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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #193446 it is the complementary color #E6CBB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #193446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #193446 shade: #1E3441, #2F4654, #405867, #516A7A and #627C8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #193446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #193446 shade: #193446, #082233, #001020, #00000D and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #193446 shade: #1A3547, #1A2947, #1A1C47, #231A47 and #2F1A47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #193446 shade: #1A3547, #1A2947, #1A1C47 and #1A1A47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #193446 shade matches the following richer shades: #1A3547, #12374F, #0A3857 and #023A5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #193446 shade: #1A3547, #22333F, #293238, #313030 and #392F28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #193446 shade: #1A4741, #1A4147, #1A3547, #1A2947 and #1A1D47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #193446 shade: #04080B, #0F1E29, #1A3547, #254C66 and #306284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #193446 shade: #193446, #351A47 and #47471A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #193446 shade: #193446, #471A35 and #35471A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #193446 shade: #193446, #351A47, #472C1A and #2C471A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #193446 shade: #193446, #431A47, #472C1A and #1E471A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

Complementary color

CMYK 0 / 12 / 20 / 10

HEX #E6CBB9

RGB 230 203 185

HSL 24, 0.47%, 0.81%

LAB 83.46, 6.65, 12.44

 

CMYK 54 / 20 / 0 / 75

HEX #1E3441

RGB 30 52 65

HSL 202.29, 0.37%, 0.19%

LAB 20.49, -4.41, -10.83

 

CMYK 44 / 17 / 0 / 67

HEX #2F4654

RGB 47 70 84

HSL 202.7, 0.28%, 0.26%

LAB 28.45, -4.69, -11.17

 

CMYK 38 / 15 / 0 / 60

HEX #405867

RGB 64 88 103

HSL 203.08, 0.23%, 0.33%

LAB 36.08, -4.88, -11.52

 

CMYK 34 / 13 / 0 / 52

HEX #516A7A

RGB 81 106 122

HSL 203.41, 0.2%, 0.4%

LAB 43.45, -5.01, -11.89

 

CMYK 30 / 12 / 0 / 45

HEX #627C8D

RGB 98 124 141

HSL 203.72, 0.18%, 0.47%

LAB 50.61, -5.12, -12.27

 

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

CMYK 84 / 33 / 0 / 80

HEX #082233

RGB 8 34 51

HSL 203.72, 0.73%, 0.12%

LAB 12.19, -2.86, -14.02

 

CMYK 100 / 50 / 0 / 87

HEX #001020

RGB 0 16 32

HSL 210, 1%, 0.06%

LAB 4.29, -0.22, -12.26

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 63 / 42 / 0 / 72

HEX #1A2947

RGB 26 41 71

HSL 220, 0.46%, 0.19%

LAB 16.8, 4.42, -20.7

 

CMYK 63 / 61 / 0 / 72

HEX #1A1C47

RGB 26 28 71

HSL 237.33, 0.46%, 0.19%

LAB 12.64, 14.1, -27.35

 

CMYK 51 / 63 / 0 / 72

HEX #231A47

RGB 35 26 71

HSL 252, 0.46%, 0.19%

LAB 12.93, 17.8, -26.84

 

CMYK 34 / 63 / 0 / 72

HEX #2F1A47

RGB 47 26 71

HSL 268, 0.46%, 0.19%

LAB 14.39, 21.18, -24.41

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 63 / 42 / 0 / 72

HEX #1A2947

RGB 26 41 71

HSL 220, 0.46%, 0.19%

LAB 16.8, 4.42, -20.7

 

CMYK 63 / 61 / 0 / 72

HEX #1A1C47

RGB 26 28 71

HSL 237.33, 0.46%, 0.19%

LAB 12.64, 14.1, -27.35

 

CMYK 63 / 63 / 0 / 72

HEX #1A1A47

RGB 26 26 71

HSL 240, 0.46%, 0.19%

LAB 12.05, 15.58, -28.31

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 77 / 30 / 0 / 69

HEX #12374F

RGB 18 55 79

HSL 203.61, 0.63%, 0.19%

LAB 21.67, -3.9, -18.46

 

CMYK 89 / 36 / 0 / 66

HEX #0A3857

RGB 10 56 87

HSL 204.16, 0.79%, 0.19%

LAB 22.23, -2.36, -22.9

 

CMYK 98 / 39 / 0 / 63

HEX #023A5F

RGB 2 58 95

HSL 203.87, 0.96%, 0.19%

LAB 23.22, -1.08, -26.59

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 46 / 19 / 0 / 75

HEX #22333F

RGB 34 51 63

HSL 204.83, 0.3%, 0.19%

LAB 20.31, -3.18, -9.73

 

