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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18FB5C it is the complementary color #E704A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18FB5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18FB5C shade: #1DFB57, #2EFF6A, #3FFF7D, #50FF90 and #61FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18FB5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18FB5C shade: #18FB5C, #07E949, #00D736, #00C523 and #00B310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18FB5C shade: #18FB5C, #18FB1F, #4EFB18, #8CFB18 and #C9FB18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18FB5C shade: #18FB5C, #18FB99, #18FBD7, #18E3FB and #18A5FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18FB5C shade matches the following richer shades: #18FB5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18FB5C shade: #18FB5C, #2BE964, #3ED66B, #51C373 and #64B07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18FB5C shade: #51FB18, #18FB1C, #18FB58, #18FB95 and #18FBD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18FB5C shade: #03BE3B, #04E748, #18FB5C, #41FC79 and #69FD95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18FB5C shade: #18FB5C, #188DFB and #FB1832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18FB5C shade: #18FB5C, #5818FB and #FB5818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18FB5C shade: #18FB5C, #188DFB, #FB18BB and #FB8618

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18FB5C shade: #18FB5C, #1849FB, #FB18BB and #FBCA18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

Complementary color

CMYK 0 / 98 / 29 / 9

HEX #E704A3

RGB 231 4 163

HSL 317.97, 0.97%, 0.46%

LAB 51.52, 82.44, -22.35

 

CMYK 88 / 0 / 65 / 2

HEX #1DFB57

RGB 29 251 87

HSL 135.68, 0.97%, 0.55%

LAB 86.97, -79.66, 62.75

 

CMYK 82 / 0 / 58 / 0

HEX #2EFF6A

RGB 46 255 106

HSL 137.22, 1%, 0.59%

LAB 88.52, -77.41, 56.64

 

CMYK 75 / 0 / 51 / 0

HEX #3FFF7D

RGB 63 255 125

HSL 139.38, 1%, 0.62%

LAB 88.95, -73.01, 48.66

 

CMYK 69 / 0 / 44 / 0

HEX #50FF90

RGB 80 255 144

HSL 141.94, 1%, 0.66%

LAB 89.5, -67.67, 40.38

 

CMYK 62 / 0 / 36 / 0

HEX #61FFA3

RGB 97 255 163

HSL 145.06, 1%, 0.69%

LAB 90.19, -61.47, 31.97

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 97 / 0 / 69 / 9

HEX #07E949

RGB 7 233 73

HSL 137.52, 0.94%, 0.47%

LAB 81.18, -76.85, 61.91

 

CMYK 100 / 0 / 75 / 16

HEX #00D736

RGB 0 215 54

HSL 135.07, 1%, 0.42%

LAB 75.37, -73.62, 62.7

 

CMYK 100 / 0 / 82 / 23

HEX #00C523

RGB 0 197 35

HSL 130.66, 1%, 0.39%

LAB 69.51, -69.84, 62.79

 

CMYK 100 / 0 / 91 / 30

HEX #00B310

RGB 0 179 16

HSL 125.36, 1%, 0.35%

LAB 63.57, -65.68, 61.66

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 0 / 88 / 2

HEX #18FB1F

RGB 24 251 31

HSL 121.85, 0.97%, 0.54%

LAB 86.65, -83.65, 78.95

 

CMYK 69 / 0 / 90 / 2

HEX #4EFB18

RGB 78 251 24

HSL 105.73, 0.97%, 0.54%

LAB 87.33, -77.68, 80.91

 

CMYK 44 / 0 / 90 / 2

HEX #8CFB18

RGB 140 251 24

HSL 89.34, 0.97%, 0.54%

LAB 89.22, -62.47, 83.26

 

CMYK 20 / 0 / 90 / 2

HEX #C9FB18

RGB 201 251 24

HSL 73.22, 0.97%, 0.54%

LAB 92.34, -41.08, 87.08

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 0 / 39 / 2

HEX #18FB99

RGB 24 251 153

HSL 154.1, 0.97%, 0.54%

LAB 87.72, -70.45, 33.48

 

CMYK 90 / 0 / 14 / 2

HEX #18FBD7

RGB 24 251 215

HSL 170.48, 0.97%, 0.54%

LAB 88.97, -56.67, 3.48

 

CMYK 90 / 10 / 0 / 2

HEX #18E3FB

RGB 24 227 251

HSL 186.34, 0.97%, 0.54%

LAB 82.97, -36.13, -24.34

 

CMYK 90 / 34 / 0 / 2

HEX #18A5FB

RGB 24 165 251

HSL 202.73, 0.97%, 0.54%

LAB 65.02, -4.14, -52.22

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 82 / 0 / 57 / 9

HEX #2BE964

RGB 43 233 100

HSL 138, 0.81%, 0.54%

LAB 81.68, -71.63, 51.28

 

