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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CB5B it is the complementary color #E734A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CB5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CB5B shade: #1DCB56, #2EDD69, #3FEF7C, #50FF8F and #61FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CB5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CB5B shade: #18CB5B, #07B948, #00A735, #009522 and #00830F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CB5B shade: #18CD5C, #18CD2B, #36CD18, #67CD18 and #98CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CB5B shade: #18CD5C, #18CD8D, #18CDBE, #18ACCD and #187BCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CB5B shade matches the following richer shades: #18CD5C and #06E057

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CB5B shade: #18CD5C, #2BBB61, #3DA865, #50966A and #62836F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CB5B shade: #36CD18, #18CD2A, #18CD5B, #18CD8B and #18CDBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CB5B shade: #0F843B, #14A84B, #18CD5C, #29E670 and #4EEA88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CB5B shade: #18CB5B, #1867CD and #CD181E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CB5B shade: #18CB5B, #5B18CD and #CD5B18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CB5B shade: #18CB5B, #1867CD, #CD188B and #CD7F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CB5B shade: #18CB5B, #1830CD, #CD188B and #CDB518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

Complementary color

CMYK 0 / 77 / 29 / 9

HEX #E734A4

RGB 231 52 164

HSL 322.46, 0.79%, 0.55%

LAB 54.16, 75.02, -18.9

 

CMYK 86 / 0 / 58 / 20

HEX #1DCB56

RGB 29 203 86

HSL 139.66, 0.75%, 0.45%

LAB 71.99, -65.26, 46.2

 

CMYK 79 / 0 / 52 / 13

HEX #2EDD69

RGB 46 221 105

HSL 140.23, 0.72%, 0.52%

LAB 78.06, -66.77, 44.64

 

CMYK 74 / 0 / 48 / 6

HEX #3FEF7C

RGB 63 239 124

HSL 140.8, 0.85%, 0.59%

LAB 84.09, -67.82, 43.1

 

CMYK 69 / 0 / 44 / 0

HEX #50FF8F

RGB 80 255 143

HSL 141.6, 1%, 0.66%

LAB 89.49, -67.83, 40.84

 

CMYK 62 / 0 / 36 / 0

HEX #61FFA2

RGB 97 255 162

HSL 144.68, 1%, 0.69%

LAB 90.17, -61.65, 32.45

 

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

CMYK 96 / 0 / 61 / 27

HEX #07B948

RGB 7 185 72

HSL 141.91, 0.93%, 0.38%

LAB 65.91, -62.75, 45.48

 

CMYK 100 / 0 / 68 / 35

HEX #00A735

RGB 0 167 53

HSL 139.04, 1%, 0.33%

LAB 59.79, -59.77, 46.95

 

CMYK 100 / 0 / 77 / 42

HEX #009522

RGB 0 149 34

HSL 133.69, 1%, 0.29%

LAB 53.61, -56.12, 47.91

 

CMYK 100 / 0 / 89 / 49

HEX #00830F

RGB 0 131 15

HSL 126.87, 1%, 0.26%

LAB 47.32, -51.99, 47.72

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5C

RGB 24 205 92

HSL 142.54, 0.79%, 0.45%

LAB 72.65, -65.46, 44.17

 

CMYK 88 / 0 / 79 / 20

HEX #18CD2B

RGB 24 205 43

HSL 126.3, 0.79%, 0.45%

LAB 72.25, -70.42, 63.17

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 50 / 0 / 88 / 20

HEX #67CD18

RGB 103 205 24

HSL 93.81, 0.79%, 0.45%

LAB 73.94, -56.62, 69.91

 

CMYK 26 / 0 / 88 / 20

HEX #98CD18

RGB 152 205 24

HSL 77.57, 0.79%, 0.45%

LAB 76.32, -39.72, 72.86

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5C

RGB 24 205 92

HSL 142.54, 0.79%, 0.45%

LAB 72.65, -65.46, 44.17

 

CMYK 88 / 0 / 31 / 20

HEX #18CD8D

RGB 24 205 141

HSL 158.78, 0.79%, 0.45%

LAB 73.4, -56.61, 20.33

 

CMYK 88 / 0 / 7 / 20

HEX #18CDBE

RGB 24 205 190

HSL 175.03, 0.79%, 0.45%

LAB 74.56, -44.3, -4.34

 

CMYK 88 / 16 / 0 / 20

HEX #18ACCD

RGB 24 172 205

HSL 190.94, 0.79%, 0.45%

LAB 65.05, -24.15, -26.89

 

CMYK 88 / 40 / 0 / 20

HEX #187BCD

RGB 24 123 205

HSL 207.18, 0.79%, 0.45%

LAB 50.41, 3.39, -49.83

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5C

RGB 24 205 92

HSL 142.54, 0.79%, 0.45%

LAB 72.65, -65.46, 44.17

 

