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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19281ACE it is the complementary color #E6D7E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19281ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19281ACE shade: #1E2815CE, #2F3A28CE, #404C3BCE, #515E4ECE and #627061CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19281ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19281ACE shade: #19281ACE, #081607CE, #000400CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19281ACE shade: #1A291B, #1D291A, #21291A, #25291A and #29291A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19281ACE shade: #1A291B, #1A291F, #1A2923, #1A2927 and #1A2729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19281ACE shade matches the following richer shades: #1A291B, #142E16, #0F3411, #09390D and #043E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19281ACE shade: #1A291B, #1F231F, #241E24, #2A1928 and #2F132D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19281ACE shade: #21291A, #1D291A, #1A291B, #1A291F and #1A2923

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19281ACE shade: #000000, #0A0F0A, #1A291B, #29422B and #395C3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19281ACE shade: #19281A, #1A2529 and #291A1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19281ACE shade: #19281A, #1B1A29 and #291B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19281ACE shade: #19281A, #1A2529, #291A28 and #291E1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19281ACE shade: #19281A, #1A2029, #291A28 and #29221A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 28 / 68

HEX #19281ACE

RGBA 25 40 26 0.81

HSLA 124, 0.23%, 0.13%, 0.81

LABA 14.39, -10.04, 7.24, 0.81

 

Complementary color

CMYK 0 / 5 / 0 / 8

HEX #E6D7E5CE

RGBA 230 215 229 0.81

HSLA 304, 0.23%, 0.87%, 0.81

LABA 87.52, 7.61, -5.01, 0.81

 

CMYK 20 / 0 / 38 / 68

HEX #1E2815CE

RGBA 30 40 21 0.81

HSLA 91.58, 0.31%, 0.12%, 0.81

LABA 14.67, -8.76, 11.12, 0.81

 

CMYK 15 / 0 / 25 / 63

HEX #2F3A28CE

RGBA 47 58 40 0.81

HSLA 96.67, 0.18%, 0.19%, 0.81

LABA 22.94, -8.65, 9.73, 0.81

 

CMYK 13 / 0 / 18 / 57

HEX #404C3BCE

RGBA 64 76 59 0.81

HSLA 102.35, 0.13%, 0.26%, 0.81

LABA 30.82, -8.55, 8.54, 0.81

 

CMYK 11 / 0 / 14 / 51

HEX #515E4ECE

RGBA 81 94 78 0.81

HSLA 108.75, 0.09%, 0.34%, 0.81

LABA 38.38, -8.46, 7.51, 0.81

 

CMYK 10 / 0 / 11 / 45

HEX #627061CE

RGBA 98 112 97 0.81

HSLA 116, 0.07%, 0.41%, 0.81

LABA 45.7, -8.41, 6.58, 0.81

 

CMYK 30 / 0 / 28 / 68

HEX #19281ACE

RGBA 25 40 26 0.81

HSLA 124, 0.23%, 0.13%, 0.81

LABA 14.39, -10.04, 7.24, 0.81

 

CMYK 52 / 0 / 55 / 74

HEX #081607CE

RGBA 8 22 7 0.81

HSLA 116, 0.52%, 0.06%, 0.81

LABA 5.79, -7.52, 5.66, 0.81

 

CMYK 81 / 0 / 81 / 80

HEX #000400CE

RGBA 0 4 0 0.81

HSLA 120, 1%, 0.01%, 0.81

LABA 0.78, -1.6, 1.15, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 29 / 0 / 37 / 84

HEX #1D291A

RGB 29 41 26

HSL 108, 0.22%, 0.13%

LAB 15.07, -8.9, 8.21

 

CMYK 20 / 0 / 37 / 84

HEX #21291A

RGB 33 41 26

HSL 92, 0.22%, 0.13%

LAB 15.4, -7.03, 8.72

 

CMYK 10 / 0 / 37 / 84

HEX #25291A

RGB 37 41 26

HSL 76, 0.22%, 0.13%

LAB 15.77, -5.09, 9.27

 

CMYK 0 / 0 / 37 / 84

HEX #29291A

RGB 41 41 26

HSL 60, 0.22%, 0.13%

LAB 16.16, -3.09, 9.87

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 37 / 0 / 24 / 84

HEX #1A291F

RGB 26 41 31

HSL 140, 0.22%, 0.13%

LAB 14.98, -9.05, 4.56

 

CMYK 37 / 0 / 15 / 84

HEX #1A2923

RGB 26 41 35

HSL 156, 0.22%, 0.13%

LAB 15.1, -8.01, 1.91

 

CMYK 37 / 0 / 5 / 84

HEX #1A2927

RGB 26 41 39

HSL 172, 0.22%, 0.13%

LAB 15.23, -6.88, -0.73

 

CMYK 37 / 5 / 0 / 84

HEX #1A2729

RGB 26 39 41

HSL 188, 0.22%, 0.13%

LAB 14.57, -4.94, -3.13

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 57 / 0 / 52 / 82

HEX #142E16

RGB 20 46 22

HSL 124.62, 0.39%, 0.13%

LAB 16.31, -16.4, 12.45

 

CMYK 71 / 0 / 67 / 80

HEX #0F3411

RGB 15 52 17

HSL 123.24, 0.55%, 0.13%

LAB 18.36, -21.95, 18.04

 

