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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CF71 it is the complementary color #E7308E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CF71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CF71 shade: #1DCF6C, #2EE17F, #3FF392, #50FFA5 and #61FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CF71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CF71 shade: #18CF71, #07BD5E, #00AB4B, #009938 and #008725

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CF71 shade: #18CD70, #18CD3F, #22CD18, #53CD18 and #83CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CF71 shade: #18CD70, #18CDA1, #18C9CD, #1898CD and #1867CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CF71 shade matches the following richer shades: #18CD70 and #06E070

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CF71 shade: #18CD70, #2BBB71, #3DA871, #509672 and #628372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CF71 shade: #21CD18, #18CD3F, #18CD70, #18CDA0 and #18CACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CF71 shade: #0F8448, #14A85C, #18CD70, #29E685 and #4EEA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CF71 shade: #18CF71, #1852CD and #CD2718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CF71 shade: #18CF71, #7018CD and #CD7018

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CF71 shade: #18CF71, #1852CD, #CD1876 and #CD9418

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CF71 shade: #18CF71, #181BCD, #CD1876 and #CDCA18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

Complementary color

CMYK 0 / 79 / 39 / 9

HEX #E7308E

RGB 231 48 142

HSL 329.18, 0.79%, 0.55%

LAB 53.01, 73.75, -7.6

 

CMYK 86 / 0 / 48 / 19

HEX #1DCF6C

RGB 29 207 108

HSL 146.63, 0.75%, 0.46%

LAB 73.53, -63.3, 37.5

 

CMYK 80 / 0 / 44 / 12

HEX #2EE17F

RGB 46 225 127

HSL 147.15, 0.75%, 0.53%

LAB 79.59, -64.63, 35.84

 

CMYK 74 / 0 / 40 / 5

HEX #3FF392

RGB 63 243 146

HSL 147.67, 0.88%, 0.6%

LAB 85.62, -65.56, 34.27

 

CMYK 69 / 0 / 35 / 0

HEX #50FFA5

RGB 80 255 165

HSL 149.14, 1%, 0.66%

LAB 89.83, -64.01, 30.43

 

CMYK 62 / 0 / 28 / 0

HEX #61FFB8

RGB 97 255 184

HSL 153.04, 1%, 0.69%

LAB 90.56, -57.47, 21.87

 

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

CMYK 96 / 0 / 50 / 26

HEX #07BD5E

RGB 7 189 94

HSL 148.68, 0.93%, 0.38%

LAB 67.46, -60.85, 36.83

 

CMYK 100 / 0 / 56 / 33

HEX #00AB4B

RGB 0 171 75

HSL 146.32, 1%, 0.34%

LAB 61.34, -58.24, 38.69

 

CMYK 100 / 0 / 63 / 40

HEX #009938

RGB 0 153 56

HSL 141.96, 1%, 0.3%

LAB 55.14, -55.09, 40.47

 

CMYK 100 / 0 / 73 / 47

HEX #008725

RGB 0 135 37

HSL 136.44, 1%, 0.26%

LAB 48.84, -51.59, 41.9

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 83 / 0 / 88 / 20

HEX #22CD18

RGB 34 205 24

HSL 116.69, 0.79%, 0.45%

LAB 72.27, -70.48, 67.82

 

CMYK 60 / 0 / 88 / 20

HEX #53CD18

RGB 83 205 24

HSL 100.44, 0.79%, 0.45%

LAB 73.26, -62.01, 69.06

 

CMYK 36 / 0 / 88 / 20

HEX #83CD18

RGB 131 205 24

HSL 84.53, 0.79%, 0.45%

LAB 75.17, -47.5, 71.44

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 88 / 0 / 21 / 20

HEX #18CDA1

RGB 24 205 161

HSL 165.41, 0.79%, 0.45%

LAB 73.82, -51.96, 10.24

 

CMYK 88 / 2 / 0 / 20

HEX #18C9CD

RGB 24 201 205

HSL 181.33, 0.79%, 0.45%

LAB 73.79, -38.16, -13.6

 

CMYK 88 / 26 / 0 / 20

HEX #1898CD

RGB 24 152 205

HSL 197.57, 0.79%, 0.45%

LAB 59.03, -13.53, -36.22

 

