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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CE13 it is the complementary color #E731EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CE13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CE13 shade: #1DCE0E, #2EE021, #3FF234, #50FF47 and #61FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CE13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CE13 shade: #18CE13, #07BC00, #00AA00, #009800 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CE13 shade: #18CD13, #4ACD13, #7CCD13, #AFCD13 and #CDBA13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CE13 shade: #18CD13, #13CD40, #13CD73, #13CDA5 and #13C4CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CE13 shade matches the following richer shades: #18CD13 and #07DF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CE13 shade: #18CD13, #29BB25, #3AA937, #4C974A and #5D855C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CE13 shade: #7DCD13, #4BCD13, #19CD13, #13CD3F and #13CD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CE13 shade: #0F820C, #14A810, #18CD13, #25EA1F and #4AEE45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CE13 shade: #18CE13, #13AECD and #CD1364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CE13 shade: #18CE13, #1319CD and #CD1319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CE13 shade: #18CE13, #13AECD, #C713CD and #CD3213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CE13 shade: #18CE13, #1376CD, #C713CD and #CD6A13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

Complementary color

CMYK 2 / 79 / 0 / 7

HEX #E731EC

RGB 231 49 236

HSL 298.4, 0.83%, 0.56%

LAB 57.31, 85.45, -55.3

 

CMYK 86 / 0 / 93 / 19

HEX #1DCE0E

RGB 29 206 14

HSL 115.31, 0.87%, 0.43%

LAB 72.52, -71.52, 69.56

 

CMYK 79 / 0 / 85 / 12

HEX #2EE021

RGB 46 224 33

HSL 115.92, 0.75%, 0.5%

LAB 78.46, -74.25, 71.49

 

CMYK 74 / 0 / 79 / 5

HEX #3FF234

RGB 63 242 52

HSL 116.53, 0.88%, 0.58%

LAB 84.39, -76.3, 72.27

 

CMYK 69 / 0 / 72 / 0

HEX #50FF47

RGB 80 255 71

HSL 117.07, 1%, 0.64%

LAB 88.77, -76.26, 70.74

 

CMYK 62 / 0 / 65 / 0

HEX #61FF5A

RGB 97 255 90

HSL 117.45, 1%, 0.68%

LAB 89.3, -71.43, 64.42

 

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

CMYK 96 / 0 / 100 / 26

HEX #07BC00

RGB 7 188 0

HSL 117.77, 1%, 0.37%

LAB 66.53, -68.22, 66.19

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 64 / 0 / 91 / 20

HEX #4ACD13

RGB 74 205 19

HSL 102.26, 0.83%, 0.44%

LAB 73, -64.24, 69.58

 

CMYK 40 / 0 / 91 / 20

HEX #7CCD13

RGB 124 205 19

HSL 86.13, 0.83%, 0.44%

LAB 74.82, -50.06, 71.84

 

CMYK 15 / 0 / 91 / 20

HEX #AFCD13

RGB 175 205 19

HSL 69.68, 0.83%, 0.44%

LAB 77.77, -30.65, 75.45

 

CMYK 0 / 9 / 91 / 20

HEX #CDBA13

RGB 205 186 19

HSL 53.87, 0.83%, 0.44%

LAB 74.92, -8.48, 74.22

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 91 / 0 / 69 / 20

HEX #13CD40

RGB 19 205 64

HSL 134.52, 0.83%, 0.44%

LAB 72.34, -69.1, 55.99

 

CMYK 91 / 0 / 44 / 20

HEX #13CD73

RGB 19 205 115

HSL 150.97, 0.83%, 0.44%

LAB 72.92, -62.08, 33.19

 

CMYK 91 / 0 / 20 / 20

HEX #13CDA5

RGB 19 205 165

HSL 167.1, 0.83%, 0.44%

LAB 73.88, -51.23, 8.17

 

CMYK 91 / 4 / 0 / 20

HEX #13C4CD

RGB 19 196 205

HSL 182.9, 0.83%, 0.44%

LAB 72.25, -36.09, -15.93

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 97 / 0 / 100 / 13

HEX #07DF01

RGB 7 223 1

HSL 118.38, 0.99%, 0.44%

LAB 77.77, -77.62, 75.11

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 78 / 0 / 80 / 27

HEX #29BB25

RGB 41 187 37

HSL 118.4, 0.67%, 0.44%

LAB 66.63, -63.72, 59.67

 

CMYK 66 / 0 / 67 / 34

HEX #3AA937

RGB 58 169 55

HSL 118.42, 0.51%, 0.44%

LAB 61.27, -53.43, 47.93

 

