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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196325 it is the complementary color #E69CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196325 shade: #1E6320, #2F7533, #408746, #519959 and #62AB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196325 shade: #196325, #085112, #003F00, #002D00 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196325 shade: #186224, #206218, #346218, #486218 and #5C6218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196325 shade: #186224, #186238, #18624C, #186260 and #185062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196325 shade matches the following richer shades: #186224, #0F6C1E and #057617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196325 shade: #186224, #22582B, #2C4E32, #364438 and #403A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196325 shade: #356218, #216218, #186223, #186237 and #18624B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196325 shade: #08200C, #104118, #186224, #218331 and #29A43D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196325 shade: #196325, #184862 and #62182B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196325 shade: #196325, #231862 and #622318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196325 shade: #196325, #184862, #621857 and #623218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196325 shade: #196325, #183262, #621857 and #624818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

Complementary color

CMYK 0 / 32 / 5 / 10

HEX #E69CDA

RGB 230 156 218

HSL 309.73, 0.6%, 0.76%

LAB 73.33, 37.06, -20.34

 

CMYK 70 / 0 / 68 / 61

HEX #1E6320

RGB 30 99 32

HSL 121.74, 0.53%, 0.25%

LAB 36.56, -36.05, 31

 

CMYK 60 / 0 / 56 / 54

HEX #2F7533

RGB 47 117 51

HSL 123.43, 0.43%, 0.32%

LAB 43.6, -36.6, 29.64

 

CMYK 53 / 0 / 48 / 47

HEX #408746

RGB 64 135 70

HSL 125.07, 0.36%, 0.39%

LAB 50.52, -36.72, 28.2

 

CMYK 47 / 0 / 42 / 40

HEX #519959

RGB 81 153 89

HSL 126.67, 0.31%, 0.46%

LAB 57.32, -36.62, 26.81

 

CMYK 43 / 0 / 37 / 33

HEX #62AB6C

RGB 98 171 108

HSL 128.22, 0.3%, 0.53%

LAB 64, -36.42, 25.5

 

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

CMYK 90 / 0 / 78 / 68

HEX #085112

RGB 8 81 18

HSL 128.22, 0.82%, 0.17%

LAB 29.36, -34.89, 29.63

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 76 / 0 / 63 / 62

HEX #186224

RGB 24 98 36

HSL 129.73, 0.61%, 0.24%

LAB 36.09, -36.41, 28.42

 

CMYK 67 / 0 / 76 / 62

HEX #206218

RGB 32 98 24

HSL 113.51, 0.61%, 0.24%

LAB 36.19, -36.03, 34.29

 

CMYK 47 / 0 / 76 / 62

HEX #346218

RGB 52 98 24

HSL 97.3, 0.61%, 0.24%

LAB 36.99, -29.88, 35.36

 

CMYK 27 / 0 / 76 / 62

HEX #486218

RGB 72 98 24

HSL 81.08, 0.61%, 0.24%

LAB 38.16, -21.85, 36.93

 

CMYK 6 / 0 / 76 / 62

HEX #5C6218

RGB 92 98 24

HSL 64.86, 0.61%, 0.24%

LAB 39.71, -12.68, 38.97

 

CMYK 76 / 0 / 63 / 62

HEX #186224

RGB 24 98 36

HSL 129.73, 0.61%, 0.24%

LAB 36.09, -36.41, 28.42

 

CMYK 76 / 0 / 43 / 62

HEX #186238

RGB 24 98 56

HSL 145.95, 0.61%, 0.24%

LAB 36.4, -32.94, 17.62

 

CMYK 76 / 0 / 22 / 62

HEX #18624C

RGB 24 98 76

HSL 162.16, 0.61%, 0.24%

LAB 36.84, -28.13, 6.15

 

CMYK 76 / 0 / 2 / 62

HEX #186260

RGB 24 98 96

HSL 178.38, 0.61%, 0.24%

LAB 37.43, -22.19, -5.31

 

CMYK 76 / 18 / 0 / 62

HEX #185062

RGB 24 80 98

HSL 194.59, 0.61%, 0.24%

LAB 31.38, -11.41, -15.73

 

CMYK 76 / 0 / 63 / 62

HEX #186224

RGB 24 98 36

HSL 129.73, 0.61%, 0.24%

LAB 36.09, -36.41, 28.42

 

CMYK 86 / 0 / 72 / 58

HEX #0F6C1E

RGB 15 108 30

HSL 129.68, 0.76%, 0.24%

LAB 39.45, -42.21, 34.98

 

CMYK 96 / 0 / 81 / 54

HEX #057617

RGB 5 118 23

HSL 129.56, 0.92%, 0.24%

LAB 42.84, -47.12, 41.2

 

CMYK 76 / 0 / 63 / 62

HEX #186224

RGB 24 98 36

HSL 129.73, 0.61%, 0.24%

LAB 36.09, -36.41, 28.42

 

