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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196840 it is the complementary color #E697BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196840 shade: #1E683B, #2F7A4E, #408C61, #519E74 and #62B087

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196840 shade: #196840, #08562D, #00441A, #003207 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196840 shade: #19673F, #19672A, #1C6719, #316719 and #466719

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196840 shade: #19673F, #196754, #196467, #194F67 and #193A67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196840 shade matches the following richer shades: #19673F, #0F713F and #047B3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196840 shade: #19673F, #235C3F, #2D5240, #384840 and #423D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196840 shade: #1D6719, #19672A, #19673E, #196753 and #196567

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196840 shade: #092416, #11452B, #19673F, #218854 and #29A968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196840 shade: #196840, #193167 and #671F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196840 shade: #196840, #3E1967 and #673E19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196840 shade: #196840, #193167, #671941 and #674E19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196840 shade: #196840, #191A67, #671941 and #676519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

Complementary color

CMYK 0 / 34 / 17 / 10

HEX #E697BF

RGB 230 151 191

HSL 329.62, 0.61%, 0.75%

LAB 71.36, 35.25, -8.4

 

CMYK 71 / 0 / 43 / 59

HEX #1E683B

RGB 30 104 59

HSL 143.51, 0.55%, 0.26%

LAB 38.71, -33.74, 18.94

 

CMYK 61 / 0 / 36 / 52

HEX #2F7A4E

RGB 47 122 78

HSL 144.8, 0.44%, 0.33%

LAB 45.73, -34, 17.37

 

CMYK 54 / 0 / 31 / 45

HEX #408C61

RGB 64 140 97

HSL 146.05, 0.37%, 0.4%

LAB 52.63, -33.98, 15.99

 

CMYK 49 / 0 / 27 / 38

HEX #519E74

RGB 81 158 116

HSL 147.27, 0.32%, 0.47%

LAB 59.4, -33.82, 14.75

 

CMYK 44 / 0 / 23 / 31

HEX #62B087

RGB 98 176 135

HSL 148.46, 0.33%, 0.54%

LAB 66.06, -33.61, 13.63

 

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

CMYK 91 / 0 / 48 / 66

HEX #08562D

RGB 8 86 45

HSL 148.46, 0.83%, 0.18%

LAB 31.57, -32.57, 17.78

 

CMYK 100 / 0 / 62 / 73

HEX #00441A

RGB 0 68 26

HSL 142.94, 1%, 0.13%

LAB 24.35, -30.28, 19.87

 

CMYK 100 / 0 / 86 / 80

HEX #003207

RGB 0 50 7

HSL 128.4, 1%, 0.1%

LAB 16.97, -26.38, 20.94

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 76 / 0 / 39 / 60

HEX #19673F

RGB 25 103 63

HSL 149.23, 0.61%, 0.25%

LAB 38.32, -33.41, 16.05

 

CMYK 76 / 0 / 59 / 60

HEX #19672A

RGB 25 103 42

HSL 133.08, 0.61%, 0.25%

LAB 37.98, -37.3, 27.5

 

CMYK 73 / 0 / 76 / 60

HEX #1C6719

RGB 28 103 25

HSL 117.69, 0.61%, 0.25%

LAB 37.87, -38.77, 35.57

 

CMYK 52 / 0 / 76 / 60

HEX #316719

RGB 49 103 25

HSL 101.54, 0.61%, 0.25%

LAB 38.59, -33.04, 36.53

 

CMYK 32 / 0 / 76 / 60

HEX #466719

RGB 70 103 25

HSL 85.38, 0.61%, 0.25%

LAB 39.7, -25.15, 38.01

 

CMYK 76 / 0 / 39 / 60

HEX #19673F

RGB 25 103 63

HSL 149.23, 0.61%, 0.25%

LAB 38.32, -33.41, 16.05

 

CMYK 76 / 0 / 18 / 60

HEX #196754

RGB 25 103 84

HSL 165.38, 0.61%, 0.25%

LAB 38.81, -28.15, 4.07

 

CMYK 76 / 3 / 0 / 60

HEX #196467

RGB 25 100 103

HSL 182.31, 0.61%, 0.25%

LAB 38.38, -20.82, -8.22

 

CMYK 76 / 23 / 0 / 60

HEX #194F67

RGB 25 79 103

HSL 198.46, 0.61%, 0.25%

LAB 31.3, -8.78, -19.02

 

CMYK 76 / 44 / 0 / 60

HEX #193A67

RGB 25 58 103

HSL 214.62, 0.61%, 0.25%

LAB 24.36, 5.05, -29.93

 

CMYK 76 / 0 / 39 / 60

HEX #19673F

RGB 25 103 63

HSL 149.23, 0.61%, 0.25%

LAB 38.32, -33.41, 16.05

 

CMYK 87 / 0 / 44 / 56

HEX #0F713F

RGB 15 113 63

HSL 149.39, 0.77%, 0.25%

LAB 41.64, -38.89, 20.42

 

CMYK 97 / 0 / 49 / 52

HEX #047B3F

RGB 4 123 63

HSL 149.75, 0.94%, 0.25%

LAB 45.01, -43.59, 24.74

 

