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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CE6F it is the complementary color #E73190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CE6F shade: #1DCE6A, #2EE07D, #3FF290, #50FFA3 and #61FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CE6F shade: #18CE6F, #07BC5C, #00AA49, #009836 and #008623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CE6F shade: #18CD6F, #18CD3E, #23CD18, #54CD18 and #85CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CE6F shade: #18CD6F, #18CDA0, #18CACD, #1899CD and #1868CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CE6F shade matches the following richer shades: #18CD6F and #06E06E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CE6F shade: #18CD6F, #2BBB70, #3DA870, #509671 and #628372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CE6F shade: #24CD18, #18CD3C, #18CD6D, #18CD9D and #18CDCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CE6F shade: #0F8447, #14A85B, #18CD6F, #29E683 and #4EEA99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CE6F shade: #18CE6F, #1855CD and #CD2418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CE6F shade: #18CE6F, #6D18CD and #CD6D18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CE6F shade: #18CE6F, #1855CD, #CD1879 and #CD9118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CE6F shade: #18CE6F, #181ECD, #CD1879 and #CDC718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

Complementary color

CMYK 0 / 79 / 38 / 9

HEX #E73190

RGB 231 49 144

HSL 328.68, 0.79%, 0.55%

LAB 53.17, 73.69, -8.56

 

CMYK 86 / 0 / 49 / 19

HEX #1DCE6A

RGB 29 206 106

HSL 146.1, 0.75%, 0.46%

LAB 73.18, -63.29, 38.06

 

CMYK 79 / 0 / 44 / 12

HEX #2EE07D

RGB 46 224 125

HSL 146.63, 0.74%, 0.53%

LAB 79.26, -64.63, 36.4

 

CMYK 74 / 0 / 40 / 5

HEX #3FF290

RGB 63 242 144

HSL 147.15, 0.87%, 0.6%

LAB 85.29, -65.56, 34.83

 

CMYK 69 / 0 / 36 / 0

HEX #50FFA3

RGB 80 255 163

HSL 148.46, 1%, 0.66%

LAB 89.8, -64.38, 31.38

 

CMYK 62 / 0 / 29 / 0

HEX #61FFB6

RGB 97 255 182

HSL 152.28, 1%, 0.69%

LAB 90.52, -57.87, 22.84

 

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

CMYK 96 / 0 / 51 / 26

HEX #07BC5C

RGB 7 188 92

HSL 148.18, 0.93%, 0.38%

LAB 67.11, -60.85, 37.39

 

CMYK 100 / 0 / 57 / 33

HEX #00AA49

RGB 0 170 73

HSL 145.76, 1%, 0.33%

LAB 60.98, -58.21, 39.23

 

CMYK 100 / 0 / 64 / 40

HEX #009836

RGB 0 152 54

HSL 141.32, 1%, 0.3%

LAB 54.79, -55.02, 40.98

 

CMYK 100 / 0 / 74 / 47

HEX #008623

RGB 0 134 35

HSL 135.67, 1%, 0.26%

LAB 48.48, -51.47, 42.33

 

CMYK 88 / 0 / 46 / 20

HEX #18CD6F

RGB 24 205 111

HSL 148.84, 0.79%, 0.45%

LAB 72.89, -62.48, 35.19

 

CMYK 88 / 0 / 70 / 20

HEX #18CD3E

RGB 24 205 62

HSL 132.6, 0.79%, 0.45%

LAB 72.37, -68.96, 56.8

 

CMYK 83 / 0 / 88 / 20

HEX #23CD18

RGB 35 205 24

HSL 116.35, 0.79%, 0.45%

LAB 72.29, -70.37, 67.83

 

CMYK 59 / 0 / 88 / 20

HEX #54CD18

RGB 84 205 24

HSL 100.11, 0.79%, 0.45%

LAB 73.29, -61.77, 69.1

 

CMYK 35 / 0 / 88 / 20

HEX #85CD18

RGB 133 205 24

HSL 83.87, 0.79%, 0.45%

LAB 75.27, -46.79, 71.56

 

CMYK 88 / 0 / 46 / 20

HEX #18CD6F

RGB 24 205 111

HSL 148.84, 0.79%, 0.45%

LAB 72.89, -62.48, 35.19

 

CMYK 88 / 0 / 22 / 20

HEX #18CDA0

RGB 24 205 160

HSL 165.08, 0.79%, 0.45%

LAB 73.8, -52.2, 10.75

 

CMYK 88 / 1 / 0 / 20

HEX #18CACD

RGB 24 202 205

HSL 180.99, 0.79%, 0.45%

LAB 74.09, -38.62, -13.15

 

CMYK 88 / 25 / 0 / 20

HEX #1899CD

RGB 24 153 205

HSL 197.24, 0.79%, 0.45%

LAB 59.33, -14.08, -35.75

 

CMYK 88 / 49 / 0 / 20

HEX #1868CD

RGB 24 104 205

HSL 213.48, 0.79%, 0.45%

LAB 44.95, 15.36, -58.61

 

CMYK 88 / 0 / 46 / 20

HEX #18CD6F

RGB 24 205 111

HSL 148.84, 0.79%, 0.45%

LAB 72.89, -62.48, 35.19

 

