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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D856 it is the complementary color #E727A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D856 shade: #1DD851, #2EEA64, #3FFC77, #50FF8A and #61FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D856 shade: #18D856, #07C643, #00B430, #00A21D and #00900A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D856 shade: #18D856, #18D822, #41D818, #75D818 and #A9D818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D856 shade: #18D856, #18D88A, #18D8BD, #18BED8 and #188BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D856 shade matches the following richer shades: #18D856 and #05EB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D856 shade: #18D856, #2BC45D, #3FB164, #529E6B and #668A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D856 shade: #42D818, #18D822, #18D855, #18D888 and #18D8BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D856 shade: #108D38, #14B347, #18D856, #31E86C and #56EC87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D856 shade: #18D856, #1875D8 and #D81828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D856 shade: #18D856, #5518D8 and #D85518

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D856 shade: #18D856, #1875D8, #D8189B and #D87B18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D856 shade: #18D856, #183BD8, #D8189B and #D8B518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

Complementary color

CMYK 0 / 83 / 27 / 9

HEX #E727A9

RGB 231 39 169

HSL 319.38, 0.8%, 0.53%

LAB 53.28, 78.68, -23.18

 

CMYK 87 / 0 / 63 / 15

HEX #1DD851

RGB 29 216 81

HSL 136.68, 0.76%, 0.48%

LAB 76.05, -69.92, 53.1

 

CMYK 80 / 0 / 57 / 8

HEX #2EEA64

RGB 46 234 100

HSL 137.23, 0.82%, 0.55%

LAB 82.03, -71.64, 51.7

 

CMYK 75 / 0 / 53 / 1

HEX #3FFC77

RGB 63 252 119

HSL 137.78, 0.97%, 0.62%

LAB 87.97, -72.87, 50.24

 

CMYK 69 / 0 / 46 / 0

HEX #50FF8A

RGB 80 255 138

HSL 139.89, 1%, 0.66%

LAB 89.42, -68.62, 43.17

 

CMYK 62 / 0 / 38 / 0

HEX #61FF9D

RGB 97 255 157

HSL 142.78, 1%, 0.69%

LAB 90.09, -62.52, 34.83

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 96 / 0 / 66 / 22

HEX #07C643

RGB 7 198 67

HSL 138.85, 0.93%, 0.4%

LAB 70.06, -67.28, 52.31

 

CMYK 100 / 0 / 73 / 29

HEX #00B430

RGB 0 180 48

HSL 136, 1%, 0.35%

LAB 64.04, -64.11, 53.38

 

CMYK 100 / 0 / 82 / 36

HEX #00A21D

RGB 0 162 29

HSL 130.74, 1%, 0.32%

LAB 57.97, -60.29, 53.72

 

CMYK 100 / 0 / 93 / 44

HEX #00900A

RGB 0 144 10

HSL 124.17, 1%, 0.28%

LAB 51.8, -55.98, 52.63

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 89 / 0 / 84 / 15

HEX #18D822

RGB 24 216 34

HSL 123.13, 0.8%, 0.47%

LAB 75.71, -74.01, 68.73

 

CMYK 70 / 0 / 89 / 15

HEX #41D818

RGB 65 216 24

HSL 107.19, 0.8%, 0.47%

LAB 76.25, -69.37, 71.44

 

CMYK 46 / 0 / 89 / 15

HEX #75D818

RGB 117 216 24

HSL 90.94, 0.8%, 0.47%

LAB 77.85, -56.49, 73.43

 

CMYK 22 / 0 / 89 / 15

HEX #A9D818

RGB 169 216 24

HSL 74.69, 0.8%, 0.47%

LAB 80.52, -38, 76.73

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 89 / 0 / 36 / 15

HEX #18D88A

RGB 24 216 138

HSL 155.63, 0.8%, 0.47%

LAB 76.76, -61.24, 26.47

 

CMYK 89 / 0 / 13 / 15

HEX #18D8BD

RGB 24 216 189

HSL 171.56, 0.8%, 0.47%

LAB 77.86, -49.24, 1.05

 

CMYK 89 / 12 / 0 / 15

HEX #18BED8

RGB 24 190 216

HSL 188.13, 0.8%, 0.47%

LAB 70.86, -29.52, -24.02

 

CMYK 89 / 36 / 0 / 15

HEX #188BD8

RGB 24 139 216

HSL 204.06, 0.8%, 0.47%

LAB 55.7, -2.05, -47.63

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 98 / 0 / 66 / 8

HEX #05EB4F

RGB 5 235 79

HSL 139.3, 0.96%, 0.47%

LAB 81.85, -76.9, 60.3

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 78 / 0 / 53 / 23

HEX #2BC45D

RGB 43 196 93

HSL 139.61, 0.64%, 0.47%

LAB 70.02, -60.52, 40.56

 

