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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1976CE it is the complementary color #E68931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1976CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1976CE shade: #1E76C9, #2F88DC, #409AEF, #51ACFF and #62BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1976CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1976CE shade: #1976CE, #0864BB, #0052A8, #004095 and #002E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1976CE shade: #1975CC, #1945CC, #1E19CC, #4E19CC and #7E19CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1976CE shade: #1975CC, #1945CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1976CE shade matches the following richer shades: #1975CC and #0776DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1976CE shade: #1975CC, #2C75BA, #3E74A7, #517495 and #647382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1976CE shade: #19CCC3, #19A5CC, #1976CC, #1946CC and #1C19CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1976CE shade: #104B83, #1560A8, #1975CC, #2A8AE5 and #4F9EE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1976CE shade: #1976CE, #9419CC and #BDCC19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1976CE shade: #1976CE, #CC1976 and #76CC19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1976CE shade: #1976CE, #9419CC, #CC7019 and #52CC19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1976CE shade: #1976CE, #C919CC, #CC7019 and #1CCC19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

Complementary color

CMYK 0 / 40 / 79 / 10

HEX #E68931

RGB 230 137 49

HSL 29.17, 0.78%, 0.55%

LAB 65.7, 29.09, 59.14

 

CMYK 85 / 41 / 0 / 21

HEX #1E76C9

RGB 30 118 201

HSL 209.12, 0.74%, 0.45%

LAB 48.82, 5.35, -50.08

 

CMYK 79 / 38 / 0 / 14

HEX #2F88DC

RGB 47 136 220

HSL 209.13, 0.71%, 0.52%

LAB 55.46, 3.08, -50.24

 

CMYK 73 / 36 / 0 / 6

HEX #409AEF

RGB 64 154 239

HSL 209.14, 0.85%, 0.59%

LAB 62.03, 1.25, -50.34

 

CMYK 68 / 33 / 0 / 0

HEX #51ACFF

RGB 81 172 255

HSL 208.62, 1%, 0.66%

LAB 68.37, -1.24, -49.02

 

CMYK 62 / 25 / 0 / 0

HEX #62BEFF

RGB 98 190 255

HSL 204.84, 1%, 0.69%

LAB 73.96, -8.44, -40.22

 

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

CMYK 96 / 47 / 0 / 27

HEX #0864BB

RGB 8 100 187

HSL 209.16, 0.92%, 0.38%

LAB 42.39, 10.01, -52.34

 

CMYK 100 / 51 / 0 / 34

HEX #0052A8

RGB 0 82 168

HSL 210.71, 1%, 0.33%

LAB 35.72, 13.79, -51.92

 

CMYK 100 / 57 / 0 / 42

HEX #004095

RGB 0 64 149

HSL 214.23, 1%, 0.29%

LAB 29, 18.18, -51.36

 

CMYK 100 / 65 / 0 / 49

HEX #002E82

RGB 0 46 130

HSL 218.77, 1%, 0.25%

LAB 22.18, 22.86, -50.71

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 88 / 66 / 0 / 20

HEX #1945CC

RGB 25 69 204

HSL 225.25, 0.78%, 0.45%

LAB 35.64, 37.82, -73.2

 

CMYK 85 / 88 / 0 / 20

HEX #1E19CC

RGB 30 25 204

HSL 241.68, 0.78%, 0.45%

LAB 27.66, 61.13, -86.42

 

CMYK 62 / 88 / 0 / 20

HEX #4E19CC

RGB 78 25 204

HSL 257.77, 0.78%, 0.45%

LAB 31.05, 63.66, -80.68

 

CMYK 38 / 88 / 0 / 20

HEX #7E19CC

RGB 126 25 204

HSL 273.85, 0.78%, 0.45%

LAB 36.91, 68.59, -70.82

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 88 / 66 / 0 / 20

HEX #1945CC

RGB 25 69 204

HSL 225.25, 0.78%, 0.45%

LAB 35.64, 37.82, -73.2

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 97 / 47 / 0 / 13

HEX #0776DF

RGB 7 118 223

HSL 209.17, 0.94%, 0.45%

LAB 49.89, 12.8, -60.88

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 76 / 37 / 0 / 27

HEX #2C75BA

RGB 44 117 186

HSL 209.15, 0.62%, 0.45%

LAB 48.01, 1.67, -42.73

 

CMYK 63 / 31 / 0 / 35

HEX #3E74A7

RGB 62 116 167

HSL 209.14, 0.46%, 0.45%

LAB 47.37, -1.72, -32.66

 