CMYK 97 / 0 / 51 / 12

HEX #06E06E

RGB 6 224 110

HSL 148.62, 0.95%, 0.45%

LAB 78.74, -69.65, 43.02

 

CMYK 88 / 0 / 46 / 20

HEX #18CD6F

RGB 24 205 111

HSL 148.84, 0.79%, 0.45%

LAB 72.89, -62.48, 35.19

 

CMYK 77 / 0 / 40 / 27

HEX #2BBB70

RGB 43 187 112

HSL 148.75, 0.63%, 0.45%

LAB 67.44, -54.12, 27.64

 

CMYK 64 / 0 / 33 / 34

HEX #3DA870

RGB 61 168 112

HSL 148.6, 0.47%, 0.45%

LAB 61.8, -43.75, 20.15

 

CMYK 47 / 0 / 25 / 41

HEX #509671

RGB 80 150 113

HSL 148.29, 0.3%, 0.45%

LAB 56.79, -30.97, 12.8

 

CMYK 25 / 0 / 13 / 49

HEX #628372

RGB 98 131 114

HSL 149.09, 0.14%, 0.45%

LAB 51.89, -15.45, 5.41

 

CMYK 82 / 0 / 88 / 20

HEX #24CD18

RGB 36 205 24

HSL 116.02, 0.79%, 0.45%

LAB 72.3, -70.27, 67.85

 

CMYK 88 / 0 / 71 / 20

HEX #18CD3C

RGB 24 205 60

HSL 131.93, 0.79%, 0.45%

LAB 72.35, -69.14, 57.55

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6D

RGB 24 205 109

HSL 148.18, 0.79%, 0.45%

LAB 72.87, -62.82, 36.16

 

CMYK 88 / 0 / 23 / 20

HEX #18CD9D

RGB 24 205 157

HSL 164.09, 0.79%, 0.45%

LAB 73.73, -52.93, 12.26

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 89 / 0 / 46 / 48

HEX #0F8447

RGB 15 132 71

HSL 148.72, 0.8%, 0.29%

LAB 48.33, -44.57, 24.62

 

CMYK 88 / 0 / 46 / 34

HEX #14A85B

RGB 20 168 91

HSL 148.78, 0.79%, 0.37%

LAB 60.7, -53.5, 29.82

 

CMYK 88 / 0 / 46 / 20

HEX #18CD6F

RGB 24 205 111

HSL 148.84, 0.79%, 0.45%

LAB 72.89, -62.48, 35.19

 

CMYK 82 / 0 / 43 / 10

HEX #29E683

RGB 41 230 131

HSL 148.57, 0.79%, 0.53%

LAB 81.13, -66.15, 35.82

 

CMYK 67 / 0 / 35 / 8

HEX #4EEA99

RGB 78 234 153

HSL 148.85, 0.79%, 0.61%

LAB 83.32, -58.74, 27.72

 

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

CMYK 88 / 59 / 0 / 20

HEX #1855CD

RGB 24 85 205

HSL 219.78, 0.79%, 0.45%

LAB 39.75, 27.76, -67.06

 

CMYK 0 / 82 / 88 / 20

HEX #CD2418

RGB 205 36 24

HSL 3.98, 0.79%, 0.45%

LAB 44.67, 62.95, 49.67

 

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

CMYK 47 / 88 / 0 / 20

HEX #6D18CD

RGB 109 24 205

HSL 268.18, 0.79%, 0.45%

LAB 34.62, 67.06, -75.24

 

CMYK 0 / 47 / 88 / 20

HEX #CD6D18

RGB 205 109 24

HSL 28.18, 0.79%, 0.45%

LAB 56.07, 32.82, 58.5

 

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

CMYK 88 / 59 / 0 / 20

HEX #1855CD

RGB 24 85 205

HSL 219.78, 0.79%, 0.45%

LAB 39.75, 27.76, -67.06

 

CMYK 0 / 88 / 41 / 20

HEX #CD1879

RGB 205 24 121

HSL 327.85, 0.79%, 0.45%

LAB 45.65, 70.69, -6.36

 

CMYK 0 / 29 / 88 / 20

HEX #CD9118

RGB 205 145 24

HSL 40.11, 0.79%, 0.45%

LAB 64.4, 13.42, 65.04

 

CMYK 88 / 0 / 46 / 19

HEX #18CE6F

RGB 24 206 111

HSL 148.68, 0.79%, 0.45%

LAB 73.21, -62.82, 35.6

 

CMYK 88 / 85 / 0 / 20

HEX #181ECD

RGB 24 30 205

HSL 238.01, 0.79%, 0.45%

LAB 28.2, 59.36, -86.11

 

CMYK 0 / 88 / 41 / 20

HEX #CD1879

RGB 205 24 121

HSL 327.85, 0.79%, 0.45%

LAB 45.65, 70.69, -6.36

 

CMYK 0 / 3 / 88 / 20

HEX #CDC718

RGB 205 199 24

HSL 58.01, 0.79%, 0.45%

LAB 78.4, -15, 76.11

 

Description

Color code: HEX #18CE6F | qconv.com Color code: HEX #18CE6F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 46 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 46% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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