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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D16B it is the complementary color #E72E94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D16B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D16B shade: #1DD166, #2EE379, #3FF58C, #50FF9F and #61FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D16B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D16B shade: #18D16B, #07BF58, #00AD45, #009B32 and #00891F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D16B shade: #19D26C, #19D23A, #29D219, #5BD219 and #8DD219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D16B shade: #19D26C, #19D29E, #19D2D0, #19A2D2 and #1970D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D16B shade matches the following richer shades: #19D26C and #06E56A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D16B shade: #19D26C, #2CBF6E, #3FAC70, #529972 and #658674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D16B shade: #2BD219, #19D238, #19D269, #19D29A and #19D2CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D16B shade: #108846, #14AD59, #19D26C, #2DE680 and #52EB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D16B shade: #18D16B, #195DD2 and #D21F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D16B shade: #18D16B, #6919D2 and #D26919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D16B shade: #18D16B, #195DD2, #D21982 and #D28E19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D16B shade: #18D16B, #1925D2, #D21982 and #D2C619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

Complementary color

CMYK 0 / 80 / 36 / 9

HEX #E72E94

RGB 231 46 148

HSL 326.92, 0.79%, 0.54%

LAB 53.04, 74.85, -11.13

 

CMYK 86 / 0 / 51 / 18

HEX #1DD166

RGB 29 209 102

HSL 144.33, 0.76%, 0.47%

LAB 74.08, -64.91, 41.14

 

CMYK 80 / 0 / 47 / 11

HEX #2EE379

RGB 46 227 121

HSL 144.86, 0.76%, 0.54%

LAB 80.12, -66.32, 39.49

 

CMYK 74 / 0 / 43 / 4

HEX #3FF58C

RGB 63 245 140

HSL 145.38, 0.9%, 0.6%

LAB 86.13, -67.31, 37.92

 

CMYK 69 / 0 / 38 / 0

HEX #50FF9F

RGB 80 255 159

HSL 147.09, 1%, 0.66%

LAB 89.73, -65.11, 33.29

 

CMYK 62 / 0 / 30 / 0

HEX #61FFB2

RGB 97 255 178

HSL 150.76, 1%, 0.69%

LAB 90.45, -58.66, 24.77

 

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

CMYK 96 / 0 / 54 / 25

HEX #07BF58

RGB 7 191 88

HSL 146.41, 0.93%, 0.39%

LAB 68.03, -62.44, 40.47

 

CMYK 100 / 0 / 60 / 32

HEX #00AD45

RGB 0 173 69

HSL 143.93, 1%, 0.34%

LAB 61.93, -59.71, 42.24

 

CMYK 100 / 0 / 68 / 39

HEX #009B32

RGB 0 155 50

HSL 139.35, 1%, 0.3%

LAB 55.76, -56.42, 43.84

 

CMYK 100 / 0 / 77 / 46

HEX #00891F

RGB 0 137 31

HSL 133.58, 1%, 0.27%

LAB 49.48, -52.75, 44.88

 

CMYK 88 / 0 / 49 / 18

HEX #19D26C

RGB 25 210 108

HSL 146.92, 0.79%, 0.46%

LAB 74.43, -64.59, 38.64

 

CMYK 88 / 0 / 72 / 18

HEX #19D23A

RGB 25 210 58

HSL 130.7, 0.79%, 0.46%

LAB 73.94, -70.7, 59.92

 

CMYK 80 / 0 / 88 / 18

HEX #29D219

RGB 41 210 25

HSL 114.81, 0.79%, 0.46%

LAB 73.96, -71.11, 69.12

 

CMYK 57 / 0 / 88 / 18

HEX #5BD219

RGB 91 210 25

HSL 98.59, 0.79%, 0.46%

LAB 75.07, -61.69, 70.52

 

CMYK 33 / 0 / 88 / 18

HEX #8DD219

RGB 141 210 25

HSL 82.38, 0.79%, 0.46%

LAB 77.18, -45.97, 73.14

 

CMYK 88 / 0 / 49 / 18

HEX #19D26C

RGB 25 210 108

HSL 146.92, 0.79%, 0.46%

LAB 74.43, -64.59, 38.64

 

CMYK 88 / 0 / 25 / 18

HEX #19D29E

RGB 25 210 158

HSL 163.14, 0.79%, 0.46%

LAB 75.31, -54.58, 13.95

 

CMYK 88 / 0 / 1 / 18

HEX #19D2D0

RGB 25 210 208

HSL 179.35, 0.79%, 0.46%

LAB 76.59, -41.29, -11.03

 

CMYK 88 / 23 / 0 / 18

HEX #19A2D2

RGB 25 162 210

HSL 195.57, 0.79%, 0.46%

LAB 62.25, -17.14, -33.98

 

CMYK 88 / 47 / 0 / 18

HEX #1970D2

RGB 25 112 210

HSL 211.78, 0.79%, 0.46%

LAB 47.56, 12.26, -57.26

 

CMYK 88 / 0 / 49 / 18

HEX #19D26C

RGB 25 210 108

HSL 146.92, 0.79%, 0.46%

LAB 74.43, -64.59, 38.64

 

CMYK 97 / 0 / 54 / 10

HEX #06E56A

RGB 6 229 106

HSL 146.91, 0.95%, 0.46%

LAB 80.25, -71.81, 46.76

 

