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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18E601 it is the complementary color #E719FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18E601. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18E601 shade: #1DE600, #2EF80F, #3FFF22, #50FF35 and #61FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18E601. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18E601 shade: #18E601, #07D400, #00C200, #00B000 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18E601 shade: #18E401, #55E401, #93E401, #D0E401 and #E4BC01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18E601 shade: #18E401, #01E428, #01E465, #01E4A2 and #01E4DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18E601 shade matches the following richer shades: #18E401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18E601 shade: #18E401, #27D214, #36BF26, #44AD39 and #539A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18E601 shade: #95E401, #58E401, #1CE401, #01E423 and #01E460

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18E601 shade: #0F9201, #14BB01, #18E401, #29FE11 and #4EFE3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18E601 shade: #18E601, #01D1E4 and #E40177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18E601 shade: #18E601, #011CE4 and #E4011C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18E601 shade: #18E601, #01D1E4, #CA01E4 and #E41401

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18E601 shade: #18E601, #018DE4, #CA01E4 and #E45801

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

Complementary color

CMYK 9 / 90 / 0 / 0

HEX #E719FE

RGB 231 25 254

HSL 293.97, 0.99%, 0.55%

LAB 56.92, 92.5, -65.96

 

CMYK 87 / 0 / 100 / 10

HEX #1DE600

RGB 29 230 0

HSL 112.43, 1%, 0.45%

LAB 80.1, -78.37, 77.12

 

CMYK 81 / 0 / 94 / 3

HEX #2EF80F

RGB 46 248 15

HSL 112.02, 0.94%, 0.52%

LAB 85.88, -81.51, 80.59

 

CMYK 75 / 0 / 87 / 0

HEX #3FFF22

RGB 63 255 34

HSL 112.13, 1%, 0.57%

LAB 88.3, -80.91, 80.01

 

CMYK 69 / 0 / 79 / 0

HEX #50FF35

RGB 80 255 53

HSL 111.98, 1%, 0.6%

LAB 88.68, -77.41, 76.14

 

CMYK 62 / 0 / 72 / 0

HEX #61FF48

RGB 97 255 72

HSL 111.8, 1%, 0.64%

LAB 89.17, -72.91, 70.94

 

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

CMYK 97 / 0 / 100 / 17

HEX #07D400

RGB 7 212 0

HSL 118.02, 1%, 0.42%

LAB 74.27, -74.71, 72.4

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 89 / 0 / 100 / 11

HEX #18E401

RGB 24 228 1

HSL 113.92, 0.99%, 0.45%

LAB 79.43, -78.16, 76.48

 

CMYK 63 / 0 / 100 / 11

HEX #55E401

RGB 85 228 1

HSL 97.8, 0.99%, 0.45%

LAB 80.42, -69.59, 77.68

 

CMYK 36 / 0 / 100 / 11

HEX #93E401

RGB 147 228 1

HSL 81.41, 0.99%, 0.45%

LAB 82.75, -51.63, 80.51

 

CMYK 9 / 0 / 100 / 11

HEX #D0E401

RGB 208 228 1

HSL 65.29, 0.99%, 0.45%

LAB 86.45, -28.11, 84.95

 

CMYK 0 / 18 / 100 / 11

HEX #E4BC01

RGB 228 188 1

HSL 49.43, 0.99%, 0.45%

LAB 77.56, 0.32, 79.25

 

CMYK 89 / 0 / 100 / 11

HEX #18E401

RGB 24 228 1

HSL 113.92, 0.99%, 0.45%

LAB 79.43, -78.16, 76.48

 

CMYK 100 / 0 / 82 / 11

HEX #01E428

RGB 1 228 40

HSL 130.31, 0.99%, 0.45%

LAB 79.41, -78.02, 70.61

 

CMYK 100 / 0 / 56 / 11

HEX #01E465

RGB 1 228 101

HSL 146.43, 0.99%, 0.45%

LAB 79.86, -72.36, 48.6

 

CMYK 100 / 0 / 29 / 11

HEX #01E4A2

RGB 1 228 162

HSL 162.56, 0.99%, 0.45%

LAB 80.8, -61.32, 19.49

 

CMYK 100 / 0 / 2 / 11

HEX #01E4DF

RGB 1 228 223

HSL 178.68, 0.99%, 0.45%

LAB 82.28, -45.61, -10.56

 

CMYK 89 / 0 / 100 / 11

HEX #18E401

RGB 24 228 1

HSL 113.92, 0.99%, 0.45%

LAB 79.43, -78.16, 76.48

 

CMYK 89 / 0 / 100 / 11

HEX #18E401

RGB 24 228 1

HSL 113.92, 0.99%, 0.45%

LAB 79.43, -78.16, 76.48

 

