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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CE52 it is the complementary color #E731AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CE52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CE52 shade: #1DCE4D, #2EE060, #3FF273, #50FF86 and #61FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CE52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CE52 shade: #18CE52, #07BC3F, #00AA2C, #009819 and #008606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CE52 shade: #18CD52, #18CD21, #40CD18, #71CD18 and #A2CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CE52 shade: #18CD52, #18CD83, #18CDB4, #18B6CD and #1885CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CE52 shade matches the following richer shades: #18CD52 and #06E04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CE52 shade: #18CD52, #2BBB59, #3DA85F, #509666 and #62836D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CE52 shade: #3FCD18, #18CD21, #18CD52, #18CD82 and #18CDB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CE52 shade: #0F8434, #14A843, #18CD52, #29E665 and #4EEA80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CE52 shade: #18CE52, #1870CD and #CD1827

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CE52 shade: #18CE52, #5218CD and #CD5218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CE52 shade: #18CE52, #1870CD, #CD1894 and #CD7618

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CE52 shade: #18CE52, #1839CD, #CD1894 and #CDAC18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

Complementary color

CMYK 0 / 79 / 25 / 9

HEX #E731AD

RGB 231 49 173

HSL 319.12, 0.79%, 0.55%

LAB 54.24, 76.85, -24.05

 

CMYK 86 / 0 / 63 / 19

HEX #1DCE4D

RGB 29 206 77

HSL 136.27, 0.75%, 0.46%

LAB 72.85, -67.32, 51.21

 

CMYK 79 / 0 / 57 / 12

HEX #2EE060

RGB 46 224 96

HSL 136.85, 0.74%, 0.53%

LAB 78.89, -68.98, 49.81

 

CMYK 74 / 0 / 52 / 5

HEX #3FF273

RGB 63 242 115

HSL 137.43, 0.87%, 0.6%

LAB 84.89, -70.14, 48.34

 

CMYK 69 / 0 / 47 / 0

HEX #50FF86

RGB 80 255 134

HSL 138.51, 1%, 0.66%

LAB 89.37, -69.23, 45.01

 

CMYK 62 / 0 / 40 / 0

HEX #61FF99

RGB 97 255 153

HSL 141.27, 1%, 0.69%

LAB 90.03, -63.2, 36.72

 

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

CMYK 96 / 0 / 66 / 26

HEX #07BC3F

RGB 7 188 63

HSL 138.56, 0.93%, 0.38%

LAB 66.8, -64.72, 50.4

 

CMYK 100 / 0 / 74 / 33

HEX #00AA2C

RGB 0 170 44

HSL 135.53, 1%, 0.33%

LAB 60.72, -61.52, 51.46

 

CMYK 100 / 0 / 84 / 40

HEX #009819

RGB 0 152 25

HSL 129.87, 1%, 0.3%

LAB 54.58, -57.62, 51.7

 

CMYK 100 / 0 / 96 / 47

HEX #008606

RGB 0 134 6

HSL 122.69, 1%, 0.26%

LAB 48.34, -53.22, 50.42

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 88 / 0 / 84 / 20

HEX #18CD21

RGB 24 205 33

HSL 122.98, 0.79%, 0.45%

LAB 72.21, -70.98, 65.8

 

CMYK 69 / 0 / 88 / 20

HEX #40CD18

RGB 64 205 24

HSL 106.74, 0.79%, 0.45%

LAB 72.77, -66.13, 68.44

 

CMYK 45 / 0 / 88 / 20

HEX #71CD18

RGB 113 205 24

HSL 90.5, 0.79%, 0.45%

LAB 74.34, -53.55, 70.41

 

CMYK 21 / 0 / 88 / 20

HEX #A2CD18

RGB 162 205 24

HSL 74.25, 0.79%, 0.45%

LAB 76.93, -35.8, 73.61

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 88 / 0 / 36 / 20

HEX #18CD83

RGB 24 205 131

HSL 155.47, 0.79%, 0.45%

LAB 73.22, -58.72, 25.34

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB4

RGB 24 205 180

HSL 171.71, 0.79%, 0.45%

LAB 74.29, -47.06, 0.67

 

CMYK 88 / 11 / 0 / 20

HEX #18B6CD

RGB 24 182 205

HSL 187.62, 0.79%, 0.45%

LAB 68.06, -29.16, -22.27

 

