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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1978EC3F it is the complementary color #E687133F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1978EC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1978EC3F shade: #1E78E73F, #2F8AFA3F, #409CFF3F, #51AEFF3F and #62C0FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1978EC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1978EC3F shade: #1978EC3F, #0866D93F, #0054C63F, #0042B33F and #0030A03F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1978EC3F shade: #1877EC, #183EEC, #2B18EC, #6418EC and #9D18EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1978EC3F shade: #1877EC, #183EEC and #1818EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1978EC3F shade matches the following richer shades: #1877EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1978EC3F shade: #1877EC, #2C79D8, #407BC4, #547EB0 and #69809B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1978EC3F shade: #18ECEC, #18B4EC, #187BEC, #1842EC and #2618EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1978EC3F shade: #0D51A4, #1064CA, #1877EC, #3E8EEF and #64A4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1978EC3F shade: #1978EC, #B418EC and #D0EC18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1978EC3F shade: #1978EC, #EC187B and #7BEC18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1978EC3F shade: #1978EC, #B418EC, #EC8918 and #50EC18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1978EC3F shade: #1978EC, #EC18E5, #EC8918 and #18EC1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 12 / 0 / 2

HEX #1978EC3F

RGBA 25 120 236 0.25

HSLA 212.99, 0.85%, 0.51%, 0.25

LABA 51.49, 17.28, -65.59, 0.25

 

Complementary color

CMYK 0 / 10 / 23 / 2

HEX #E687133F

RGBA 230 135 19 0.25

HSLA 32.99, 0.85%, 0.49%, 0.25

LABA 65.12, 29.41, 68.08, 0.25

 

CMYK 22 / 12 / 0 / 2

HEX #1E78E73F

RGBA 30 120 231 0.25

HSLA 213.13, 0.81%, 0.51%, 0.25

LABA 51.24, 15.64, -63.19, 0.25

 

CMYK 20 / 11 / 0 / 0

HEX #2F8AFA3F

RGBA 47 138 250 0.25

HSLA 213.1, 0.95%, 0.58%, 0.25

LABA 57.74, 12.94, -63.27, 0.25

 

CMYK 19 / 10 / 0 / 0

HEX #409CFF3F

RGBA 64 156 255 0.25

HSLA 211.1, 1%, 0.63%, 0.25

LABA 63.41, 5.72, -56.91, 0.25

 

CMYK 17 / 8 / 0 / 0

HEX #51AEFF3F

RGBA 81 174 255 0.25

HSLA 207.93, 1%, 0.66%, 0.25

LABA 68.93, -2.37, -48.15, 0.25

 

CMYK 15 / 6 / 0 / 0

HEX #62C0FF3F

RGBA 98 192 255 0.25

HSLA 204.08, 1%, 0.69%, 0.25

LABA 74.52, -9.52, -39.35, 0.25

 

CMYK 22 / 12 / 0 / 2

HEX #1978EC3F

RGBA 25 120 236 0.25

HSLA 212.99, 0.85%, 0.51%, 0.25

LABA 51.49, 17.28, -65.59, 0.25

 

CMYK 24 / 13 / 0 / 4

HEX #0866D93F

RGBA 8 102 217 0.25

HSLA 213.01, 0.93%, 0.44%, 0.25

LABA 45.03, 20.71, -65.34, 0.25

 

CMYK 25 / 14 / 0 / 6

HEX #0054C63F

RGBA 0 84 198 0.25

HSLA 214.55, 1%, 0.39%, 0.25

LABA 38.58, 24.73, -64.92, 0.25

 

CMYK 25 / 16 / 0 / 7

HEX #0042B33F

RGBA 0 66 179 0.25

HSLA 217.88, 1%, 0.35%, 0.25

LABA 32.15, 29.17, -64.28, 0.25

 

