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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B850 it is the complementary color #E747AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B850 shade: #1DB84B, #2ECA5E, #3FDC71, #50EE84 and #61FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B850 shade: #18B850, #07A63D, #00942A, #008217 and #007004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B850 shade: #18B950, #18B925, #37B918, #62B918 and #8DB918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B850 shade: #18B950, #18B97C, #18B9A7, #189FB9 and #1874B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B850 shade matches the following richer shades: #18B950 and #07CA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B850 shade: #18B950, #29A855, #3A975B, #4B8660 and #5C7565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B850 shade: #36B918, #18B925, #18B950, #18B97B and #18B9A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B850 shade: #0F7031, #139541, #18B950, #1DDE60 and #3EE679

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B850 shade: #18B850, #1860B9 and #B91820

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B850 shade: #18B850, #5018B9 and #B95018

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B850 shade: #18B850, #1860B9, #B91881 and #B97118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B850 shade: #18B850, #1830B9, #B91881 and #B9A118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

Complementary color

CMYK 0 / 69 / 24 / 9

HEX #E747AF

RGB 231 71 175

HSL 321, 0.77%, 0.59%

LAB 56.67, 70.43, -21.48

 

CMYK 84 / 0 / 59 / 28

HEX #1DB84B

RGB 29 184 75

HSL 137.81, 0.73%, 0.42%

LAB 65.79, -60.61, 44.01

 

CMYK 77 / 0 / 53 / 21

HEX #2ECA5E

RGB 46 202 94

HSL 138.46, 0.63%, 0.49%

LAB 71.98, -62.03, 42.47

 

CMYK 71 / 0 / 49 / 14

HEX #3FDC71

RGB 63 220 113

HSL 139.11, 0.69%, 0.55%

LAB 78.13, -62.96, 40.94

 

CMYK 66 / 0 / 45 / 7

HEX #50EE84

RGB 80 238 132

HSL 139.75, 0.82%, 0.62%

LAB 84.24, -63.56, 39.46

 

CMYK 62 / 0 / 41 / 0

HEX #61FF97

RGB 97 255 151

HSL 140.51, 1%, 0.69%

LAB 90, -63.54, 37.67

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 96 / 0 / 63 / 35

HEX #07A63D

RGB 7 166 61

HSL 140.38, 0.92%, 0.34%

LAB 59.58, -58.18, 43.23

 

CMYK 100 / 0 / 72 / 42

HEX #00942A

RGB 0 148 42

HSL 137.03, 1%, 0.29%

LAB 53.33, -55.1, 44.58

 

CMYK 100 / 0 / 82 / 49

HEX #008217

RGB 0 130 23

HSL 130.62, 1%, 0.25%

LAB 47.01, -51.23, 45.2

 

CMYK 100 / 0 / 96 / 56

HEX #007004

RGB 0 112 4

HSL 122.14, 1%, 0.22%

LAB 40.57, -46.8, 44.35

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 87 / 0 / 80 / 27

HEX #18B925

RGB 24 185 37

HSL 124.84, 0.77%, 0.41%

LAB 65.77, -65, 58.78

 

CMYK 70 / 0 / 87 / 27

HEX #37B918

RGB 55 185 24

HSL 108.45, 0.77%, 0.41%

LAB 66.19, -61.48, 62.66

 

CMYK 47 / 0 / 87 / 27

HEX #62B918

RGB 98 185 24

HSL 92.42, 0.77%, 0.41%

LAB 67.55, -50.58, 64.36

 

CMYK 24 / 0 / 87 / 27

HEX #8DB918

RGB 141 185 24

HSL 76.4, 0.77%, 0.41%

LAB 69.77, -35.05, 67.14

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 87 / 0 / 33 / 27

HEX #18B97C

RGB 24 185 124

HSL 157.27, 0.77%, 0.41%

LAB 66.78, -52.82, 20.33

 

CMYK 87 / 0 / 10 / 27

HEX #18B9A7

RGB 24 185 167

HSL 173.29, 0.77%, 0.41%

LAB 67.79, -42.07, -1.74

 

CMYK 87 / 14 / 0 / 27

HEX #189FB9

RGB 24 159 185

HSL 189.69, 0.77%, 0.41%

LAB 60.33, -24.21, -22.96

 

CMYK 87 / 37 / 0 / 27

HEX #1874B9

RGB 24 116 185

HSL 205.71, 0.77%, 0.41%

LAB 47.22, -0.04, -43.44

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 97 / 0 / 63 / 21

HEX #07CA4B

RGB 7 202 75

HSL 140.92, 0.93%, 0.41%

LAB 71.42, -67.59, 50.42

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 76 / 0 / 49 / 34

HEX #29A855

RGB 41 168 85

HSL 140.79, 0.61%, 0.41%

LAB 60.9, -52.22, 33.24

 

