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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CFB5 it is the complementary color #E7304A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CFB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CFB5 shade: #1DCFB0, #2EE1C3, #3FF3D6, #50FFE9 and #61FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CFB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CFB5 shade: #18CFB5, #07BDA2, #00AB8F, #00997C and #008769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CFB5 shade: #18CDB4, #18CD83, #18CD52, #18CD21 and #40CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CFB5 shade: #18CDB4, #18B6CD, #1885CD, #1854CD and #1824CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CFB5 shade matches the following richer shades: #18CDB4 and #06E0C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CFB5 shade: #18CDB4, #2BBBA6, #3DA899, #50968C and #62837E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CFB5 shade: #18CD52, #18CD82, #18CDB2, #18B8CD and #1888CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CFB5 shade: #0F8473, #14A893, #18CDB4, #29E6CB and #4EEAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CFB5 shade: #18CFB5, #2118CD and #CD6A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CFB5 shade: #18CFB5, #B218CD and #CDB218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CFB5 shade: #18CFB5, #2118CD, #CD1833 and #C4CD18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CFB5 shade: #18CFB5, #5818CD, #CD1833 and #8ECD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

Complementary color

CMYK 0 / 79 / 68 / 9

HEX #E7304A

RGB 231 48 74

HSL 351.48, 0.79%, 0.55%

LAB 51.38, 68.8, 31.02

 

CMYK 86 / 0 / 15 / 19

HEX #1DCFB0

RGB 29 207 176

HSL 169.55, 0.75%, 0.46%

LAB 74.84, -48.65, 3.64

 

CMYK 80 / 0 / 13 / 12

HEX #2EE1C3

RGB 46 225 195

HSL 169.94, 0.75%, 0.53%

LAB 80.94, -49.84, 2.36

 

CMYK 74 / 0 / 12 / 5

HEX #3FF3D6

RGB 63 243 214

HSL 170.33, 0.88%, 0.6%

LAB 87, -50.74, 1.2

 

CMYK 69 / 0 / 9 / 0

HEX #50FFE9

RGB 80 255 233

HSL 172.46, 1%, 0.66%

LAB 91.28, -48.89, -2.4

 

CMYK 62 / 0 / 1 / 0

HEX #61FFFC

RGB 97 255 252

HSL 178.86, 1%, 0.69%

LAB 92.17, -41.52, -10.89

 

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

CMYK 96 / 0 / 14 / 26

HEX #07BDA2

RGB 7 189 162

HSL 171.1, 0.93%, 0.38%

LAB 68.79, -45.93, 2.45

 

CMYK 100 / 0 / 16 / 33

HEX #00AB8F

RGB 0 171 143

HSL 170.18, 1%, 0.34%

LAB 62.6, -43.79, 4

 

CMYK 100 / 0 / 19 / 40

HEX #00997C

RGB 0 153 124

HSL 168.63, 1%, 0.3%

LAB 56.33, -41.37, 5.66

 

CMYK 100 / 0 / 22 / 47

HEX #008769

RGB 0 135 105

HSL 166.67, 1%, 0.26%

LAB 49.92, -38.89, 7.42

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 88 / 0 / 36 / 20

HEX #18CD83

RGB 24 205 131

HSL 155.47, 0.79%, 0.45%

LAB 73.22, -58.72, 25.34

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 88 / 0 / 84 / 20

HEX #18CD21

RGB 24 205 33

HSL 122.98, 0.79%, 0.45%

LAB 72.21, -70.98, 65.8

 

CMYK 69 / 0 / 88 / 20

HEX #40CD18

RGB 64 205 24

HSL 106.74, 0.79%, 0.45%

LAB 72.77, -66.13, 68.44

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 88 / 11 / 0 / 20

HEX #18B6CD

RGB 24 182 205

HSL 187.62, 0.79%, 0.45%

LAB 68.06, -29.16, -22.27

 

CMYK 88 / 35 / 0 / 20

HEX #1885CD

RGB 24 133 205

HSL 203.87, 0.79%, 0.45%

LAB 53.36, -2.65, -45.15

 

CMYK 88 / 59 / 0 / 20

HEX #1854CD

RGB 24 84 205

HSL 220.11, 0.79%, 0.45%

LAB 39.48, 28.42, -67.48

 

CMYK 88 / 82 / 0 / 20

HEX #1824CD

RGB 24 36 205

HSL 236.02, 0.79%, 0.45%

LAB 29.07, 56.77, -84.66

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 97 / 0 / 14 / 12

HEX #06E0C1

RGB 6 224 193

HSL 171.47, 0.95%, 0.45%

LAB 80.29, -52.1, 2.44

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 77 / 0 / 11 / 27

HEX #2BBBA6

RGB 43 187 166

HSL 171.25, 0.63%, 0.45%

LAB 68.61, -41.59, 0.05

 

