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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #194029 it is the complementary color #E6BFD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #194029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #194029 shade: #1E4024, #2F5237, #40644A, #51765D and #628870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #194029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #194029 shade: #194029, #082E16, #001C03, #000A00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #194029 shade: #183E28, #183E1E, #1D3E18, #273E18 and #323E18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #194029 shade: #183E28, #183E32, #183E3D, #18363E and #182C3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #194029 shade matches the following richer shades: #183E28, #114527, #0A4C25 and #035324

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #194029 shade: #183E28, #1F3729, #26302A, #2D292C and #34222D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #194029 shade: #1D3E18, #183E1D, #183E28, #183E32 and #183E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #194029 shade: #010302, #0D2115, #183E28, #245C3B and #2F7A4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #194029 shade: #194029, #18283E and #3E1818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #194029 shade: #194029, #28183E and #3E2818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #194029 shade: #194029, #18283E, #3E182F and #3E2F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #194029 shade: #194029, #181C3E, #3E182F and #3E3B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

Complementary color

CMYK 0 / 17 / 7 / 10

HEX #E6BFD6

RGB 230 191 214

HSL 324.62, 0.44%, 0.83%

LAB 81.26, 17.66, -6.28

 

CMYK 53 / 0 / 44 / 75

HEX #1E4024

RGB 30 64 36

HSL 130.59, 0.36%, 0.18%

LAB 23.9, -19.67, 13.41

 

CMYK 43 / 0 / 33 / 68

HEX #2F5237

RGB 47 82 55

HSL 133.71, 0.27%, 0.25%

LAB 31.61, -19.4, 11.97

 

CMYK 36 / 0 / 26 / 61

HEX #40644A

RGB 64 100 74

HSL 136.67, 0.22%, 0.32%

LAB 39.07, -19.09, 10.74

 

CMYK 31 / 0 / 21 / 54

HEX #51765D

RGB 81 118 93

HSL 139.46, 0.19%, 0.39%

LAB 46.31, -18.8, 9.65

 

CMYK 28 / 0 / 18 / 47

HEX #628870

RGB 98 136 112

HSL 142.11, 0.16%, 0.46%

LAB 53.36, -18.54, 8.67

 

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

CMYK 83 / 0 / 52 / 82

HEX #082E16

RGB 8 46 22

HSL 142.11, 0.7%, 0.11%

LAB 15.82, -20.01, 11.71

 

CMYK 100 / 0 / 89 / 89

HEX #001C03

RGB 0 28 3

HSL 126.43, 1%, 0.05%

LAB 7.56, -14.91, 9.82

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 61 / 0 / 52 / 76

HEX #183E1E

RGB 24 62 30

HSL 129.47, 0.44%, 0.17%

LAB 22.77, -21.78, 15.65

 

CMYK 53 / 0 / 61 / 76

HEX #1D3E18

RGB 29 62 24

HSL 112.11, 0.44%, 0.17%

LAB 22.9, -21.12, 19.5

 

CMYK 37 / 0 / 61 / 76

HEX #273E18

RGB 39 62 24

HSL 96.32, 0.44%, 0.17%

LAB 23.48, -17.16, 20.32

 

CMYK 19 / 0 / 61 / 76

HEX #323E18

RGB 50 62 24

HSL 78.95, 0.44%, 0.17%

LAB 24.29, -12.15, 21.47

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 61 / 0 / 19 / 76

HEX #183E32

RGB 24 62 50

HSL 161.05, 0.44%, 0.17%

LAB 23.24, -17.03, 3.32

 

CMYK 61 / 0 / 2 / 76

HEX #183E3D

RGB 24 62 61

HSL 178.42, 0.44%, 0.17%

LAB 23.59, -13.68, -3.49

 

CMYK 61 / 13 / 0 / 76

HEX #18363E

RGB 24 54 62

HSL 192.63, 0.44%, 0.17%

LAB 20.75, -8.43, -8.43

 

CMYK 61 / 29 / 0 / 76

HEX #182C3E

RGB 24 44 62

HSL 208.42, 0.44%, 0.17%

LAB 17.19, -1.74, -13.89

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 75 / 0 / 43 / 73

HEX #114527

RGB 17 69 39

HSL 145.38, 0.6%, 0.17%

LAB 25.33, -25.09, 13.3

 

CMYK 87 / 0 / 51 / 70

HEX #0A4C25

RGB 10 76 37

HSL 144.55, 0.77%, 0.17%

LAB 27.76, -29.83, 17.66

 

CMYK 96 / 0 / 57 / 67

HEX #035324

RGB 3 83 36

HSL 144.75, 0.93%, 0.17%

LAB 30.24, -33.76, 21.33

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 44 / 0 / 25 / 78

HEX #1F3729

RGB 31 55 41

HSL 145, 0.28%, 0.17%

LAB 20.77, -13.19, 5.87

 