CMYK 62 / 0 / 40 / 41

HEX #3A975B

RGB 58 151 91

HSL 141.29, 0.44%, 0.41%

LAB 55.87, -41.42, 23.67

 

CMYK 44 / 0 / 28 / 47

HEX #4B8660

RGB 75 134 96

HSL 141.36, 0.28%, 0.41%

LAB 51.14, -28.28, 14.59

 

CMYK 21 / 0 / 14 / 54

HEX #5C7565

RGB 92 117 101

HSL 141.6, 0.12%, 0.41%

LAB 46.89, -12.66, 5.84

 

CMYK 71 / 0 / 87 / 27

HEX #36B918

RGB 54 185 24

HSL 108.82, 0.77%, 0.41%

LAB 66.17, -61.66, 62.63

 

CMYK 87 / 0 / 80 / 27

HEX #18B925

RGB 24 185 37

HSL 124.84, 0.77%, 0.41%

LAB 65.77, -65, 58.78

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 87 / 0 / 34 / 27

HEX #18B97B

RGB 24 185 123

HSL 156.89, 0.77%, 0.41%

LAB 66.77, -53.04, 20.84

 

CMYK 87 / 0 / 10 / 27

HEX #18B9A6

RGB 24 185 166

HSL 172.92, 0.77%, 0.41%

LAB 67.76, -42.35, -1.23

 

CMYK 87 / 0 / 56 / 56

HEX #0F7031

RGB 15 112 49

HSL 141.03, 0.76%, 0.25%

LAB 41.08, -41.07, 27.46

 

CMYK 87 / 0 / 56 / 42

HEX #139541

RGB 19 149 65

HSL 141.23, 0.77%, 0.33%

LAB 54.04, -51.28, 34.89

 

CMYK 87 / 0 / 57 / 27

HEX #18B950

RGB 24 185 80

HSL 140.87, 0.77%, 0.41%

LAB 66.11, -60.7, 42.03

 

CMYK 87 / 0 / 57 / 13

HEX #1DDE60

RGB 29 222 96

HSL 140.83, 0.77%, 0.49%

LAB 78.08, -69.92, 48.8

 

CMYK 73 / 0 / 47 / 10

HEX #3EE679

RGB 62 230 121

HSL 141.07, 0.77%, 0.57%

LAB 81.29, -65.35, 41.02

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 87 / 48 / 0 / 27

HEX #1860B9

RGB 24 96 185

HSL 213.17, 0.77%, 0.41%

LAB 41.32, 12.64, -52.89

 

CMYK 0 / 87 / 83 / 27

HEX #B91820

RGB 185 24 32

HSL 357.02, 0.77%, 0.41%

LAB 39.7, 60.22, 39.82

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 57 / 87 / 0 / 27

HEX #5018B9

RGB 80 24 185

HSL 260.87, 0.77%, 0.41%

LAB 29.06, 59.31, -72.79

 

CMYK 0 / 57 / 87 / 27

HEX #B95018

RGB 185 80 24

HSL 20.87, 0.77%, 0.41%

LAB 47.13, 39.66, 50.09

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 87 / 48 / 0 / 27

HEX #1860B9

RGB 24 96 185

HSL 213.17, 0.77%, 0.41%

LAB 41.32, 12.64, -52.89

 

CMYK 0 / 87 / 30 / 27

HEX #B91881

RGB 185 24 129

HSL 320.87, 0.77%, 0.41%

LAB 42.08, 66.98, -17.06

 

CMYK 0 / 39 / 87 / 27

HEX #B97118

RGB 185 113 24

HSL 33.17, 0.77%, 0.41%

LAB 54.23, 22.19, 55.88

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 87 / 74 / 0 / 27

HEX #1830B9

RGB 24 48 185

HSL 231.06, 0.77%, 0.41%

LAB 28.93, 43.87, -73.13

 

CMYK 0 / 87 / 30 / 27

HEX #B91881

RGB 185 24 129

HSL 320.87, 0.77%, 0.41%

LAB 42.08, 66.98, -17.06

 

CMYK 0 / 13 / 87 / 27

HEX #B9A118

RGB 185 161 24

HSL 51.06, 0.77%, 0.41%

LAB 66.42, -4.13, 65.77

 

Description

Color code: HEX #18B850 | qconv.com Color code: HEX #18B850 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 184 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 184 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 57 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 57% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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