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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18DA83 it is the complementary color #E7257C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18DA83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18DA83 shade: #1DDA7E, #2EEC91, #3FFEA4, #50FFB7 and #61FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18DA83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18DA83 shade: #18DA83, #07C870, #00B65D, #00A44A and #009237

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18DA83 shade: #18D882, #18D84E, #18D81A, #49D818 and #7DD818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18DA83 shade: #18D882, #18D8B5, #18C6D8, #1893D8 and #185FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18DA83 shade matches the following richer shades: #18D882 and #05EB84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18DA83 shade: #18D882, #2BC480, #3FB17E, #529E7C and #668A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18DA83 shade: #18D81B, #18D84E, #18D881, #18D8B5 and #18C8D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18DA83 shade: #108D55, #14B36B, #18D882, #31E896 and #56ECA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18DA83 shade: #18DA83, #1848D8 and #D83518

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18DA83 shade: #18DA83, #8118D8 and #D88118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18DA83 shade: #18DA83, #1848D8, #D8186E and #D8A818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18DA83 shade: #18DA83, #2218D8, #D8186E and #CED818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

Complementary color

CMYK 0 / 84 / 46 / 9

HEX #E7257C

RGB 231 37 124

HSL 333.09, 0.8%, 0.53%

LAB 51.57, 74.65, 1.1

 

CMYK 87 / 0 / 42 / 15

HEX #1DDA7E

RGB 29 218 126

HSL 150.79, 0.77%, 0.48%

LAB 77.23, -63.91, 33.23

 

CMYK 81 / 0 / 39 / 7

HEX #2EEC91

RGB 46 236 145

HSL 151.26, 0.83%, 0.55%

LAB 83.24, -65.22, 31.58

 

CMYK 75 / 0 / 35 / 0

HEX #3FFEA4

RGB 63 254 164

HSL 151.73, 0.99%, 0.62%

LAB 89.22, -66.16, 30.05

 

CMYK 69 / 0 / 28 / 0

HEX #50FFB7

RGB 80 255 183

HSL 155.31, 1%, 0.66%

LAB 90.16, -60.47, 21.76

 

CMYK 62 / 0 / 21 / 0

HEX #61FFCA

RGB 97 255 202

HSL 159.87, 1%, 0.69%

LAB 90.93, -53.67, 13.16

 

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

CMYK 97 / 0 / 44 / 22

HEX #07C870

RGB 7 200 112

HSL 152.64, 0.93%, 0.41%

LAB 71.23, -61.43, 32.52

 

CMYK 100 / 0 / 49 / 29

HEX #00B65D

RGB 0 182 93

HSL 150.66, 1%, 0.36%

LAB 65.16, -58.99, 34.43

 

CMYK 100 / 0 / 55 / 36

HEX #00A44A

RGB 0 164 74

HSL 147.07, 1%, 0.32%

LAB 59.02, -56.11, 36.38

 

CMYK 100 / 0 / 62 / 43

HEX #009237

RGB 0 146 55

HSL 142.6, 1%, 0.29%

LAB 52.77, -52.98, 38.22

 

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 89 / 0 / 64 / 15

HEX #18D84E

RGB 24 216 78

HSL 136.88, 0.8%, 0.47%

LAB 75.98, -70.62, 54.28

 

CMYK 89 / 0 / 88 / 15

HEX #18D81A

RGB 24 216 26

HSL 120.63, 0.8%, 0.47%

LAB 75.69, -74.34, 70.37

 

CMYK 66 / 0 / 89 / 15

HEX #49D818

RGB 73 216 24

HSL 104.69, 0.8%, 0.47%

LAB 76.43, -67.84, 71.66

 

CMYK 42 / 0 / 89 / 15

HEX #7DD818

RGB 125 216 24

HSL 88.44, 0.8%, 0.47%

LAB 78.19, -53.94, 73.85

 

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 89 / 0 / 16 / 15

HEX #18D8B5

RGB 24 216 181

HSL 169.06, 0.8%, 0.47%

LAB 77.66, -51.33, 5.03

 

CMYK 89 / 8 / 0 / 15

HEX #18C6D8

RGB 24 198 216

HSL 185.63, 0.8%, 0.47%

LAB 73.25, -33.38, -20.38

 

CMYK 89 / 32 / 0 / 15

HEX #1893D8

RGB 24 147 216

HSL 201.56, 0.8%, 0.47%

LAB 58.06, -6.7, -43.91

 

CMYK 89 / 56 / 0 / 15

HEX #185FD8

RGB 24 95 216

HSL 217.81, 0.8%, 0.47%

LAB 43.27, 25.5, -67.63

 

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 98 / 0 / 44 / 8

HEX #05EB84

RGB 5 235 132

HSL 153.13, 0.96%, 0.47%

LAB 82.44, -69.6, 36.98

 

