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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CE3F it is the complementary color #E731C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CE3F shade: #1DCE3A, #2EE04D, #3FF260, #50FF73 and #61FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CE3F shade: #18CE3F, #07BC2C, #00AA19, #009806 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CE3F shade: #18CD3F, #22CD18, #53CD18, #84CD18 and #B5CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CE3F shade: #18CD3F, #18CD70, #18CDA1, #18C9CD and #1898CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CE3F shade matches the following richer shades: #18CD3F and #06E034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CE3F shade: #18CD3F, #2BBB4A, #3DA854, #50965F and #628369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CE3F shade: #55CD18, #24CD18, #18CD3C, #18CD6D and #18CD9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CE3F shade: #0F8428, #14A834, #18CD3F, #29E651 and #4EEA6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CE3F shade: #18CE3F, #1885CD and #CD183C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CE3F shade: #18CE3F, #3C18CD and #CD3C18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CE3F shade: #18CE3F, #1885CD, #CD18A9 and #CD6118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CE3F shade: #18CE3F, #184ECD, #CD18A9 and #CD9718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

Complementary color

CMYK 0 / 79 / 17 / 9

HEX #E731C0

RGB 231 49 192

HSL 312.86, 0.79%, 0.55%

LAB 55.06, 79.21, -33.82

 

CMYK 86 / 0 / 72 / 19

HEX #1DCE3A

RGB 29 206 58

HSL 129.83, 0.75%, 0.46%

LAB 72.7, -69.21, 58.66

 

CMYK 79 / 0 / 66 / 12

HEX #2EE04D

RGB 46 224 77

HSL 130.45, 0.74%, 0.53%

LAB 78.71, -71.16, 57.77

 

CMYK 74 / 0 / 60 / 5

HEX #3FF260

RGB 63 242 96

HSL 131.06, 0.87%, 0.6%

LAB 84.69, -72.55, 56.61

 

CMYK 69 / 0 / 55 / 0

HEX #50FF73

RGB 80 255 115

HSL 132, 1%, 0.66%

LAB 89.14, -71.86, 53.54

 

CMYK 62 / 0 / 47 / 0

HEX #61FF86

RGB 97 255 134

HSL 134.05, 1%, 0.69%

LAB 89.76, -66.18, 45.59

 

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

CMYK 96 / 0 / 77 / 26

HEX #07BC2C

RGB 7 188 44

HSL 132.27, 0.93%, 0.38%

LAB 66.67, -66.43, 57.41

 

CMYK 100 / 0 / 85 / 33

HEX #00AA19

RGB 0 170 25

HSL 128.82, 1%, 0.33%

LAB 60.62, -62.79, 57.22

 

CMYK 100 / 0 / 96 / 40

HEX #009806

RGB 0 152 6

HSL 122.37, 1%, 0.3%

LAB 54.52, -58.4, 55.57

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 83 / 0 / 88 / 20

HEX #22CD18

RGB 34 205 24

HSL 116.69, 0.79%, 0.45%

LAB 72.27, -70.48, 67.82

 

CMYK 60 / 0 / 88 / 20

HEX #53CD18

RGB 83 205 24

HSL 100.44, 0.79%, 0.45%

LAB 73.26, -62.01, 69.06

 

CMYK 36 / 0 / 88 / 20

HEX #84CD18

RGB 132 205 24

HSL 84.2, 0.79%, 0.45%

LAB 75.22, -47.15, 71.5

 

CMYK 12 / 0 / 88 / 20

HEX #B5CD18

RGB 181 205 24

HSL 67.96, 0.79%, 0.45%

LAB 78.2, -28.08, 75.17

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 88 / 0 / 45 / 20

HEX #18CD70

RGB 24 205 112

HSL 149.17, 0.79%, 0.45%

LAB 72.91, -62.31, 34.71

 

CMYK 88 / 0 / 21 / 20

HEX #18CDA1

RGB 24 205 161

HSL 165.41, 0.79%, 0.45%

LAB 73.82, -51.96, 10.24

 

CMYK 88 / 2 / 0 / 20

HEX #18C9CD

RGB 24 201 205

HSL 181.33, 0.79%, 0.45%

LAB 73.79, -38.16, -13.6

 

CMYK 88 / 26 / 0 / 20

HEX #1898CD

RGB 24 152 205

HSL 197.57, 0.79%, 0.45%

LAB 59.03, -13.53, -36.22

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 97 / 0 / 77 / 12

HEX #06E034

RGB 6 224 52

HSL 132.66, 0.95%, 0.45%

LAB 78.23, -76.05, 66.17

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 77 / 0 / 60 / 27

HEX #2BBB4A

RGB 43 187 74

HSL 132.92, 0.63%, 0.45%

LAB 66.94, -60.08, 45.85

 

