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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18F659 it is the complementary color #E709A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18F659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18F659 shade: #1DF654, #2EFF67, #3FFF7A, #50FF8D and #61FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18F659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18F659 shade: #18F659, #07E446, #00D233, #00C020 and #00AE0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18F659 shade: #18F759, #18F71D, #4FF718, #8BF718 and #C7F718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18F659 shade: #18F759, #18F795, #18F7D1, #18E0F7 and #18A4F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18F659 shade matches the following richer shades: #18F759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18F659 shade: #18F759, #2BE361, #3ED069, #52BC71 and #65A979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18F659 shade: #4FF718, #18F71B, #18F757, #18F792 and #18F7CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18F659 shade: #07B53A, #08DD46, #18F759, #40F876 and #67F992

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18F659 shade: #18F659, #188BF7 and #F71832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18F659 shade: #18F659, #5718F7 and #F75718

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18F659 shade: #18F659, #188BF7, #F718B7 and #F78318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18F659 shade: #18F659, #1848F7, #F718B7 and #F7C618

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

Complementary color

CMYK 0 / 96 / 28 / 9

HEX #E709A6

RGB 231 9 166

HSL 317.57, 0.93%, 0.47%

LAB 51.77, 82.4, -23.75

 

CMYK 88 / 0 / 66 / 4

HEX #1DF654

RGB 29 246 84

HSL 135.21, 0.92%, 0.54%

LAB 85.41, -78.51, 62.23

 

CMYK 82 / 0 / 60 / 0

HEX #2EFF67

RGB 46 255 103

HSL 136.36, 1%, 0.59%

LAB 88.49, -77.76, 57.9

 

CMYK 75 / 0 / 52 / 0

HEX #3FFF7A

RGB 63 255 122

HSL 138.44, 1%, 0.62%

LAB 88.91, -73.44, 50

 

CMYK 69 / 0 / 45 / 0

HEX #50FF8D

RGB 80 255 141

HSL 140.91, 1%, 0.66%

LAB 89.46, -68.15, 41.78

 

CMYK 62 / 0 / 37 / 0

HEX #61FFA0

RGB 97 255 160

HSL 143.92, 1%, 0.69%

LAB 90.14, -62, 33.4

 

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

CMYK 97 / 0 / 69 / 11

HEX #07E446

RGB 7 228 70

HSL 137.1, 0.94%, 0.46%

LAB 79.6, -75.7, 61.36

 

CMYK 100 / 0 / 76 / 18

HEX #00D233

RGB 0 210 51

HSL 134.57, 1%, 0.41%

LAB 73.76, -72.44, 62.1

 

CMYK 100 / 0 / 83 / 25

HEX #00C020

RGB 0 192 32

HSL 130, 1%, 0.38%

LAB 67.88, -68.61, 62.06

 

CMYK 100 / 0 / 93 / 32

HEX #00AE0D

RGB 0 174 13

HSL 124.48, 1%, 0.34%

LAB 61.91, -64.38, 60.73

 

CMYK 90 / 0 / 64 / 3

HEX #18F759

RGB 24 247 89

HSL 137.49, 0.93%, 0.53%

LAB 85.72, -78.59, 60.57

 

CMYK 90 / 0 / 88 / 3

HEX #18F71D

RGB 24 247 29

HSL 121.35, 0.93%, 0.53%

LAB 85.41, -82.65, 78.23

 

CMYK 68 / 0 / 90 / 3

HEX #4FF718

RGB 79 247 24

HSL 105.2, 0.93%, 0.53%

LAB 86.13, -76.29, 79.92

 

CMYK 44 / 0 / 90 / 3

HEX #8BF718

RGB 139 247 24

HSL 89.06, 0.93%, 0.53%

LAB 88.01, -61.3, 82.24

 

CMYK 19 / 0 / 90 / 3

HEX #C7F718

RGB 199 247 24

HSL 72.91, 0.93%, 0.53%

LAB 91.11, -40.09, 86.05

 

CMYK 90 / 0 / 64 / 3

HEX #18F759

RGB 24 247 89

HSL 137.49, 0.93%, 0.53%

LAB 85.72, -78.59, 60.57

 

CMYK 90 / 0 / 40 / 3

HEX #18F795

RGB 24 247 149

HSL 153.63, 0.93%, 0.53%

LAB 86.45, -69.84, 33.79

 

CMYK 90 / 0 / 15 / 3

HEX #18F7D1

RGB 24 247 209

HSL 169.78, 0.93%, 0.53%

LAB 87.64, -56.6, 4.68

 

CMYK 90 / 9 / 0 / 3

HEX #18E0F7

RGB 24 224 247

HSL 186.19, 0.93%, 0.53%

LAB 81.96, -35.97, -23.75

 

CMYK 90 / 34 / 0 / 3

HEX #18A4F7

RGB 24 164 247

HSL 202.33, 0.93%, 0.53%

LAB 64.53, -5.03, -50.81

 

CMYK 90 / 0 / 64 / 3

HEX #18F759

RGB 24 247 89

HSL 137.49, 0.93%, 0.53%

LAB 85.72, -78.59, 60.57

 

