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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CEAB it is the complementary color #E73154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CEAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CEAB shade: #1DCEA6, #2EE0B9, #3FF2CC, #50FFDF and #61FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CEAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CEAB shade: #18CEAB, #07BC98, #00AA85, #009872 and #00865F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CEAB shade: #18CDAB, #18CD7A, #18CD49, #18CD18 and #49CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CEAB shade: #18CDAB, #18BFCD, #188ECD, #185ECD and #182DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CEAB shade matches the following richer shades: #18CDAB and #06E0B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CEAB shade: #18CDAB, #2BBB9F, #3DA894, #509688 and #62837D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CEAB shade: #18CD48, #18CD79, #18CDA9, #18C1CD and #1891CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CEAB shade: #0F846D, #14A88C, #18CDAB, #29E6C2 and #4EEACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CEAB shade: #18CEAB, #1818CD and #CD6118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CEAB shade: #18CEAB, #A918CD and #CDA918

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CEAB shade: #18CEAB, #1818CD, #CD183C and #CDCD18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CEAB shade: #18CEAB, #4E18CD, #CD183C and #97CD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

Complementary color

CMYK 0 / 79 / 64 / 9

HEX #E73154

RGB 231 49 84

HSL 348.46, 0.79%, 0.55%

LAB 51.64, 69.05, 25.39

 

CMYK 86 / 0 / 19 / 19

HEX #1DCEA6

RGB 29 206 166

HSL 166.44, 0.75%, 0.46%

LAB 74.29, -50.8, 8.23

 

CMYK 79 / 0 / 17 / 12

HEX #2EE0B9

RGB 46 224 185

HSL 166.85, 0.74%, 0.53%

LAB 80.4, -51.96, 6.88

 

CMYK 74 / 0 / 16 / 5

HEX #3FF2CC

RGB 63 242 204

HSL 167.26, 0.87%, 0.6%

LAB 86.46, -52.83, 5.65

 

CMYK 69 / 0 / 13 / 0

HEX #50FFDF

RGB 80 255 223

HSL 169.03, 1%, 0.66%

LAB 91.03, -51.39, 2.42

 

CMYK 62 / 0 / 5 / 0

HEX #61FFF2

RGB 97 255 242

HSL 175.06, 1%, 0.69%

LAB 91.9, -44.12, -6.11

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

CMYK 96 / 0 / 19 / 26

HEX #07BC98

RGB 7 188 152

HSL 168.07, 0.93%, 0.38%

LAB 68.23, -48.16, 7.12

 

CMYK 100 / 0 / 22 / 33

HEX #00AA85

RGB 0 170 133

HSL 166.94, 1%, 0.33%

LAB 62.03, -46.02, 8.76

 

CMYK 100 / 0 / 25 / 40

HEX #009872

RGB 0 152 114

HSL 165, 1%, 0.3%

LAB 55.76, -43.58, 10.53

 

CMYK 100 / 0 / 29 / 47

HEX #00865F

RGB 0 134 95

HSL 162.54, 1%, 0.26%

LAB 49.35, -41.06, 12.4

 

CMYK 88 / 0 / 17 / 20

HEX #18CDAB

RGB 24 205 171

HSL 168.73, 0.79%, 0.45%

LAB 74.06, -49.43, 5.2

 

CMYK 88 / 0 / 40 / 20

HEX #18CD7A

RGB 24 205 122

HSL 152.49, 0.79%, 0.45%

LAB 73.06, -60.49, 29.81

 

CMYK 88 / 0 / 64 / 20

HEX #18CD49

RGB 24 205 73

HSL 136.24, 0.79%, 0.45%

LAB 72.45, -67.85, 52.46

 

CMYK 88 / 0 / 88 / 20

HEX #18CD18

RGB 24 205 24

HSL 120, 0.79%, 0.45%

LAB 72.18, -71.35, 67.7

 

CMYK 64 / 0 / 88 / 20

HEX #49CD18

RGB 73 205 24

HSL 103.76, 0.79%, 0.45%

LAB 72.99, -64.3, 68.71

 

CMYK 88 / 0 / 17 / 20

HEX #18CDAB

RGB 24 205 171

HSL 168.73, 0.79%, 0.45%

LAB 74.06, -49.43, 5.2

 

CMYK 88 / 7 / 0 / 20

HEX #18BFCD

RGB 24 191 205

HSL 184.64, 0.79%, 0.45%

LAB 70.78, -33.5, -18.14

 

CMYK 88 / 31 / 0 / 20

HEX #188ECD

RGB 24 142 205

HSL 200.88, 0.79%, 0.45%

LAB 56.04, -7.9, -40.92

 

CMYK 88 / 54 / 0 / 20

HEX #185ECD

RGB 24 94 205

HSL 216.8, 0.79%, 0.45%

LAB 42.17, 21.86, -63.12

 

CMYK 88 / 78 / 0 / 20

HEX #182DCD

RGB 24 45 205

HSL 233.04, 0.79%, 0.45%

LAB 30.59, 52.33, -82.13

 