CMYK 97 / 0 / 61 / 12

HEX #06E057

RGB 6 224 87

HSL 142.29, 0.95%, 0.45%

LAB 78.48, -72.79, 53.24

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5C

RGB 24 205 92

HSL 142.54, 0.79%, 0.45%

LAB 72.65, -65.46, 44.17

 

CMYK 77 / 0 / 48 / 27

HEX #2BBB61

RGB 43 187 97

HSL 142.5, 0.63%, 0.45%

LAB 67.21, -56.78, 35.08

 

CMYK 64 / 0 / 40 / 34

HEX #3DA865

RGB 61 168 101

HSL 142.43, 0.47%, 0.45%

LAB 61.6, -45.89, 25.83

 

CMYK 47 / 0 / 29 / 41

HEX #50966A

RGB 80 150 106

HSL 142.29, 0.3%, 0.45%

LAB 56.64, -32.42, 16.53

 

CMYK 25 / 0 / 15 / 49

HEX #62836F

RGB 98 131 111

HSL 143.64, 0.14%, 0.45%

LAB 51.81, -16.08, 7.05

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 88 / 0 / 80 / 20

HEX #18CD2A

RGB 24 205 42

HSL 125.97, 0.79%, 0.45%

LAB 72.24, -70.49, 63.45

 

CMYK 88 / 0 / 56 / 20

HEX #18CD5B

RGB 24 205 91

HSL 142.21, 0.79%, 0.45%

LAB 72.64, -65.6, 44.62

 

CMYK 88 / 0 / 32 / 20

HEX #18CD8B

RGB 24 205 139

HSL 158.12, 0.79%, 0.45%

LAB 73.36, -57.04, 21.33

 

CMYK 88 / 0 / 9 / 20

HEX #18CDBB

RGB 24 205 187

HSL 174.03, 0.79%, 0.45%

LAB 74.47, -45.14, -2.84

 

CMYK 89 / 0 / 55 / 48

HEX #0F843B

RGB 15 132 59

HSL 142.56, 0.8%, 0.29%

LAB 48.16, -46.66, 30.82

 

CMYK 88 / 0 / 55 / 34

HEX #14A84B

RGB 20 168 75

HSL 142.3, 0.79%, 0.37%

LAB 60.48, -56.13, 37.69

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5C

RGB 24 205 92

HSL 142.54, 0.79%, 0.45%

LAB 72.65, -65.46, 44.17

 

CMYK 82 / 0 / 51 / 10

HEX #29E670

RGB 41 230 112

HSL 142.54, 0.79%, 0.53%

LAB 80.87, -69.21, 44.75

 

CMYK 67 / 0 / 42 / 8

HEX #4EEA88

RGB 78 234 136

HSL 142.31, 0.79%, 0.61%

LAB 83.04, -61.8, 35.94

 

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

CMYK 88 / 50 / 0 / 20

HEX #1867CD

RGB 24 103 205

HSL 213.81, 0.79%, 0.45%

LAB 44.66, 16.01, -59.07

 

CMYK 0 / 88 / 85 / 20

HEX #CD181E

RGB 205 24 30

HSL 358.01, 0.79%, 0.45%

LAB 43.84, 65.56, 46.16

 

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

CMYK 56 / 88 / 0 / 20

HEX #5B18CD

RGB 91 24 205

HSL 262.21, 0.79%, 0.45%

LAB 32.45, 65.28, -78.91

 

CMYK 0 / 56 / 88 / 20

HEX #CD5B18

RGB 205 91 24

HSL 22.21, 0.79%, 0.45%

LAB 52.43, 41.98, 55.66

 

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

CMYK 88 / 50 / 0 / 20

HEX #1867CD

RGB 24 103 205

HSL 213.81, 0.79%, 0.45%

LAB 44.66, 16.01, -59.07

 

CMYK 0 / 88 / 32 / 20

HEX #CD188B

RGB 205 24 139

HSL 321.88, 0.79%, 0.45%

LAB 46.31, 72.49, -16.38

 

CMYK 0 / 38 / 88 / 20

HEX #CD7F18

RGB 205 127 24

HSL 34.14, 0.79%, 0.45%

LAB 60.09, 23.2, 61.65

 

CMYK 88 / 0 / 55 / 20

HEX #18CB5B

RGB 24 203 91

HSL 142.46, 0.79%, 0.45%

LAB 72, -64.96, 43.86

 

CMYK 88 / 77 / 0 / 20

HEX #1830CD

RGB 24 48 205

HSL 232.04, 0.79%, 0.45%

LAB 31.15, 50.71, -81.2

 

CMYK 0 / 88 / 32 / 20

HEX #CD188B

RGB 205 24 139

HSL 321.88, 0.79%, 0.45%

LAB 46.31, 72.49, -16.38

 

CMYK 0 / 12 / 88 / 20

HEX #CDB518

RGB 205 181 24

HSL 52.04, 0.79%, 0.45%

LAB 73.61, -5.8, 72.31

 

Description

Color code: HEX #18CB5B | qconv.com Color code: HEX #18CB5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 203 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 203 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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