CMYK 90 / 0 / 64 / 3

HEX #18F759

RGB 24 247 89

HSL 137.49, 0.93%, 0.53%

LAB 85.72, -78.59, 60.57

 

CMYK 81 / 0 / 57 / 11

HEX #2BE361

RGB 43 227 97

HSL 137.61, 0.77%, 0.53%

LAB 79.79, -70.13, 50.41

 

CMYK 70 / 0 / 50 / 18

HEX #3ED069

RGB 62 208 105

HSL 137.67, 0.61%, 0.53%

LAB 74.29, -60.12, 40.05

 

CMYK 56 / 0 / 40 / 26

HEX #52BC71

RGB 82 188 113

HSL 137.55, 0.44%, 0.53%

LAB 68.72, -47.19, 28.97

 

CMYK 40 / 0 / 28 / 34

HEX #65A979

RGB 101 169 121

HSL 137.65, 0.28%, 0.53%

LAB 63.77, -32.24, 18.16

 

CMYK 68 / 0 / 90 / 3

HEX #4FF718

RGB 79 247 24

HSL 105.2, 0.93%, 0.53%

LAB 86.13, -76.29, 79.92

 

CMYK 90 / 0 / 89 / 3

HEX #18F71B

RGB 24 247 27

HSL 120.81, 0.93%, 0.53%

LAB 85.4, -82.71, 78.55

 

CMYK 90 / 0 / 65 / 3

HEX #18F757

RGB 24 247 87

HSL 136.95, 0.93%, 0.53%

LAB 85.71, -78.8, 61.36

 

CMYK 90 / 0 / 41 / 3

HEX #18F792

RGB 24 247 146

HSL 152.83, 0.93%, 0.53%

LAB 86.4, -70.39, 35.22

 

CMYK 90 / 0 / 17 / 3

HEX #18F7CE

RGB 24 247 206

HSL 168.97, 0.93%, 0.53%

LAB 87.57, -57.36, 6.14

 

CMYK 96 / 0 / 68 / 29

HEX #07B53A

RGB 7 181 58

HSL 137.59, 0.93%, 0.37%

LAB 64.48, -63.14, 49.95

 

CMYK 96 / 0 / 68 / 13

HEX #08DD46

RGB 8 221 70

HSL 137.46, 0.93%, 0.45%

LAB 77.4, -73.67, 59.04

 

CMYK 90 / 0 / 64 / 3

HEX #18F759

RGB 24 247 89

HSL 137.49, 0.93%, 0.53%

LAB 85.72, -78.59, 60.57

 

CMYK 74 / 0 / 52 / 3

HEX #40F876

RGB 64 248 118

HSL 137.61, 0.93%, 0.61%

LAB 86.77, -71.57, 49.24

 

CMYK 59 / 0 / 41 / 2

HEX #67F992

RGB 103 249 146

HSL 137.67, 0.92%, 0.69%

LAB 88.31, -60.9, 37.96

 

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

CMYK 90 / 44 / 0 / 3

HEX #188BF7

RGB 24 139 247

HSL 209.06, 0.93%, 0.53%

LAB 57.44, 9.68, -62.12

 

CMYK 0 / 90 / 80 / 3

HEX #F71832

RGB 247 24 50

HSL 353, 0.93%, 0.53%

LAB 52.57, 76.8, 46.92

 

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

CMYK 65 / 90 / 0 / 3

HEX #5718F7

RGB 87 24 247

HSL 256.95, 0.93%, 0.53%

LAB 36.73, 75.19, -95.87

 

CMYK 0 / 65 / 90 / 3

HEX #F75718

RGB 247 87 24

HSL 16.95, 0.93%, 0.53%

LAB 58.66, 58.84, 63.36

 

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

CMYK 90 / 44 / 0 / 3

HEX #188BF7

RGB 24 139 247

HSL 209.06, 0.93%, 0.53%

LAB 57.44, 9.68, -62.12

 

CMYK 0 / 90 / 26 / 3

HEX #F718B7

RGB 247 24 183

HSL 317.22, 0.93%, 0.53%

LAB 55.93, 85.98, -27.03

 

CMYK 0 / 47 / 90 / 3

HEX #F78318

RGB 247 131 24

HSL 28.79, 0.93%, 0.53%

LAB 66.58, 38.44, 69.03

 

CMYK 90 / 0 / 64 / 4

HEX #18F659

RGB 24 246 89

HSL 137.57, 0.93%, 0.53%

LAB 85.42, -78.3, 60.23

 

CMYK 90 / 71 / 0 / 3

HEX #1848F7

RGB 24 72 247

HSL 227.09, 0.93%, 0.53%

LAB 40.48, 51.35, -89.75

 

CMYK 0 / 90 / 26 / 3

HEX #F718B7

RGB 247 24 183

HSL 317.22, 0.93%, 0.53%

LAB 55.93, 85.98, -27.03

 

CMYK 0 / 20 / 90 / 3

HEX #F7C618

RGB 247 198 24

HSL 46.82, 0.93%, 0.53%

LAB 81.96, 3.59, 80.52

 

Description

Color code: HEX #18F659 | qconv.com Color code: HEX #18F659 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 246 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 246 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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