CMYK 50 / 0 / 51 / 41

HEX #4C974A

RGB 76 151 74

HSL 118.44, 0.34%, 0.44%

LAB 56.25, -39.54, 33.33

 

CMYK 30 / 0 / 31 / 48

HEX #5D855C

RGB 93 133 92

HSL 118.54, 0.18%, 0.44%

LAB 51.7, -22.59, 17.78

 

CMYK 39 / 0 / 91 / 20

HEX #7DCD13

RGB 125 205 19

HSL 85.81, 0.83%, 0.44%

LAB 74.87, -49.71, 71.9

 

CMYK 63 / 0 / 91 / 20

HEX #4BCD13

RGB 75 205 19

HSL 101.94, 0.83%, 0.44%

LAB 73.03, -64.02, 69.62

 

CMYK 88 / 0 / 91 / 20

HEX #19CD13

RGB 25 205 19

HSL 118.06, 0.83%, 0.44%

LAB 72.17, -71.44, 68.55

 

CMYK 91 / 0 / 69 / 20

HEX #13CD3F

RGB 19 205 63

HSL 134.19, 0.83%, 0.44%

LAB 72.34, -69.19, 56.37

 

CMYK 91 / 0 / 45 / 20

HEX #13CD70

RGB 19 205 112

HSL 150, 0.83%, 0.44%

LAB 72.87, -62.61, 34.65

 

CMYK 88 / 0 / 91 / 49

HEX #0F820C

RGB 15 130 12

HSL 118.47, 0.83%, 0.28%

LAB 47.1, -50.62, 48.25

 

CMYK 88 / 0 / 90 / 34

HEX #14A810

RGB 20 168 16

HSL 118.42, 0.83%, 0.36%

LAB 60.06, -61.4, 58.7

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 84 / 0 / 87 / 8

HEX #25EA1F

RGB 37 234 31

HSL 118.23, 0.83%, 0.52%

LAB 81.48, -78.1, 74.51

 

CMYK 69 / 0 / 71 / 7

HEX #4AEE45

RGB 74 238 69

HSL 118.22, 0.83%, 0.6%

LAB 83.46, -72.14, 65.99

 

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

CMYK 91 / 15 / 0 / 20

HEX #13AECD

RGB 19 174 205

HSL 190, 0.83%, 0.44%

LAB 65.61, -25.42, -26.03

 

CMYK 0 / 91 / 51 / 20

HEX #CD1364

RGB 205 19 100

HSL 333.87, 0.83%, 0.44%

LAB 44.75, 69.68, 5.34

 

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

CMYK 91 / 88 / 0 / 20

HEX #1319CD

RGB 19 25 205

HSL 238.06, 0.83%, 0.44%

LAB 27.41, 61.15, -87.42

 

CMYK 0 / 91 / 88 / 20

HEX #CD1319

RGB 205 19 25

HSL 358.06, 0.83%, 0.44%

LAB 43.53, 66.25, 48.33

 

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

CMYK 91 / 15 / 0 / 20

HEX #13AECD

RGB 19 174 205

HSL 190, 0.83%, 0.44%

LAB 65.61, -25.42, -26.03

 

CMYK 3 / 91 / 0 / 20

HEX #C713CD

RGB 199 19 205

HSL 298.06, 0.83%, 0.44%

LAB 48.28, 80.65, -52.42

 

CMYK 0 / 76 / 91 / 20

HEX #CD3213

RGB 205 50 19

HSL 10, 0.83%, 0.44%

LAB 46.05, 58.91, 52.7

 

CMYK 88 / 0 / 91 / 19

HEX #18CE13

RGB 24 206 19

HSL 118.4, 0.83%, 0.44%

LAB 72.48, -71.79, 68.81

 

CMYK 91 / 42 / 0 / 20

HEX #1376CD

RGB 19 118 205

HSL 208.06, 0.83%, 0.44%

LAB 48.89, 6.2, -52.27

 

CMYK 3 / 91 / 0 / 20

HEX #C713CD

RGB 199 19 205

HSL 298.06, 0.83%, 0.44%

LAB 48.28, 80.65, -52.42

 

CMYK 0 / 48 / 91 / 20

HEX #CD6A13

RGB 205 106 19

HSL 28.06, 0.83%, 0.44%

LAB 55.41, 34.3, 59.45

 

Description

Color code: HEX #18CE13 | qconv.com Color code: HEX #18CE13 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 206 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 206 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 91 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 91% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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