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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18DF39 it is the complementary color #E720C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18DF39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18DF39 shade: #1DDF34, #2EF147, #3FFF5A, #50FF6D and #61FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18DF39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18DF39 shade: #18DF39, #07CD26, #00BB13, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18DF39 shade: #17DE38, #2CDE17, #61DE17, #97DE17 and #CCDE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18DF39 shade: #17DE38, #17DE6E, #17DEA3, #17DED9 and #17ADDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18DF39 shade matches the following richer shades: #17DE38 and #03F12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18DF39 shade: #17DE38, #2BCA45, #3FB653, #53A260 and #668E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18DF39 shade: #63DE17, #2EDE17, #17DE35, #17DE6A and #17DE9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18DF39 shade: #0F9325, #13B82F, #17DE38, #34EA52 and #5AEE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18DF39 shade: #18DF39, #1798DE and #DE1749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18DF39 shade: #18DF39, #3517DE and #DE3517

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18DF39 shade: #18DF39, #1798DE, #DE17C0 and #DE5D17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18DF39 shade: #18DF39, #175DDE, #DE17C0 and #DE9817

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

Complementary color

CMYK 0 / 86 / 14 / 9

HEX #E720C6

RGB 231 32 198

HSL 309.95, 0.81%, 0.52%

LAB 54.13, 83.51, -38.74

 

CMYK 87 / 0 / 77 / 13

HEX #1DDF34

RGB 29 223 52

HSL 127.11, 0.77%, 0.49%

LAB 78.04, -74.6, 66.03

 

CMYK 81 / 0 / 71 / 5

HEX #2EF147

RGB 46 241 71

HSL 127.69, 0.87%, 0.56%

LAB 83.94, -76.81, 65.62

 

CMYK 75 / 0 / 65 / 0

HEX #3FFF5A

RGB 63 255 90

HSL 128.44, 1%, 0.62%

LAB 88.6, -77.24, 63.46

 

CMYK 69 / 0 / 57 / 0

HEX #50FF6D

RGB 80 255 109

HSL 129.94, 1%, 0.66%

LAB 89.08, -72.6, 56.13

 

CMYK 62 / 0 / 50 / 0

HEX #61FF80

RGB 97 255 128

HSL 131.77, 1%, 0.69%

LAB 89.68, -67.03, 48.32

 

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

CMYK 97 / 0 / 81 / 20

HEX #07CD26

RGB 7 205 38

HSL 129.39, 0.93%, 0.42%

LAB 72.13, -71.62, 64.42

 

CMYK 100 / 0 / 90 / 27

HEX #00BB13

RGB 0 187 19

HSL 126.1, 1%, 0.37%

LAB 66.2, -67.79, 63.4

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 80 / 0 / 90 / 13

HEX #2CDE17

RGB 44 222 23

HSL 113.67, 0.81%, 0.48%

LAB 77.78, -74.27, 72.77

 

CMYK 56 / 0 / 90 / 13

HEX #61DE17

RGB 97 222 23

HSL 97.69, 0.81%, 0.48%

LAB 78.95, -64.34, 74.23

 

CMYK 32 / 0 / 90 / 13

HEX #97DE17

RGB 151 222 23

HSL 81.41, 0.81%, 0.48%

LAB 81.23, -47.42, 77.04

 

CMYK 8 / 0 / 90 / 13

HEX #CCDE17

RGB 204 222 23

HSL 65.43, 0.81%, 0.48%

LAB 84.56, -26.66, 81.12

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 90 / 0 / 50 / 13

HEX #17DE6E

RGB 23 222 110

HSL 146.23, 0.81%, 0.48%

LAB 78.2, -68.31, 42.37

 

CMYK 90 / 0 / 27 / 13

HEX #17DEA3

RGB 23 222 163

HSL 162.21, 0.81%, 0.48%

LAB 79.08, -58.11, 16.59

 

CMYK 90 / 0 / 2 / 13

HEX #17DED9

RGB 23 222 217

HSL 178.49, 0.81%, 0.48%

LAB 80.42, -44.08, -10.13

 

CMYK 90 / 22 / 0 / 13

HEX #17ADDE

RGB 23 173 222

HSL 194.77, 0.81%, 0.48%

LAB 66.02, -18.92, -34.77

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 99 / 0 / 82 / 5

HEX #03F12B

RGB 3 241 43

HSL 130.08, 0.98%, 0.48%

LAB 83.5, -81.29, 73.62

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 79 / 0 / 66 / 21

HEX #2BCA45

RGB 43 202 69

HSL 129.81, 0.65%, 0.48%

LAB 71.68, -65.49, 53.34

 

