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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CE87 it is the complementary color #E73178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CE87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CE87 shade: #1DCE82, #2EE095, #3FF2A8, #50FFBB and #61FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CE87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CE87 shade: #18CE87, #07BC74, #00AA61, #00984E and #00863B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CE87 shade: #18CD87, #18CD56, #18CD25, #3CCD18 and #6DCD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CE87 shade: #18CD87, #18CDB8, #18B2CD, #1881CD and #1851CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CE87 shade matches the following richer shades: #18CD87 and #06E08B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CE87 shade: #18CD87, #2BBB83, #3DA87F, #50967A and #628376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CE87 shade: #18CD24, #18CD55, #18CD85, #18CDB5 and #18B5CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CE87 shade: #0F8456, #14A86E, #18CD87, #29E69C and #4EEAAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CE87 shade: #18CE87, #183CCD and #CD3C18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CE87 shade: #18CE87, #8518CD and #CD8518

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CE87 shade: #18CE87, #183CCD, #CD1861 and #CDA918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CE87 shade: #18CE87, #2A18CD, #CD1861 and #BBCD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

Complementary color

CMYK 0 / 79 / 48 / 9

HEX #E73178

RGB 231 49 120

HSL 336.59, 0.79%, 0.55%

LAB 52.44, 71.52, 4.77

 

CMYK 86 / 0 / 37 / 19

HEX #1DCE82

RGB 29 206 130

HSL 154.24, 0.75%, 0.46%

LAB 73.56, -58.93, 26.32

 

CMYK 79 / 0 / 33 / 12

HEX #2EE095

RGB 46 224 149

HSL 154.72, 0.74%, 0.53%

LAB 79.65, -60.13, 24.72

 

CMYK 74 / 0 / 31 / 5

HEX #3FF2A8

RGB 63 242 168

HSL 155.2, 0.87%, 0.6%

LAB 85.7, -60.97, 23.24

 

CMYK 69 / 0 / 27 / 0

HEX #50FFBB

RGB 80 255 187

HSL 156.69, 1%, 0.66%

LAB 90.24, -59.64, 19.83

 

CMYK 62 / 0 / 19 / 0

HEX #61FFCE

RGB 97 255 206

HSL 161.39, 1%, 0.69%

LAB 91.02, -52.78, 11.23

 

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

CMYK 96 / 0 / 38 / 26

HEX #07BC74

RGB 7 188 116

HSL 156.13, 0.93%, 0.38%

LAB 67.48, -56.49, 25.52

 

CMYK 100 / 0 / 43 / 33

HEX #00AA61

RGB 0 170 97

HSL 154.24, 1%, 0.33%

LAB 61.32, -54.16, 27.43

 

CMYK 100 / 0 / 49 / 40

HEX #00984E

RGB 0 152 78

HSL 150.79, 1%, 0.3%

LAB 55.08, -51.41, 29.45

 

CMYK 100 / 0 / 56 / 47

HEX #00863B

RGB 0 134 59

HSL 146.42, 1%, 0.26%

LAB 48.72, -48.44, 31.47

 

CMYK 88 / 0 / 34 / 20

HEX #18CD87

RGB 24 205 135

HSL 156.8, 0.79%, 0.45%

LAB 73.29, -57.89, 23.34

 

CMYK 88 / 0 / 58 / 20

HEX #18CD56

RGB 24 205 86

HSL 140.55, 0.79%, 0.45%

LAB 72.58, -66.28, 46.88

 

CMYK 88 / 0 / 82 / 20

HEX #18CD25

RGB 24 205 37

HSL 124.31, 0.79%, 0.45%

LAB 72.22, -70.77, 64.81

 

CMYK 71 / 0 / 88 / 20

HEX #3CCD18

RGB 60 205 24

HSL 108.07, 0.79%, 0.45%

LAB 72.69, -66.86, 68.34

 

CMYK 47 / 0 / 88 / 20

HEX #6DCD18

RGB 109 205 24

HSL 91.82, 0.79%, 0.45%

LAB 74.18, -54.81, 70.2

 

CMYK 88 / 0 / 34 / 20

HEX #18CD87

RGB 24 205 135

HSL 156.8, 0.79%, 0.45%

LAB 73.29, -57.89, 23.34

 

CMYK 88 / 0 / 10 / 20

HEX #18CDB8

RGB 24 205 184

HSL 173.04, 0.79%, 0.45%

LAB 74.39, -45.97, -1.33

 

CMYK 88 / 13 / 0 / 20

HEX #18B2CD

RGB 24 178 205

HSL 188.95, 0.79%, 0.45%

LAB 66.86, -27.18, -24.11

 

CMYK 88 / 37 / 0 / 20

HEX #1881CD

RGB 24 129 205

HSL 205.19, 0.79%, 0.45%

LAB 52.18, -0.26, -47.02

 

CMYK 88 / 60 / 0 / 20

HEX #1851CD

RGB 24 81 205

HSL 221.1, 0.79%, 0.45%

LAB 38.7, 30.38, -68.76

 

CMYK 88 / 0 / 34 / 20

HEX #18CD87

RGB 24 205 135

HSL 156.8, 0.79%, 0.45%

LAB 73.29, -57.89, 23.34

 

