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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D57B it is the complementary color #E72A84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D57B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D57B shade: #1DD576, #2EE789, #3FF99C, #50FFAF and #61FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D57B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D57B shade: #18D57B, #07C368, #00B155, #009F42 and #008D2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D57B shade: #17D37A, #17D347, #1AD317, #4DD317 and #80D317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D57B shade: #17D37A, #17D3AC, #17C7D3, #1795D3 and #1762D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D57B shade matches the following richer shades: #17D37A and #04E67B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D57B shade: #17D37A, #2AC079, #3DAD78, #509A77 and #638776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D57B shade: #1BD317, #17D346, #17D378, #17D3AA and #17CAD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D57B shade: #0F894F, #13AE64, #17D37A, #2CE88E and #51ECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D57B shade: #18D57B, #174DD3 and #D32D17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D57B shade: #18D57B, #7817D3 and #D37817

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D57B shade: #18D57B, #174DD3, #D31772 and #D39E17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D57B shade: #18D57B, #1B17D3, #D31772 and #D0D317

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

Complementary color

CMYK 0 / 82 / 43 / 9

HEX #E72A84

RGB 231 42 132

HSL 331.43, 0.8%, 0.54%

LAB 52.19, 74.27, -2.83

 

CMYK 86 / 0 / 45 / 16

HEX #1DD576

RGB 29 213 118

HSL 149.02, 0.76%, 0.47%

LAB 75.55, -63.62, 35.09

 

CMYK 80 / 0 / 41 / 9

HEX #2EE789

RGB 46 231 137

HSL 149.51, 0.79%, 0.54%

LAB 81.59, -64.94, 33.43

 

CMYK 75 / 0 / 37 / 2

HEX #3FF99C

RGB 63 249 156

HSL 150, 0.94%, 0.61%

LAB 87.59, -65.88, 31.88

 

CMYK 69 / 0 / 31 / 0

HEX #50FFAF

RGB 80 255 175

HSL 152.57, 1%, 0.66%

LAB 90.01, -62.09, 25.62

 

CMYK 62 / 0 / 24 / 0

HEX #61FFC2

RGB 97 255 194

HSL 156.84, 1%, 0.69%

LAB 90.76, -55.4, 17.04

 

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

CMYK 96 / 0 / 47 / 24

HEX #07C368

RGB 7 195 104

HSL 150.96, 0.93%, 0.4%

LAB 69.52, -61.17, 34.4

 

CMYK 100 / 0 / 52 / 31

HEX #00B155

RGB 0 177 85

HSL 148.81, 1%, 0.35%

LAB 63.43, -58.65, 36.3

 

CMYK 100 / 0 / 58 / 38

HEX #009F42

RGB 0 159 66

HSL 144.91, 1%, 0.31%

LAB 57.26, -55.66, 38.2

 

CMYK 100 / 0 / 67 / 45

HEX #008D2F

RGB 0 141 47

HSL 140, 1%, 0.28%

LAB 50.98, -52.38, 39.91

 

CMYK 89 / 0 / 42 / 17

HEX #17D37A

RGB 23 211 122

HSL 151.6, 0.8%, 0.46%

LAB 74.94, -62.63, 32.26

 

CMYK 89 / 0 / 66 / 17

HEX #17D347

RGB 23 211 71

HSL 135.32, 0.8%, 0.46%

LAB 74.33, -69.93, 55.36

 

CMYK 88 / 0 / 89 / 17

HEX #1AD317

RGB 26 211 23

HSL 119.04, 0.8%, 0.46%

LAB 74.11, -72.91, 69.55

 

CMYK 64 / 0 / 89 / 17

HEX #4DD317

RGB 77 211 23

HSL 102.77, 0.8%, 0.46%

LAB 74.97, -65.42, 70.63

 

CMYK 39 / 0 / 89 / 17

HEX #80D317

RGB 128 211 23

HSL 86.49, 0.8%, 0.46%

LAB 76.82, -51, 72.93

 

CMYK 89 / 0 / 42 / 17

HEX #17D37A

RGB 23 211 122

HSL 151.6, 0.8%, 0.46%

LAB 74.94, -62.63, 32.26

 

CMYK 89 / 0 / 18 / 17

HEX #17D3AC

RGB 23 211 172

HSL 167.55, 0.8%, 0.46%

LAB 75.92, -51.66, 7.33

 

CMYK 89 / 6 / 0 / 17

HEX #17C7D3

RGB 23 199 211

HSL 183.83, 0.8%, 0.46%

LAB 73.37, -35.46, -17.48

 

CMYK 89 / 29 / 0 / 17

HEX #1795D3

RGB 23 149 211

HSL 199.79, 0.8%, 0.46%

LAB 58.4, -9.73, -40.58

 

CMYK 89 / 54 / 0 / 17

HEX #1762D3

RGB 23 98 211

HSL 216.06, 0.8%, 0.46%

LAB 43.68, 21.55, -64.1

 

CMYK 89 / 0 / 42 / 17

HEX #17D37A

RGB 23 211 122

HSL 151.6, 0.8%, 0.46%

LAB 74.94, -62.63, 32.26

 

CMYK 98 / 0 / 47 / 10

HEX #04E67B

RGB 4 230 123

HSL 151.59, 0.97%, 0.46%

LAB 80.77, -69.54, 39.26

 