CMYK 64 / 0 / 44 / 31

HEX #3FB164

RGB 63 177 100

HSL 139.47, 0.48%, 0.47%

LAB 64.5, -49.23, 30.16

 

CMYK 48 / 0 / 32 / 38

HEX #529E6B

RGB 82 158 107

HSL 139.74, 0.32%, 0.47%

LAB 59.26, -35.36, 19.56

 

CMYK 26 / 0 / 18 / 46

HEX #668A71

RGB 102 138 113

HSL 138.33, 0.15%, 0.47%

LAB 54.23, -18.01, 9.36

 

CMYK 69 / 0 / 89 / 15

HEX #42D818

RGB 66 216 24

HSL 106.88, 0.8%, 0.47%

LAB 76.27, -69.19, 71.46

 

CMYK 89 / 0 / 84 / 15

HEX #18D822

RGB 24 216 34

HSL 123.13, 0.8%, 0.47%

LAB 75.71, -74.01, 68.73

 

CMYK 89 / 0 / 61 / 15

HEX #18D855

RGB 24 216 85

HSL 139.06, 0.8%, 0.47%

LAB 76.05, -69.81, 51.35

 

CMYK 89 / 0 / 37 / 15

HEX #18D888

RGB 24 216 136

HSL 155, 0.8%, 0.47%

LAB 76.73, -61.64, 27.46

 

CMYK 89 / 0 / 13 / 15

HEX #18D8BB

RGB 24 216 187

HSL 170.94, 0.8%, 0.47%

LAB 77.81, -49.77, 2.04

 

CMYK 89 / 0 / 60 / 45

HEX #108D38

RGB 16 141 56

HSL 139.2, 0.8%, 0.31%

LAB 51.2, -50.12, 35.96

 

CMYK 89 / 0 / 60 / 30

HEX #14B347

RGB 20 179 71

HSL 139.25, 0.8%, 0.39%

LAB 64.03, -60.28, 43.79

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 79 / 0 / 53 / 9

HEX #31E86C

RGB 49 232 108

HSL 139.34, 0.8%, 0.55%

LAB 81.54, -69.6, 47.47

 

CMYK 64 / 0 / 43 / 7

HEX #56EC87

RGB 86 236 135

HSL 139.6, 0.8%, 0.63%

LAB 83.82, -61.25, 37.48

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 89 / 46 / 0 / 15

HEX #1875D8

RGB 24 117 216

HSL 210.94, 0.8%, 0.47%

LAB 49.34, 11.38, -57.79

 

CMYK 0 / 89 / 81 / 15

HEX #D81828

RGB 216 24 40

HSL 355, 0.8%, 0.47%

LAB 46.18, 68.68, 43.92

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 61 / 89 / 0 / 15

HEX #5518D8

RGB 85 24 216

HSL 259.06, 0.8%, 0.47%

LAB 33.01, 67.49, -84.38

 

CMYK 0 / 61 / 89 / 15

HEX #D85518

RGB 216 85 24

HSL 19.06, 0.8%, 0.47%

LAB 53.13, 48.9, 56.98

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 89 / 46 / 0 / 15

HEX #1875D8

RGB 24 117 216

HSL 210.94, 0.8%, 0.47%

LAB 49.34, 11.38, -57.79

 

CMYK 0 / 89 / 28 / 15

HEX #D8189B

RGB 216 24 155

HSL 319.06, 0.8%, 0.47%

LAB 49.03, 76.58, -21.66

 

CMYK 0 / 43 / 89 / 15

HEX #D87B18

RGB 216 123 24

HSL 30.94, 0.8%, 0.47%

LAB 60.63, 30, 62.7

 

CMYK 89 / 0 / 60 / 15

HEX #18D856

RGB 24 216 86

HSL 139.38, 0.8%, 0.47%

LAB 76.06, -69.69, 50.92

 

CMYK 89 / 73 / 0 / 15

HEX #183BD8

RGB 24 59 216

HSL 229.06, 0.8%, 0.47%

LAB 34.56, 48.22, -81.93

 

CMYK 0 / 89 / 28 / 15

HEX #D8189B

RGB 216 24 155

HSL 319.06, 0.8%, 0.47%

LAB 49.03, 76.58, -21.66

 

CMYK 0 / 16 / 89 / 15

HEX #D8B518

RGB 216 181 24

HSL 49.06, 0.8%, 0.47%

LAB 74.64, -0.98, 73.57

 

Description

Color code: HEX #18D856 | qconv.com Color code: HEX #18D856 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 216 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 216 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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