CMYK 46 / 22 / 0 / 42

HEX #517495

RGB 81 116 149

HSL 209.12, 0.3%, 0.45%

LAB 47.51, -3.16, -21.8

 

CMYK 23 / 12 / 0 / 49

HEX #647382

RGB 100 115 130

HSL 210, 0.13%, 0.45%

LAB 47.73, -2.02, -10.1

 

CMYK 88 / 0 / 4 / 20

HEX #19CCC3

RGB 25 204 195

HSL 176.98, 0.78%, 0.45%

LAB 74.4, -42.39, -7.27

 

CMYK 88 / 19 / 0 / 20

HEX #19A5CC

RGB 25 165 204

HSL 193.07, 0.78%, 0.45%

LAB 62.91, -20.81, -29.63

 

CMYK 88 / 42 / 0 / 20

HEX #1976CC

RGB 25 118 204

HSL 208.83, 0.78%, 0.45%

LAB 48.91, 6.15, -51.66

 

CMYK 88 / 66 / 0 / 20

HEX #1946CC

RGB 25 70 204

HSL 224.92, 0.78%, 0.45%

LAB 35.88, 37.19, -72.81

 

CMYK 86 / 88 / 0 / 20

HEX #1C19CC

RGB 28 25 204

HSL 241.01, 0.78%, 0.45%

LAB 27.58, 61.07, -86.55

 

CMYK 88 / 43 / 0 / 49

HEX #104B83

RGB 16 75 131

HSL 209.22, 0.78%, 0.29%

LAB 31.3, 3.94, -36.55

 

CMYK 88 / 43 / 0 / 34

HEX #1560A8

RGB 21 96 168

HSL 209.39, 0.78%, 0.37%

LAB 40.17, 5.63, -44.74

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 82 / 40 / 0 / 10

HEX #2A8AE5

RGB 42 138 229

HSL 209.2, 0.78%, 0.53%

LAB 56.41, 4.72, -53.76

 

CMYK 66 / 32 / 0 / 9

HEX #4F9EE9

RGB 79 158 233

HSL 209.22, 0.78%, 0.61%

LAB 63.34, -0.96, -44.93

 

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

CMYK 27 / 88 / 0 / 20

HEX #9419CC

RGB 148 25 204

HSL 281.23, 0.78%, 0.45%

LAB 40.17, 71.55, -65.37

 

CMYK 7 / 0 / 88 / 20

HEX #BDCC19

RGB 189 204 25

HSL 65.03, 0.78%, 0.45%

LAB 78.51, -24.25, 75.49

 

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

CMYK 0 / 88 / 42 / 20

HEX #CC1976

RGB 204 25 118

HSL 328.83, 0.78%, 0.45%

LAB 45.42, 70.02, -4.89

 

CMYK 42 / 0 / 88 / 20

HEX #76CC19

RGB 118 204 25

HSL 88.83, 0.78%, 0.45%

LAB 74.26, -51.51, 70.24

 

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

CMYK 27 / 88 / 0 / 20

HEX #9419CC

RGB 148 25 204

HSL 281.23, 0.78%, 0.45%

LAB 40.17, 71.55, -65.37

 

CMYK 0 / 45 / 88 / 20

HEX #CC7019

RGB 204 112 25

HSL 29.16, 0.78%, 0.45%

LAB 56.58, 30.85, 58.54

 

CMYK 60 / 0 / 88 / 20

HEX #52CC19

RGB 82 204 25

HSL 100.89, 0.78%, 0.45%

LAB 72.92, -61.88, 68.57

 

CMYK 88 / 43 / 0 / 19

HEX #1976CE

RGB 25 118 206

HSL 209.17, 0.78%, 0.45%

LAB 49.03, 6.93, -52.61

 

CMYK 1 / 88 / 0 / 20

HEX #C919CC

RGB 201 25 204

HSL 298.99, 0.78%, 0.45%

LAB 48.85, 79.99, -50.91

 

CMYK 0 / 45 / 88 / 20

HEX #CC7019

RGB 204 112 25

HSL 29.16, 0.78%, 0.45%

LAB 56.58, 30.85, 58.54

 

CMYK 86 / 0 / 88 / 20

HEX #1CCC19

RGB 28 204 25

HSL 118.99, 0.78%, 0.45%

LAB 71.89, -70.72, 67.28

 

Description

Color code: HEX #1976CE | qconv.com Color code: HEX #1976CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 118 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 118 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 43 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 43% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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