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Color name
HEX #18DA3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18DA3C it is the complementary color #E725C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18DA3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18DA3C shade: #1DDA37, #2EEC4A, #3FFE5D, #50FF70 and #61FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18DA3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18DA3C shade: #18DA3C, #07C829, #00B616, #00A403 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18DA3C shade: #18D83C, #28D818, #5CD818, #90D818 and #C3D818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18DA3C shade: #18D83C, #18D86F, #18D8A3, #18D8D7 and #18A5D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18DA3C shade matches the following richer shades: #18D83C and #05EB2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18DA3C shade: #18D83C, #2BC448, #3FB154, #529E60 and #668A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18DA3C shade: #5BD818, #28D818, #18D83B, #18D86E and #18D8A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18DA3C shade: #108D27, #14B331, #18D83C, #31E853 and #56EC72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18DA3C shade: #18DA3C, #188ED8 and #D81842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18DA3C shade: #18DA3C, #3B18D8 and #D83B18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18DA3C shade: #18DA3C, #188ED8, #D818B5 and #D86118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18DA3C shade: #18DA3C, #1855D8, #D818B5 and #D89B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

Complementary color

CMYK 0 / 84 / 16 / 9

HEX #E725C3

RGB 231 37 195

HSL 311.13, 0.8%, 0.53%

LAB 54.29, 82.23, -36.76

 

CMYK 87 / 0 / 75 / 15

HEX #1DDA37

RGB 29 218 55

HSL 128.25, 0.77%, 0.48%

LAB 76.48, -72.96, 63.53

 

CMYK 81 / 0 / 69 / 7

HEX #2EEC4A

RGB 46 236 74

HSL 128.84, 0.83%, 0.55%

LAB 82.41, -75.07, 62.92

 

CMYK 75 / 0 / 63 / 0

HEX #3FFE5D

RGB 63 254 93

HSL 129.42, 0.99%, 0.62%

LAB 88.32, -76.63, 61.95

 

CMYK 69 / 0 / 56 / 0

HEX #50FF70

RGB 80 255 112

HSL 130.97, 1%, 0.66%

LAB 89.11, -72.24, 54.84

 

CMYK 62 / 0 / 49 / 0

HEX #61FF83

RGB 97 255 131

HSL 132.91, 1%, 0.69%

LAB 89.72, -66.61, 46.96

 

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

CMYK 97 / 0 / 80 / 22

HEX #07C829

RGB 7 200 41

HSL 130.57, 0.93%, 0.41%

LAB 70.53, -70.04, 62.09

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 100 / 0 / 98 / 36

HEX #00A403

RGB 0 164 3

HSL 121.1, 1%, 0.32%

LAB 58.56, -61.86, 59.35

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 89 / 0 / 72 / 15

HEX #18D83C

RGB 24 216 60

HSL 131.25, 0.8%, 0.47%

LAB 75.84, -72.35, 61.15

 

CMYK 81 / 0 / 89 / 15

HEX #28D818

RGB 40 216 24

HSL 115, 0.8%, 0.47%

LAB 75.84, -72.98, 70.92

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 33 / 0 / 89 / 15

HEX #90D818

RGB 144 216 24

HSL 82.5, 0.8%, 0.47%

LAB 79.1, -47.42, 74.98

 

CMYK 10 / 0 / 89 / 15

HEX #C3D818

RGB 195 216 24

HSL 66.56, 0.8%, 0.47%

LAB 82.26, -27.51, 78.86

 

CMYK 89 / 0 / 72 / 15

HEX #18D83C

RGB 24 216 60

HSL 131.25, 0.8%, 0.47%

LAB 75.84, -72.35, 61.15

 

CMYK 89 / 0 / 49 / 15

HEX #18D86F

RGB 24 216 111

HSL 147.19, 0.8%, 0.47%

LAB 76.35, -66.14, 39.57

 

CMYK 89 / 0 / 25 / 15

HEX #18D8A3

RGB 24 216 163

HSL 163.44, 0.8%, 0.47%

LAB 77.25, -55.77, 14.03

 

CMYK 89 / 0 / 0 / 15

HEX #18D8D7

RGB 24 216 215

HSL 179.69, 0.8%, 0.47%

LAB 78.59, -41.96, -11.8

 

CMYK 89 / 24 / 0 / 15

HEX #18A5D8

RGB 24 165 216

HSL 195.94, 0.8%, 0.47%

LAB 63.39, -16.7, -35.54

 

CMYK 89 / 0 / 72 / 15

HEX #18D83C

RGB 24 216 60

HSL 131.25, 0.8%, 0.47%

LAB 75.84, -72.35, 61.15

 

CMYK 98 / 0 / 80 / 8

HEX #05EB2F

RGB 5 235 47

HSL 130.96, 0.96%, 0.47%

LAB 81.65, -79.4, 70.88

 