CMYK 25 / 18 / 0 / 9

HEX #0030A03F

RGBA 0 48 160 0.25

HSLA 222, 1%, 0.31%, 0.25

LABA 25.72, 33.7, -63.44, 0.25

 

CMYK 90 / 50 / 0 / 7

HEX #1877EC

RGB 24 119 236

HSL 213.11, 0.85%, 0.51%

LAB 51.2, 17.86, -66.05

 

CMYK 90 / 74 / 0 / 7

HEX #183EEC

RGB 24 62 236

HSL 229.25, 0.85%, 0.51%

LAB 37.29, 53.33, -88.83

 

CMYK 82 / 90 / 0 / 7

HEX #2B18EC

RGB 43 24 236

HSL 245.38, 0.85%, 0.51%

LAB 32.31, 70.49, -97.09

 

CMYK 58 / 90 / 0 / 7

HEX #6418EC

RGB 100 24 236

HSL 261.51, 0.85%, 0.51%

LAB 36.78, 73.44, -89.54

 

CMYK 33 / 90 / 0 / 7

HEX #9D18EC

RGB 157 24 236

HSL 277.64, 0.85%, 0.51%

LAB 44.06, 79.17, -77.29

 

CMYK 90 / 50 / 0 / 7

HEX #1877EC

RGB 24 119 236

HSL 213.11, 0.85%, 0.51%

LAB 51.2, 17.86, -66.05

 

CMYK 90 / 74 / 0 / 7

HEX #183EEC

RGB 24 62 236

HSL 229.25, 0.85%, 0.51%

LAB 37.29, 53.33, -88.83

 

CMYK 90 / 90 / 0 / 7

HEX #1818EC

RGB 24 24 236

HSL 240, 0.85%, 0.51%

LAB 31.59, 70.06, -98.32

 

CMYK 90 / 50 / 0 / 7

HEX #1877EC

RGB 24 119 236

HSL 213.11, 0.85%, 0.51%

LAB 51.2, 17.86, -66.05

 

CMYK 90 / 50 / 0 / 7

HEX #1877EC

RGB 24 119 236

HSL 213.11, 0.85%, 0.51%

LAB 51.2, 17.86, -66.05

 

CMYK 80 / 44 / 0 / 15

HEX #2C79D8

RGB 44 121 216

HSL 213.14, 0.69%, 0.51%

LAB 50.88, 10.44, -55.3

 

CMYK 67 / 37 / 0 / 23

HEX #407BC4

RGB 64 123 196

HSL 213.18, 0.53%, 0.51%

LAB 50.97, 4.52, -43.75

 

CMYK 52 / 28 / 0 / 31

HEX #547EB0

RGB 84 126 176

HSL 212.61, 0.37%, 0.51%

LAB 51.77, 0, -30.93

 

CMYK 32 / 17 / 0 / 39

HEX #69809B

RGB 105 128 155

HSL 212.4, 0.2%, 0.51%

LAB 52.74, -1.59, -17.17

 

CMYK 90 / 0 / 0 / 7

HEX #18ECEC

RGB 24 236 236

HSL 180, 0.85%, 0.51%

LAB 85.12, -44.69, -13.18

 

CMYK 90 / 24 / 0 / 7

HEX #18B4EC

RGB 24 180 236

HSL 195.85, 0.85%, 0.51%

LAB 68.67, -17.72, -38.3

 

CMYK 90 / 48 / 0 / 7

HEX #187BEC

RGB 24 123 236

HSL 211.98, 0.85%, 0.51%

LAB 52.3, 15.34, -64.27

 

CMYK 90 / 72 / 0 / 7

HEX #1842EC

RGB 24 66 236

HSL 228.11, 0.85%, 0.51%

LAB 38.1, 51.05, -87.48

 

CMYK 84 / 90 / 0 / 7

HEX #2618EC

RGB 38 24 236

HSL 243.96, 0.85%, 0.51%

LAB 32.08, 70.35, -97.48

 

