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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C69A it is the complementary color #E73965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C69A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C69A shade: #1DC695, #2ED8A8, #3FEABB, #50FCCE and #61FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C69A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C69A shade: #18C69A, #07B487, #00A274, #009061 and #007E4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C69A shade: #19C89B, #19C86C, #19C83D, #24C819 and #53C819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C69A shade: #19C89B, #19C5C8, #1996C8, #1966C8 and #1937C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C69A shade matches the following richer shades: #19C89B and #07DAA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C69A shade: #19C89B, #2BB692, #3DA38A, #4F9181 and #617F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C69A shade: #19C83C, #19C86A, #19C899, #19C8C8 and #1999C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C69A shade: #107E62, #14A37F, #19C89B, #26E4B4 and #4AE9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C69A shade: #18C69A, #1924C8 and #C85319

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C69A shade: #18C69A, #9919C8 and #C89919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C69A shade: #18C69A, #1924C8, #C81947 and #C8BC19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C69A shade: #18C69A, #4219C8, #C81947 and #9FC819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

Complementary color

CMYK 0 / 75 / 56 / 9

HEX #E73965

RGB 231 57 101

HSL 344.83, 0.78%, 0.56%

LAB 52.79, 67.81, 16.71

 

CMYK 85 / 0 / 25 / 22

HEX #1DC695

RGB 29 198 149

HSL 162.6, 0.74%, 0.45%

LAB 71.43, -51.77, 13.32

 

CMYK 79 / 0 / 22 / 15

HEX #2ED8A8

RGB 46 216 168

HSL 163.06, 0.69%, 0.51%

LAB 77.59, -52.87, 11.89

 

CMYK 73 / 0 / 20 / 8

HEX #3FEABB

RGB 63 234 187

HSL 163.51, 0.8%, 0.58%

LAB 83.7, -53.67, 10.58

 

CMYK 68 / 0 / 18 / 1

HEX #50FCCE

RGB 80 252 206

HSL 163.95, 0.97%, 0.65%

LAB 89.76, -54.23, 9.38

 

CMYK 62 / 0 / 12 / 0

HEX #61FFE1

RGB 97 255 225

HSL 168.61, 1%, 0.69%

LAB 91.46, -48.35, 2.05

 

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

CMYK 96 / 0 / 25 / 29

HEX #07B487

RGB 7 180 135

HSL 164.39, 0.93%, 0.37%

LAB 65.31, -49.24, 12.29

 

CMYK 100 / 0 / 28 / 36

HEX #00A274

RGB 0 162 116

HSL 162.96, 1%, 0.32%

LAB 59.07, -47.08, 14.05

 

CMYK 100 / 0 / 33 / 44

HEX #009061

RGB 0 144 97

HSL 160.42, 1%, 0.28%

LAB 52.74, -44.55, 15.95

 

CMYK 100 / 0 / 38 / 51

HEX #007E4E

RGB 0 126 78

HSL 157.14, 1%, 0.25%

LAB 46.27, -41.92, 17.96

 

CMYK 88 / 0 / 23 / 22

HEX #19C89B

RGB 25 200 155

HSL 164.57, 0.78%, 0.44%

LAB 72.15, -51.39, 11.1

 

CMYK 88 / 0 / 46 / 22

HEX #19C86C

RGB 25 200 108

HSL 148.46, 0.78%, 0.44%

LAB 71.28, -61.23, 34.64

 

CMYK 88 / 0 / 70 / 22

HEX #19C83D

RGB 25 200 61

HSL 132.34, 0.78%, 0.44%

LAB 70.77, -67.49, 55.51

 

CMYK 82 / 0 / 88 / 22

HEX #24C819

RGB 36 200 25

HSL 116.23, 0.78%, 0.44%

LAB 70.7, -68.79, 66.27

 

CMYK 59 / 0 / 88 / 22

HEX #53C819

RGB 83 200 25

HSL 100.11, 0.78%, 0.44%

LAB 71.7, -60.27, 67.53

 

CMYK 88 / 0 / 23 / 22

HEX #19C89B

RGB 25 200 155

HSL 164.57, 0.78%, 0.44%

LAB 72.15, -51.39, 11.1

 

CMYK 88 / 1 / 0 / 22

HEX #19C5C8

RGB 25 197 200

HSL 181.03, 0.78%, 0.44%

LAB 72.43, -37.78, -12.92

 

CMYK 88 / 25 / 0 / 22

HEX #1996C8

RGB 25 150 200

HSL 197.14, 0.78%, 0.44%

LAB 58.22, -14.15, -34.68

 

CMYK 88 / 49 / 0 / 22

HEX #1966C8

RGB 25 102 200

HSL 213.6, 0.78%, 0.44%

LAB 44.06, 14.75, -57.17

 

CMYK 88 / 73 / 0 / 22

HEX #1937C8

RGB 25 55 200

HSL 229.71, 0.78%, 0.44%

LAB 32.05, 45.04, -76.79

 

CMYK 88 / 0 / 23 / 22

HEX #19C89B

RGB 25 200 155

HSL 164.57, 0.78%, 0.44%

LAB 72.15, -51.39, 11.1

 

CMYK 97 / 0 / 25 / 15

HEX #07DAA4

RGB 7 218 164

HSL 164.64, 0.94%, 0.44%

LAB 77.8, -56.97, 14.25

 