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 78 / 0 / 35 / 23

HEX #2BC480

RGB 43 196 128

HSL 153.33, 0.64%, 0.47%

LAB 70.56, -54.33, 23.37

 

CMYK 64 / 0 / 29 / 31

HEX #3FB17E

RGB 63 177 126

HSL 153.16, 0.48%, 0.47%

LAB 64.97, -44.17, 16.86

 

CMYK 48 / 0 / 22 / 38

HEX #529E7C

RGB 82 158 124

HSL 153.16, 0.32%, 0.47%

LAB 59.62, -31.83, 10.59

 

CMYK 26 / 0 / 12 / 46

HEX #668A7A

RGB 102 138 122

HSL 153.33, 0.15%, 0.47%

LAB 54.46, -16.13, 4.5

 

CMYK 89 / 0 / 88 / 15

HEX #18D81B

RGB 24 216 27

HSL 120.94, 0.8%, 0.47%

LAB 75.69, -74.3, 70.18

 

CMYK 89 / 0 / 64 / 15

HEX #18D84E

RGB 24 216 78

HSL 136.88, 0.8%, 0.47%

LAB 75.98, -70.62, 54.28

 

CMYK 89 / 0 / 40 / 15

HEX #18D881

RGB 24 216 129

HSL 152.81, 0.8%, 0.47%

LAB 76.61, -62.99, 30.9

 

CMYK 89 / 0 / 16 / 15

HEX #18D8B5

RGB 24 216 181

HSL 169.06, 0.8%, 0.47%

LAB 77.66, -51.33, 5.03

 

CMYK 89 / 7 / 0 / 15

HEX #18C8D8

RGB 24 200 216

HSL 185, 0.8%, 0.47%

LAB 73.84, -34.33, -19.48

 

CMYK 89 / 0 / 40 / 45

HEX #108D55

RGB 16 141 85

HSL 153.12, 0.8%, 0.31%

LAB 51.63, -45.08, 21.19

 

CMYK 89 / 0 / 40 / 30

HEX #14B36B

RGB 20 179 107

HSL 152.83, 0.8%, 0.39%

LAB 64.52, -54.41, 26.37

 

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 79 / 0 / 35 / 9

HEX #31E896

RGB 49 232 150

HSL 153.11, 0.8%, 0.55%

LAB 82.15, -62.53, 27.59

 

CMYK 64 / 0 / 28 / 7

HEX #56ECA9

RGB 86 236 169

HSL 153.2, 0.8%, 0.63%

LAB 84.4, -54.98, 21

 

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

CMYK 89 / 67 / 0 / 15

HEX #1848D8

RGB 24 72 216

HSL 225, 0.8%, 0.47%

LAB 37.46, 40.31, -77.15

 

CMYK 0 / 75 / 89 / 15

HEX #D83518

RGB 216 53 24

HSL 9.06, 0.8%, 0.47%

LAB 48.52, 61.39, 53.53

 

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

CMYK 40 / 89 / 0 / 15

HEX #8118D8

RGB 129 24 216

HSL 272.81, 0.8%, 0.47%

LAB 38.34, 71.73, -75.41

 

CMYK 0 / 40 / 89 / 15

HEX #D88118

RGB 216 129 24

HSL 32.81, 0.8%, 0.47%

LAB 61.97, 26.81, 63.73

 

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

CMYK 89 / 67 / 0 / 15

HEX #1848D8

RGB 24 72 216

HSL 225, 0.8%, 0.47%

LAB 37.46, 40.31, -77.15

 

CMYK 0 / 89 / 49 / 15

HEX #D8186E

RGB 216 24 110

HSL 333.13, 0.8%, 0.47%

LAB 47.47, 72.31, 3.33

 

CMYK 0 / 22 / 89 / 15

HEX #D8A818

RGB 216 168 24

HSL 45, 0.8%, 0.47%

LAB 71.33, 5.88, 70.98

 

CMYK 89 / 0 / 40 / 15

HEX #18DA83

RGB 24 218 131

HSL 153.09, 0.8%, 0.47%

LAB 77.27, -63.31, 30.74

 

CMYK 84 / 89 / 0 / 15

HEX #2218D8

RGB 34 24 216

HSL 243.13, 0.8%, 0.47%

LAB 29.29, 64.9, -90.67

 

CMYK 0 / 89 / 49 / 15

HEX #D8186E

RGB 216 24 110

HSL 333.13, 0.8%, 0.47%

LAB 47.47, 72.31, 3.33

 

CMYK 5 / 0 / 89 / 15

HEX #CED818

RGB 206 216 24

HSL 63.13, 0.8%, 0.47%

LAB 83.07, -22.94, 79.85

 

Description

Color code: HEX #18DA83 | qconv.com Color code: HEX #18DA83 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 218 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 218 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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