CMYK 71 / 0 / 50 / 16

HEX #3ED66B

RGB 62 214 107

HSL 137.76, 0.65%, 0.54%

LAB 76.18, -61.93, 41.42

 

CMYK 58 / 0 / 41 / 24

HEX #51C373

RGB 81 195 115

HSL 137.89, 0.49%, 0.54%

LAB 70.88, -49.91, 30.76

 

CMYK 43 / 0 / 30 / 31

HEX #64B07B

RGB 100 176 123

HSL 138.16, 0.32%, 0.54%

LAB 65.9, -35.42, 19.97

 

CMYK 68 / 0 / 90 / 2

HEX #51FB18

RGB 81 251 24

HSL 104.93, 0.97%, 0.54%

LAB 87.39, -77.14, 80.99

 

CMYK 90 / 0 / 89 / 2

HEX #18FB1C

RGB 24 251 28

HSL 121.06, 0.97%, 0.54%

LAB 86.64, -83.74, 79.45

 

CMYK 90 / 0 / 65 / 2

HEX #18FB58

RGB 24 251 88

HSL 136.92, 0.97%, 0.54%

LAB 86.94, -79.85, 62.32

 

CMYK 90 / 0 / 41 / 2

HEX #18FB95

RGB 24 251 149

HSL 153.04, 0.97%, 0.54%

LAB 87.66, -71.18, 35.38

 

CMYK 90 / 0 / 16 / 2

HEX #18FBD2

RGB 24 251 210

HSL 169.16, 0.97%, 0.54%

LAB 88.85, -57.93, 5.91

 

CMYK 98 / 0 / 69 / 25

HEX #03BE3B

RGB 3 190 59

HSL 137.97, 0.97%, 0.38%

LAB 67.4, -65.89, 52.67

 

CMYK 98 / 0 / 69 / 9

HEX #04E748

RGB 4 231 72

HSL 137.97, 0.97%, 0.46%

LAB 80.54, -76.47, 61.6

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 74 / 0 / 52 / 1

HEX #41FC79

RGB 65 252 121

HSL 137.97, 0.97%, 0.62%

LAB 88.03, -72.33, 49.39

 

CMYK 58 / 0 / 41 / 1

HEX #69FD95

RGB 105 253 149

HSL 137.84, 0.97%, 0.7%

LAB 89.59, -61.5, 38.16

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 44 / 0 / 2

HEX #188DFB

RGB 24 141 251

HSL 209.07, 0.97%, 0.54%

LAB 58.23, 9.98, -63.04

 

CMYK 0 / 90 / 80 / 2

HEX #FB1832

RGB 251 24 50

HSL 353.13, 0.97%, 0.54%

LAB 53.38, 77.79, 47.98

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 65 / 90 / 0 / 2

HEX #5818FB

RGB 88 24 251

HSL 256.92, 0.97%, 0.54%

LAB 37.29, 76.21, -97.2

 

CMYK 0 / 65 / 90 / 2

HEX #FB5818

RGB 251 88 24

HSL 16.92, 0.97%, 0.54%

LAB 59.48, 59.77, 64.26

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 44 / 0 / 2

HEX #188DFB

RGB 24 141 251

HSL 209.07, 0.97%, 0.54%

LAB 58.23, 9.98, -63.04

 

CMYK 0 / 90 / 25 / 2

HEX #FB18BB

RGB 251 24 187

HSL 316.92, 0.97%, 0.54%

LAB 56.83, 87.21, -27.91

 

CMYK 0 / 47 / 90 / 2

HEX #FB8618

RGB 251 134 24

HSL 29.07, 0.97%, 0.54%

LAB 67.74, 38.51, 70.13

 

CMYK 90 / 0 / 63 / 2

HEX #18FB5C

RGB 24 251 92

HSL 137.97, 0.97%, 0.54%

LAB 86.98, -79.43, 60.74

 

CMYK 90 / 71 / 0 / 2

HEX #1849FB

RGB 24 73 251

HSL 227.05, 0.97%, 0.54%

LAB 41.1, 52.14, -90.98

 

CMYK 0 / 90 / 25 / 2

HEX #FB18BB

RGB 251 24 187

HSL 316.92, 0.97%, 0.54%

LAB 56.83, 87.21, -27.91

 

CMYK 0 / 20 / 90 / 2

HEX #FBCA18

RGB 251 202 24

HSL 47.05, 0.97%, 0.54%

LAB 83.35, 3.24, 81.75

 

Description

Color code: HEX #18FB5C | qconv.com Color code: HEX #18FB5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 251 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 251 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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