CMYK 88 / 0 / 23 / 22

HEX #19C89B

RGB 25 200 155

HSL 164.57, 0.78%, 0.44%

LAB 72.15, -51.39, 11.1

 

CMYK 76 / 0 / 20 / 29

HEX #2BB692

RGB 43 182 146

HSL 164.46, 0.62%, 0.44%

LAB 66.55, -44.65, 8.07

 

CMYK 63 / 0 / 15 / 36

HEX #3DA38A

RGB 61 163 138

HSL 165.29, 0.46%, 0.44%

LAB 60.8, -35.59, 4.31

 

CMYK 46 / 0 / 11 / 43

HEX #4F9181

RGB 79 145 129

HSL 165.45, 0.29%, 0.44%

LAB 55.58, -25.11, 1.95

 

CMYK 24 / 0 / 6 / 50

HEX #617F78

RGB 97 127 120

HSL 166, 0.13%, 0.44%

LAB 50.78, -12.27, 0.29

 

CMYK 88 / 0 / 70 / 22

HEX #19C83C

RGB 25 200 60

HSL 132, 0.78%, 0.44%

LAB 70.76, -67.58, 55.88

 

CMYK 88 / 0 / 47 / 22

HEX #19C86A

RGB 25 200 106

HSL 147.77, 0.78%, 0.44%

LAB 71.25, -61.57, 35.61

 

CMYK 88 / 0 / 24 / 22

HEX #19C899

RGB 25 200 153

HSL 163.89, 0.78%, 0.44%

LAB 72.1, -51.87, 12.11

 

CMYK 88 / 0 / 0 / 22

HEX #19C8C8

RGB 25 200 200

HSL 180, 0.78%, 0.44%

LAB 73.34, -39.15, -11.56

 

CMYK 88 / 24 / 0 / 22

HEX #1999C8

RGB 25 153 200

HSL 196.11, 0.78%, 0.44%

LAB 59.12, -15.8, -33.27

 

CMYK 87 / 0 / 22 / 51

HEX #107E62

RGB 16 126 98

HSL 164.73, 0.77%, 0.28%

LAB 46.86, -35.86, 7.18

 

CMYK 88 / 0 / 22 / 36

HEX #14A37F

RGB 20 163 127

HSL 164.9, 0.78%, 0.36%

LAB 59.78, -43.72, 8.92

 

CMYK 88 / 0 / 23 / 22

HEX #19C89B

RGB 25 200 155

HSL 164.57, 0.78%, 0.44%

LAB 72.15, -51.39, 11.1

 

CMYK 83 / 0 / 21 / 11

HEX #26E4B4

RGB 38 228 180

HSL 164.84, 0.78%, 0.52%

LAB 81.4, -55.46, 10.93

 

CMYK 68 / 0 / 17 / 9

HEX #4AE9C1

RGB 74 233 193

HSL 164.91, 0.78%, 0.6%

LAB 83.75, -50.36, 7.53

 

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

CMYK 88 / 82 / 0 / 22

HEX #1924C8

RGB 25 36 200

HSL 236.23, 0.78%, 0.44%

LAB 28.48, 55.26, -82.71

 

CMYK 0 / 59 / 88 / 22

HEX #C85319

RGB 200 83 25

HSL 19.89, 0.78%, 0.44%

LAB 50.14, 43.96, 53.16

 

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

CMYK 24 / 88 / 0 / 22

HEX #9919C8

RGB 153 25 200

HSL 283.89, 0.78%, 0.44%

LAB 40.63, 71.52, -62.24

 

CMYK 0 / 24 / 88 / 22

HEX #C89919

RGB 200 153 25

HSL 43.89, 0.78%, 0.44%

LAB 65.85, 6.89, 65.72

 

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

CMYK 88 / 82 / 0 / 22

HEX #1924C8

RGB 25 36 200

HSL 236.23, 0.78%, 0.44%

LAB 28.48, 55.26, -82.71

 

CMYK 0 / 88 / 65 / 22

HEX #C81947

RGB 200 25 71

HSL 344.23, 0.78%, 0.44%

LAB 43.4, 65.6, 21.47

 

CMYK 0 / 6 / 88 / 22

HEX #C8BC19

RGB 200 188 25

HSL 55.89, 0.78%, 0.44%

LAB 75.02, -11.57, 73.06

 

CMYK 88 / 0 / 22 / 22

HEX #18C69A

RGB 24 198 154

HSL 164.83, 0.78%, 0.44%

LAB 71.5, -50.9, 10.71

 

CMYK 67 / 88 / 0 / 22

HEX #4219C8

RGB 66 25 200

HSL 254.06, 0.78%, 0.44%

LAB 29.47, 61.75, -81

 

CMYK 0 / 88 / 65 / 22

HEX #C81947

RGB 200 25 71

HSL 344.23, 0.78%, 0.44%

LAB 43.4, 65.6, 21.47

 

CMYK 21 / 0 / 88 / 22

HEX #9FC819

RGB 159 200 25

HSL 74.06, 0.78%, 0.44%

LAB 75.3, -34.7, 72

 

Description

Color code: HEX #18C69A | qconv.com Color code: HEX #18C69A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 198 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 198 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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