CMYK 64 / 0 / 50 / 34

HEX #3DA854

RGB 61 168 84

HSL 132.9, 0.47%, 0.45%

LAB 61.34, -48.77, 34.4

 

CMYK 47 / 0 / 37 / 41

HEX #50965F

RGB 80 150 95

HSL 132.86, 0.3%, 0.45%

LAB 56.43, -34.52, 22.36

 

CMYK 25 / 0 / 20 / 49

HEX #628369

RGB 98 131 105

HSL 132.73, 0.14%, 0.45%

LAB 51.67, -17.31, 10.32

 

CMYK 59 / 0 / 88 / 20

HEX #55CD18

RGB 85 205 24

HSL 99.78, 0.79%, 0.45%

LAB 73.32, -61.52, 69.14

 

CMYK 82 / 0 / 88 / 20

HEX #24CD18

RGB 36 205 24

HSL 116.02, 0.79%, 0.45%

LAB 72.3, -70.27, 67.85

 

CMYK 88 / 0 / 71 / 20

HEX #18CD3C

RGB 24 205 60

HSL 131.93, 0.79%, 0.45%

LAB 72.35, -69.14, 57.55

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6D

RGB 24 205 109

HSL 148.18, 0.79%, 0.45%

LAB 72.87, -62.82, 36.16

 

CMYK 88 / 0 / 23 / 20

HEX #18CD9D

RGB 24 205 157

HSL 164.09, 0.79%, 0.45%

LAB 73.73, -52.93, 12.26

 

CMYK 89 / 0 / 70 / 48

HEX #0F8428

RGB 15 132 40

HSL 132.82, 0.8%, 0.29%

LAB 47.95, -49.19, 39.73

 

CMYK 88 / 0 / 69 / 34

HEX #14A834

RGB 20 168 52

HSL 132.97, 0.79%, 0.37%

LAB 60.25, -59, 47.89

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 82 / 0 / 65 / 10

HEX #29E651

RGB 41 230 81

HSL 132.7, 0.79%, 0.53%

LAB 80.55, -73.11, 58.15

 

CMYK 67 / 0 / 53 / 8

HEX #4EEA6F

RGB 78 234 111

HSL 132.69, 0.79%, 0.61%

LAB 82.71, -65.6, 47.61

 

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

CMYK 88 / 35 / 0 / 20

HEX #1885CD

RGB 24 133 205

HSL 203.87, 0.79%, 0.45%

LAB 53.36, -2.65, -45.15

 

CMYK 0 / 88 / 71 / 20

HEX #CD183C

RGB 205 24 60

HSL 348.07, 0.79%, 0.45%

LAB 44.17, 66.53, 29.45

 

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

CMYK 71 / 88 / 0 / 20

HEX #3C18CD

RGB 60 24 205

HSL 251.93, 0.79%, 0.45%

LAB 29.47, 63.01, -83.94

 

CMYK 0 / 71 / 88 / 20

HEX #CD3C18

RGB 205 60 24

HSL 11.93, 0.79%, 0.45%

LAB 47.34, 55.51, 51.72

 

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

CMYK 88 / 35 / 0 / 20

HEX #1885CD

RGB 24 133 205

HSL 203.87, 0.79%, 0.45%

LAB 53.36, -2.65, -45.15

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A9

RGB 205 24 169

HSL 311.93, 0.79%, 0.45%

LAB 47.62, 76, -32.34

 

CMYK 0 / 53 / 88 / 20

HEX #CD6118

RGB 205 97 24

HSL 24.2, 0.79%, 0.45%

LAB 53.59, 39, 56.57

 

CMYK 88 / 0 / 69 / 19

HEX #18CE3F

RGB 24 206 63

HSL 132.86, 0.79%, 0.45%

LAB 72.69, -69.16, 56.76

 

CMYK 88 / 62 / 0 / 20

HEX #184ECD

RGB 24 78 205

HSL 222.1, 0.79%, 0.45%

LAB 37.93, 32.34, -70.02

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A9

RGB 205 24 169

HSL 311.93, 0.79%, 0.45%

LAB 47.62, 76, -32.34

 

CMYK 0 / 26 / 88 / 20

HEX #CD9718

RGB 205 151 24

HSL 42.1, 0.79%, 0.45%

LAB 65.89, 10.16, 66.21

 

Description

Color code: HEX #18CE3F | qconv.com Color code: HEX #18CE3F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 69 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 69% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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