CMYK 88 / 0 / 17 / 20

HEX #18CDAB

RGB 24 205 171

HSL 168.73, 0.79%, 0.45%

LAB 74.06, -49.43, 5.2

 

CMYK 97 / 0 / 19 / 12

HEX #06E0B6

RGB 6 224 182

HSL 168.44, 0.95%, 0.45%

LAB 80.03, -54.93, 7.89

 

CMYK 88 / 0 / 17 / 20

HEX #18CDAB

RGB 24 205 171

HSL 168.73, 0.79%, 0.45%

LAB 74.06, -49.43, 5.2

 

CMYK 77 / 0 / 15 / 27

HEX #2BBB9F

RGB 43 187 159

HSL 168.33, 0.63%, 0.45%

LAB 68.43, -43.46, 3.62

 

CMYK 64 / 0 / 12 / 34

HEX #3DA894

RGB 61 168 148

HSL 168.79, 0.47%, 0.45%

LAB 62.62, -35.31, 1.34

 

CMYK 47 / 0 / 9 / 41

HEX #509688

RGB 80 150 136

HSL 168, 0.3%, 0.45%

LAB 57.36, -25.63, 0.54

 

CMYK 25 / 0 / 5 / 49

HEX #62837D

RGB 98 131 125

HSL 169.09, 0.14%, 0.45%

LAB 52.19, -12.99, -0.56

 

CMYK 88 / 0 / 65 / 20

HEX #18CD48

RGB 24 205 72

HSL 135.91, 0.79%, 0.45%

LAB 72.45, -67.95, 52.88

 

CMYK 88 / 0 / 41 / 20

HEX #18CD79

RGB 24 205 121

HSL 152.15, 0.79%, 0.45%

LAB 73.05, -60.68, 30.3

 

CMYK 88 / 0 / 18 / 20

HEX #18CDA9

RGB 24 205 169

HSL 168.07, 0.79%, 0.45%

LAB 74.01, -49.95, 6.21

 

CMYK 88 / 6 / 0 / 20

HEX #18C1CD

RGB 24 193 205

HSL 183.98, 0.79%, 0.45%

LAB 71.38, -34.45, -17.23

 

CMYK 88 / 29 / 0 / 20

HEX #1891CD

RGB 24 145 205

HSL 199.89, 0.79%, 0.45%

LAB 56.93, -9.61, -39.51

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 88 / 0 / 17 / 34

HEX #14A88C

RGB 20 168 140

HSL 168.65, 0.79%, 0.37%

LAB 61.7, -42.41, 4.38

 

CMYK 88 / 0 / 17 / 20

HEX #18CDAB

RGB 24 205 171

HSL 168.73, 0.79%, 0.45%

LAB 74.06, -49.43, 5.2

 

CMYK 82 / 0 / 16 / 10

HEX #29E6C2

RGB 41 230 194

HSL 168.57, 0.79%, 0.53%

LAB 82.36, -52.57, 4.93

 

CMYK 67 / 0 / 13 / 8

HEX #4EEACC

RGB 78 234 204

HSL 168.46, 0.79%, 0.61%

LAB 84.39, -47.52, 2.69

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 0 / 53 / 88 / 20

HEX #CD6118

RGB 205 97 24

HSL 24.2, 0.79%, 0.45%

LAB 53.59, 39, 56.57

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

CMYK 18 / 88 / 0 / 20

HEX #A918CD

RGB 169 24 205

HSL 288.07, 0.79%, 0.45%

LAB 43.5, 75.06, -60.37

 

CMYK 0 / 18 / 88 / 20

HEX #CDA918

RGB 205 169 24

HSL 48.07, 0.79%, 0.45%

LAB 70.47, 0.5, 69.83

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 0 / 88 / 71 / 20

HEX #CD183C

RGB 205 24 60

HSL 348.07, 0.79%, 0.45%

LAB 44.17, 66.53, 29.45

 

CMYK 0 / 0 / 88 / 20

HEX #CDCD18

RGB 205 205 24

HSL 60, 0.79%, 0.45%

LAB 80.01, -17.99, 77.39

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAB

RGB 24 206 171

HSL 168.46, 0.79%, 0.45%

LAB 74.37, -49.84, 5.64

 

CMYK 62 / 88 / 0 / 20

HEX #4E18CD

RGB 78 24 205

HSL 257.9, 0.79%, 0.45%

LAB 31.07, 64.21, -81.24

 

CMYK 0 / 88 / 71 / 20

HEX #CD183C

RGB 205 24 60

HSL 348.07, 0.79%, 0.45%

LAB 44.17, 66.53, 29.45

 

CMYK 26 / 0 / 88 / 20

HEX #97CD18

RGB 151 205 24

HSL 77.9, 0.79%, 0.45%

LAB 76.26, -40.11, 72.78

 

Description

Color code: HEX #18CEAB | qconv.com Color code: HEX #18CEAB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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