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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D437 it is the complementary color #E72BC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D437. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D437 shade: #1DD432, #2EE645, #3FF858, #50FF6B and #61FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D437. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D437 shade: #18D437, #07C224, #00B011, #009E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D437 shade: #17D336, #2BD317, #5ED317, #90D317 and #C3D317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D437 shade: #17D336, #17D369, #17D39C, #17D3CE and #17A5D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D437 shade matches the following richer shades: #17D336 and #04E62A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D437 shade: #17D336, #2AC043, #3DAD50, #509A5D and #638769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D437 shade: #5FD317, #2DD317, #17D334, #17D366 and #17D398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D437 shade: #0F8923, #13AE2D, #17D336, #2CE84B and #51EC6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D437 shade: #18D437, #1791D3 and #D31746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D437 shade: #18D437, #3417D3 and #D33417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D437 shade: #18D437, #1791D3, #D317B7 and #D35917

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D437 shade: #18D437, #1759D3, #D317B7 and #D39117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

Complementary color

CMYK 0 / 81 / 13 / 9

HEX #E72BC8

RGB 231 43 200

HSL 309.89, 0.8%, 0.54%

LAB 54.96, 81.66, -38.6

 

CMYK 86 / 0 / 76 / 17

HEX #1DD432

RGB 29 212 50

HSL 126.89, 0.76%, 0.47%

LAB 74.56, -71.58, 63.26

 

CMYK 80 / 0 / 70 / 10

HEX #2EE645

RGB 46 230 69

HSL 127.5, 0.79%, 0.54%

LAB 80.52, -73.72, 62.79

 

CMYK 75 / 0 / 65 / 3

HEX #3FF858

RGB 63 248 88

HSL 128.11, 0.93%, 0.61%

LAB 86.45, -75.28, 61.9

 

CMYK 69 / 0 / 58 / 0

HEX #50FF6B

RGB 80 255 107

HSL 129.26, 1%, 0.66%

LAB 89.06, -72.84, 56.98

 

CMYK 62 / 0 / 51 / 0

HEX #61FF7E

RGB 97 255 126

HSL 131.01, 1%, 0.69%

LAB 89.66, -67.3, 49.22

 

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

CMYK 96 / 0 / 81 / 24

HEX #07C224

RGB 7 194 36

HSL 129.3, 0.93%, 0.39%

LAB 68.57, -68.65, 61.66

 

CMYK 100 / 0 / 90 / 31

HEX #00B011

RGB 0 176 17

HSL 125.8, 1%, 0.35%

LAB 62.58, -64.81, 60.64

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 80 / 0 / 89 / 17

HEX #2BD317

RGB 43 211 23

HSL 113.62, 0.8%, 0.46%

LAB 74.29, -71.23, 69.78

 

CMYK 55 / 0 / 89 / 17

HEX #5ED317

RGB 94 211 23

HSL 97.34, 0.8%, 0.46%

LAB 75.47, -61.32, 71.25

 

CMYK 32 / 0 / 89 / 17

HEX #90D317

RGB 144 211 23

HSL 81.38, 0.8%, 0.46%

LAB 77.63, -45.35, 73.93

 

CMYK 8 / 0 / 89 / 17

HEX #C3D317

RGB 195 211 23

HSL 65.11, 0.8%, 0.46%

LAB 80.88, -25.15, 77.92

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 89 / 0 / 50 / 17

HEX #17D369

RGB 23 211 105

HSL 146.17, 0.8%, 0.46%

LAB 74.69, -65.52, 40.43

 

CMYK 89 / 0 / 26 / 17

HEX #17D39C

RGB 23 211 156

HSL 162.45, 0.8%, 0.46%

LAB 75.56, -55.55, 15.36

 

CMYK 89 / 0 / 2 / 17

HEX #17D3CE

RGB 23 211 206

HSL 178.4, 0.8%, 0.46%

LAB 76.82, -42.41, -9.61

 

CMYK 89 / 22 / 0 / 17

HEX #17A5D3

RGB 23 165 211

HSL 194.68, 0.8%, 0.46%

LAB 63.17, -18.51, -33.11

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 98 / 0 / 82 / 10

HEX #04E62A

RGB 4 230 42

HSL 130.09, 0.97%, 0.46%

LAB 80.06, -78.35, 70.71

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 65 / 0 / 54 / 32

HEX #3DAD50

RGB 61 173 80

HSL 130.18, 0.48%, 0.46%

LAB 62.89, -51.25, 38.31

 

