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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196873 it is the complementary color #E6978C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196873 shade: #1E686E, #2F7A81, #408C94, #519EA7 and #62B0BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196873 shade: #196873, #085660, #00444D, #00323A and #002027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196873 shade: #196671, #194E71, #193771, #191F71 and #2A1971

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196873 shade: #196671, #194E71, #193771, #191F71 and #191971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196873 shade matches the following richer shades: #196671, #0E6F7C and #037787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196873 shade: #196671, #245E66, #2F555B, #3A4D4F and #454444

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196873 shade: #19714C, #197164, #196771, #194F71 and #193871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196873 shade: #0A292D, #11484F, #196671, #208593 and #28A3B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196873 shade: #196873, #351971 and #715819

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196873 shade: #196873, #711967 and #677119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196873 shade: #196873, #351971, #712319 and #557119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196873 shade: #196873, #4F1971, #712319 and #3B7119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

Complementary color

CMYK 0 / 34 / 39 / 10

HEX #E6978C

RGB 230 151 140

HSL 7.33, 0.64%, 0.73%

LAB 70.07, 28.37, 18.05

 

CMYK 73 / 5 / 0 / 57

HEX #1E686E

RGB 30 104 110

HSL 184.5, 0.57%, 0.27%

LAB 40.09, -19.92, -9.92

 

CMYK 64 / 5 / 0 / 49

HEX #2F7A81

RGB 47 122 129

HSL 185.12, 0.47%, 0.35%

LAB 47.12, -20.57, -10.7

 

CMYK 57 / 5 / 0 / 42

HEX #408C94

RGB 64 140 148

HSL 185.71, 0.4%, 0.42%

LAB 54.01, -20.95, -11.39

 

CMYK 51 / 5 / 0 / 35

HEX #519EA7

RGB 81 158 167

HSL 186.28, 0.35%, 0.49%

LAB 60.78, -21.19, -12.01

 

CMYK 47 / 5 / 0 / 27

HEX #62B0BA

RGB 98 176 186

HSL 186.82, 0.39%, 0.56%

LAB 67.42, -21.33, -12.58

 

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

CMYK 92 / 10 / 0 / 62

HEX #085660

RGB 8 86 96

HSL 186.82, 0.85%, 0.2%

LAB 33.03, -17.49, -11.97

 

CMYK 100 / 12 / 0 / 70

HEX #00444D

RGB 0 68 77

HSL 187.01, 1%, 0.15%

LAB 25.77, -15.2, -10.84

 

CMYK 100 / 14 / 0 / 77

HEX #00323A

RGB 0 50 58

HSL 188.28, 1%, 0.11%

LAB 18.31, -12.07, -9.49

 

CMYK 100 / 18 / 0 / 85

HEX #002027

RGB 0 32 39

HSL 190.77, 1%, 0.08%

LAB 10.41, -8.72, -8.11

 

CMYK 78 / 10 / 0 / 56

HEX #196671

RGB 25 102 113

HSL 187.5, 0.64%, 0.27%

LAB 39.41, -18.53, -12.78

 

CMYK 78 / 31 / 0 / 56

HEX #194E71

RGB 25 78 113

HSL 203.86, 0.64%, 0.27%

LAB 31.46, -4.31, -25.07

 

CMYK 78 / 51 / 0 / 56

HEX #193771

RGB 25 55 113

HSL 219.55, 0.64%, 0.27%

LAB 24.1, 11.29, -36.77

 

CMYK 78 / 73 / 0 / 56

HEX #191F71

RGB 25 31 113

HSL 235.91, 0.64%, 0.27%

LAB 17.36, 28.23, -47.75

 

CMYK 63 / 78 / 0 / 56

HEX #2A1971

RGB 42 25 113

HSL 251.59, 0.64%, 0.27%

LAB 17.37, 34.11, -47.7

 

CMYK 78 / 10 / 0 / 56

HEX #196671

RGB 25 102 113

HSL 187.5, 0.64%, 0.27%

LAB 39.41, -18.53, -12.78

 

CMYK 78 / 31 / 0 / 56

HEX #194E71

RGB 25 78 113

HSL 203.86, 0.64%, 0.27%

LAB 31.46, -4.31, -25.07

 

CMYK 78 / 51 / 0 / 56

HEX #193771

RGB 25 55 113

HSL 219.55, 0.64%, 0.27%

LAB 24.1, 11.29, -36.77

 

CMYK 78 / 73 / 0 / 56

HEX #191F71

RGB 25 31 113

HSL 235.91, 0.64%, 0.27%

LAB 17.36, 28.23, -47.75

 

CMYK 78 / 78 / 0 / 56

HEX #191971

RGB 25 25 113

HSL 240, 0.64%, 0.27%

LAB 15.97, 32.08, -50.04

 

CMYK 78 / 10 / 0 / 56

HEX #196671

RGB 25 102 113

HSL 187.5, 0.64%, 0.27%

LAB 39.41, -18.53, -12.78

 

CMYK 89 / 10 / 0 / 51

HEX #0E6F7C

RGB 14 111 124

HSL 187.09, 0.8%, 0.27%

LAB 42.64, -20.68, -14.56

 