CMYK 65 / 0 / 54 / 29

HEX #3FB653

RGB 63 182 83

HSL 130.08, 0.49%, 0.48%

LAB 65.86, -53.76, 40.44

 

CMYK 49 / 0 / 41 / 36

HEX #53A260

RGB 83 162 96

HSL 129.87, 0.32%, 0.48%

LAB 60.36, -38.85, 27.02

 

CMYK 28 / 0 / 23 / 44

HEX #668E6D

RGB 102 142 109

HSL 130.5, 0.16%, 0.48%

LAB 55.35, -20.89, 13.23

 

CMYK 55 / 0 / 90 / 13

HEX #63DE17

RGB 99 222 23

HSL 97.09, 0.81%, 0.48%

LAB 79.02, -63.83, 74.31

 

CMYK 79 / 0 / 90 / 13

HEX #2EDE17

RGB 46 222 23

HSL 113.07, 0.81%, 0.48%

LAB 77.81, -74.03, 72.8

 

CMYK 90 / 0 / 76 / 13

HEX #17DE35

RGB 23 222 53

HSL 129.05, 0.81%, 0.48%

LAB 77.69, -74.66, 65.35

 

CMYK 90 / 0 / 52 / 13

HEX #17DE6A

RGB 23 222 106

HSL 145.03, 0.81%, 0.48%

LAB 78.15, -68.91, 44.22

 

CMYK 90 / 0 / 28 / 13

HEX #17DE9F

RGB 23 222 159

HSL 161.01, 0.81%, 0.48%

LAB 79, -59.01, 18.58

 

CMYK 90 / 0 / 75 / 42

HEX #0F9325

RGB 15 147 37

HSL 130, 0.81%, 0.32%

LAB 53.06, -54.28, 46.3

 

CMYK 90 / 0 / 74 / 28

HEX #13B82F

RGB 19 184 47

HSL 130.18, 0.81%, 0.4%

LAB 65.46, -64.38, 55.21

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 78 / 0 / 65 / 8

HEX #34EA52

RGB 52 234 82

HSL 129.89, 0.81%, 0.56%

LAB 81.94, -73.01, 59.31

 

CMYK 62 / 0 / 52 / 7

HEX #5AEE72

RGB 90 238 114

HSL 129.73, 0.81%, 0.64%

LAB 84.24, -64.3, 48.15

 

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

CMYK 90 / 32 / 0 / 13

HEX #1798DE

RGB 23 152 222

HSL 201.11, 0.81%, 0.48%

LAB 59.81, -7.41, -44.49

 

CMYK 0 / 90 / 67 / 13

HEX #DE1749

RGB 222 23 73

HSL 344.92, 0.81%, 0.48%

LAB 47.78, 71.58, 26.75

 

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

CMYK 76 / 90 / 0 / 13

HEX #3517DE

RGB 53 23 222

HSL 249.05, 0.81%, 0.48%

LAB 30.98, 67.45, -91.28

 

CMYK 0 / 76 / 90 / 13

HEX #DE3517

RGB 222 53 23

HSL 9.05, 0.81%, 0.48%

LAB 49.66, 63.18, 55.26

 

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

CMYK 90 / 32 / 0 / 13

HEX #1798DE

RGB 23 152 222

HSL 201.11, 0.81%, 0.48%

LAB 59.81, -7.41, -44.49

 

CMYK 0 / 90 / 14 / 13

HEX #DE17C0

RGB 222 23 192

HSL 309.05, 0.81%, 0.48%

LAB 51.78, 82.37, -39.08

 

CMYK 0 / 58 / 90 / 13

HEX #DE5D17

RGB 222 93 23

HSL 21.11, 0.81%, 0.48%

LAB 55.5, 47.41, 59.51

 

CMYK 89 / 0 / 74 / 13

HEX #18DF39

RGB 24 223 57

HSL 129.95, 0.81%, 0.48%

LAB 78.03, -74.59, 64.4

 

CMYK 90 / 58 / 0 / 13

HEX #175DDE

RGB 23 93 222

HSL 218.89, 0.81%, 0.48%

LAB 43.19, 29.06, -71.18

 

CMYK 0 / 90 / 14 / 13

HEX #DE17C0

RGB 222 23 192

HSL 309.05, 0.81%, 0.48%

LAB 51.78, 82.37, -39.08

 

CMYK 0 / 32 / 90 / 13

HEX #DE9817

RGB 222 152 23

HSL 38.89, 0.81%, 0.48%

LAB 68.06, 17.03, 68.96

 

Description

Color code: HEX #18DF39 | qconv.com Color code: HEX #18DF39 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 223 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 223 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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