CMYK 27 / 11 / 0 / 78

HEX #293238

RGB 41 50 56

HSL 204, 0.15%, 0.19%

LAB 20.2, -2.17, -5.07

 

CMYK 0 / 2 / 2 / 81

HEX #313030

RGB 49 48 48

HSL 0, 0.01%, 0.19%

LAB 19.96, 0.44, 0.15

 

CMYK 0 / 18 / 30 / 78

HEX #392F28

RGB 57 47 40

HSL 24.71, 0.18%, 0.19%

LAB 20.27, 3.2, 6.18

 

CMYK 63 / 0 / 8 / 72

HEX #1A4741

RGB 26 71 65

HSL 172, 0.46%, 0.19%

LAB 27.04, -17.08, -1.03

 

CMYK 63 / 8 / 0 / 72

HEX #1A4147

RGB 26 65 71

HSL 188, 0.46%, 0.19%

LAB 25.12, -11.64, -7.82

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 63 / 42 / 0 / 72

HEX #1A2947

RGB 26 41 71

HSL 220, 0.46%, 0.19%

LAB 16.8, 4.42, -20.7

 

CMYK 63 / 59 / 0 / 72

HEX #1A1D47

RGB 26 29 71

HSL 236, 0.46%, 0.19%

LAB 12.94, 13.35, -26.86

 

CMYK 64 / 27 / 0 / 96

HEX #04080B

RGB 4 8 11

HSL 205.71, 0.47%, 0.03%

LAB 2.02, -0.62, -1.51

 

CMYK 63 / 27 / 0 / 84

HEX #0F1E29

RGB 15 30 41

HSL 205.38, 0.46%, 0.11%

LAB 10.48, -2.4, -9.39

 

CMYK 63 / 25 / 0 / 72

HEX #1A3547

RGB 26 53 71

HSL 204, 0.46%, 0.19%

LAB 20.91, -3.99, -14.26

 

CMYK 64 / 25 / 0 / 60

HEX #254C66

RGB 37 76 102

HSL 204, 0.47%, 0.27%

LAB 30.69, -5.03, -19.29

 

CMYK 64 / 26 / 0 / 48

HEX #306284

RGB 48 98 132

HSL 204.29, 0.47%, 0.35%

LAB 39.63, -5.72, -23.96

 

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

CMYK 25 / 63 / 0 / 72

HEX #351A47

RGB 53 26 71

HSL 276, 0.46%, 0.19%

LAB 15.23, 22.98, -23.03

 

CMYK 0 / 0 / 63 / 72

HEX #47471A

RGB 71 71 26

HSL 60, 0.46%, 0.19%

LAB 29.21, -7.05, 26.49

 

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

CMYK 0 / 63 / 25 / 72

HEX #471A35

RGB 71 26 53

HSL 324, 0.46%, 0.19%

LAB 17.16, 25.16, -7.19

 

CMYK 25 / 0 / 63 / 72

HEX #35471A

RGB 53 71 26

HSL 84, 0.46%, 0.19%

LAB 27.68, -15.69, 24.34

 

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

CMYK 25 / 63 / 0 / 72

HEX #351A47

RGB 53 26 71

HSL 276, 0.46%, 0.19%

LAB 15.23, 22.98, -23.03

 

CMYK 0 / 38 / 63 / 72

HEX #472C1A

RGB 71 44 26

HSL 24, 0.46%, 0.19%

LAB 20.89, 10.24, 16.7

 

CMYK 38 / 0 / 63 / 72

HEX #2C471A

RGB 44 71 26

HSL 96, 0.46%, 0.19%

LAB 27.06, -19.62, 23.47

 

CMYK 64 / 26 / 0 / 73

HEX #193446

RGB 25 52 70

HSL 204, 0.47%, 0.19%

LAB 20.46, -3.94, -14.29

 

CMYK 6 / 63 / 0 / 72

HEX #431A47

RGB 67 26 71

HSL 294.67, 0.46%, 0.19%

LAB 17.4, 27.33, -19.44

 

CMYK 0 / 38 / 63 / 72

HEX #472C1A

RGB 71 44 26

HSL 24, 0.46%, 0.19%

LAB 20.89, 10.24, 16.7

 

CMYK 58 / 0 / 63 / 72

HEX #1E471A

RGB 30 71 26

HSL 114.67, 0.46%, 0.19%

LAB 26.32, -24.85, 22.42

 

Description

Color code: HEX #193446 | qconv.com Color code: HEX #193446 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 52 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 52 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 26 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 26% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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