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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18BEED it is the complementary color #E74112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18BEED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18BEED shade: #1DBEE8, #2ED0FB, #3FE2FF, #50F4FF and #61FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18BEED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18BEED shade: #18BEED, #07ACDA, #009AC7, #0088B4 and #0076A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18BEED shade: #17BEEE, #1784EE, #174AEE, #1D17EE and #5717EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18BEED shade: #17BEEE, #1784EE, #174AEE and #1717EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18BEED shade matches the following richer shades: #17BEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18BEED shade: #17BEEE, #2BB3D9, #3FA7C5, #539CB1 and #67919D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18BEED shade: #17EEA9, #17EEE3, #17BFEE, #1786EE and #174CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18BEED shade: #0C83A5, #0FA2CC, #17BEEE, #3DC9F0 and #63D4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18BEED shade: #18BEED, #7017EE and #EEC617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18BEED shade: #18BEED, #EE17BF and #BFEE17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18BEED shade: #18BEED, #7017EE, #EE4517 and #94EE17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18BEED shade: #18BEED, #B117EE, #EE4517 and #53EE17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

Complementary color

CMYK 0 / 72 / 92 / 9

HEX #E74112

RGB 231 65 18

HSL 13.24, 0.86%, 0.49%

LAB 52.74, 61.91, 59.86

 

CMYK 88 / 18 / 0 / 9

HEX #1DBEE8

RGB 29 190 232

HSL 192.41, 0.82%, 0.51%

LAB 71.5, -24, -31.74

 

CMYK 82 / 17 / 0 / 2

HEX #2ED0FB

RGB 46 208 251

HSL 192.59, 0.96%, 0.58%

LAB 77.67, -25.68, -32.42

 

CMYK 75 / 11 / 0 / 0

HEX #3FE2FF

RGB 63 226 255

HSL 189.06, 1%, 0.62%

LAB 83.27, -31.66, -25.95

 

CMYK 69 / 4 / 0 / 0

HEX #50F4FF

RGB 80 244 255

HSL 183.77, 1%, 0.66%

LAB 88.75, -38.12, -17.62

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

CMYK 97 / 21 / 0 / 15

HEX #07ACDA

RGB 7 172 218

HSL 193.08, 0.94%, 0.44%

LAB 65.45, -20.38, -33.46

 

CMYK 100 / 23 / 0 / 22

HEX #009AC7

RGB 0 154 199

HSL 193.57, 1%, 0.39%

LAB 59.19, -17.74, -32.61

 

CMYK 100 / 24 / 0 / 29

HEX #0088B4

RGB 0 136 180

HSL 194.67, 1%, 0.35%

LAB 52.84, -14.79, -31.72

 

CMYK 100 / 27 / 0 / 37

HEX #0076A1

RGB 0 118 161

HSL 196.02, 1%, 0.32%

LAB 46.35, -11.73, -30.84

 

CMYK 90 / 20 / 0 / 7

HEX #17BEEE

RGB 23 190 238

HSL 193.4, 0.86%, 0.51%

LAB 71.68, -22.3, -34.72

 

CMYK 90 / 45 / 0 / 7

HEX #1784EE

RGB 23 132 238

HSL 209.58, 0.86%, 0.51%

LAB 54.93, 10.48, -61.17

 

CMYK 90 / 69 / 0 / 7

HEX #174AEE

RGB 23 74 238

HSL 225.77, 0.86%, 0.51%

LAB 40, 46.98, -85.48

 

CMYK 88 / 90 / 0 / 7

HEX #1D17EE

RGB 29 23 238

HSL 241.67, 0.86%, 0.51%

LAB 31.91, 70.96, -98.9

 

CMYK 63 / 90 / 0 / 7

HEX #5717EE

RGB 87 23 238

HSL 257.86, 0.86%, 0.51%

LAB 35.62, 73.25, -92.63

 

CMYK 90 / 20 / 0 / 7

HEX #17BEEE

RGB 23 190 238

HSL 193.4, 0.86%, 0.51%

LAB 71.68, -22.3, -34.72

 

CMYK 90 / 45 / 0 / 7

HEX #1784EE

RGB 23 132 238

HSL 209.58, 0.86%, 0.51%

LAB 54.93, 10.48, -61.17

 

CMYK 90 / 69 / 0 / 7

HEX #174AEE

RGB 23 74 238

HSL 225.77, 0.86%, 0.51%

LAB 40, 46.98, -85.48

 

CMYK 90 / 90 / 0 / 7

HEX #1717EE

RGB 23 23 238

HSL 240, 0.86%, 0.51%

LAB 31.73, 70.86, -99.21

 

CMYK 90 / 20 / 0 / 7

HEX #17BEEE

RGB 23 190 238

HSL 193.4, 0.86%, 0.51%

LAB 71.68, -22.3, -34.72

 

CMYK 90 / 20 / 0 / 7

HEX #17BEEE

RGB 23 190 238

HSL 193.4, 0.86%, 0.51%

LAB 71.68, -22.3, -34.72

 