CMYK 88 / 0 / 49 / 18

HEX #19D26C

RGB 25 210 108

HSL 146.92, 0.79%, 0.46%

LAB 74.43, -64.59, 38.64

 

CMYK 77 / 0 / 42 / 25

HEX #2CBF6E

RGB 44 191 110

HSL 146.94, 0.63%, 0.46%

LAB 68.7, -55.84, 30.33

 

CMYK 63 / 0 / 35 / 33

HEX #3FAC70

RGB 63 172 112

HSL 146.97, 0.46%, 0.46%

LAB 63.12, -45, 21.95

 

CMYK 46 / 0 / 25 / 40

HEX #529972

RGB 82 153 114

HSL 147.04, 0.3%, 0.46%

LAB 57.84, -31.63, 13.71

 

CMYK 25 / 0 / 13 / 47

HEX #658674

RGB 101 134 116

HSL 147.27, 0.14%, 0.46%

LAB 53.03, -15.61, 5.92

 

CMYK 80 / 0 / 88 / 18

HEX #2BD219

RGB 43 210 25

HSL 114.16, 0.79%, 0.46%

LAB 73.98, -70.87, 69.16

 

CMYK 88 / 0 / 73 / 18

HEX #19D238

RGB 25 210 56

HSL 130.05, 0.79%, 0.46%

LAB 73.92, -70.87, 60.61

 

CMYK 88 / 0 / 50 / 18

HEX #19D269

RGB 25 210 105

HSL 145.95, 0.79%, 0.46%

LAB 74.39, -65.06, 40.06

 

CMYK 88 / 0 / 27 / 18

HEX #19D29A

RGB 25 210 154

HSL 161.84, 0.79%, 0.46%

LAB 75.22, -55.51, 15.96

 

CMYK 88 / 0 / 3 / 18

HEX #19D2CC

RGB 25 210 204

HSL 178.05, 0.79%, 0.46%

LAB 76.47, -42.45, -9.05

 

CMYK 88 / 0 / 49 / 47

HEX #108846

RGB 16 136 70

HSL 147, 0.79%, 0.3%

LAB 49.69, -46.14, 26.9

 

CMYK 88 / 0 / 49 / 32

HEX #14AD59

RGB 20 173 89

HSL 147.06, 0.79%, 0.38%

LAB 62.3, -55.6, 32.89

 

CMYK 88 / 0 / 49 / 18

HEX #19D26C

RGB 25 210 108

HSL 146.92, 0.79%, 0.46%

LAB 74.43, -64.59, 38.64

 

CMYK 80 / 0 / 44 / 10

HEX #2DE680

RGB 45 230 128

HSL 146.92, 0.79%, 0.54%

LAB 81.13, -66.28, 37.33

 

CMYK 65 / 0 / 36 / 8

HEX #52EB97

RGB 82 235 151

HSL 147.06, 0.79%, 0.62%

LAB 83.68, -58.81, 29.24

 

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

CMYK 88 / 56 / 0 / 18

HEX #195DD2

RGB 25 93 210

HSL 217.95, 0.79%, 0.46%

LAB 42.29, 24.53, -65.79

 

CMYK 0 / 85 / 88 / 18

HEX #D21F19

RGB 210 31 25

HSL 1.95, 0.79%, 0.46%

LAB 45.29, 65.48, 50.14

 

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

CMYK 50 / 88 / 0 / 18

HEX #6919D2

RGB 105 25 210

HSL 265.95, 0.79%, 0.46%

LAB 34.7, 67.54, -78.03

 

CMYK 0 / 50 / 88 / 18

HEX #D26919

RGB 210 105 25

HSL 25.95, 0.79%, 0.46%

LAB 55.96, 36.95, 58.42

 

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

CMYK 88 / 56 / 0 / 18

HEX #195DD2

RGB 25 93 210

HSL 217.95, 0.79%, 0.46%

LAB 42.29, 24.53, -65.79

 

CMYK 0 / 88 / 38 / 18

HEX #D21982

RGB 210 25 130

HSL 325.95, 0.79%, 0.46%

LAB 46.99, 72.52, -9.78

 

CMYK 0 / 32 / 88 / 18

HEX #D28E19

RGB 210 142 25

HSL 37.95, 0.79%, 0.46%

LAB 64.26, 17.26, 64.93

 

CMYK 89 / 0 / 49 / 18

HEX #18D16B

RGB 24 209 107

HSL 146.92, 0.79%, 0.46%

LAB 74.1, -64.48, 38.71

 

CMYK 88 / 82 / 0 / 18

HEX #1925D2

RGB 25 37 210

HSL 236.11, 0.79%, 0.46%

LAB 29.87, 57.87, -86.24

 

CMYK 0 / 88 / 38 / 18

HEX #D21982

RGB 210 25 130

HSL 325.95, 0.79%, 0.46%

LAB 46.99, 72.52, -9.78

 

CMYK 0 / 6 / 88 / 18

HEX #D2C619

RGB 210 198 25

HSL 56.11, 0.79%, 0.46%

LAB 78.55, -12.32, 76.23

 

Description

Color code: HEX #18D16B | qconv.com Color code: HEX #18D16B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 209 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 209 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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