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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D33A it is the complementary color #E72CC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D33A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D33A shade: #1DD335, #2EE548, #3FF75B, #50FF6E and #61FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D33A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D33A shade: #18D33A, #07C127, #00AF14, #009D01 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D33A shade: #17D33A, #28D317, #5BD317, #8DD317 and #C0D317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D33A shade: #17D33A, #17D36C, #17D39F, #17D3D1 and #17A2D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D33A shade matches the following richer shades: #17D33A and #04E62E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D33A shade: #17D33A, #2AC046, #3DAD52, #509A5E and #63876A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D33A shade: #5CD317, #2AD317, #17D337, #17D369 and #17D39B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D33A shade: #0F8925, #13AE2F, #17D33A, #2CE84E and #51EC6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D33A shade: #18D33A, #178ED3 and #D31743

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D33A shade: #18D33A, #3717D3 and #D33717

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D33A shade: #18D33A, #178ED3, #D317B4 and #D35C17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D33A shade: #18D33A, #1756D3, #D317B4 and #D39517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

Complementary color

CMYK 0 / 81 / 15 / 9

HEX #E72CC5

RGB 231 44 197

HSL 310.91, 0.8%, 0.54%

LAB 54.89, 81.04, -36.98

 

CMYK 86 / 0 / 75 / 17

HEX #1DD335

RGB 29 211 53

HSL 127.91, 0.76%, 0.47%

LAB 74.26, -71.08, 61.99

 

CMYK 80 / 0 / 69 / 10

HEX #2EE548

RGB 46 229 72

HSL 128.52, 0.78%, 0.54%

LAB 80.23, -73.16, 61.37

 

CMYK 74 / 0 / 63 / 3

HEX #3FF75B

RGB 63 247 91

HSL 129.13, 0.92%, 0.61%

LAB 86.17, -74.66, 60.38

 

CMYK 69 / 0 / 57 / 0

HEX #50FF6E

RGB 80 255 110

HSL 130.29, 1%, 0.66%

LAB 89.09, -72.48, 55.7

 

CMYK 62 / 0 / 49 / 0

HEX #61FF81

RGB 97 255 129

HSL 132.15, 1%, 0.69%

LAB 89.69, -66.89, 47.87

 

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

CMYK 96 / 0 / 80 / 24

HEX #07C127

RGB 7 193 39

HSL 130.32, 0.93%, 0.39%

LAB 68.26, -68.19, 60.52

 

CMYK 100 / 0 / 89 / 31

HEX #00AF14

RGB 0 175 20

HSL 126.86, 1%, 0.34%

LAB 62.26, -64.42, 59.79

 

CMYK 100 / 0 / 99 / 38

HEX #009D01

RGB 0 157 1

HSL 120.38, 1%, 0.31%

LAB 56.2, -59.96, 57.74

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 89 / 0 / 73 / 17

HEX #17D33A

RGB 23 211 58

HSL 131.17, 0.8%, 0.46%

LAB 74.24, -71.13, 60.22

 

CMYK 81 / 0 / 89 / 17

HEX #28D317

RGB 40 211 23

HSL 114.57, 0.8%, 0.46%

LAB 74.25, -71.58, 69.73

 

CMYK 57 / 0 / 89 / 17

HEX #5BD317

RGB 91 211 23

HSL 98.3, 0.8%, 0.46%

LAB 75.37, -62.1, 71.13

 

CMYK 33 / 0 / 89 / 17

HEX #8DD317

RGB 141 211 23

HSL 82.34, 0.8%, 0.46%

LAB 77.47, -46.44, 73.73

 

CMYK 9 / 0 / 89 / 17

HEX #C0D317

RGB 192 211 23

HSL 66.06, 0.8%, 0.46%

LAB 80.66, -26.4, 77.65

 

CMYK 89 / 0 / 73 / 17

HEX #17D33A

RGB 23 211 58

HSL 131.17, 0.8%, 0.46%

LAB 74.24, -71.13, 60.22

 

CMYK 89 / 0 / 49 / 17

HEX #17D36C

RGB 23 211 108

HSL 147.13, 0.8%, 0.46%

LAB 74.73, -65.04, 39.01

 

CMYK 89 / 0 / 25 / 17

HEX #17D39F

RGB 23 211 159

HSL 163.4, 0.8%, 0.46%

LAB 75.62, -54.84, 13.86

 

CMYK 89 / 0 / 1 / 17

HEX #17D3D1

RGB 23 211 209

HSL 179.36, 0.8%, 0.46%

LAB 76.91, -41.54, -11.09

 

CMYK 89 / 23 / 0 / 17

HEX #17A2D3

RGB 23 162 211

HSL 195.64, 0.8%, 0.46%

LAB 62.28, -16.9, -34.51

 

CMYK 89 / 0 / 73 / 17

HEX #17D33A

RGB 23 211 58

HSL 131.17, 0.8%, 0.46%

LAB 74.24, -71.13, 60.22

 

CMYK 98 / 0 / 80 / 10

HEX #04E62E

RGB 4 230 46

HSL 131.15, 0.97%, 0.46%

LAB 80.08, -78.14, 69.68

 

