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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #192531 it is the complementary color #E6DACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #192531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #192531 shade: #1E252C, #2F373F, #404952, #515B65 and #626D78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #192531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #192531 shade: #192531, #08131E, #00010B and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #192531 shade: #1A2632, #1A2032, #1B1A32, #221A32 and #281A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #192531 shade: #1A2632, #1A2032 and #1A1A32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #192531 shade matches the following richer shades: #1A2632, #142639, #0E263F, #072645 and #01264B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #192531 shade: #1A2632, #20262C, #262626, #2D2620 and #33261A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #192531 shade: #1A3232, #1A2D32, #1A2632, #1A2032 and #1B1A32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #192531 shade: #000000, #0C1217, #1A2632, #283B4E and #365069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #192531 shade: #192531, #2B1A32 and #30321A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #192531 shade: #192531, #321A26 and #26321A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #192531 shade: #192531, #2B1A32, #32261A and #21321A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #192531 shade: #192531, #321A32, #32261A and #1A321A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

Complementary color

CMYK 0 / 5 / 10 / 10

HEX #E6DACE

RGB 230 218 206

HSL 30, 0.32%, 0.85%

LAB 87.69, 2.1, 7.36

 

CMYK 32 / 16 / 0 / 83

HEX #1E252C

RGB 30 37 44

HSL 210, 0.19%, 0.15%

LAB 14.29, -1.07, -5.65

 

CMYK 25 / 13 / 0 / 75

HEX #2F373F

RGB 47 55 63

HSL 210, 0.15%, 0.22%

LAB 22.64, -1.22, -6.11

 

CMYK 22 / 11 / 0 / 68

HEX #404952

RGB 64 73 82

HSL 210, 0.12%, 0.29%

LAB 30.55, -1.36, -6.57

 

CMYK 20 / 10 / 0 / 60

HEX #515B65

RGB 81 91 101

HSL 210, 0.11%, 0.36%

LAB 38.15, -1.49, -7.04

 

CMYK 18 / 9 / 0 / 53

HEX #626D78

RGB 98 109 120

HSL 210, 0.1%, 0.43%

LAB 45.48, -1.61, -7.51

 

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

CMYK 73 / 37 / 0 / 88

HEX #08131E

RGB 8 19 30

HSL 210, 0.58%, 0.07%

LAB 5.52, -0.55, -8.8

 

CMYK 100 / 91 / 0 / 96

HEX #00010B

RGB 0 1 11

HSL 234.55, 1%, 0.02%

LAB 0.41, 1.13, -3.89

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 48 / 36 / 0 / 80

HEX #1A2032

RGB 26 32 50

HSL 225, 0.32%, 0.15%

LAB 12.5, 3.08, -12.74

 

CMYK 46 / 48 / 0 / 80

HEX #1B1A32

RGB 27 26 50

HSL 242.5, 0.32%, 0.15%

LAB 10.57, 7.94, -15.75

 

CMYK 32 / 48 / 0 / 80

HEX #221A32

RGB 34 26 50

HSL 260, 0.32%, 0.15%

LAB 11.34, 10.43, -14.49

 

CMYK 20 / 48 / 0 / 80

HEX #281A32

RGB 40 26 50

HSL 275, 0.32%, 0.15%

LAB 12.09, 12.69, -13.26

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 48 / 36 / 0 / 80

HEX #1A2032

RGB 26 32 50

HSL 225, 0.32%, 0.15%

LAB 12.5, 3.08, -12.74

 

CMYK 48 / 48 / 0 / 80

HEX #1A1A32

RGB 26 26 50

HSL 240, 0.32%, 0.15%

LAB 10.47, 7.61, -15.91

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 65 / 33 / 0 / 78

HEX #142639

RGB 20 38 57

HSL 210.81, 0.48%, 0.15%

LAB 14.57, -0.5, -14.51

 

CMYK 78 / 40 / 0 / 75

HEX #0E263F

RGB 14 38 63

HSL 210.61, 0.64%, 0.15%

LAB 14.62, 0.6, -18.66

 

CMYK 90 / 45 / 0 / 73

HEX #072645

RGB 7 38 69

HSL 210, 0.82%, 0.15%

LAB 14.74, 2.11, -22.65

 

CMYK 99 / 49 / 0 / 71

HEX #01264B

RGB 1 38 75

HSL 210, 0.97%, 0.15%

LAB 14.96, 4.04, -26.44

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 27 / 14 / 0 / 83

HEX #20262C

RGB 32 38 44

HSL 210, 0.16%, 0.15%

LAB 14.82, -0.97, -4.85

 