CMYK 97 / 0 / 38 / 12

HEX #06E08B

RGB 6 224 139

HSL 156.61, 0.95%, 0.45%

LAB 79.16, -64.58, 29.15

 

CMYK 88 / 0 / 34 / 20

HEX #18CD87

RGB 24 205 135

HSL 156.8, 0.79%, 0.45%

LAB 73.29, -57.89, 23.34

 

CMYK 77 / 0 / 30 / 27

HEX #2BBB83

RGB 43 187 131

HSL 156.67, 0.63%, 0.45%

LAB 67.79, -50.22, 17.98

 

CMYK 64 / 0 / 24 / 34

HEX #3DA87F

RGB 61 168 127

HSL 157.01, 0.47%, 0.45%

LAB 62.11, -40.48, 12.32

 

CMYK 47 / 0 / 19 / 41

HEX #50967A

RGB 80 150 122

HSL 156, 0.3%, 0.45%

LAB 57, -28.98, 7.99

 

CMYK 25 / 0 / 10 / 49

HEX #628376

RGB 98 131 118

HSL 156.36, 0.14%, 0.45%

LAB 51.99, -14.58, 3.23

 

CMYK 88 / 0 / 82 / 20

HEX #18CD24

RGB 24 205 36

HSL 123.98, 0.79%, 0.45%

LAB 72.22, -70.83, 65.07

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 0 / 35 / 20

HEX #18CD85

RGB 24 205 133

HSL 156.13, 0.79%, 0.45%

LAB 73.25, -58.31, 24.34

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB5

RGB 24 205 181

HSL 172.04, 0.79%, 0.45%

LAB 74.31, -46.79, 0.17

 

CMYK 88 / 12 / 0 / 20

HEX #18B5CD

RGB 24 181 205

HSL 187.96, 0.79%, 0.45%

LAB 67.76, -28.67, -22.73

 

CMYK 89 / 0 / 35 / 48

HEX #0F8456

RGB 15 132 86

HSL 156.41, 0.8%, 0.29%

LAB 48.61, -41.43, 16.56

 

CMYK 88 / 0 / 35 / 34

HEX #14A86E

RGB 20 168 110

HSL 156.49, 0.79%, 0.37%

LAB 61.03, -49.72, 20.07

 

CMYK 88 / 0 / 34 / 20

HEX #18CD87

RGB 24 205 135

HSL 156.8, 0.79%, 0.45%

LAB 73.29, -57.89, 23.34

 

CMYK 82 / 0 / 32 / 10

HEX #29E69C

RGB 41 230 156

HSL 156.51, 0.79%, 0.53%

LAB 81.55, -61.36, 23.67

 

CMYK 67 / 0 / 26 / 8

HEX #4EEAAD

RGB 78 234 173

HSL 156.54, 0.79%, 0.61%

LAB 83.7, -54.69, 17.92

 

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

CMYK 88 / 71 / 0 / 20

HEX #183CCD

RGB 24 60 205

HSL 228.07, 0.79%, 0.45%

LAB 33.63, 43.75, -77.09

 

CMYK 0 / 71 / 88 / 20

HEX #CD3C18

RGB 205 60 24

HSL 11.93, 0.79%, 0.45%

LAB 47.34, 55.51, 51.72

 

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

CMYK 35 / 88 / 0 / 20

HEX #8518CD

RGB 133 24 205

HSL 276.13, 0.79%, 0.45%

LAB 37.93, 69.92, -69.69

 

CMYK 0 / 35 / 88 / 20

HEX #CD8518

RGB 205 133 24

HSL 36.13, 0.79%, 0.45%

LAB 61.5, 19.95, 62.76

 

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

CMYK 88 / 71 / 0 / 20

HEX #183CCD

RGB 24 60 205

HSL 228.07, 0.79%, 0.45%

LAB 33.63, 43.75, -77.09

 

CMYK 0 / 88 / 53 / 20

HEX #CD1861

RGB 205 24 97

HSL 335.8, 0.79%, 0.45%

LAB 44.94, 68.69, 7.47

 

CMYK 0 / 18 / 88 / 20

HEX #CDA918

RGB 205 169 24

HSL 48.07, 0.79%, 0.45%

LAB 70.47, 0.5, 69.83

 

CMYK 88 / 0 / 34 / 19

HEX #18CE87

RGB 24 206 135

HSL 156.59, 0.79%, 0.45%

LAB 73.6, -58.26, 23.76

 

CMYK 80 / 88 / 0 / 20

HEX #2A18CD

RGB 42 24 205

HSL 245.97, 0.79%, 0.45%

LAB 28.26, 62.15, -85.99

 

CMYK 0 / 88 / 53 / 20

HEX #CD1861

RGB 205 24 97

HSL 335.8, 0.79%, 0.45%

LAB 44.94, 68.69, 7.47

 

CMYK 9 / 0 / 88 / 20

HEX #BBCD18

RGB 187 205 24

HSL 65.97, 0.79%, 0.45%

LAB 78.63, -25.59, 75.7

 

Description

Color code: HEX #18CE87 | qconv.com Color code: HEX #18CE87 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 34 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 34% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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