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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B5E1 it is the complementary color #E74A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B5E1 shade: #1DB5DC, #2EC7EF, #3FD9FF, #50EBFF and #61FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B5E1 shade: #18B5E1, #07A3CE, #0091BB, #007FA8 and #006D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B5E1 shade: #17B5E2, #177FE2, #1748E2, #1D17E2 and #5317E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B5E1 shade: #17B5E2, #177FE2, #1748E2 and #1717E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B5E1 shade matches the following richer shades: #17B5E2 and #03C1F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B5E1 shade: #17B5E2, #2BAACD, #409FB9, #5493A5 and #688891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B5E1 shade: #17E2A2, #17E2D8, #17B6E2, #1780E2 and #174AE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B5E1 shade: #0F7997, #1397BC, #17B5E2, #38C3EA and #5ECEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B5E1 shade: #18B5E1, #6C17E2 and #E2BD17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B5E1 shade: #18B5E1, #E217B6 and #B6E217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B5E1 shade: #18B5E1, #6C17E2, #E24317 and #8DE217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B5E1 shade: #18B5E1, #A817E2, #E24317 and #51E217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

Complementary color

CMYK 0 / 68 / 87 / 9

HEX #E74A1E

RGB 231 74 30

HSL 13.13, 0.81%, 0.51%

LAB 54.01, 58.8, 56.55

 

CMYK 87 / 18 / 0 / 14

HEX #1DB5DC

RGB 29 181 220

HSL 192.25, 0.77%, 0.49%

LAB 68.37, -23.43, -30.02

 

CMYK 81 / 17 / 0 / 6

HEX #2EC7EF

RGB 46 199 239

HSL 192.44, 0.86%, 0.56%

LAB 74.61, -25.05, -30.71

 

CMYK 75 / 15 / 0 / 0

HEX #3FD9FF

RGB 63 217 255

HSL 191.88, 1%, 0.62%

LAB 80.68, -27.3, -29.9

 

CMYK 69 / 8 / 0 / 0

HEX #50EBFF

RGB 80 235 255

HSL 186.86, 1%, 0.66%

LAB 86.18, -33.94, -21.49

 

CMYK 62 / 1 / 0 / 0

HEX #61FDFF

RGB 97 253 255

HSL 180.76, 1%, 0.69%

LAB 91.69, -39.83, -13.16

 

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

CMYK 97 / 21 / 0 / 19

HEX #07A3CE

RGB 7 163 206

HSL 192.96, 0.93%, 0.42%

LAB 62.25, -19.83, -31.77

 

CMYK 100 / 22 / 0 / 27

HEX #0091BB

RGB 0 145 187

HSL 193.48, 1%, 0.37%

LAB 55.93, -17.19, -30.91

 

CMYK 100 / 24 / 0 / 34

HEX #007FA8

RGB 0 127 168

HSL 194.64, 1%, 0.33%

LAB 49.5, -14.21, -30

 

CMYK 100 / 27 / 0 / 42

HEX #006D95

RGB 0 109 149

HSL 196.11, 1%, 0.29%

LAB 42.92, -11.11, -29.11

 

CMYK 90 / 20 / 0 / 11

HEX #17B5E2

RGB 23 181 226

HSL 193.3, 0.82%, 0.49%

LAB 68.55, -21.73, -33.04

 

CMYK 90 / 44 / 0 / 11

HEX #177FE2

RGB 23 127 226

HSL 209.26, 0.82%, 0.49%

LAB 52.79, 8.96, -57.9

 

CMYK 90 / 68 / 0 / 11

HEX #1748E2

RGB 23 72 226

HSL 225.52, 0.82%, 0.49%

LAB 38.39, 43.91, -81.33

 

CMYK 87 / 90 / 0 / 11

HEX #1D17E2

RGB 29 23 226

HSL 241.77, 0.82%, 0.49%

LAB 30.32, 67.78, -94.72

 

CMYK 63 / 90 / 0 / 11

HEX #5317E2

RGB 83 23 226

HSL 257.73, 0.82%, 0.49%

LAB 33.86, 70.07, -88.72

 

CMYK 90 / 20 / 0 / 11

HEX #17B5E2

RGB 23 181 226

HSL 193.3, 0.82%, 0.49%

LAB 68.55, -21.73, -33.04

 

CMYK 90 / 44 / 0 / 11

HEX #177FE2

RGB 23 127 226

HSL 209.26, 0.82%, 0.49%

LAB 52.79, 8.96, -57.9

 

CMYK 90 / 68 / 0 / 11

HEX #1748E2

RGB 23 72 226

HSL 225.52, 0.82%, 0.49%

LAB 38.39, 43.91, -81.33

 

CMYK 90 / 90 / 0 / 11

HEX #1717E2

RGB 23 23 226

HSL 240, 0.82%, 0.49%

LAB 30.12, 67.67, -95.05

 

CMYK 90 / 20 / 0 / 11

HEX #17B5E2

RGB 23 181 226

HSL 193.3, 0.82%, 0.49%

LAB 68.55, -21.73, -33.04

 

