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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196FAACE it is the complementary color #E69055CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196FAACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196FAACE shade: #1E6FA5CE, #2F81B8CE, #4093CBCE, #51A5DECE and #62B7F1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196FAACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196FAACE shade: #196FAACE, #085D97CE, #004B84CE, #003971CE and #00275ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196FAACE shade: #196EA9, #1948A9, #1921A9, #3819A9 and #5F19A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196FAACE shade: #196EA9, #1948A9, #1921A9 and #1919A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196FAACE shade matches the following richer shades: #196EA9 and #0A71B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196FAACE shade: #196EA9, #296B99, #396889, #48657A and #58636A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196FAACE shade: #19A995, #1995A9, #196FA9, #1949A9 and #1923A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196FAACE shade: #0E3F61, #145785, #196EA9, #1F86CD and #349AE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196FAACE shade: #196FAA, #6F19A9 and #A9A919

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196FAACE shade: #196FAA, #A9196F and #6FA919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196FAACE shade: #196FAA, #6F19A9, #A95319 and #53A919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196FAACE shade: #196FAA, #9A19A9, #A95319 and #28A919

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 28 / 0 / 27

HEX #196FAACE

RGBA 25 111 170 0.81

HSLA 204.41, 0.74%, 0.38%, 0.81

LABA 44.91, -2.7, -38.37, 0.81

 

Complementary color

CMYK 0 / 30 / 51 / 8

HEX #E69055CE

RGBA 230 144 85 0.81

HSLA 24.41, 0.74%, 0.62%, 0.81

LABA 67.59, 27.19, 44.43, 0.81

 

CMYK 66 / 27 / 0 / 29

HEX #1E6FA5CE

RGBA 30 111 165 0.81

HSLA 204, 0.69%, 0.38%, 0.81

LABA 44.75, -4.15, -35.68, 0.81

 

CMYK 60 / 24 / 0 / 23

HEX #2F81B8CE

RGBA 47 129 184 0.81

HSLA 204.09, 0.59%, 0.45%, 0.81

LABA 51.57, -5.87, -35.96, 0.81

 

CMYK 55 / 22 / 0 / 17

HEX #4093CBCE

RGBA 64 147 203 0.81

HSLA 204.17, 0.57%, 0.52%, 0.81

LABA 58.29, -7.17, -36.19, 0.81

 

CMYK 51 / 21 / 0 / 10

HEX #51A5DECE

RGBA 81 165 222 0.81

HSLA 204.26, 0.68%, 0.59%, 0.81

LABA 64.91, -8.19, -36.4, 0.81

 

CMYK 48 / 19 / 0 / 4

HEX #62B7F1CE

RGBA 98 183 241 0.81

HSLA 204.34, 0.84%, 0.66%, 0.81

LABA 71.43, -9, -36.6, 0.81

 

CMYK 69 / 28 / 0 / 27

HEX #196FAACE

RGBA 25 111 170 0.81

HSLA 204.41, 0.74%, 0.38%, 0.81

LABA 44.91, -2.7, -38.37, 0.81

 

CMYK 77 / 31 / 0 / 33

HEX #085D97CE

RGBA 8 93 151 0.81

HSLA 204.34, 0.9%, 0.31%, 0.81

LABA 38.05, -0.11, -38, 0.81

 

CMYK 81 / 35 / 0 / 39

HEX #004B84CE

RGBA 0 75 132 0.81

HSLA 205.91, 1%, 0.26%, 0.81

LABA 31.11, 3.29, -37.49, 0.81

 

CMYK 81 / 40 / 0 / 45

HEX #003971CE

RGBA 0 57 113 0.81

HSLA 209.73, 1%, 0.22%, 0.81

LABA 24.06, 7.46, -36.87, 0.81

 

CMYK 81 / 47 / 0 / 51

HEX #00275ECE

RGBA 0 39 94 0.81

HSLA 215.11, 1%, 0.18%, 0.81

LABA 16.79, 12.07, -36.27, 0.81

 