CMYK 89 / 0 / 73 / 17

HEX #17D33A

RGB 23 211 58

HSL 131.17, 0.8%, 0.46%

LAB 74.24, -71.13, 60.22

 

CMYK 78 / 0 / 64 / 25

HEX #2AC046

RGB 42 192 70

HSL 131.2, 0.64%, 0.46%

LAB 68.49, -62.32, 49.38

 

CMYK 65 / 0 / 53 / 32

HEX #3DAD52

RGB 61 173 82

HSL 131.25, 0.48%, 0.46%

LAB 62.92, -50.97, 37.35

 

CMYK 48 / 0 / 39 / 40

HEX #509A5E

RGB 80 154 94

HSL 131.35, 0.32%, 0.46%

LAB 57.68, -36.51, 24.56

 

CMYK 27 / 0 / 21 / 47

HEX #63876A

RGB 99 135 106

HSL 131.67, 0.15%, 0.46%

LAB 52.97, -18.87, 11.59

 

CMYK 56 / 0 / 89 / 17

HEX #5CD317

RGB 92 211 23

HSL 97.98, 0.8%, 0.46%

LAB 75.41, -61.84, 71.17

 

CMYK 80 / 0 / 89 / 17

HEX #2AD317

RGB 42 211 23

HSL 113.94, 0.8%, 0.46%

LAB 74.28, -71.35, 69.77

 

CMYK 89 / 0 / 74 / 17

HEX #17D337

RGB 23 211 55

HSL 130.21, 0.8%, 0.46%

LAB 74.22, -71.37, 61.25

 

CMYK 89 / 0 / 50 / 17

HEX #17D369

RGB 23 211 105

HSL 146.17, 0.8%, 0.46%

LAB 74.69, -65.52, 40.43

 

CMYK 89 / 0 / 27 / 17

HEX #17D39B

RGB 23 211 155

HSL 162.13, 0.8%, 0.46%

LAB 75.54, -55.78, 15.86

 

CMYK 89 / 0 / 73 / 46

HEX #0F8925

RGB 15 137 37

HSL 130.82, 0.8%, 0.3%

LAB 49.65, -51.12, 42.78

 

CMYK 89 / 0 / 73 / 32

HEX #13AE2F

RGB 19 174 47

HSL 130.84, 0.8%, 0.38%

LAB 62.18, -61.39, 51.88

 

CMYK 89 / 0 / 73 / 17

HEX #17D33A

RGB 23 211 58

HSL 131.17, 0.8%, 0.46%

LAB 74.24, -71.13, 60.22

 

CMYK 81 / 0 / 66 / 9

HEX #2CE84E

RGB 44 232 78

HSL 130.85, 0.8%, 0.54%

LAB 81.18, -73.71, 60.05

 

CMYK 66 / 0 / 54 / 7

HEX #51EC6D

RGB 81 236 109

HSL 130.84, 0.8%, 0.62%

LAB 83.36, -66.02, 49.35

 

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

CMYK 89 / 33 / 0 / 17

HEX #178ED3

RGB 23 142 211

HSL 202.02, 0.8%, 0.46%

LAB 56.32, -5.73, -43.85

 

CMYK 0 / 89 / 68 / 17

HEX #D31743

RGB 211 23 67

HSL 345.96, 0.8%, 0.46%

LAB 45.45, 68.54, 27.01

 

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

CMYK 74 / 89 / 0 / 17

HEX #3717D3

RGB 55 23 211

HSL 250.21, 0.8%, 0.46%

LAB 29.73, 64.65, -87

 

CMYK 0 / 74 / 89 / 17

HEX #D33717

RGB 211 55 23

HSL 10.21, 0.8%, 0.46%

LAB 47.81, 59.18, 52.96

 

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

CMYK 89 / 33 / 0 / 17

HEX #178ED3

RGB 23 142 211

HSL 202.02, 0.8%, 0.46%

LAB 56.32, -5.73, -43.85

 

CMYK 0 / 89 / 15 / 17

HEX #D317B4

RGB 211 23 180

HSL 309.89, 0.8%, 0.46%

LAB 49.2, 78.74, -36.28

 

CMYK 0 / 56 / 89 / 17

HEX #D35C17

RGB 211 92 23

HSL 22.02, 0.8%, 0.46%

LAB 53.56, 43.76, 57.28

 

CMYK 89 / 0 / 73 / 17

HEX #18D33A

RGB 24 211 58

HSL 130.91, 0.8%, 0.46%

LAB 74.25, -71.07, 60.23

 

CMYK 89 / 59 / 0 / 17

HEX #1756D3

RGB 23 86 211

HSL 219.89, 0.8%, 0.46%

LAB 40.48, 29.38, -69.32

 

CMYK 0 / 89 / 15 / 17

HEX #D317B4

RGB 211 23 180

HSL 309.89, 0.8%, 0.46%

LAB 49.2, 78.74, -36.28

 

CMYK 0 / 29 / 89 / 17

HEX #D39517

RGB 211 149 23

HSL 40.21, 0.8%, 0.46%

LAB 66.06, 13.86, 66.87

 

Description

Color code: HEX #18D33A | qconv.com Color code: HEX #18D33A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 211 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 211 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 73 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 73% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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