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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18BE20 it is the complementary color #E741DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18BE20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18BE20 shade: #1DBE1B, #2ED02E, #3FE241, #50F454 and #61FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18BE20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18BE20 shade: #18BE20, #07AC0D, #009A00, #008800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18BE20 shade: #18BF20, #3DBF18, #6ABF18, #97BF18 and #BFBA18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18BE20 shade: #18BF20, #18BF4D, #18BF7A, #18BFA7 and #18A9BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18BE20 shade matches the following richer shades: #18BF20 and #06D010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18BE20 shade: #18BF20, #29AD2F, #3A9C3F, #4C8B4F and #5D795E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18BE20 shade: #6BBF18, #3FBF18, #18BF1D, #18BF4A and #18BF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18BE20 shade: #0E7513, #139A1A, #18BF20, #1CE326 and #41E849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18BE20 shade: #18BE20, #1898BF and #BF1855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18BE20 shade: #18BE20, #1D18BF and #BF1D18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18BE20 shade: #18BE20, #1898BF, #BF18B9 and #BF3F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18BE20 shade: #18BE20, #1866BF, #BF18B9 and #BF7118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

Complementary color

CMYK 0 / 72 / 3 / 9

HEX #E741DF

RGB 231 65 223

HSL 302.89, 0.78%, 0.58%

LAB 58.13, 79.1, -46.68

 

CMYK 85 / 0 / 86 / 25

HEX #1DBE1B

RGB 29 190 27

HSL 119.26, 0.75%, 0.43%

LAB 67.4, -66.54, 62.91

 

CMYK 78 / 0 / 78 / 18

HEX #2ED02E

RGB 46 208 46

HSL 120, 0.64%, 0.5%

LAB 73.47, -68.86, 63.53

 

CMYK 72 / 0 / 71 / 11

HEX #3FE241

RGB 63 226 65

HSL 120.74, 0.74%, 0.57%

LAB 79.52, -70.53, 63.3

 

CMYK 67 / 0 / 66 / 4

HEX #50F454

RGB 80 244 84

HSL 121.46, 0.88%, 0.64%

LAB 85.53, -71.69, 62.57

 

CMYK 62 / 0 / 60 / 0

HEX #61FF67

RGB 97 255 103

HSL 122.28, 1%, 0.69%

LAB 89.41, -70.12, 59.21

 

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

CMYK 96 / 0 / 92 / 33

HEX #07AC0D

RGB 7 172 13

HSL 122.18, 0.92%, 0.35%

LAB 61.29, -63.47, 60.21

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 87 / 0 / 83 / 25

HEX #18BF20

RGB 24 191 32

HSL 122.87, 0.78%, 0.42%

LAB 67.7, -67.03, 61.95

 

CMYK 68 / 0 / 87 / 25

HEX #3DBF18

RGB 61 191 24

HSL 106.71, 0.78%, 0.42%

LAB 68.26, -62.25, 64.51

 

CMYK 45 / 0 / 87 / 25

HEX #6ABF18

RGB 106 191 24

HSL 90.54, 0.78%, 0.42%

LAB 69.75, -50.36, 66.38

 

CMYK 21 / 0 / 87 / 25

HEX #97BF18

RGB 151 191 24

HSL 74.37, 0.78%, 0.42%

LAB 72.17, -33.8, 69.39

 

CMYK 0 / 3 / 87 / 25

HEX #BFBA18

RGB 191 186 24

HSL 58.2, 0.78%, 0.42%

LAB 73.71, -14.49, 71.88

 

CMYK 87 / 0 / 83 / 25

HEX #18BF20

RGB 24 191 32

HSL 122.87, 0.78%, 0.42%

LAB 67.7, -67.03, 61.95

 

CMYK 87 / 0 / 60 / 25

HEX #18BF4D

RGB 24 191 77

HSL 139.04, 0.78%, 0.42%

LAB 68.01, -63.03, 45.66

 

CMYK 87 / 0 / 36 / 25

HEX #18BF7A

RGB 24 191 122

HSL 155.21, 0.78%, 0.42%

LAB 68.65, -55.48, 23.93

 

CMYK 87 / 0 / 13 / 25

HEX #18BFA7

RGB 24 191 167

HSL 171.38, 0.78%, 0.42%

LAB 69.64, -44.65, 0.98

 

CMYK 87 / 12 / 0 / 25

HEX #18A9BF

RGB 24 169 191

HSL 187.9, 0.78%, 0.42%

LAB 63.62, -27.28, -21.3

 

CMYK 87 / 0 / 83 / 25

HEX #18BF20

RGB 24 191 32

HSL 122.87, 0.78%, 0.42%

LAB 67.7, -67.03, 61.95

 

CMYK 97 / 0 / 92 / 18

HEX #06D010

RGB 6 208 16

HSL 122.97, 0.94%, 0.42%

LAB 73.02, -73.36, 69.66

 

CMYK 87 / 0 / 83 / 25

HEX #18BF20

RGB 24 191 32

HSL 122.87, 0.78%, 0.42%

LAB 67.7, -67.03, 61.95

 