CMYK 88 / 50 / 0 / 20

HEX #1867CD

RGB 24 103 205

HSL 213.81, 0.79%, 0.45%

LAB 44.66, 16.01, -59.07

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 97 / 0 / 50 / 12

HEX #06E070

RGB 6 224 112

HSL 149.17, 0.95%, 0.45%

LAB 78.76, -69.34, 42.09

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 77 / 0 / 40 / 27

HEX #2BBB71

RGB 43 187 113

HSL 149.17, 0.63%, 0.45%

LAB 67.46, -53.93, 27.14

 

CMYK 64 / 0 / 33 / 34

HEX #3DA871

RGB 61 168 113

HSL 149.16, 0.47%, 0.45%

LAB 61.82, -43.54, 19.63

 

CMYK 47 / 0 / 24 / 41

HEX #509672

RGB 80 150 114

HSL 149.14, 0.3%, 0.45%

LAB 56.81, -30.76, 12.26

 

CMYK 25 / 0 / 13 / 49

HEX #628372

RGB 98 131 114

HSL 149.09, 0.14%, 0.45%

LAB 51.89, -15.45, 5.41

 

CMYK 84 / 0 / 88 / 20

HEX #21CD18

RGB 33 205 24

HSL 117.02, 0.79%, 0.45%

LAB 72.26, -70.58, 67.81

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 88 / 0 / 22 / 20

HEX #18CDA0

RGB 24 205 160

HSL 165.08, 0.79%, 0.45%

LAB 73.8, -52.2, 10.75

 

CMYK 88 / 1 / 0 / 20

HEX #18CACD

RGB 24 202 205

HSL 180.99, 0.79%, 0.45%

LAB 74.09, -38.62, -13.15

 

CMYK 89 / 0 / 45 / 48

HEX #0F8448

RGB 15 132 72

HSL 149.23, 0.8%, 0.29%

LAB 48.35, -44.38, 24.09

 

CMYK 88 / 0 / 45 / 34

HEX #14A85C

RGB 20 168 92

HSL 149.19, 0.79%, 0.37%

LAB 60.72, -53.32, 29.31

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 82 / 0 / 42 / 10

HEX #29E685

RGB 41 230 133

HSL 149.21, 0.79%, 0.53%

LAB 81.16, -65.79, 34.86

 

CMYK 67 / 0 / 34 / 8

HEX #4EEA9A

RGB 78 234 154

HSL 149.23, 0.79%, 0.61%

LAB 83.34, -58.55, 27.24

 

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

CMYK 88 / 60 / 0 / 20

HEX #1852CD

RGB 24 82 205

HSL 220.77, 0.79%, 0.45%

LAB 38.96, 29.73, -68.34

 

CMYK 0 / 81 / 88 / 20

HEX #CD2718

RGB 205 39 24

HSL 4.97, 0.79%, 0.45%

LAB 44.94, 62.2, 49.87

 

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

CMYK 45 / 88 / 0 / 20

HEX #7018CD

RGB 112 24 205

HSL 269.17, 0.79%, 0.45%

LAB 35.01, 67.39, -74.59

 

CMYK 0 / 45 / 88 / 20

HEX #CD7018

RGB 205 112 24

HSL 29.17, 0.79%, 0.45%

LAB 56.72, 31.24, 59.01

 

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

CMYK 88 / 60 / 0 / 20

HEX #1852CD

RGB 24 82 205

HSL 220.77, 0.79%, 0.45%

LAB 38.96, 29.73, -68.34

 

CMYK 0 / 88 / 42 / 20

HEX #CD1876

RGB 205 24 118

HSL 328.84, 0.79%, 0.45%

LAB 45.55, 70.42, -4.66

 

CMYK 0 / 28 / 88 / 20

HEX #CD9418

RGB 205 148 24

HSL 41.1, 0.79%, 0.45%

LAB 65.14, 11.79, 65.63

 

CMYK 88 / 0 / 45 / 19

HEX #18CF71

RGB 24 207 113

HSL 149.18, 0.79%, 0.45%

LAB 73.55, -62.81, 35.03

 

CMYK 88 / 87 / 0 / 20

HEX #181BCD

RGB 24 27 205

HSL 239.01, 0.79%, 0.45%

LAB 27.81, 60.52, -86.76

 

CMYK 0 / 88 / 42 / 20

HEX #CD1876

RGB 205 24 118

HSL 328.84, 0.79%, 0.45%

LAB 45.55, 70.42, -4.66

 

CMYK 0 / 1 / 88 / 20

HEX #CDCA18

RGB 205 202 24

HSL 59.01, 0.79%, 0.45%

LAB 79.21, -16.5, 76.75

 

Description

Color code: HEX #18CF71 | qconv.com Color code: HEX #18CF71 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 207 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 207 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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