CMYK 48 / 0 / 40 / 40

HEX #509A5D

RGB 80 154 93

HSL 130.54, 0.32%, 0.46%

LAB 57.66, -36.68, 25.08

 

CMYK 27 / 0 / 22 / 47

HEX #638769

RGB 99 135 105

HSL 130, 0.15%, 0.46%

LAB 52.95, -19.07, 12.13

 

CMYK 55 / 0 / 89 / 17

HEX #5FD317

RGB 95 211 23

HSL 97.02, 0.8%, 0.46%

LAB 75.5, -61.05, 71.29

 

CMYK 79 / 0 / 89 / 17

HEX #2DD317

RGB 45 211 23

HSL 112.98, 0.8%, 0.46%

LAB 74.32, -70.98, 69.82

 

CMYK 89 / 0 / 75 / 17

HEX #17D334

RGB 23 211 52

HSL 129.26, 0.8%, 0.46%

LAB 74.2, -71.6, 62.24

 

CMYK 89 / 0 / 52 / 17

HEX #17D366

RGB 23 211 102

HSL 145.21, 0.8%, 0.46%

LAB 74.65, -65.99, 41.84

 

CMYK 89 / 0 / 28 / 17

HEX #17D398

RGB 23 211 152

HSL 161.17, 0.8%, 0.46%

LAB 75.47, -56.47, 17.37

 

CMYK 89 / 0 / 74 / 46

HEX #0F8923

RGB 15 137 35

HSL 129.84, 0.8%, 0.3%

LAB 49.63, -51.31, 43.56

 

CMYK 89 / 0 / 74 / 32

HEX #13AE2D

RGB 19 174 45

HSL 130.06, 0.8%, 0.38%

LAB 62.17, -61.56, 52.6

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 81 / 0 / 68 / 9

HEX #2CE84B

RGB 44 232 75

HSL 129.89, 0.8%, 0.54%

LAB 81.16, -74, 61.2

 

CMYK 66 / 0 / 55 / 7

HEX #51EC6B

RGB 81 236 107

HSL 130.06, 0.8%, 0.62%

LAB 83.34, -66.27, 50.24

 

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

CMYK 89 / 31 / 0 / 17

HEX #1791D3

RGB 23 145 211

HSL 201.06, 0.8%, 0.46%

LAB 57.21, -7.46, -42.45

 

CMYK 0 / 89 / 67 / 17

HEX #D31746

RGB 211 23 70

HSL 345, 0.8%, 0.46%

LAB 45.5, 68.69, 25.23

 

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

CMYK 75 / 89 / 0 / 17

HEX #3417D3

RGB 52 23 211

HSL 249.26, 0.8%, 0.46%

LAB 29.53, 64.51, -87.35

 

CMYK 0 / 75 / 89 / 17

HEX #D33417

RGB 211 52 23

HSL 9.26, 0.8%, 0.46%

LAB 47.45, 60.17, 52.7

 

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

CMYK 89 / 31 / 0 / 17

HEX #1791D3

RGB 23 145 211

HSL 201.06, 0.8%, 0.46%

LAB 57.21, -7.46, -42.45

 

CMYK 0 / 89 / 13 / 17

HEX #D317B7

RGB 211 23 183

HSL 308.94, 0.8%, 0.46%

LAB 49.35, 79.13, -37.8

 

CMYK 0 / 58 / 89 / 17

HEX #D35917

RGB 211 89 23

HSL 21.06, 0.8%, 0.46%

LAB 53.01, 45.2, 56.86

 

CMYK 89 / 0 / 74 / 17

HEX #18D437

RGB 24 212 55

HSL 129.89, 0.8%, 0.46%

LAB 74.54, -71.6, 61.58

 

CMYK 89 / 58 / 0 / 17

HEX #1759D3

RGB 23 89 211

HSL 218.94, 0.8%, 0.46%

LAB 41.26, 27.42, -68.03

 

CMYK 0 / 89 / 13 / 17

HEX #D317B7

RGB 211 23 183

HSL 308.94, 0.8%, 0.46%

LAB 49.35, 79.13, -37.8

 

CMYK 0 / 31 / 89 / 17

HEX #D39117

RGB 211 145 23

HSL 38.94, 0.8%, 0.46%

LAB 65.09, 16.03, 66.12

 

Description

Color code: HEX #18D437 | qconv.com Color code: HEX #18D437 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 212 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 212 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 74 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 74% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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