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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196CFDCE it is the complementary color #E69302CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196CFDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196CFDCE shade: #1E6CF8CE, #2F7EFFCE, #4090FFCE, #51A2FFCE and #62B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196CFDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196CFDCE shade: #196CFDCE, #085AEACE, #0048D7CE, #0036C4CE and #0024B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196CFDCE shade: #1C6EFD, #1C31FD, #431CFD, #801CFD and #BD1CFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196CFDCE shade: #1C6EFD, #1C31FD and #1C1CFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196CFDCE shade matches the following richer shades: #1C6EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196CFDCE shade: #1C6EFD, #2E73EA, #4178D8, #537DC5 and #6682B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196CFDCE shade: #1CE6FD, #1CAAFD, #1C6EFD, #1C32FD and #411CFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196CFDCE shade: #0249C4, #0258ED, #1C6EFD, #4588FD and #6DA2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196CFDCE shade: #196CFD, #D71CFD and #C8FD1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196CFDCE shade: #196CFD, #FD1C6E and #6EFD1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196CFDCE shade: #196CFD, #D71CFD, #FDAA1C and #41FD1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196CFDCE shade: #196CFD, #FD1CDF, #FDAA1C and #1CFD3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 46 / 0 / 1

HEX #196CFDCE

RGBA 25 108 253 0.81

HSLA 218.16, 0.98%, 0.55%, 0.81

LABA 49.52, 31.35, -78.25, 0.81

 

Complementary color

CMYK 0 / 29 / 80 / 8

HEX #E69302CE

RGBA 230 147 2 0.81

HSLA 38.16, 0.98%, 0.45%, 0.81

LABA 67.8, 22.88, 72.56, 0.81

 

CMYK 71 / 46 / 0 / 2

HEX #1E6CF8CE

RGBA 30 108 248 0.81

HSLA 218.53, 0.94%, 0.55%, 0.81

LABA 49.23, 29.71, -75.95, 0.81

 

CMYK 66 / 41 / 0 / 0

HEX #2F7EFFCE

RGBA 47 126 255 0.81

HSLA 217.21, 1%, 0.59%, 0.81

LABA 54.81, 22.18, -70.75, 0.81

 

CMYK 61 / 35 / 0 / 0

HEX #4090FFCE

RGBA 64 144 255 0.81

HSLA 214.87, 1%, 0.63%, 0.81

LABA 60.12, 12.85, -62.17, 0.81

 

CMYK 55 / 30 / 0 / 0

HEX #51A2FFCE

RGBA 81 162 255 0.81

HSLA 212.07, 1%, 0.66%, 0.81

LABA 65.6, 4.47, -53.4, 0.81

 

CMYK 50 / 24 / 0 / 0

HEX #62B4FFCE

RGBA 98 180 255 0.81

HSLA 208.66, 1%, 0.69%, 0.81

LABA 71.19, -2.97, -44.55, 0.81

 

CMYK 73 / 46 / 0 / 1

HEX #196CFDCE

RGBA 25 108 253 0.81

HSLA 218.16, 0.98%, 0.55%, 0.81

LABA 49.52, 31.35, -78.25, 0.81

 

CMYK 78 / 50 / 0 / 7

HEX #085AEACE

RGBA 8 90 234 0.81

HSLA 218.23, 0.93%, 0.47%, 0.81

LABA 43.22, 35.07, -77.94, 0.81

 

CMYK 81 / 54 / 0 / 13

HEX #0048D7CE

RGBA 0 72 215 0.81

HSLA 219.91, 1%, 0.42%, 0.81

LABA 37.01, 39.2, -77.33, 0.81

 

CMYK 81 / 59 / 0 / 19

HEX #0036C4CE

RGBA 0 54 196 0.81

HSLA 223.47, 1%, 0.38%, 0.81

LABA 30.93, 43.43, -76.31, 0.81

 

CMYK 81 / 65 / 0 / 25

HEX #0024B1CE

RGBA 0 36 177 0.81

HSLA 227.8, 1%, 0.35%, 0.81

LABA 25.06, 47.18, -74.79, 0.81

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 89 / 81 / 0 / 1

HEX #1C31FD

RGB 28 49 253

HSL 234.4, 0.98%, 0.55%

LAB 37, 65.49, -98.9

 

CMYK 74 / 89 / 0 / 1

HEX #431CFD

RGB 67 28 253

HSL 250.4, 0.98%, 0.55%

LAB 36.21, 74.63, -100.16

 

CMYK 49 / 89 / 0 / 1

HEX #801CFD

RGB 128 28 253

HSL 266.67, 0.98%, 0.55%

LAB 42.02, 78.8, -90.35

 

CMYK 25 / 89 / 0 / 1

HEX #BD1CFD

RGB 189 28 253

HSL 282.93, 0.98%, 0.55%

LAB 50.38, 85.83, -76.31

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 89 / 81 / 0 / 1

HEX #1C31FD

RGB 28 49 253

HSL 234.4, 0.98%, 0.55%

LAB 37, 65.49, -98.9

 

CMYK 89 / 89 / 0 / 1

HEX #1C1CFD

RGB 28 28 253

HSL 240, 0.98%, 0.55%

LAB 34.33, 73.46, -103.33

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 80 / 51 / 0 / 8

HEX #2E73EA

RGB 46 115 234

HSL 217.98, 0.82%, 0.55%

LAB 50.43, 21.15, -66.16

 