CMYK 76 / 0 / 39 / 60

HEX #19673F

RGB 25 103 63

HSL 149.23, 0.61%, 0.25%

LAB 38.32, -33.41, 16.05

 

CMYK 62 / 0 / 32 / 64

HEX #235C3F

RGB 35 92 63

HSL 149.47, 0.45%, 0.25%

LAB 34.74, -26.3, 11.24

 

CMYK 45 / 0 / 22 / 68

HEX #2D5240

RGB 45 82 64

HSL 150.81, 0.29%, 0.25%

LAB 31.72, -18.04, 6.47

 

CMYK 22 / 0 / 11 / 72

HEX #384840

RGB 56 72 64

HSL 150, 0.13%, 0.25%

LAB 29.02, -8.29, 2.71

 

CMYK 0 / 8 / 3 / 74

HEX #423D40

RGB 66 61 64

HSL 324, 0.04%, 0.25%

LAB 26.35, 2.8, -1.07

 

CMYK 72 / 0 / 76 / 60

HEX #1D6719

RGB 29 103 25

HSL 116.92, 0.61%, 0.25%

LAB 37.9, -38.55, 35.6

 

CMYK 76 / 0 / 59 / 60

HEX #19672A

RGB 25 103 42

HSL 133.08, 0.61%, 0.25%

LAB 37.98, -37.3, 27.5

 

CMYK 76 / 0 / 40 / 60

HEX #19673E

RGB 25 103 62

HSL 148.46, 0.61%, 0.25%

LAB 38.3, -33.62, 16.61

 

CMYK 76 / 0 / 19 / 60

HEX #196753

RGB 25 103 83

HSL 164.62, 0.61%, 0.25%

LAB 38.78, -28.43, 4.64

 

CMYK 76 / 2 / 0 / 60

HEX #196567

RGB 25 101 103

HSL 181.54, 0.61%, 0.25%

LAB 38.71, -21.35, -7.71

 

CMYK 75 / 0 / 39 / 86

HEX #092416

RGB 9 36 22

HSL 148.89, 0.6%, 0.09%

LAB 11.81, -14.54, 6.37

 

CMYK 75 / 0 / 38 / 73

HEX #11452B

RGB 17 69 43

HSL 150, 0.6%, 0.17%

LAB 25.41, -24.16, 10.88

 

CMYK 76 / 0 / 39 / 60

HEX #19673F

RGB 25 103 63

HSL 149.23, 0.61%, 0.25%

LAB 38.32, -33.41, 16.05

 

CMYK 76 / 0 / 38 / 47

HEX #218854

RGB 33 136 84

HSL 149.71, 0.61%, 0.33%

LAB 50.18, -41.37, 19.87

 

CMYK 76 / 0 / 38 / 34

HEX #29A968

RGB 41 169 104

HSL 149.53, 0.61%, 0.41%

LAB 61.52, -49.15, 24.03

 

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

CMYK 76 / 52 / 0 / 60

HEX #193167

RGB 25 49 103

HSL 221.54, 0.61%, 0.25%

LAB 21.52, 11.45, -34.49

 

CMYK 0 / 70 / 76 / 60

HEX #671F19

RGB 103 31 25

HSL 4.62, 0.61%, 0.25%

LAB 23.45, 31.86, 21.74

 

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

CMYK 40 / 76 / 0 / 60

HEX #3E1967

RGB 62 25 103

HSL 268.46, 0.61%, 0.25%

LAB 18.79, 34.61, -38.75

 

CMYK 0 / 40 / 76 / 60

HEX #673E19

RGB 103 62 25

HSL 28.46, 0.61%, 0.25%

LAB 30.4, 14.39, 29.43

 

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

CMYK 76 / 52 / 0 / 60

HEX #193167

RGB 25 49 103

HSL 221.54, 0.61%, 0.25%

LAB 21.52, 11.45, -34.49

 

CMYK 0 / 76 / 37 / 60

HEX #671941

RGB 103 25 65

HSL 329.23, 0.61%, 0.25%

LAB 23.54, 38.1, -5.32

 

CMYK 0 / 24 / 76 / 60

HEX #674E19

RGB 103 78 25

HSL 40.77, 0.61%, 0.25%

LAB 34.81, 4.54, 34.02

 

CMYK 76 / 0 / 38 / 59

HEX #196840

RGB 25 104 64

HSL 149.62, 0.61%, 0.25%

LAB 38.69, -33.62, 15.95

 

CMYK 76 / 75 / 0 / 60

HEX #191A67

RGB 25 26 103

HSL 239.23, 0.61%, 0.25%

LAB 15.09, 27.76, -44.97

 

CMYK 0 / 76 / 37 / 60

HEX #671941

RGB 103 25 65

HSL 329.23, 0.61%, 0.25%

LAB 23.54, 38.1, -5.32

 

CMYK 0 / 2 / 76 / 60

HEX #676519

RGB 103 101 25

HSL 58.46, 0.61%, 0.25%

LAB 41.63, -9.07, 40.77

 

Description

Color code: HEX #196840 | qconv.com Color code: HEX #196840 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 104 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 104 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 38 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 38% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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