CMYK 80 / 18 / 0 / 15

HEX #2BB3D9

RGB 43 179 217

HSL 193.1, 0.7%, 0.51%

LAB 67.85, -22.34, -29.17

 

CMYK 68 / 15 / 0 / 23

HEX #3FA7C5

RGB 63 167 197

HSL 193.43, 0.54%, 0.51%

LAB 63.94, -20.21, -24.09

 

CMYK 53 / 12 / 0 / 31

HEX #539CB1

RGB 83 156 177

HSL 193.4, 0.38%, 0.51%

LAB 60.6, -16.82, -17.92

 

CMYK 34 / 8 / 0 / 38

HEX #67919D

RGB 103 145 157

HSL 193.33, 0.22%, 0.51%

LAB 57.63, -11.27, -10.95

 

CMYK 90 / 0 / 29 / 7

HEX #17EEA9

RGB 23 238 169

HSL 160.74, 0.86%, 0.51%

LAB 84.07, -62.7, 20.4

 

CMYK 90 / 0 / 5 / 7

HEX #17EEE3

RGB 23 238 227

HSL 176.93, 0.86%, 0.51%

LAB 85.44, -48.15, -7.96

 

CMYK 90 / 20 / 0 / 7

HEX #17BFEE

RGB 23 191 238

HSL 193.12, 0.86%, 0.51%

LAB 71.97, -22.81, -34.26

 

CMYK 90 / 44 / 0 / 7

HEX #1786EE

RGB 23 134 238

HSL 209.02, 0.86%, 0.51%

LAB 55.49, 9.25, -60.27

 

CMYK 90 / 68 / 0 / 7

HEX #174CEE

RGB 23 76 238

HSL 225.21, 0.86%, 0.51%

LAB 40.45, 45.77, -84.74

 

CMYK 93 / 21 / 0 / 35

HEX #0C83A5

RGB 12 131 165

HSL 193.33, 0.86%, 0.35%

LAB 50.72, -17.02, -26.36

 

CMYK 93 / 21 / 0 / 20

HEX #0FA2CC

RGB 15 162 204

HSL 193.33, 0.86%, 0.43%

LAB 61.91, -19.73, -31.18

 

CMYK 90 / 20 / 0 / 7

HEX #17BEEE

RGB 23 190 238

HSL 193.4, 0.86%, 0.51%

LAB 71.68, -22.3, -34.72

 

CMYK 75 / 16 / 0 / 6

HEX #3DC9F0

RGB 61 201 240

HSL 193.07, 0.86%, 0.59%

LAB 75.49, -24.26, -29.88

 

CMYK 59 / 13 / 0 / 5

HEX #63D4F3

RGB 99 212 243

HSL 192.92, 0.86%, 0.67%

LAB 79.73, -23.33, -24.89

 

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

CMYK 53 / 90 / 0 / 7

HEX #7017EE

RGB 112 23 238

HSL 264.84, 0.86%, 0.51%

LAB 38.25, 75.09, -88.19

 

CMYK 0 / 17 / 90 / 7

HEX #EEC617

RGB 238 198 23

HSL 48.84, 0.86%, 0.51%

LAB 81.09, -0.29, 79.64

 

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

CMYK 0 / 90 / 20 / 7

HEX #EE17BF

RGB 238 23 191

HSL 313.12, 0.86%, 0.51%

LAB 54.61, 85.27, -33.86

 

CMYK 20 / 0 / 90 / 7

HEX #BFEE17

RGB 191 238 23

HSL 73.12, 0.86%, 0.51%

LAB 88.11, -39.23, 83.57

 

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

CMYK 53 / 90 / 0 / 7

HEX #7017EE

RGB 112 23 238

HSL 264.84, 0.86%, 0.51%

LAB 38.25, 75.09, -88.19

 

CMYK 0 / 71 / 90 / 7

HEX #EE4517

RGB 238 69 23

HSL 12.84, 0.86%, 0.51%

LAB 54.55, 62.77, 60.08

 

CMYK 38 / 0 / 90 / 7

HEX #94EE17

RGB 148 238 23

HSL 85.12, 0.86%, 0.51%

LAB 85.76, -54.95, 80.7

 

CMYK 90 / 20 / 0 / 7

HEX #18BEED

RGB 24 190 237

HSL 193.24, 0.86%, 0.51%

LAB 71.65, -22.59, -34.22

 

CMYK 26 / 90 / 0 / 7

HEX #B117EE

RGB 177 23 238

HSL 282.98, 0.86%, 0.51%

LAB 47.15, 82.29, -73.25

 

CMYK 0 / 71 / 90 / 7

HEX #EE4517

RGB 238 69 23

HSL 12.84, 0.86%, 0.51%

LAB 54.55, 62.77, 60.08

 

CMYK 65 / 0 / 90 / 7

HEX #53EE17

RGB 83 238 23

HSL 103.26, 0.86%, 0.51%

LAB 83.47, -72.78, 77.86

 

Description

Color code: HEX #18BEED | qconv.com Color code: HEX #18BEED | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 190 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 190 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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