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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #197251 it is the complementary color #E68DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #197251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #197251 shade: #1E724C, #2F845F, #409672, #51A885 and #62BA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #197251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #197251 shade: #197251, #08603E, #004E2B, #003C18 and #002A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #197251 shade: #197150, #197138, #197121, #297119 and #407119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #197251 shade: #197150, #197168, #196271, #194A71 and #193371

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #197251 shade matches the following richer shades: #197150, #0E7C53 and #038756

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #197251 shade: #197150, #24664D, #2F5B4A, #3A4F48 and #454445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #197251 shade: #197120, #197138, #19714F, #197167 and #196471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #197251 shade: #0A2D20, #114F38, #197150, #209368 and #28B580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #197251 shade: #197251, #192971 and #712C19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #197251 shade: #197251, #4F1971 and #714F19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #197251 shade: #197251, #192971, #71193B and #716119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #197251 shade: #197251, #231971, #71193B and #677119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

Complementary color

CMYK 0 / 39 / 24 / 10

HEX #E68DAE

RGB 230 141 174

HSL 337.75, 0.64%, 0.73%

LAB 68.7, 38, -2.87

 

CMYK 74 / 0 / 33 / 55

HEX #1E724C

RGB 30 114 76

HSL 152.86, 0.58%, 0.28%

LAB 42.51, -34.39, 14.08

 

CMYK 64 / 0 / 28 / 48

HEX #2F845F

RGB 47 132 95

HSL 153.88, 0.47%, 0.35%

LAB 49.41, -34.74, 12.61

 

CMYK 57 / 0 / 24 / 41

HEX #409672

RGB 64 150 114

HSL 154.88, 0.4%, 0.42%

LAB 56.21, -34.82, 11.32

 

CMYK 52 / 0 / 21 / 34

HEX #51A885

RGB 81 168 133

HSL 155.86, 0.35%, 0.49%

LAB 62.88, -34.76, 10.17

 

CMYK 47 / 0 / 18 / 27

HEX #62BA98

RGB 98 186 152

HSL 156.82, 0.39%, 0.56%

LAB 69.46, -34.61, 9.13

 

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

CMYK 92 / 0 / 35 / 62

HEX #08603E

RGB 8 96 62

HSL 156.82, 0.85%, 0.2%

LAB 35.53, -32.87, 12.83

 

CMYK 100 / 0 / 45 / 69

HEX #004E2B

RGB 0 78 43

HSL 153.08, 1%, 0.15%

LAB 28.44, -30.77, 14.87

 

CMYK 100 / 0 / 60 / 76

HEX #003C18

RGB 0 60 24

HSL 144, 1%, 0.12%

LAB 21.2, -27.54, 17.21

 

CMYK 100 / 0 / 88 / 84

HEX #002A05

RGB 0 42 5

HSL 127.14, 1%, 0.08%

LAB 13.63, -23.72, 17.49

 

CMYK 78 / 0 / 29 / 56

HEX #197150

RGB 25 113 80

HSL 157.5, 0.64%, 0.27%

LAB 42.15, -33.79, 11.2

 

CMYK 78 / 0 / 50 / 56

HEX #197138

RGB 25 113 56

HSL 141.14, 0.64%, 0.27%

LAB 41.69, -38.89, 24.45

 

CMYK 78 / 0 / 71 / 56

HEX #197121

RGB 25 113 33

HSL 125.45, 0.64%, 0.27%

LAB 41.42, -42.18, 35.81

 

CMYK 64 / 0 / 78 / 56

HEX #297119

RGB 41 113 25

HSL 109.09, 0.64%, 0.27%

LAB 41.77, -39.47, 39.64

 

CMYK 43 / 0 / 78 / 56

HEX #407119

RGB 64 113 25

HSL 93.41, 0.64%, 0.27%

LAB 42.72, -32.21, 40.89

 

CMYK 78 / 0 / 29 / 56

HEX #197150

RGB 25 113 80

HSL 157.5, 0.64%, 0.27%

LAB 42.15, -33.79, 11.2

 

CMYK 78 / 0 / 8 / 56

HEX #197168

RGB 25 113 104

HSL 173.86, 0.64%, 0.27%

LAB 42.79, -27.16, -2.27

 

CMYK 78 / 13 / 0 / 56

HEX #196271

RGB 25 98 113

HSL 190.23, 0.64%, 0.27%

LAB 38.08, -16.31, -14.81

 

CMYK 78 / 35 / 0 / 56

HEX #194A71

RGB 25 74 113

HSL 206.59, 0.64%, 0.27%

LAB 30.15, -1.72, -27.13

 

CMYK 78 / 55 / 0 / 56

HEX #193371

RGB 25 51 113

HSL 222.27, 0.64%, 0.27%

LAB 22.88, 14.15, -38.74

 

CMYK 78 / 0 / 29 / 56

HEX #197150

RGB 25 113 80

HSL 157.5, 0.64%, 0.27%

LAB 42.15, -33.79, 11.2

 

CMYK 89 / 0 / 33 / 51

HEX #0E7C53

RGB 14 124 83

HSL 157.64, 0.8%, 0.27%

LAB 45.82, -38.97, 14.48

 