CMYK 85 / 35 / 0 / 34

HEX #196EA9

RGB 25 110 169

HSL 204.58, 0.74%, 0.38%

LAB 44.55, -2.47, -38.35

 

CMYK 85 / 57 / 0 / 34

HEX #1948A9

RGB 25 72 169

HSL 220.42, 0.74%, 0.38%

LAB 33.36, 22.32, -56.32

 

CMYK 85 / 80 / 0 / 34

HEX #1921A9

RGB 25 33 169

HSL 236.67, 0.74%, 0.38%

LAB 24.19, 46.85, -71.41

 

CMYK 67 / 85 / 0 / 34

HEX #3819A9

RGB 56 25 169

HSL 252.92, 0.74%, 0.38%

LAB 24.95, 52.55, -70.08

 

CMYK 44 / 85 / 0 / 34

HEX #5F19A9

RGB 95 25 169

HSL 269.17, 0.74%, 0.38%

LAB 29.39, 56.75, -62.61

 

CMYK 85 / 35 / 0 / 34

HEX #196EA9

RGB 25 110 169

HSL 204.58, 0.74%, 0.38%

LAB 44.55, -2.47, -38.35

 

CMYK 85 / 57 / 0 / 34

HEX #1948A9

RGB 25 72 169

HSL 220.42, 0.74%, 0.38%

LAB 33.36, 22.32, -56.32

 

CMYK 85 / 80 / 0 / 34

HEX #1921A9

RGB 25 33 169

HSL 236.67, 0.74%, 0.38%

LAB 24.19, 46.85, -71.41

 

CMYK 85 / 85 / 0 / 34

HEX #1919A9

RGB 25 25 169

HSL 240, 0.74%, 0.38%

LAB 22.88, 50.69, -73.58

 

CMYK 85 / 35 / 0 / 34

HEX #196EA9

RGB 25 110 169

HSL 204.58, 0.74%, 0.38%

LAB 44.55, -2.47, -38.35

 

CMYK 95 / 39 / 0 / 28

HEX #0A71B8

RGB 10 113 184

HSL 204.48, 0.9%, 0.38%

LAB 46.09, 0.65, -44.67

 

CMYK 85 / 35 / 0 / 34

HEX #196EA9

RGB 25 110 169

HSL 204.58, 0.74%, 0.38%

LAB 44.55, -2.47, -38.35

 

CMYK 73 / 30 / 0 / 40

HEX #296B99

RGB 41 107 153

HSL 204.64, 0.58%, 0.38%

LAB 43.19, -4.85, -31.02

 

CMYK 58 / 24 / 0 / 46

HEX #396889

RGB 57 104 137

HSL 204.75, 0.41%, 0.38%

LAB 42.12, -5.72, -23.09

 

CMYK 41 / 17 / 0 / 52

HEX #48657A

RGB 72 101 122

HSL 205.2, 0.26%, 0.38%

LAB 41.36, -4.77, -15.12

 

CMYK 17 / 7 / 0 / 58

HEX #58636A

RGB 88 99 106

HSL 203.33, 0.09%, 0.38%

LAB 41.28, -2.58, -5.39

 

CMYK 85 / 0 / 12 / 34

HEX #19A995

RGB 25 169 149

HSL 171.67, 0.74%, 0.38%

LAB 62.3, -40.03, 0.23

 

CMYK 85 / 12 / 0 / 34

HEX #1995A9

RGB 25 149 169

HSL 188.33, 0.74%, 0.38%

LAB 56.65, -24.38, -19.53

 

CMYK 85 / 34 / 0 / 34

HEX #196FA9

RGB 25 111 169

HSL 204.17, 0.74%, 0.38%

LAB 44.86, -3.08, -37.86

 

CMYK 85 / 57 / 0 / 34

HEX #1949A9

RGB 25 73 169

HSL 220, 0.74%, 0.38%

LAB 33.64, 21.64, -55.87

 