CMYK 21 / 0 / 13 / 81

HEX #26302A

RGB 38 48 42

HSL 144, 0.12%, 0.17%

LAB 18.77, -5.79, 2.43

 

CMYK 0 / 9 / 2 / 82

HEX #2D292C

RGB 45 41 44

HSL 315, 0.05%, 0.17%

LAB 17.11, 2.52, -1.3

 

CMYK 0 / 35 / 13 / 80

HEX #34222D

RGB 52 34 45

HSL 323.33, 0.21%, 0.17%

LAB 15.82, 10.79, -3.83

 

CMYK 53 / 0 / 61 / 76

HEX #1D3E18

RGB 29 62 24

HSL 112.11, 0.44%, 0.17%

LAB 22.9, -21.12, 19.5

 

CMYK 61 / 0 / 53 / 76

HEX #183E1D

RGB 24 62 29

HSL 127.89, 0.44%, 0.17%

LAB 22.75, -21.97, 16.25

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 61 / 0 / 19 / 76

HEX #183E32

RGB 24 62 50

HSL 161.05, 0.44%, 0.17%

LAB 23.24, -17.03, 3.32

 

CMYK 61 / 0 / 3 / 76

HEX #183E3C

RGB 24 62 60

HSL 176.84, 0.44%, 0.17%

LAB 23.56, -14, -2.87

 

CMYK 67 / 0 / 33 / 99

HEX #010302

RGB 1 3 2

HSL 150, 0.5%, 0.01%

LAB 0.69, -0.66, 0.19

 

CMYK 61 / 0 / 36 / 87

HEX #0D2115

RGB 13 33 21

HSL 144, 0.43%, 0.09%

LAB 10.76, -11.75, 5.65

 

CMYK 61 / 0 / 35 / 76

HEX #183E28

RGB 24 62 40

HSL 145.26, 0.44%, 0.17%

LAB 22.97, -19.64, 9.54

 

CMYK 61 / 0 / 36 / 64

HEX #245C3B

RGB 36 92 59

HSL 144.64, 0.44%, 0.25%

LAB 34.69, -26.95, 13.62

 

CMYK 61 / 0 / 36 / 52

HEX #2F7A4E

RGB 47 122 78

HSL 144.8, 0.44%, 0.33%

LAB 45.73, -34, 17.37

 

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

CMYK 61 / 35 / 0 / 76

HEX #18283E

RGB 24 40 62

HSL 214.74, 0.44%, 0.17%

LAB 15.8, 1.1, -16.07

 

CMYK 0 / 61 / 61 / 76

HEX #3E1818

RGB 62 24 24

HSL 0, 0.44%, 0.17%

LAB 14.08, 18.61, 9.02

 

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

CMYK 35 / 61 / 0 / 76

HEX #28183E

RGB 40 24 62

HSL 265.26, 0.44%, 0.17%

LAB 12.3, 17.67, -21.51

 

CMYK 0 / 35 / 61 / 76

HEX #3E2818

RGB 62 40 24

HSL 25.26, 0.44%, 0.17%

LAB 18.4, 8.15, 14.63

 

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

CMYK 61 / 35 / 0 / 76

HEX #18283E

RGB 24 40 62

HSL 214.74, 0.44%, 0.17%

LAB 15.8, 1.1, -16.07

 

CMYK 0 / 61 / 24 / 76

HEX #3E182F

RGB 62 24 47

HSL 323.68, 0.44%, 0.17%

LAB 14.86, 21.89, -6.55

 

CMYK 0 / 24 / 61 / 76

HEX #3E2F18

RGB 62 47 24

HSL 36.32, 0.44%, 0.17%

LAB 20.53, 3.45, 17.27

 

CMYK 61 / 0 / 36 / 75

HEX #194029

RGB 25 64 41

HSL 144.62, 0.44%, 0.17%

LAB 23.78, -20.16, 10

 

CMYK 61 / 55 / 0 / 76

HEX #181C3E

RGB 24 28 62

HSL 233.68, 0.44%, 0.17%

LAB 11.77, 10.05, -22.45

 

CMYK 0 / 61 / 24 / 76

HEX #3E182F

RGB 62 24 47

HSL 323.68, 0.44%, 0.17%

LAB 14.86, 21.89, -6.55

 

CMYK 0 / 5 / 61 / 76

HEX #3E3B18

RGB 62 59 24

HSL 55.26, 0.44%, 0.17%

LAB 24.38, -4.36, 21.86

 

Description

Color code: HEX #194029 | qconv.com Color code: HEX #194029 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 64 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 64 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 36 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 36% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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