CMYK 0 / 0 / 0 / 85

HEX #262626

RGB 38 38 38

HSL 0, 0%, 0.15%

LAB 15.16, 0, -0

 

CMYK 0 / 16 / 29 / 82

HEX #2D2620

RGB 45 38 32

HSL 27.69, 0.17%, 0.15%

LAB 15.74, 2.06, 5.18

 

CMYK 0 / 25 / 49 / 80

HEX #33261A

RGB 51 38 26

HSL 28.8, 0.32%, 0.15%

LAB 16.33, 4.11, 10.3

 

CMYK 48 / 0 / 0 / 80

HEX #1A3232

RGB 26 50 50

HSL 180, 0.32%, 0.15%

LAB 18.93, -9.34, -2.95

 

CMYK 48 / 10 / 0 / 80

HEX #1A2D32

RGB 26 45 50

HSL 192.5, 0.32%, 0.15%

LAB 17.12, -6.09, -5.66

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 48 / 36 / 0 / 80

HEX #1A2032

RGB 26 32 50

HSL 225, 0.32%, 0.15%

LAB 12.5, 3.08, -12.74

 

CMYK 46 / 48 / 0 / 80

HEX #1B1A32

RGB 27 26 50

HSL 242.5, 0.32%, 0.15%

LAB 10.57, 7.94, -15.75

 

CMYK 48 / 22 / 0 / 91

HEX #0C1217

RGB 12 18 23

HSL 207.27, 0.31%, 0.07%

LAB 5.17, -0.89, -3.86

 

CMYK 48 / 24 / 0 / 80

HEX #1A2632

RGB 26 38 50

HSL 210, 0.32%, 0.15%

LAB 14.6, -1.28, -9.48

 

CMYK 49 / 24 / 0 / 69

HEX #283B4E

RGB 40 59 78

HSL 210, 0.32%, 0.23%

LAB 24.09, -1.64, -13.95

 

CMYK 49 / 24 / 0 / 59

HEX #365069

RGB 54 80 105

HSL 209.41, 0.32%, 0.31%

LAB 33.01, -2.27, -17.53

 

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

CMYK 14 / 48 / 0 / 80

HEX #2B1A32

RGB 43 26 50

HSL 282.5, 0.32%, 0.15%

LAB 12.5, 13.84, -12.6

 

CMYK 4 / 0 / 48 / 80

HEX #30321A

RGB 48 50 26

HSL 65, 0.32%, 0.15%

LAB 19.98, -5.48, 14.97

 

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

CMYK 0 / 48 / 24 / 80

HEX #321A26

RGB 50 26 38

HSL 330, 0.32%, 0.15%

LAB 12.96, 13.98, -3.07

 

CMYK 24 / 0 / 48 / 80

HEX #26321A

RGB 38 50 26

HSL 90, 0.32%, 0.15%

LAB 19.09, -10.36, 13.65

 

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

CMYK 14 / 48 / 0 / 80

HEX #2B1A32

RGB 43 26 50

HSL 282.5, 0.32%, 0.15%

LAB 12.5, 13.84, -12.6

 

CMYK 0 / 24 / 48 / 80

HEX #32261A

RGB 50 38 26

HSL 30, 0.32%, 0.15%

LAB 16.2, 3.59, 10.11

 

CMYK 34 / 0 / 48 / 80

HEX #21321A

RGB 33 50 26

HSL 102.5, 0.32%, 0.15%

LAB 18.71, -12.63, 13.09

 

CMYK 49 / 24 / 0 / 81

HEX #192531

RGB 25 37 49

HSL 210, 0.32%, 0.15%

LAB 14.13, -1.26, -9.51

 

CMYK 0 / 48 / 0 / 80

HEX #321A32

RGB 50 26 50

HSL 300, 0.32%, 0.15%

LAB 13.51, 16.57, -10.94

 

CMYK 0 / 24 / 48 / 80

HEX #32261A

RGB 50 38 26

HSL 30, 0.32%, 0.15%

LAB 16.2, 3.59, 10.11

 

CMYK 48 / 0 / 48 / 80

HEX #1A321A

RGB 26 50 26

HSL 120, 0.32%, 0.15%

LAB 18.26, -15.55, 12.41

 

Description

Color code: HEX #192531 | qconv.com Color code: HEX #192531 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 37 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 37 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 24 magenta, none yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 24% 0% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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