CMYK 89 / 0 / 72 / 15

HEX #18D83C

RGB 24 216 60

HSL 131.25, 0.8%, 0.47%

LAB 75.84, -72.35, 61.15

 

CMYK 78 / 0 / 63 / 23

HEX #2BC448

RGB 43 196 72

HSL 131.37, 0.64%, 0.47%

LAB 69.8, -63.26, 49.99

 

CMYK 64 / 0 / 53 / 31

HEX #3FB154

RGB 63 177 84

HSL 131.05, 0.48%, 0.47%

LAB 64.28, -51.76, 38.03

 

CMYK 48 / 0 / 39 / 38

HEX #529E60

RGB 82 158 96

HSL 131.05, 0.32%, 0.47%

LAB 59.06, -37.37, 25.31

 

CMYK 26 / 0 / 22 / 46

HEX #668A6C

RGB 102 138 108

HSL 130, 0.15%, 0.47%

LAB 54.12, -19, 12.07

 

CMYK 58 / 0 / 89 / 15

HEX #5BD818

RGB 91 216 24

HSL 99.06, 0.8%, 0.47%

LAB 76.92, -63.78, 72.27

 

CMYK 81 / 0 / 89 / 15

HEX #28D818

RGB 40 216 24

HSL 115, 0.8%, 0.47%

LAB 75.84, -72.98, 70.92

 

CMYK 89 / 0 / 73 / 15

HEX #18D83B

RGB 24 216 59

HSL 130.94, 0.8%, 0.47%

LAB 75.84, -72.43, 61.5

 

CMYK 89 / 0 / 49 / 15

HEX #18D86E

RGB 24 216 110

HSL 146.88, 0.8%, 0.47%

LAB 76.33, -66.3, 40.04

 

CMYK 89 / 0 / 25 / 15

HEX #18D8A1

RGB 24 216 161

HSL 162.81, 0.8%, 0.47%

LAB 77.21, -56.24, 15.03

 

CMYK 89 / 0 / 72 / 45

HEX #108D27

RGB 16 141 39

HSL 131.04, 0.8%, 0.31%

LAB 51.04, -52.12, 43.44

 

CMYK 89 / 0 / 73 / 30

HEX #14B331

RGB 20 179 49

HSL 130.94, 0.8%, 0.39%

LAB 63.84, -62.65, 52.84

 

CMYK 89 / 0 / 72 / 15

HEX #18D83C

RGB 24 216 60

HSL 131.25, 0.8%, 0.47%

LAB 75.84, -72.35, 61.15

 

CMYK 79 / 0 / 64 / 9

HEX #31E853

RGB 49 232 83

HSL 131.15, 0.8%, 0.55%

LAB 81.29, -72.65, 58.17

 

CMYK 64 / 0 / 52 / 7

HEX #56EC72

RGB 86 236 114

HSL 131.2, 0.8%, 0.63%

LAB 83.54, -64.39, 47.27

 

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

CMYK 89 / 34 / 0 / 15

HEX #188ED8

RGB 24 142 216

HSL 203.13, 0.8%, 0.47%

LAB 56.58, -3.81, -46.24

 

CMYK 0 / 89 / 69 / 15

HEX #D81842

RGB 216 24 66

HSL 346.88, 0.8%, 0.47%

LAB 46.51, 69.6, 29.16

 

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

CMYK 73 / 89 / 0 / 15

HEX #3B18D8

RGB 59 24 216

HSL 250.94, 0.8%, 0.47%

LAB 30.74, 65.86, -88.22

 

CMYK 0 / 73 / 89 / 15

HEX #D83B18

RGB 216 59 24

HSL 10.94, 0.8%, 0.47%

LAB 49.24, 59.39, 54.06

 

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

CMYK 89 / 34 / 0 / 15

HEX #188ED8

RGB 24 142 216

HSL 203.13, 0.8%, 0.47%

LAB 56.58, -3.81, -46.24

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 55 / 89 / 15

HEX #D86118

RGB 216 97 24

HSL 22.81, 0.8%, 0.47%

LAB 55.29, 43.27, 58.62

 

CMYK 89 / 0 / 72 / 15

HEX #18DA3C

RGB 24 218 60

HSL 131.13, 0.8%, 0.47%

LAB 76.47, -72.93, 61.8

 

CMYK 89 / 61 / 0 / 15

HEX #1855D8

RGB 24 85 216

HSL 220.94, 0.8%, 0.47%

LAB 40.65, 32, -71.9

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 28 / 89 / 15

HEX #D89B18

RGB 216 155 24

HSL 40.94, 0.8%, 0.47%

LAB 68.1, 12.83, 68.47

 

Description

Color code: HEX #18DA3C | qconv.com Color code: HEX #18DA3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 218 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 218 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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