CMYK 88 / 35 / 0 / 20

HEX #1885CD

RGB 24 133 205

HSL 203.87, 0.79%, 0.45%

LAB 53.36, -2.65, -45.15

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 97 / 0 / 67 / 12

HEX #06E04B

RGB 6 224 75

HSL 138.99, 0.95%, 0.45%

LAB 78.38, -74.11, 58.12

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 77 / 0 / 52 / 27

HEX #2BBB59

RGB 43 187 89

HSL 139.17, 0.63%, 0.45%

LAB 67.11, -58.03, 38.94

 

CMYK 64 / 0 / 43 / 34

HEX #3DA85F

RGB 61 168 95

HSL 139.07, 0.47%, 0.45%

LAB 61.5, -46.97, 28.89

 

CMYK 47 / 0 / 32 / 41

HEX #509666

RGB 80 150 102

HSL 138.86, 0.3%, 0.45%

LAB 56.56, -33.21, 18.65

 

CMYK 25 / 0 / 17 / 49

HEX #62836D

RGB 98 131 109

HSL 140, 0.14%, 0.45%

LAB 51.76, -16.5, 8.14

 

CMYK 69 / 0 / 88 / 20

HEX #3FCD18

RGB 63 205 24

HSL 107.07, 0.79%, 0.45%

LAB 72.75, -66.31, 68.42

 

CMYK 88 / 0 / 84 / 20

HEX #18CD21

RGB 24 205 33

HSL 122.98, 0.79%, 0.45%

LAB 72.21, -70.98, 65.8

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 88 / 0 / 37 / 20

HEX #18CD82

RGB 24 205 130

HSL 155.14, 0.79%, 0.45%

LAB 73.2, -58.92, 25.84

 

CMYK 88 / 0 / 13 / 20

HEX #18CDB2

RGB 24 205 178

HSL 171.05, 0.79%, 0.45%

LAB 74.24, -47.59, 1.68

 

CMYK 89 / 0 / 61 / 48

HEX #0F8434

RGB 15 132 52

HSL 138.97, 0.8%, 0.29%

LAB 48.07, -47.71, 34.26

 

CMYK 88 / 0 / 60 / 34

HEX #14A843

RGB 20 168 67

HSL 139.05, 0.79%, 0.37%

LAB 60.39, -57.25, 41.42

 

CMYK 88 / 0 / 60 / 20

HEX #18CD52

RGB 24 205 82

HSL 139.23, 0.79%, 0.45%

LAB 72.54, -66.79, 48.64

 

CMYK 82 / 0 / 56 / 10

HEX #29E665

RGB 41 230 101

HSL 139.05, 0.79%, 0.53%

LAB 80.74, -70.75, 49.71

 

CMYK 67 / 0 / 45 / 8

HEX #4EEA80

RGB 78 234 128

HSL 139.23, 0.79%, 0.61%

LAB 82.93, -63.1, 39.74

 

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

CMYK 88 / 45 / 0 / 20

HEX #1870CD

RGB 24 112 205

HSL 210.83, 0.79%, 0.45%

LAB 47.22, 10.25, -54.94

 

CMYK 0 / 88 / 81 / 20

HEX #CD1827

RGB 205 24 39

HSL 355.03, 0.79%, 0.45%

LAB 43.91, 65.78, 41.48

 

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

CMYK 60 / 88 / 0 / 20

HEX #5218CD

RGB 82 24 205

HSL 259.23, 0.79%, 0.45%

LAB 31.47, 64.52, -80.55

 

CMYK 0 / 60 / 88 / 20

HEX #CD5218

RGB 205 82 24

HSL 19.23, 0.79%, 0.45%

LAB 50.78, 46.26, 54.38

 

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

CMYK 88 / 45 / 0 / 20

HEX #1870CD

RGB 24 112 205

HSL 210.83, 0.79%, 0.45%

LAB 47.22, 10.25, -54.94

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 42 / 88 / 20

HEX #CD7618

RGB 205 118 24

HSL 31.16, 0.79%, 0.45%

LAB 58.04, 28.05, 60.05

 

CMYK 88 / 0 / 60 / 19

HEX #18CE52

RGB 24 206 82

HSL 139.12, 0.79%, 0.45%

LAB 72.86, -67.1, 49.01

 

CMYK 88 / 72 / 0 / 20

HEX #1839CD

RGB 24 57 205

HSL 229.06, 0.79%, 0.45%

LAB 32.98, 45.56, -78.17

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 16 / 88 / 20

HEX #CDAC18

RGB 205 172 24

HSL 49.06, 0.79%, 0.45%

LAB 71.25, -1.08, 70.45

 

Description

Color code: HEX #18CE52 | qconv.com Color code: HEX #18CE52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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