CMYK 84 / 0 / 77 / 78

HEX #09390D

RGB 9 57 13

HSL 125, 0.73%, 0.13%

LAB 20.1, -26.17, 22.13

 

CMYK 94 / 0 / 87 / 76

HEX #043E08

RGB 4 62 8

HSL 124.14, 0.88%, 0.13%

LAB 21.9, -29.69, 26.22

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 11 / 0 / 11 / 86

HEX #1F231F

RGB 31 35 31

HSL 120, 0.06%, 0.13%

LAB 13.18, -2.83, 2.06

 

CMYK 0 / 17 / 0 / 86

HEX #241E24

RGB 36 30 36

HSL 300, 0.09%, 0.13%

LAB 12.16, 4.31, -3.01

 

CMYK 0 / 40 / 5 / 84

HEX #2A1928

RGB 42 25 40

HSL 307.06, 0.25%, 0.13%

LAB 11.56, 11.61, -6.77

 

CMYK 0 / 60 / 4 / 82

HEX #2F132D

RGB 47 19 45

HSL 304.29, 0.42%, 0.13%

LAB 10.99, 18.86, -11.26

 

CMYK 20 / 0 / 37 / 84

HEX #21291A

RGB 33 41 26

HSL 92, 0.22%, 0.13%

LAB 15.4, -7.03, 8.72

 

CMYK 29 / 0 / 37 / 84

HEX #1D291A

RGB 29 41 26

HSL 108, 0.22%, 0.13%

LAB 15.07, -8.9, 8.21

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 37 / 0 / 24 / 84

HEX #1A291F

RGB 26 41 31

HSL 140, 0.22%, 0.13%

LAB 14.98, -9.05, 4.56

 

CMYK 37 / 0 / 15 / 84

HEX #1A2923

RGB 26 41 35

HSL 156, 0.22%, 0.13%

LAB 15.1, -8.01, 1.91

 

CMYK 33 / 0 / 33 / 94

HEX #0A0F0A

RGB 10 15 10

HSL 120, 0.2%, 0.05%

LAB 3.87, -2.3, 1.64

 

CMYK 37 / 0 / 34 / 84

HEX #1A291B

RGB 26 41 27

HSL 124, 0.22%, 0.13%

LAB 14.87, -10.01, 7.21

 

CMYK 38 / 0 / 35 / 74

HEX #29422B

RGB 41 66 43

HSL 124.8, 0.23%, 0.21%

LAB 25.39, -15.31, 11.03

 

CMYK 38 / 0 / 35 / 64

HEX #395C3C

RGB 57 92 60

HSL 125.14, 0.23%, 0.29%

LAB 35.69, -20.15, 14.53

 

CMYK 38 / 0 / 35 / 84

HEX #19281A

RGB 25 40 26

HSL 124, 0.23%, 0.13%

LAB 14.39, -10.04, 7.24

 

CMYK 37 / 10 / 0 / 84

HEX #1A2529

RGB 26 37 41

HSL 196, 0.22%, 0.13%

LAB 13.84, -3.56, -4.21

 

CMYK 0 / 37 / 24 / 84

HEX #291A1F

RGB 41 26 31

HSL 340, 0.22%, 0.13%

LAB 11.34, 8.44, -0.47

 

CMYK 38 / 0 / 35 / 84

HEX #19281A

RGB 25 40 26

HSL 124, 0.23%, 0.13%

LAB 14.39, -10.04, 7.24

 

CMYK 34 / 37 / 0 / 84

HEX #1B1A29

RGB 27 26 41

HSL 244, 0.22%, 0.13%

LAB 10.05, 4.86, -9.99

 

CMYK 0 / 34 / 37 / 84

HEX #291B1A

RGB 41 27 26

HSL 4, 0.22%, 0.13%

LAB 11.48, 6.76, 3.44

 

CMYK 38 / 0 / 35 / 84

HEX #19281A

RGB 25 40 26

HSL 124, 0.23%, 0.13%

LAB 14.39, -10.04, 7.24

 

CMYK 37 / 10 / 0 / 84

HEX #1A2529

RGB 26 37 41

HSL 196, 0.22%, 0.13%

LAB 13.84, -3.56, -4.21

 

CMYK 0 / 37 / 2 / 84

HEX #291A28

RGB 41 26 40

HSL 304, 0.22%, 0.13%

LAB 11.71, 10.46, -6.55

 

CMYK 0 / 27 / 37 / 84

HEX #291E1A

RGB 41 30 26

HSL 16, 0.22%, 0.13%

LAB 12.45, 4.6, 4.79

 

CMYK 38 / 0 / 35 / 84

HEX #19281A

RGB 25 40 26

HSL 124, 0.23%, 0.13%

LAB 14.39, -10.04, 7.24

 

CMYK 37 / 22 / 0 / 84

HEX #1A2029

RGB 26 32 41

HSL 216, 0.22%, 0.13%

LAB 12.04, -0, -6.94

 

CMYK 0 / 37 / 2 / 84

HEX #291A28

RGB 41 26 40

HSL 304, 0.22%, 0.13%

LAB 11.71, 10.46, -6.55

 

CMYK 0 / 17 / 37 / 84

HEX #29221A

RGB 41 34 26

HSL 32, 0.22%, 0.13%

LAB 13.77, 1.75, 6.63

 

Description

Color code: HEX #19281ACE | qconv.com Color code: HEX #19281ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 40 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 40 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 28 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 28% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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