CMYK 81 / 0 / 90 / 18

HEX #27D214

RGB 39 210 20

HSL 114, 0.83%, 0.45%

LAB 73.92, -71.5, 69.94

 

CMYK 72 / 0 / 80 / 25

HEX #36BF26

RGB 54 191 38

HSL 113.73, 0.67%, 0.45%

LAB 68.16, -62.88, 60.9

 

CMYK 61 / 0 / 67 / 32

HEX #44AD39

RGB 68 173 57

HSL 114.31, 0.5%, 0.45%

LAB 62.85, -52.4, 48.89

 

CMYK 46 / 0 / 51 / 40

HEX #539A4B

RGB 83 154 75

HSL 113.92, 0.34%, 0.45%

LAB 57.52, -38.57, 34.44

 

CMYK 35 / 0 / 100 / 11

HEX #95E401

RGB 149 228 1

HSL 80.88, 0.99%, 0.45%

LAB 82.85, -50.93, 80.63

 

CMYK 61 / 0 / 100 / 11

HEX #58E401

RGB 88 228 1

HSL 97, 0.99%, 0.45%

LAB 80.5, -68.92, 77.78

 

CMYK 88 / 0 / 100 / 11

HEX #1CE401

RGB 28 228 1

HSL 112.86, 0.99%, 0.45%

LAB 79.46, -77.89, 76.52

 

CMYK 100 / 0 / 85 / 11

HEX #01E423

RGB 1 228 35

HSL 128.99, 0.99%, 0.45%

LAB 79.39, -78.25, 71.76

 

CMYK 100 / 0 / 58 / 11

HEX #01E460

RGB 1 228 96

HSL 145.11, 0.99%, 0.45%

LAB 79.81, -73.03, 50.8

 

CMYK 90 / 0 / 99 / 43

HEX #0F9201

RGB 15 146 1

HSL 114.21, 0.99%, 0.29%

LAB 52.58, -55.82, 54.86

 

CMYK 89 / 0 / 99 / 27

HEX #14BB01

RGB 20 187 1

HSL 113.87, 0.99%, 0.37%

LAB 66.28, -67.2, 65.91

 

CMYK 89 / 0 / 100 / 11

HEX #18E401

RGB 24 228 1

HSL 113.92, 0.99%, 0.45%

LAB 79.43, -78.16, 76.48

 

CMYK 84 / 0 / 93 / 0

HEX #29FE11

RGB 41 254 17

HSL 113.92, 0.99%, 0.53%

LAB 87.68, -83.59, 81.84

 

CMYK 69 / 0 / 77 / 0

HEX #4EFE3A

RGB 78 254 58

HSL 113.88, 0.99%, 0.61%

LAB 88.36, -77.17, 74.42

 

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

CMYK 100 / 8 / 0 / 11

HEX #01D1E4

RGB 1 209 228

HSL 185.02, 0.99%, 0.45%

LAB 76.81, -35.54, -21.47

 

CMYK 0 / 100 / 48 / 11

HEX #E40177

RGB 228 1 119

HSL 328.81, 0.99%, 0.45%

LAB 49.31, 78.01, 0.77

 

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

CMYK 100 / 88 / 0 / 11

HEX #011CE4

RGB 1 28 228

HSL 232.86, 0.99%, 0.45%

LAB 30.49, 66.34, -95.59

 

CMYK 0 / 100 / 88 / 11

HEX #E4011C

RGB 228 1 28

HSL 352.86, 0.99%, 0.45%

LAB 47.75, 73.82, 52.29

 

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

CMYK 100 / 8 / 0 / 11

HEX #01D1E4

RGB 1 209 228

HSL 185.02, 0.99%, 0.45%

LAB 76.81, -35.54, -21.47

 

CMYK 11 / 100 / 0 / 11

HEX #CA01E4

RGB 202 1 228

HSL 293.13, 0.99%, 0.45%

LAB 49.71, 86.29, -63.24

 

CMYK 0 / 91 / 100 / 11

HEX #E41401

RGB 228 20 1

HSL 5.02, 0.99%, 0.45%

LAB 48.26, 71.78, 61.7

 

CMYK 90 / 0 / 100 / 10

HEX #18E601

RGB 24 230 1

HSL 113.97, 0.99%, 0.45%

LAB 80.06, -78.7, 76.98

 

CMYK 100 / 38 / 0 / 11

HEX #018DE4

RGB 1 141 228

HSL 203, 0.99%, 0.45%

LAB 56.74, 0.47, -52.71

 

CMYK 11 / 100 / 0 / 11

HEX #CA01E4

RGB 202 1 228

HSL 293.13, 0.99%, 0.45%

LAB 49.71, 86.29, -63.24

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

Description

Color code: HEX #18E601 | qconv.com Color code: HEX #18E601 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 230 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 230 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 100 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 100% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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