CMYK 89 / 0 / 42 / 17

HEX #17D37A

RGB 23 211 122

HSL 151.6, 0.8%, 0.46%

LAB 74.94, -62.63, 32.26

 

CMYK 78 / 0 / 37 / 25

HEX #2AC079

RGB 42 192 121

HSL 151.6, 0.64%, 0.46%

LAB 69.16, -54.36, 25.18

 

CMYK 65 / 0 / 31 / 32

HEX #3DAD78

RGB 61 173 120

HSL 151.61, 0.48%, 0.46%

LAB 63.54, -44.16, 18.15

 

CMYK 48 / 0 / 23 / 40

HEX #509A77

RGB 80 154 119

HSL 151.62, 0.32%, 0.46%

LAB 58.18, -31.57, 11.36

 

CMYK 27 / 0 / 13 / 47

HEX #638776

RGB 99 135 118

HSL 151.67, 0.15%, 0.46%

LAB 53.26, -16.4, 5.07

 

CMYK 87 / 0 / 89 / 17

HEX #1BD317

RGB 27 211 23

HSL 118.72, 0.8%, 0.46%

LAB 74.12, -72.83, 69.56

 

CMYK 89 / 0 / 67 / 17

HEX #17D346

RGB 23 211 70

HSL 135, 0.8%, 0.46%

LAB 74.33, -70.03, 55.75

 

CMYK 89 / 0 / 43 / 17

HEX #17D378

RGB 23 211 120

HSL 150.96, 0.8%, 0.46%

LAB 74.9, -62.99, 33.24

 

CMYK 89 / 0 / 19 / 17

HEX #17D3AA

RGB 23 211 170

HSL 166.91, 0.8%, 0.46%

LAB 75.87, -52.17, 8.33

 

CMYK 89 / 4 / 0 / 17

HEX #17CAD3

RGB 23 202 211

HSL 182.87, 0.8%, 0.46%

LAB 74.27, -36.85, -16.13

 

CMYK 89 / 0 / 42 / 46

HEX #0F894F

RGB 15 137 79

HSL 151.48, 0.8%, 0.3%

LAB 50.17, -44.87, 22.59

 

CMYK 89 / 0 / 43 / 32

HEX #13AE64

RGB 19 174 100

HSL 151.35, 0.8%, 0.38%

LAB 62.79, -54.04, 27.78

 

CMYK 89 / 0 / 42 / 17

HEX #17D37A

RGB 23 211 122

HSL 151.6, 0.8%, 0.46%

LAB 74.94, -62.63, 32.26

 

CMYK 81 / 0 / 39 / 9

HEX #2CE88E

RGB 44 232 142

HSL 151.28, 0.8%, 0.54%

LAB 81.95, -64.57, 31.38

 

CMYK 66 / 0 / 31 / 7

HEX #51ECA2

RGB 81 236 162

HSL 151.35, 0.8%, 0.62%

LAB 84.15, -57.25, 24.25

 

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

CMYK 89 / 64 / 0 / 17

HEX #174DD3

RGB 23 77 211

HSL 222.77, 0.8%, 0.46%

LAB 38.19, 35.22, -73.07

 

CMYK 0 / 79 / 89 / 17

HEX #D32D17

RGB 211 45 23

HSL 7.02, 0.8%, 0.46%

LAB 46.69, 62.29, 52.14

 

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

CMYK 43 / 89 / 0 / 17

HEX #7817D3

RGB 120 23 211

HSL 270.96, 0.8%, 0.46%

LAB 36.57, 69.84, -75.47

 

CMYK 0 / 43 / 89 / 17

HEX #D37817

RGB 211 120 23

HSL 30.96, 0.8%, 0.46%

LAB 59.29, 29.48, 61.65

 

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

CMYK 89 / 64 / 0 / 17

HEX #174DD3

RGB 23 77 211

HSL 222.77, 0.8%, 0.46%

LAB 38.19, 35.22, -73.07

 

CMYK 0 / 89 / 46 / 17

HEX #D31772

RGB 211 23 114

HSL 330.96, 0.8%, 0.46%

LAB 46.55, 71.62, -0.6

 

CMYK 0 / 25 / 89 / 17

HEX #D39E17

RGB 211 158 23

HSL 43.09, 0.8%, 0.46%

LAB 68.29, 9.01, 68.6

 

CMYK 89 / 0 / 42 / 16

HEX #18D57B

RGB 24 213 123

HSL 151.43, 0.8%, 0.46%

LAB 75.58, -63.07, 32.6

 

CMYK 87 / 89 / 0 / 17

HEX #1B17D3

RGB 27 23 211

HSL 241.28, 0.8%, 0.46%

LAB 28.24, 63.67, -89.52

 

CMYK 0 / 89 / 46 / 17

HEX #D31772

RGB 211 23 114

HSL 330.96, 0.8%, 0.46%

LAB 46.55, 71.62, -0.6

 

CMYK 1 / 0 / 89 / 17

HEX #D0D317

RGB 208 211 23

HSL 60.96, 0.8%, 0.46%

LAB 81.87, -19.68, 79.12

 

Description

Color code: HEX #18D57B | qconv.com Color code: HEX #18D57B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 213 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 213 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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