CMYK 99 / 22 / 0 / 4

HEX #03C1F6

RGB 3 193 246

HSL 193.09, 0.98%, 0.49%

LAB 72.77, -21.73, -37.36

 

CMYK 90 / 20 / 0 / 11

HEX #17B5E2

RGB 23 181 226

HSL 193.3, 0.82%, 0.49%

LAB 68.55, -21.73, -33.04

 

CMYK 79 / 17 / 0 / 20

HEX #2BAACD

RGB 43 170 205

HSL 192.96, 0.65%, 0.49%

LAB 64.7, -21.66, -27.4

 

CMYK 65 / 14 / 0 / 27

HEX #409FB9

RGB 64 159 185

HSL 192.89, 0.49%, 0.49%

LAB 61.12, -19.64, -21.68

 

CMYK 49 / 11 / 0 / 35

HEX #5493A5

RGB 84 147 165

HSL 193.33, 0.33%, 0.49%

LAB 57.53, -15.24, -15.76

 

CMYK 28 / 6 / 0 / 43

HEX #688891

RGB 104 136 145

HSL 193.17, 0.16%, 0.49%

LAB 54.65, -9.02, -8.49

 

CMYK 90 / 0 / 28 / 11

HEX #17E2A2

RGB 23 226 162

HSL 161.08, 0.82%, 0.49%

LAB 80.28, -59.83, 18.79

 

CMYK 90 / 0 / 4 / 11

HEX #17E2D8

RGB 23 226 216

HSL 177.04, 0.82%, 0.49%

LAB 81.58, -46.1, -7.87

 

CMYK 90 / 19 / 0 / 11

HEX #17B6E2

RGB 23 182 226

HSL 193, 0.82%, 0.49%

LAB 68.84, -22.25, -32.58

 

CMYK 90 / 43 / 0 / 11

HEX #1780E2

RGB 23 128 226

HSL 208.97, 0.82%, 0.49%

LAB 53.07, 8.34, -57.44

 

CMYK 90 / 67 / 0 / 11

HEX #174AE2

RGB 23 74 226

HSL 224.93, 0.82%, 0.49%

LAB 38.85, 42.68, -80.58

 

CMYK 90 / 20 / 0 / 41

HEX #0F7997

RGB 15 121 151

HSL 193.24, 0.82%, 0.33%

LAB 46.99, -16.42, -23.96

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 90 / 20 / 0 / 11

HEX #17B5E2

RGB 23 181 226

HSL 193.3, 0.82%, 0.49%

LAB 68.55, -21.73, -33.04

 

CMYK 76 / 17 / 0 / 8

HEX #38C3EA

RGB 56 195 234

HSL 193.15, 0.81%, 0.57%

LAB 73.42, -23.69, -29.82

 

CMYK 61 / 13 / 0 / 7

HEX #5ECEEE

RGB 94 206 238

HSL 193.33, 0.81%, 0.65%

LAB 77.69, -22.66, -25.34

 

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

CMYK 52 / 90 / 0 / 11

HEX #6C17E2

RGB 108 23 226

HSL 265.12, 0.82%, 0.49%

LAB 36.54, 72.01, -84.2

 

CMYK 0 / 16 / 90 / 11

HEX #E2BD17

RGB 226 189 23

HSL 49.06, 0.82%, 0.49%

LAB 77.65, -0.82, 76.51

 

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

CMYK 0 / 90 / 19 / 11

HEX #E217B6

RGB 226 23 182

HSL 313, 0.82%, 0.49%

LAB 52.02, 81.88, -32.84

 

CMYK 19 / 0 / 90 / 11

HEX #B6E217

RGB 182 226 23

HSL 73, 0.82%, 0.49%

LAB 84.17, -37.4, 80.18

 

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

CMYK 52 / 90 / 0 / 11

HEX #6C17E2

RGB 108 23 226

HSL 265.12, 0.82%, 0.49%

LAB 36.54, 72.01, -84.2

 

CMYK 0 / 70 / 90 / 11

HEX #E24317

RGB 226 67 23

HSL 13, 0.82%, 0.49%

LAB 52.11, 59.69, 57.36

 

CMYK 38 / 0 / 90 / 11

HEX #8DE217

RGB 141 226 23

HSL 85.12, 0.82%, 0.49%

LAB 81.9, -52.57, 77.39

 

CMYK 89 / 20 / 0 / 12

HEX #18B5E1

RGB 24 181 225

HSL 193.13, 0.81%, 0.49%

LAB 68.52, -22.02, -32.54

 

CMYK 26 / 90 / 0 / 11

HEX #A817E2

RGB 168 23 226

HSL 282.86, 0.82%, 0.49%

LAB 44.84, 78.87, -70.26

 

CMYK 0 / 70 / 90 / 11

HEX #E24317

RGB 226 67 23

HSL 13, 0.82%, 0.49%

LAB 52.11, 59.69, 57.36

 

CMYK 64 / 0 / 90 / 11

HEX #51E217

RGB 81 226 23

HSL 102.86, 0.82%, 0.49%

LAB 79.73, -69.4, 74.7

 

Description

Color code: HEX #18B5E1 | qconv.com Color code: HEX #18B5E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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