CMYK 85 / 79 / 0 / 34

HEX #1923A9

RGB 25 35 169

HSL 235.83, 0.74%, 0.38%

LAB 24.56, 45.8, -70.8

 

CMYK 86 / 35 / 0 / 62

HEX #0E3F61

RGB 14 63 97

HSL 204.58, 0.75%, 0.22%

LAB 25.29, -2.41, -24.59

 

CMYK 85 / 35 / 0 / 48

HEX #145785

RGB 20 87 133

HSL 204.42, 0.74%, 0.3%

LAB 35.32, -2.72, -31.39

 

CMYK 85 / 35 / 0 / 34

HEX #196EA9

RGB 25 110 169

HSL 204.58, 0.74%, 0.38%

LAB 44.55, -2.47, -38.35

 

CMYK 85 / 35 / 0 / 20

HEX #1F86CD

RGB 31 134 205

HSL 204.48, 0.74%, 0.46%

LAB 53.76, -2.75, -44.5

 

CMYK 77 / 32 / 0 / 12

HEX #349AE1

RGB 52 154 225

HSL 204.62, 0.74%, 0.54%

LAB 61.03, -5.11, -44.21

 

CMYK 85 / 35 / 0 / 33

HEX #196FAA

RGB 25 111 170

HSL 204.41, 0.74%, 0.38%

LAB 44.91, -2.7, -38.37

 

CMYK 34 / 85 / 0 / 34

HEX #6F19A9

RGB 111 25 169

HSL 275.83, 0.74%, 0.38%

LAB 31.67, 59, -58.79

 

CMYK 0 / 0 / 85 / 34

HEX #A9A919

RGB 169 169 25

HSL 60, 0.74%, 0.38%

LAB 67.19, -15.41, 65.59

 

CMYK 85 / 35 / 0 / 33

HEX #196FAA

RGB 25 111 170

HSL 204.41, 0.74%, 0.38%

LAB 44.91, -2.7, -38.37

 

CMYK 0 / 85 / 34 / 34

HEX #A9196F

RGB 169 25 111

HSL 324.17, 0.74%, 0.38%

LAB 38.34, 61.08, -11.84

 

CMYK 34 / 0 / 85 / 34

HEX #6FA919

RGB 111 169 25

HSL 84.17, 0.74%, 0.38%

LAB 63.2, -39.49, 60.61

 

CMYK 85 / 35 / 0 / 33

HEX #196FAA

RGB 25 111 170

HSL 204.41, 0.74%, 0.38%

LAB 44.91, -2.7, -38.37

 

CMYK 34 / 85 / 0 / 34

HEX #6F19A9

RGB 111 25 169

HSL 275.83, 0.74%, 0.38%

LAB 31.67, 59, -58.79

 

CMYK 0 / 51 / 85 / 34

HEX #A95319

RGB 169 83 25

HSL 24.17, 0.74%, 0.38%

LAB 45.21, 31.72, 47.06

 

CMYK 51 / 0 / 85 / 34

HEX #53A919

RGB 83 169 25

HSL 95.83, 0.74%, 0.38%

LAB 61.9, -49.01, 58.97

 

CMYK 85 / 35 / 0 / 33

HEX #196FAA

RGB 25 111 170

HSL 204.41, 0.74%, 0.38%

LAB 44.91, -2.7, -38.37

 

CMYK 9 / 85 / 0 / 34

HEX #9A19A9

RGB 154 25 169

HSL 293.75, 0.74%, 0.38%

LAB 38.6, 66.12, -47.22

 

CMYK 0 / 51 / 85 / 34

HEX #A95319

RGB 169 83 25

HSL 24.17, 0.74%, 0.38%

LAB 45.21, 31.72, 47.06

 

CMYK 76 / 0 / 85 / 34

HEX #28A919

RGB 40 169 25

HSL 113.75, 0.74%, 0.38%

LAB 60.69, -58.94, 57.43

 

Description

Color code: HEX #196FAACE | qconv.com Color code: HEX #196FAACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 111 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 111 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 28 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 28% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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