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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C041 it is the complementary color #E73FBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C041 shade: #1DC03C, #2ED24F, #3FE462, #50F675 and #61FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C041 shade: #18C041, #07AE2E, #009C1B, #008A08 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C041 shade: #18BF40, #1CBF18, #49BF18, #76BF18 and #A3BF18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C041 shade: #18BF40, #18BF6D, #18BF9A, #18B6BF and #1889BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C041 shade matches the following richer shades: #18BF40 and #06D037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C041 shade: #18BF40, #29AD49, #3A9C52, #4C8B5B and #5D7964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C041 shade: #4ABF18, #1DBF18, #18BF3F, #18BF6B and #18BF98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C041 shade: #0E7528, #139A34, #18BF40, #1CE34D and #41E86A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C041 shade: #18C041, #1876BF and #BF1833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C041 shade: #18C041, #3F18BF and #BF3F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C041 shade: #18C041, #1876BF, #BF1898 and #BF6018

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C041 shade: #18C041, #1844BF, #BF1898 and #BF9218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

Complementary color

CMYK 0 / 73 / 18 / 9

HEX #E73FBE

RGB 231 63 190

HSL 314.64, 0.78%, 0.58%

LAB 56.35, 75.02, -30.66

 

CMYK 85 / 0 / 69 / 25

HEX #1DC03C

RGB 29 192 60

HSL 131.41, 0.74%, 0.43%

LAB 68.23, -64.82, 53.22

 

CMYK 78 / 0 / 62 / 18

HEX #2ED24F

RGB 46 210 79

HSL 132.07, 0.65%, 0.5%

LAB 74.34, -66.57, 52.09

 

CMYK 72 / 0 / 57 / 11

HEX #3FE462

RGB 63 228 98

HSL 132.73, 0.75%, 0.57%

LAB 80.42, -67.77, 50.77

 

CMYK 67 / 0 / 52 / 4

HEX #50F675

RGB 80 246 117

HSL 133.37, 0.9%, 0.64%

LAB 86.46, -68.57, 49.39

 

CMYK 62 / 0 / 47 / 0

HEX #61FF88

RGB 97 255 136

HSL 134.81, 1%, 0.69%

LAB 89.78, -65.88, 44.67

 

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

CMYK 96 / 0 / 74 / 32

HEX #07AE2E

RGB 7 174 46

HSL 134.01, 0.92%, 0.35%

LAB 62.1, -62.18, 52.13

 

CMYK 100 / 0 / 83 / 39

HEX #009C1B

RGB 0 156 27

HSL 130.38, 1%, 0.31%

LAB 55.94, -58.67, 52.4

 

CMYK 100 / 0 / 94 / 46

HEX #008A08

RGB 0 138 8

HSL 123.48, 1%, 0.27%

LAB 49.73, -54.32, 51.22

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 87 / 0 / 66 / 25

HEX #18BF40

RGB 24 191 64

HSL 134.37, 0.78%, 0.42%

LAB 67.89, -64.54, 51.21

 

CMYK 85 / 0 / 87 / 25

HEX #1CBF18

RGB 28 191 24

HSL 118.56, 0.78%, 0.42%

LAB 67.71, -67.05, 63.82

 

CMYK 62 / 0 / 87 / 25

HEX #49BF18

RGB 73 191 24

HSL 102.4, 0.78%, 0.42%

LAB 68.57, -59.65, 64.9

 

CMYK 38 / 0 / 87 / 25

HEX #76BF18

RGB 118 191 24

HSL 86.23, 0.78%, 0.42%

LAB 70.3, -46.31, 67.07

 

CMYK 15 / 0 / 87 / 25

HEX #A3BF18

RGB 163 191 24

HSL 70.06, 0.78%, 0.42%

LAB 72.97, -28.89, 70.38

 

CMYK 87 / 0 / 66 / 25

HEX #18BF40

RGB 24 191 64

HSL 134.37, 0.78%, 0.42%

LAB 67.89, -64.54, 51.21

 

CMYK 87 / 0 / 43 / 25

HEX #18BF6D

RGB 24 191 109

HSL 150.54, 0.78%, 0.42%

LAB 68.43, -58.02, 30.45

 

CMYK 87 / 0 / 19 / 25

HEX #18BF9A

RGB 24 191 154

HSL 166.71, 0.78%, 0.42%

LAB 69.32, -48.08, 7.61

 

CMYK 87 / 5 / 0 / 25

HEX #18B6BF

RGB 24 182 191

HSL 183.23, 0.78%, 0.42%

LAB 67.58, -33.6, -15.28

 

CMYK 87 / 28 / 0 / 25

HEX #1889BF

RGB 24 137 191

HSL 199.4, 0.78%, 0.42%

LAB 53.86, -10.2, -36.39

 

CMYK 87 / 0 / 66 / 25

HEX #18BF40

RGB 24 191 64

HSL 134.37, 0.78%, 0.42%

LAB 67.89, -64.54, 51.21

 

CMYK 97 / 0 / 74 / 18

HEX #06D037

RGB 6 208 55

HSL 134.55, 0.94%, 0.42%

LAB 73.17, -71.34, 60.17

 