CMYK 98 / 0 / 36 / 47

HEX #038756

RGB 3 135 86

HSL 157.73, 0.96%, 0.27%

LAB 49.52, -43.41, 17.79

 

CMYK 78 / 0 / 29 / 56

HEX #197150

RGB 25 113 80

HSL 157.5, 0.64%, 0.27%

LAB 42.15, -33.79, 11.2

 

CMYK 65 / 0 / 25 / 60

HEX #24664D

RGB 36 102 77

HSL 157.27, 0.48%, 0.27%

LAB 38.57, -27.48, 8.05

 

CMYK 48 / 0 / 19 / 64

HEX #2F5B4A

RGB 47 91 74

HSL 156.82, 0.32%, 0.27%

LAB 35.16, -19.81, 5.11

 

CMYK 27 / 0 / 9 / 69

HEX #3A4F48

RGB 58 79 72

HSL 160, 0.15%, 0.27%

LAB 31.71, -9.83, 1.49

 

CMYK 0 / 1 / 0 / 73

HEX #454445

RGB 69 68 69

HSL 300, 0.01%, 0.27%

LAB 28.98, 0.64, -0.46

 

CMYK 78 / 0 / 72 / 56

HEX #197120

RGB 25 113 32

HSL 124.77, 0.64%, 0.27%

LAB 41.41, -42.28, 36.25

 

CMYK 78 / 0 / 50 / 56

HEX #197138

RGB 25 113 56

HSL 141.14, 0.64%, 0.27%

LAB 41.69, -38.89, 24.45

 

CMYK 78 / 0 / 30 / 56

HEX #19714F

RGB 25 113 79

HSL 156.82, 0.64%, 0.27%

LAB 42.13, -34.03, 11.76

 

CMYK 78 / 0 / 9 / 56

HEX #197167

RGB 25 113 103

HSL 173.18, 0.64%, 0.27%

LAB 42.76, -27.46, -1.71

 

CMYK 78 / 12 / 0 / 56

HEX #196471

RGB 25 100 113

HSL 188.86, 0.64%, 0.27%

LAB 38.75, -17.42, -13.79

 

CMYK 78 / 0 / 29 / 82

HEX #0A2D20

RGB 10 45 32

HSL 157.71, 0.64%, 0.11%

LAB 15.72, -16.43, 4.79

 

CMYK 78 / 0 / 29 / 69

HEX #114F38

RGB 17 79 56

HSL 157.74, 0.65%, 0.19%

LAB 29.4, -25.63, 8.12

 

CMYK 78 / 0 / 29 / 56

HEX #197150

RGB 25 113 80

HSL 157.5, 0.64%, 0.27%

LAB 42.15, -33.79, 11.2

 

CMYK 78 / 0 / 29 / 42

HEX #209368

RGB 32 147 104

HSL 157.57, 0.64%, 0.35%

LAB 54.21, -41.58, 14.07

 

CMYK 78 / 0 / 29 / 29

HEX #28B580

RGB 40 181 128

HSL 157.45, 0.64%, 0.43%

LAB 65.79, -48.88, 16.84

 

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

CMYK 78 / 64 / 0 / 56

HEX #192971

RGB 25 41 113

HSL 229.09, 0.64%, 0.27%

LAB 19.98, 21.31, -43.45

 

CMYK 0 / 61 / 78 / 56

HEX #712C19

RGB 113 44 25

HSL 12.95, 0.64%, 0.27%

LAB 27.8, 29.3, 27.11

 

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

CMYK 30 / 78 / 0 / 56

HEX #4F1971

RGB 79 25 113

HSL 276.82, 0.64%, 0.27%

LAB 22.12, 40.7, -39.73

 

CMYK 0 / 30 / 78 / 56

HEX #714F19

RGB 113 79 25

HSL 36.82, 0.64%, 0.27%

LAB 36.32, 8.82, 35.93

 

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

CMYK 78 / 64 / 0 / 56

HEX #192971

RGB 25 41 113

HSL 229.09, 0.64%, 0.27%

LAB 19.98, 21.31, -43.45

 

CMYK 0 / 78 / 48 / 56

HEX #71193B

RGB 113 25 59

HSL 336.82, 0.64%, 0.27%

LAB 25.33, 40.51, 1.64

 

CMYK 0 / 14 / 78 / 56

HEX #716119

RGB 113 97 25

HSL 49.09, 0.64%, 0.27%

LAB 41.42, -1.94, 40.92

 

CMYK 78 / 0 / 29 / 55

HEX #197251

RGB 25 114 81

HSL 157.75, 0.64%, 0.27%

LAB 42.51, -33.98, 11.12

 

CMYK 69 / 78 / 0 / 56

HEX #231971

RGB 35 25 113

HSL 246.82, 0.64%, 0.27%

LAB 16.72, 33.18, -48.78

 

CMYK 0 / 78 / 48 / 56

HEX #71193B

RGB 113 25 59

HSL 336.82, 0.64%, 0.27%

LAB 25.33, 40.51, 1.64

 

CMYK 9 / 0 / 78 / 56

HEX #677119

RGB 103 113 25

HSL 66.82, 0.64%, 0.27%

LAB 45.31, -15.72, 44.28

 

Description

Color code: HEX #197251 | qconv.com Color code: HEX #197251 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 114 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 114 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 29 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 29% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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