CMYK 76 / 0 / 73 / 32

HEX #29AD2F

RGB 41 173 47

HSL 122.73, 0.62%, 0.42%

LAB 62.14, -58.6, 51.92

 

CMYK 63 / 0 / 60 / 39

HEX #3A9C3F

RGB 58 156 63

HSL 123.06, 0.46%, 0.42%

LAB 57.11, -47.78, 39.68

 

CMYK 45 / 0 / 43 / 45

HEX #4C8B4F

RGB 76 139 79

HSL 122.86, 0.29%, 0.42%

LAB 52.47, -33.46, 25.91

 

CMYK 23 / 0 / 22 / 53

HEX #5D795E

RGB 93 121 94

HSL 122.14, 0.13%, 0.42%

LAB 48.02, -15.9, 11.57

 

CMYK 44 / 0 / 87 / 25

HEX #6BBF18

RGB 107 191 24

HSL 90.18, 0.78%, 0.42%

LAB 69.79, -50.03, 66.44

 

CMYK 67 / 0 / 87 / 25

HEX #3FBF18

RGB 63 191 24

HSL 105.99, 0.78%, 0.42%

LAB 68.3, -61.85, 64.57

 

CMYK 87 / 0 / 85 / 25

HEX #18BF1D

RGB 24 191 29

HSL 121.8, 0.78%, 0.42%

LAB 67.68, -67.18, 62.68

 

CMYK 87 / 0 / 61 / 25

HEX #18BF4A

RGB 24 191 74

HSL 137.96, 0.78%, 0.42%

LAB 67.98, -63.4, 46.99

 

CMYK 87 / 0 / 38 / 25

HEX #18BF76

RGB 24 191 118

HSL 153.77, 0.78%, 0.42%

LAB 68.58, -56.29, 25.95

 

CMYK 88 / 0 / 84 / 54

HEX #0E7513

RGB 14 117 19

HSL 122.91, 0.79%, 0.26%

LAB 42.56, -46.26, 42.29

 

CMYK 88 / 0 / 83 / 40

HEX #139A1A

RGB 19 154 26

HSL 123.11, 0.78%, 0.34%

LAB 55.4, -56.87, 52.23

 

CMYK 87 / 0 / 83 / 25

HEX #18BF20

RGB 24 191 32

HSL 122.87, 0.78%, 0.42%

LAB 67.7, -67.03, 61.95

 

CMYK 88 / 0 / 83 / 11

HEX #1CE326

RGB 28 227 38

HSL 123.02, 0.78%, 0.5%

LAB 79.23, -76.6, 70.98

 

CMYK 72 / 0 / 69 / 9

HEX #41E849

RGB 65 232 73

HSL 122.87, 0.78%, 0.58%

LAB 81.47, -71.41, 62.39

 

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

CMYK 87 / 20 / 0 / 25

HEX #1898BF

RGB 24 152 191

HSL 194.01, 0.78%, 0.42%

LAB 58.43, -18.49, -29.28

 

CMYK 0 / 87 / 55 / 25

HEX #BF1855

RGB 191 24 85

HSL 338.08, 0.78%, 0.42%

LAB 41.82, 64.37, 10.22

 

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

CMYK 85 / 87 / 0 / 25

HEX #1D18BF

RGB 29 24 191

HSL 241.8, 0.78%, 0.42%

LAB 25.79, 57.76, -81.89

 

CMYK 0 / 85 / 87 / 25

HEX #BF1D18

RGB 191 29 24

HSL 1.8, 0.78%, 0.42%

LAB 41.25, 60.65, 45.76

 

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

CMYK 87 / 20 / 0 / 25

HEX #1898BF

RGB 24 152 191

HSL 194.01, 0.78%, 0.42%

LAB 58.43, -18.49, -29.28

 

CMYK 0 / 87 / 3 / 25

HEX #BF18B9

RGB 191 24 185

HSL 302.16, 0.78%, 0.42%

LAB 45.95, 75.54, -44.58

 

CMYK 0 / 67 / 87 / 25

HEX #BF3F18

RGB 191 63 24

HSL 14.01, 0.78%, 0.42%

LAB 45.22, 49.63, 48.96

 

CMYK 87 / 0 / 83 / 25

HEX #18BE20

RGB 24 190 32

HSL 122.89, 0.78%, 0.42%

LAB 67.37, -66.74, 61.66

 

CMYK 87 / 47 / 0 / 25

HEX #1866BF

RGB 24 102 191

HSL 211.98, 0.78%, 0.42%

LAB 43.45, 11.13, -52.95

 

CMYK 0 / 87 / 3 / 25

HEX #BF18B9

RGB 191 24 185

HSL 302.16, 0.78%, 0.42%

LAB 45.95, 75.54, -44.58

 

CMYK 0 / 41 / 87 / 25

HEX #BF7118

RGB 191 113 24

HSL 31.98, 0.78%, 0.42%

LAB 55.02, 24.79, 56.85

 

Description

Color code: HEX #18BE20 | qconv.com Color code: HEX #18BE20 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 190 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 190 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 83 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 83% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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