CMYK 87 / 0 / 66 / 25

HEX #18BF40

RGB 24 191 64

HSL 134.37, 0.78%, 0.42%

LAB 67.89, -64.54, 51.21

 

CMYK 76 / 0 / 58 / 32

HEX #29AD49

RGB 41 173 73

HSL 134.55, 0.62%, 0.42%

LAB 62.37, -55.76, 40.98

 

CMYK 63 / 0 / 47 / 39

HEX #3A9C52

RGB 58 156 82

HSL 134.69, 0.46%, 0.42%

LAB 57.35, -45.04, 30.41

 

CMYK 45 / 0 / 35 / 45

HEX #4C8B5B

RGB 76 139 91

HSL 134.29, 0.29%, 0.42%

LAB 52.68, -31.35, 19.53

 

CMYK 23 / 0 / 17 / 53

HEX #5D7964

RGB 93 121 100

HSL 135, 0.13%, 0.42%

LAB 48.16, -14.71, 8.25

 

CMYK 61 / 0 / 87 / 25

HEX #4ABF18

RGB 74 191 24

HSL 102.04, 0.78%, 0.42%

LAB 68.59, -59.41, 64.94

 

CMYK 85 / 0 / 87 / 25

HEX #1DBF18

RGB 29 191 24

HSL 118.2, 0.78%, 0.42%

LAB 67.72, -66.95, 63.83

 

CMYK 87 / 0 / 67 / 25

HEX #18BF3F

RGB 24 191 63

HSL 134.01, 0.78%, 0.42%

LAB 67.88, -64.65, 51.61

 

CMYK 87 / 0 / 44 / 25

HEX #18BF6B

RGB 24 191 107

HSL 149.82, 0.78%, 0.42%

LAB 68.4, -58.38, 31.45

 

CMYK 87 / 0 / 20 / 25

HEX #18BF98

RGB 24 191 152

HSL 165.99, 0.78%, 0.42%

LAB 69.27, -48.59, 8.63

 

CMYK 88 / 0 / 66 / 54

HEX #0E7528

RGB 14 117 40

HSL 135.15, 0.79%, 0.26%

LAB 42.72, -44.25, 33.95

 

CMYK 88 / 0 / 66 / 40

HEX #139A34

RGB 19 154 52

HSL 134.67, 0.78%, 0.34%

LAB 55.58, -54.65, 42.81

 

CMYK 87 / 0 / 66 / 25

HEX #18BF40

RGB 24 191 64

HSL 134.37, 0.78%, 0.42%

LAB 67.89, -64.54, 51.21

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34D

RGB 28 227 77

HSL 134.77, 0.78%, 0.5%

LAB 79.45, -73.73, 58.53

 

CMYK 72 / 0 / 54 / 9

HEX #41E86A

RGB 65 232 106

HSL 134.73, 0.78%, 0.58%

LAB 81.77, -67.76, 48.74

 

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

CMYK 87 / 38 / 0 / 25

HEX #1876BF

RGB 24 118 191

HSL 206.23, 0.78%, 0.42%

LAB 48.15, 1.05, -45.42

 

CMYK 0 / 87 / 73 / 25

HEX #BF1833

RGB 191 24 51

HSL 350.3, 0.78%, 0.42%

LAB 41.17, 62.48, 30.66

 

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

CMYK 67 / 87 / 0 / 25

HEX #3F18BF

RGB 63 24 191

HSL 254.01, 0.78%, 0.42%

LAB 28.04, 59.47, -78.09

 

CMYK 0 / 67 / 87 / 25

HEX #BF3F18

RGB 191 63 24

HSL 14.01, 0.78%, 0.42%

LAB 45.22, 49.63, 48.96

 

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

CMYK 87 / 38 / 0 / 25

HEX #1876BF

RGB 24 118 191

HSL 206.23, 0.78%, 0.42%

LAB 48.15, 1.05, -45.42

 

CMYK 0 / 87 / 20 / 25

HEX #BF1898

RGB 191 24 152

HSL 314.01, 0.78%, 0.42%

LAB 44.23, 71.02, -27.67

 

CMYK 0 / 50 / 87 / 25

HEX #BF6018

RGB 191 96 24

HSL 25.87, 0.78%, 0.42%

LAB 51.28, 33.9, 53.84

 

CMYK 88 / 0 / 66 / 25

HEX #18C041

RGB 24 192 65

HSL 134.64, 0.78%, 0.42%

LAB 68.22, -64.74, 51.15

 

CMYK 87 / 64 / 0 / 25

HEX #1844BF

RGB 24 68 191

HSL 224.19, 0.78%, 0.42%

LAB 34.17, 33.52, -68.03

 

CMYK 0 / 87 / 20 / 25

HEX #BF1898

RGB 191 24 152

HSL 314.01, 0.78%, 0.42%

LAB 44.23, 71.02, -27.67

 

CMYK 0 / 24 / 87 / 25

HEX #BF9218

RGB 191 146 24

HSL 43.83, 0.78%, 0.42%

LAB 63.09, 6.66, 63.34

 

Description

Color code: HEX #18C041 | qconv.com Color code: HEX #18C041 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 192 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 192 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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