CMYK 92 / 51 / 0 / 36

HEX #0D51A4

RGB 13 81 164

HSL 212.98, 0.85%, 0.35%

LAB 35.3, 13.4, -50.19

 

CMYK 92 / 50 / 0 / 21

HEX #1064CA

RGB 16 100 202

HSL 212.9, 0.85%, 0.43%

LAB 43.49, 16.34, -59.25

 

CMYK 90 / 50 / 0 / 7

HEX #1877EC

RGB 24 119 236

HSL 213.11, 0.85%, 0.51%

LAB 51.2, 17.86, -66.05

 

CMYK 74 / 41 / 0 / 6

HEX #3E8EEF

RGB 62 142 239

HSL 212.88, 0.85%, 0.59%

LAB 58.6, 8.08, -55.79

 

CMYK 59 / 32 / 0 / 5

HEX #64A4F2

RGB 100 164 242

HSL 212.96, 0.85%, 0.67%

LAB 66.27, 2.26, -45.21

 

CMYK 89 / 49 / 0 / 7

HEX #1978EC

RGB 25 120 236

HSL 212.99, 0.85%, 0.51%

LAB 51.49, 17.28, -65.59

 

CMYK 24 / 90 / 0 / 7

HEX #B418EC

RGB 180 24 236

HSL 284.15, 0.85%, 0.51%

LAB 47.51, 82.18, -71.51

 

CMYK 12 / 0 / 90 / 7

HEX #D0EC18

RGB 208 236 24

HSL 67.92, 0.85%, 0.51%

LAB 88.67, -31.57, 84.35

 

CMYK 89 / 49 / 0 / 7

HEX #1978EC

RGB 25 120 236

HSL 212.99, 0.85%, 0.51%

LAB 51.49, 17.28, -65.59

 

CMYK 0 / 90 / 48 / 7

HEX #EC187B

RGB 236 24 123

HSL 331.98, 0.85%, 0.51%

LAB 51.74, 77.94, 2.07

 

CMYK 48 / 0 / 90 / 7

HEX #7BEC18

RGB 123 236 24

HSL 91.98, 0.85%, 0.51%

LAB 84.11, -62.09, 78.75

 

CMYK 89 / 49 / 0 / 7

HEX #1978EC

RGB 25 120 236

HSL 212.99, 0.85%, 0.51%

LAB 51.49, 17.28, -65.59

 

CMYK 24 / 90 / 0 / 7

HEX #B418EC

RGB 180 24 236

HSL 284.15, 0.85%, 0.51%

LAB 47.51, 82.18, -71.51

 

CMYK 0 / 42 / 90 / 7

HEX #EC8918

RGB 236 137 24

HSL 31.98, 0.85%, 0.51%

LAB 66.36, 30.92, 68.21

 

CMYK 66 / 0 / 90 / 7

HEX #50EC18

RGB 80 236 24

HSL 104.15, 0.85%, 0.51%

LAB 82.79, -72.73, 77.11

 

CMYK 89 / 49 / 0 / 7

HEX #1978EC

RGB 25 120 236

HSL 212.99, 0.85%, 0.51%

LAB 51.49, 17.28, -65.59

 

CMYK 0 / 90 / 3 / 7

HEX #EC18E5

RGB 236 24 229

HSL 301.98, 0.85%, 0.51%

LAB 56.23, 89.75, -53.03

 

CMYK 0 / 42 / 90 / 7

HEX #EC8918

RGB 236 137 24

HSL 31.98, 0.85%, 0.51%

LAB 66.36, 30.92, 68.21

 

CMYK 90 / 0 / 87 / 7

HEX #18EC1F

RGB 24 236 31

HSL 121.98, 0.85%, 0.51%

LAB 81.99, -79.62, 74.91

 

Description

Color code: HEX #1978EC3F | qconv.com Color code: HEX #1978EC3F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 120 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 120 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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