CMYK 70 / 44 / 0 / 15

HEX #4178D8

RGB 65 120 216

HSL 218.15, 0.66%, 0.55%

LAB 51.28, 13.64, -54.62

 

CMYK 58 / 37 / 0 / 23

HEX #537DC5

RGB 83 125 197

HSL 217.89, 0.5%, 0.55%

LAB 52.44, 7.17, -41.94

 

CMYK 43 / 27 / 0 / 30

HEX #6682B2

RGB 102 130 178

HSL 217.89, 0.33%, 0.55%

LAB 54.03, 2.78, -28.49

 

CMYK 89 / 9 / 0 / 1

HEX #1CE6FD

RGB 28 230 253

HSL 186.13, 0.98%, 0.55%

LAB 83.93, -36.74, -23.92

 

CMYK 89 / 33 / 0 / 1

HEX #1CAAFD

RGB 28 170 253

HSL 202.13, 0.98%, 0.55%

LAB 66.59, -6.04, -50.83

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 89 / 80 / 0 / 1

HEX #1C32FD

RGB 28 50 253

HSL 234.13, 0.98%, 0.55%

LAB 37.15, 65.03, -98.64

 

CMYK 74 / 89 / 0 / 1

HEX #411CFD

RGB 65 28 253

HSL 249.87, 0.98%, 0.55%

LAB 36.07, 74.54, -100.39

 

CMYK 99 / 63 / 0 / 23

HEX #0249C4

RGB 2 73 196

HSL 218.04, 0.98%, 0.39%

LAB 35.52, 31.3, -68.75

 

CMYK 99 / 63 / 0 / 7

HEX #0258ED

RGB 2 88 237

HSL 218.04, 0.98%, 0.47%

LAB 42.92, 37.35, -80.12

 

CMYK 89 / 57 / 0 / 1

HEX #1C6EFD

RGB 28 110 253

HSL 218.13, 0.98%, 0.55%

LAB 50.09, 30.23, -77.33

 

CMYK 73 / 46 / 0 / 1

HEX #4588FD

RGB 69 136 253

HSL 218.15, 0.98%, 0.63%

LAB 58, 17.58, -64.46

 

CMYK 57 / 36 / 0 / 0

HEX #6DA2FE

RGB 109 162 254

HSL 218.07, 0.99%, 0.71%

LAB 66.71, 8.96, -51.03

 

CMYK 90 / 57 / 0 / 1

HEX #196CFD

RGB 25 108 253

HSL 218.16, 0.98%, 0.55%

LAB 49.52, 31.35, -78.25

 

CMYK 15 / 89 / 0 / 1

HEX #D71CFD

RGB 215 28 253

HSL 289.87, 0.98%, 0.55%

LAB 54.42, 89.52, -69.58

 

CMYK 21 / 0 / 89 / 1

HEX #C8FD1C

RGB 200 253 28

HSL 74.13, 0.98%, 0.55%

LAB 92.85, -42.27, 86.89

 

CMYK 90 / 57 / 0 / 1

HEX #196CFD

RGB 25 108 253

HSL 218.16, 0.98%, 0.55%

LAB 49.52, 31.35, -78.25

 

CMYK 0 / 89 / 57 / 1

HEX #FD1C6E

RGB 253 28 110

HSL 338.13, 0.98%, 0.55%

LAB 54.91, 80.39, 14.86

 

CMYK 57 / 0 / 89 / 1

HEX #6EFD1C

RGB 110 253 28

HSL 98.13, 0.98%, 0.55%

LAB 88.76, -71.41, 81.85

 

CMYK 90 / 57 / 0 / 1

HEX #196CFD

RGB 25 108 253

HSL 218.16, 0.98%, 0.55%

LAB 49.52, 31.35, -78.25

 

CMYK 15 / 89 / 0 / 1

HEX #D71CFD

RGB 215 28 253

HSL 289.87, 0.98%, 0.55%

LAB 54.42, 89.52, -69.58

 

CMYK 0 / 33 / 89 / 1

HEX #FDAA1C

RGB 253 170 28

HSL 37.87, 0.98%, 0.55%

LAB 75.89, 20.79, 75.41

 

CMYK 74 / 0 / 89 / 1

HEX #41FD1C

RGB 65 253 28

HSL 110.13, 0.98%, 0.55%

LAB 87.71, -80.25, 80.54

 

CMYK 90 / 57 / 0 / 1

HEX #196CFD

RGB 25 108 253

HSL 218.16, 0.98%, 0.55%

LAB 49.52, 31.35, -78.25

 

CMYK 0 / 89 / 12 / 1

HEX #FD1CDF

RGB 253 28 223

HSL 308, 0.98%, 0.55%

LAB 59.01, 91.41, -45.05

 

CMYK 0 / 33 / 89 / 1

HEX #FDAA1C

RGB 253 170 28

HSL 37.87, 0.98%, 0.55%

LAB 75.89, 20.79, 75.41

 

CMYK 89 / 0 / 77 / 1

HEX #1CFD3A

RGB 28 253 58

HSL 128, 0.98%, 0.55%

LAB 87.39, -82.65, 73.26

 

Description

Color code: HEX #196CFDCE | qconv.com Color code: HEX #196CFDCE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 108 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 108 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 46 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 46% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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