CMYK 64 / 0 / 9 / 34

HEX #3DA899

RGB 61 168 153

HSL 171.59, 0.47%, 0.45%

LAB 62.76, -33.99, -1.26

 

CMYK 47 / 0 / 7 / 41

HEX #50968C

RGB 80 150 140

HSL 171.43, 0.3%, 0.45%

LAB 57.47, -24.61, -1.58

 

CMYK 25 / 0 / 4 / 49

HEX #62837E

RGB 98 131 126

HSL 170.91, 0.14%, 0.45%

LAB 52.21, -12.76, -1.11

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 88 / 0 / 37 / 20

HEX #18CD82

RGB 24 205 130

HSL 155.14, 0.79%, 0.45%

LAB 73.2, -58.92, 25.84

 

CMYK 88 / 0 / 13 / 20

HEX #18CDB2

RGB 24 205 178

HSL 171.05, 0.79%, 0.45%

LAB 74.24, -47.59, 1.68

 

CMYK 88 / 10 / 0 / 20

HEX #18B8CD

RGB 24 184 205

HSL 186.96, 0.79%, 0.45%

LAB 68.67, -30.14, -21.35

 

CMYK 88 / 34 / 0 / 20

HEX #1888CD

RGB 24 136 205

HSL 202.87, 0.79%, 0.45%

LAB 54.25, -4.41, -43.74

 

CMYK 89 / 0 / 13 / 48

HEX #0F8473

RGB 15 132 115

HSL 171.28, 0.8%, 0.29%

LAB 49.3, -33.88, 0.72

 

CMYK 88 / 0 / 13 / 34

HEX #14A893

RGB 20 168 147

HSL 171.49, 0.79%, 0.37%

LAB 61.88, -40.5, 0.73

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 82 / 0 / 12 / 10

HEX #29E6CB

RGB 41 230 203

HSL 171.43, 0.79%, 0.53%

LAB 82.58, -50.25, 0.5

 

CMYK 67 / 0 / 9 / 8

HEX #4EEAD4

RGB 78 234 212

HSL 171.54, 0.79%, 0.61%

LAB 84.6, -45.51, -1.23

 

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

CMYK 84 / 88 / 0 / 20

HEX #2118CD

RGB 33 24 205

HSL 242.98, 0.79%, 0.45%

LAB 27.8, 61.84, -86.76

 

CMYK 0 / 48 / 88 / 20

HEX #CD6A18

RGB 205 106 24

HSL 27.18, 0.79%, 0.45%

LAB 55.43, 34.39, 58.01

 

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

CMYK 13 / 88 / 0 / 20

HEX #B218CD

RGB 178 24 205

HSL 291.05, 0.79%, 0.45%

LAB 44.98, 76.48, -57.91

 

CMYK 0 / 13 / 88 / 20

HEX #CDB218

RGB 205 178 24

HSL 51.05, 0.79%, 0.45%

LAB 72.82, -4.24, 71.69

 

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

CMYK 84 / 88 / 0 / 20

HEX #2118CD

RGB 33 24 205

HSL 242.98, 0.79%, 0.45%

LAB 27.8, 61.84, -86.76

 

CMYK 0 / 88 / 75 / 20

HEX #CD1833

RGB 205 24 51

HSL 351.05, 0.79%, 0.45%

LAB 44.05, 66.17, 34.72

 

CMYK 4 / 0 / 88 / 20

HEX #C4CD18

RGB 196 205 24

HSL 62.98, 0.79%, 0.45%

LAB 79.31, -21.8, 76.53

 

CMYK 88 / 0 / 13 / 19

HEX #18CFB5

RGB 24 207 181

HSL 171.48, 0.79%, 0.45%

LAB 74.92, -47.63, 1.06

 

CMYK 57 / 88 / 0 / 20

HEX #5818CD

RGB 88 24 205

HSL 261.22, 0.79%, 0.45%

LAB 32.11, 65.02, -79.47

 

CMYK 0 / 88 / 75 / 20

HEX #CD1833

RGB 205 24 51

HSL 351.05, 0.79%, 0.45%

LAB 44.05, 66.17, 34.72

 

CMYK 31 / 0 / 88 / 20

HEX #8ECD18

RGB 142 205 24

HSL 80.88, 0.79%, 0.45%

LAB 75.75, -43.51, 72.15

 

Description

Color code: HEX #18CFB5 | qconv.com Color code: HEX #18CFB5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 207 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 207 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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