CMYK 98 / 12 / 0 / 47

HEX #037787

RGB 3 119 135

HSL 187.27, 0.96%, 0.27%

LAB 45.58, -21.72, -16.67

 

CMYK 78 / 10 / 0 / 56

HEX #196671

RGB 25 102 113

HSL 187.5, 0.64%, 0.27%

LAB 39.41, -18.53, -12.78

 

CMYK 65 / 8 / 0 / 60

HEX #245E66

RGB 36 94 102

HSL 187.27, 0.48%, 0.27%

LAB 36.63, -16, -10.2

 

CMYK 48 / 7 / 0 / 64

HEX #2F555B

RGB 47 85 91

HSL 188.18, 0.32%, 0.27%

LAB 33.68, -11.7, -7.72

 

CMYK 27 / 3 / 0 / 69

HEX #3A4D4F

RGB 58 77 79

HSL 185.71, 0.15%, 0.27%

LAB 31.28, -6.84, -3.61

 

CMYK 0 / 1 / 1 / 73

HEX #454444

RGB 69 68 68

HSL 0, 0.01%, 0.27%

LAB 28.95, 0.42, 0.14

 

CMYK 78 / 0 / 33 / 56

HEX #19714C

RGB 25 113 76

HSL 154.77, 0.64%, 0.27%

LAB 42.06, -34.75, 13.45

 

CMYK 78 / 0 / 12 / 56

HEX #197164

RGB 25 113 100

HSL 171.14, 0.64%, 0.27%

LAB 42.67, -28.36, -0.03

 

CMYK 78 / 9 / 0 / 56

HEX #196771

RGB 25 103 113

HSL 186.82, 0.64%, 0.27%

LAB 39.75, -19.07, -12.27

 

CMYK 78 / 30 / 0 / 56

HEX #194F71

RGB 25 79 113

HSL 203.18, 0.64%, 0.27%

LAB 31.79, -4.94, -24.55

 

CMYK 78 / 50 / 0 / 56

HEX #193871

RGB 25 56 113

HSL 218.86, 0.64%, 0.27%

LAB 24.41, 10.58, -36.28

 

CMYK 78 / 9 / 0 / 82

HEX #0A292D

RGB 10 41 45

HSL 186.86, 0.64%, 0.11%

LAB 14.62, -9.67, -5.98

 

CMYK 78 / 9 / 0 / 69

HEX #11484F

RGB 17 72 79

HSL 186.77, 0.65%, 0.19%

LAB 27.62, -14.7, -9.3

 

CMYK 78 / 10 / 0 / 56

HEX #196671

RGB 25 102 113

HSL 187.5, 0.64%, 0.27%

LAB 39.41, -18.53, -12.78

 

CMYK 78 / 10 / 0 / 42

HEX #208593

RGB 32 133 147

HSL 187.3, 0.64%, 0.35%

LAB 50.91, -22.77, -15.58

 

CMYK 78 / 10 / 0 / 29

HEX #28A3B5

RGB 40 163 181

HSL 187.66, 0.64%, 0.43%

LAB 61.64, -26.21, -18.7

 

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

CMYK 53 / 78 / 0 / 56

HEX #351971

RGB 53 25 113

HSL 259.09, 0.64%, 0.27%

LAB 18.56, 35.81, -45.69

 

CMYK 0 / 22 / 78 / 56

HEX #715819

RGB 113 88 25

HSL 42.95, 0.64%, 0.27%

LAB 38.83, 3.39, 38.41

 

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

CMYK 0 / 78 / 9 / 56

HEX #711967

RGB 113 25 103

HSL 306.82, 0.64%, 0.27%

LAB 27.26, 46.45, -24.72

 

CMYK 9 / 0 / 78 / 56

HEX #677119

RGB 103 113 25

HSL 66.82, 0.64%, 0.27%

LAB 45.31, -15.72, 44.28

 

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

CMYK 53 / 78 / 0 / 56

HEX #351971

RGB 53 25 113

HSL 259.09, 0.64%, 0.27%

LAB 18.56, 35.81, -45.69

 

CMYK 0 / 69 / 78 / 56

HEX #712319

RGB 113 35 25

HSL 6.82, 0.64%, 0.27%

LAB 26.11, 33.78, 25.27

 

CMYK 25 / 0 / 78 / 56

HEX #557119

RGB 85 113 25

HSL 79.09, 0.64%, 0.27%

LAB 43.96, -23.78, 42.52

 

CMYK 78 / 10 / 0 / 55

HEX #196873

RGB 25 104 115

HSL 187.33, 0.64%, 0.27%

LAB 40.16, -18.93, -12.87

 

CMYK 30 / 78 / 0 / 56

HEX #4F1971

RGB 79 25 113

HSL 276.82, 0.64%, 0.27%

LAB 22.12, 40.7, -39.73

 

CMYK 0 / 69 / 78 / 56

HEX #712319

RGB 113 35 25

HSL 6.82, 0.64%, 0.27%

LAB 26.11, 33.78, 25.27

 

CMYK 48 / 0 / 78 / 56

HEX #3B7119

RGB 59 113 25

HSL 96.82, 0.64%, 0.27%

LAB 42.48, -33.99, 40.57

 

Description

Color code: HEX #196873 | qconv.com Color code: HEX #196873 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 104 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 104 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 10 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 10% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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