, 0.55%

LAB 52.69, 87.92, -72.46

 

CMYK 0 / 37 / 89 / 1

HEX #FD9F1C

RGB 253 159 28

HSL 34.93, 0.98%, 0.55%

LAB 73.39, 26.54, 73.5

 

CMYK 70 / 0 / 89 / 1

HEX #4DFD1C

RGB 77 253 28

HSL 106.93, 0.98%, 0.55%

LAB 87.93, -78.34, 80.81

 

CMYK 90 / 53 / 0 / 1

HEX #1978FD

RGB 25 120 253

HSL 215, 0.98%, 0.55%

LAB 52.65, 23.78, -73.16

 

CMYK 0 / 89 / 8 / 1

HEX #FD1CEA

RGB 253 28 234

HSL 305.07, 0.98%, 0.55%

LAB 59.57, 92.85, -50.35

 

CMYK 0 / 37 / 89 / 1

HEX #FD9F1C

RGB 253 159 28

HSL 34.93, 0.98%, 0.55%

LAB 73.39, 26.54, 73.5

 

CMYK 89 / 0 / 81 / 1

HEX #1CFD2F

RGB 28 253 47

HSL 125.07, 0.98%, 0.55%

LAB 87.34, -83.28, 76.2

 

Description

Color code: HEX #1978FD | qconv.com Color code: HEX #1978FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 120 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 120 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 53 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 53% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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