CMYK 61 / 0 / 51 / 65

HEX #22582B

RGB 34 88 43

HSL 130, 0.44%, 0.24%

LAB 32.91, -28.78, 20.79

 

CMYK 44 / 0 / 36 / 69

HEX #2C4E32

RGB 44 78 50

HSL 130.59, 0.28%, 0.24%

LAB 29.95, -19.35, 12.8

 

CMYK 21 / 0 / 18 / 73

HEX #364438

RGB 54 68 56

HSL 128.57, 0.11%, 0.24%

LAB 27.31, -8.48, 5.42

 

CMYK 0 / 9 / 2 / 75

HEX #403A3F

RGB 64 58 63

HSL 310, 0.05%, 0.24%

LAB 25.18, 3.7, -2.15

 

CMYK 46 / 0 / 76 / 62

HEX #356218

RGB 53 98 24

HSL 96.49, 0.61%, 0.24%

LAB 37.04, -29.52, 35.42

 

CMYK 66 / 0 / 76 / 62

HEX #216218

RGB 33 98 24

HSL 112.7, 0.61%, 0.24%

LAB 36.22, -35.78, 34.33

 

CMYK 76 / 0 / 64 / 62

HEX #186223

RGB 24 98 35

HSL 128.92, 0.61%, 0.24%

LAB 36.08, -36.55, 28.92

 

CMYK 76 / 0 / 44 / 62

HEX #186237

RGB 24 98 55

HSL 145.14, 0.61%, 0.24%

LAB 36.38, -33.14, 18.19

 

CMYK 76 / 0 / 23 / 62

HEX #18624B

RGB 24 98 75

HSL 161.35, 0.61%, 0.24%

LAB 36.81, -28.4, 6.73

 

CMYK 75 / 0 / 63 / 87

HEX #08200C

RGB 8 32 12

HSL 130, 0.6%, 0.08%

LAB 9.89, -14.63, 9.52

 

CMYK 75 / 0 / 63 / 75

HEX #104118

RGB 16 65 24

HSL 129.8, 0.6%, 0.16%

LAB 23.53, -26.41, 20.12

 

CMYK 76 / 0 / 63 / 62

HEX #186224

RGB 24 98 36

HSL 129.73, 0.61%, 0.24%

LAB 36.09, -36.41, 28.42

 

CMYK 75 / 0 / 63 / 49

HEX #218331

RGB 33 131 49

HSL 129.8, 0.6%, 0.32%

LAB 47.98, -45.39, 35.69

 

CMYK 75 / 0 / 63 / 36

HEX #29A43D

RGB 41 164 61

HSL 129.76, 0.6%, 0.4%

LAB 59.31, -54.2, 43.03

 

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

CMYK 76 / 27 / 0 / 62

HEX #184862

RGB 24 72 98

HSL 201.08, 0.61%, 0.24%

LAB 28.67, -6.47, -19.92

 

CMYK 0 / 76 / 56 / 62

HEX #62182B

RGB 98 24 43

HSL 344.59, 0.61%, 0.24%

LAB 21.67, 34.48, 7.05

 

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

CMYK 64 / 76 / 0 / 62

HEX #231862

RGB 35 24 98

HSL 248.92, 0.61%, 0.24%

LAB 14.91, 28.62, -41.92

 

CMYK 0 / 64 / 76 / 62

HEX #622318

RGB 98 35 24

HSL 8.92, 0.61%, 0.24%

LAB 23.22, 27.83, 21.86

 

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

CMYK 76 / 27 / 0 / 62

HEX #184862

RGB 24 72 98

HSL 201.08, 0.61%, 0.24%

LAB 28.67, -6.47, -19.92

 

CMYK 0 / 76 / 11 / 62

HEX #621857

RGB 98 24 87

HSL 308.92, 0.61%, 0.24%

LAB 23.47, 40.31, -20.36

 

CMYK 0 / 49 / 76 / 62

HEX #623218

RGB 98 50 24

HSL 21.08, 0.61%, 0.24%

LAB 26.57, 19.3, 25.63

 

CMYK 75 / 0 / 63 / 61

HEX #196325

RGB 25 99 37

HSL 129.73, 0.6%, 0.24%

LAB 36.49, -36.47, 28.36

 

CMYK 76 / 49 / 0 / 62

HEX #183262

RGB 24 50 98

HSL 218.92, 0.61%, 0.24%

LAB 21.42, 8.49, -31.39

 

CMYK 0 / 76 / 11 / 62

HEX #621857

RGB 98 24 87

HSL 308.92, 0.61%, 0.24%

LAB 23.47, 40.31, -20.36

 

CMYK 0 / 27 / 76 / 62

HEX #624818

RGB 98 72 24

HSL 38.92, 0.61%, 0.24%

LAB 32.47, 5.7, 31.92

 

Description

Color code: HEX #196325 | qconv.com Color code: HEX #196325 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 99 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 99 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 63 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 63% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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