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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B36C it is the complementary color #E74C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B36C shade: #1DB367, #2EC57A, #3FD78D, #50E9A0 and #61FBB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B36C shade: #18B36C, #07A159, #008F46, #007D33 and #006B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B36C shade: #18B46D, #18B443, #18B419, #42B418 and #6CB418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B36C shade: #18B46D, #18B496, #18A7B4, #187DB4 and #1853B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B36C shade matches the following richer shades: #18B46D and #08C46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B36C shade: #18B46D, #29A36B, #39936A, #4A8268 and #5A7267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B36C shade: #18B418, #18B442, #18B46B, #18B495 and #18A9B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B36C shade: #0F6B41, #148F57, #18B46D, #1DD882 and #3AE496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B36C shade: #18B36C, #1842B4 and #B42D18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B36C shade: #18B36C, #6B18B4 and #B46B18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B36C shade: #18B36C, #1842B4, #B41861 and #B48A18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B36C shade: #18B36C, #1E18B4, #B41861 and #AEB418

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

Complementary color

CMYK 0 / 67 / 36 / 9

HEX #E74C93

RGB 231 76 147

HSL 332.52, 0.76%, 0.6%

LAB 56.35, 65.33, -5.59

 

CMYK 84 / 0 / 42 / 30

HEX #1DB367

RGB 29 179 103

HSL 149.6, 0.72%, 0.41%

LAB 64.55, -54.45, 28.53

 

CMYK 77 / 0 / 38 / 23

HEX #2EC57A

RGB 46 197 122

HSL 150.2, 0.62%, 0.48%

LAB 70.81, -55.53, 26.88

 

CMYK 71 / 0 / 34 / 16

HEX #3FD78D

RGB 63 215 141

HSL 150.79, 0.66%, 0.55%

LAB 77.03, -56.23, 25.36

 

CMYK 66 / 0 / 31 / 9

HEX #50E9A0

RGB 80 233 160

HSL 151.37, 0.78%, 0.61%

LAB 83.19, -56.66, 23.96

 

CMYK 61 / 0 / 29 / 2

HEX #61FBB3

RGB 97 251 179

HSL 151.95, 0.95%, 0.68%

LAB 89.29, -56.89, 22.67

 

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

CMYK 96 / 0 / 45 / 37

HEX #07A159

RGB 7 161 89

HSL 151.95, 0.92%, 0.33%

LAB 58.28, -52.17, 27.73

 

CMYK 100 / 0 / 51 / 44

HEX #008F46

RGB 0 143 70

HSL 149.37, 1%, 0.28%

LAB 51.94, -49.7, 29.7

 

CMYK 100 / 0 / 59 / 51

HEX #007D33

RGB 0 125 51

HSL 144.48, 1%, 0.25%

LAB 45.51, -46.62, 31.71

 

CMYK 100 / 0 / 70 / 58

HEX #006B20

RGB 0 107 32

HSL 137.94, 1%, 0.21%

LAB 38.93, -43.17, 33.47

 

CMYK 87 / 0 / 39 / 29

HEX #18B46D

RGB 24 180 109

HSL 152.69, 0.76%, 0.4%

LAB 64.92, -54.09, 25.83

 

CMYK 87 / 0 / 63 / 29

HEX #18B443

RGB 24 180 67

HSL 136.54, 0.76%, 0.4%

LAB 64.36, -60.78, 45.99

 

CMYK 87 / 0 / 86 / 29

HEX #18B419

RGB 24 180 25

HSL 120.38, 0.76%, 0.4%

LAB 64.09, -64.18, 60.39

 

CMYK 63 / 0 / 87 / 29

HEX #42B418

RGB 66 180 24

HSL 103.85, 0.76%, 0.4%

LAB 64.86, -57.54, 61.59

 

CMYK 40 / 0 / 87 / 29

HEX #6CB418

RGB 108 180 24

HSL 87.69, 0.76%, 0.4%

LAB 66.44, -45.27, 63.58

 

CMYK 87 / 0 / 39 / 29

HEX #18B46D

RGB 24 180 109

HSL 152.69, 0.76%, 0.4%

LAB 64.92, -54.09, 25.83

 

CMYK 87 / 0 / 17 / 29

HEX #18B496

RGB 24 180 150

HSL 168.46, 0.76%, 0.4%

LAB 65.78, -44.56, 4.72

 

CMYK 87 / 7 / 0 / 29

HEX #18A7B4

RGB 24 167 180

HSL 185, 0.76%, 0.4%

LAB 62.61, -29.86, -16.68

 

CMYK 87 / 31 / 0 / 29

HEX #187DB4

RGB 24 125 180

HSL 201.15, 0.76%, 0.4%

LAB 49.69, -7.35, -36.65

 

CMYK 87 / 54 / 0 / 29

HEX #1853B4

RGB 24 83 180

HSL 217.31, 0.76%, 0.4%

LAB 37.25, 19.24, -56.53

 

CMYK 87 / 0 / 39 / 29

HEX #18B46D

RGB 24 180 109

HSL 152.69, 0.76%, 0.4%

LAB 64.92, -54.09, 25.83

 

CMYK 96 / 0 / 44 / 23

HEX #08C46E

RGB 8 196 110

HSL 152.55, 0.92%, 0.4%

LAB 69.94, -60.4, 31.87

 

CMYK 87 / 0 / 39 / 29

HEX #18B46D

RGB 24 180 109

HSL 152.69, 0.76%, 0.4%

LAB 64.92, -54.09, 25.83

 

CMYK 75 / 0 / 34 / 36

HEX #29A36B

RGB 41 163 107

HSL 152.46, 0.6%, 0.4%

LAB 59.64, -46.19, 19.88

 

CMYK 61 / 0 / 28 / 42

HEX #39936A

RGB 57 147 106

HSL 152.67, 0.44%, 0.4%

LAB 54.84, -36.83, 13.91

 

CMYK 43 / 0 / 20 / 49

HEX #4A8268

RGB 74 130 104

HSL 152.14, 0.27%, 0.4%

LAB 50, -24.88, 8.37

 

CMYK 21 / 0 / 10 / 55

HEX #5A7267

RGB 90 114 103

HSL 152.5, 0.12%, 0.4%

LAB 45.89, -11.27, 3.2

 

CMYK 87 / 0 / 87 / 29

HEX #18B418

RGB 24 180 24

HSL 120, 0.76%, 0.4%

LAB 64.08, -64.23, 60.61

 

CMYK 87 / 0 / 63 / 29

HEX #18B442

RGB 24 180 66

HSL 136.15, 0.76%, 0.4%

LAB 64.35, -60.89, 46.42

 

CMYK 87 / 0 / 41 / 29

HEX #18B46B

RGB 24 180 107

HSL 151.92, 0.76%, 0.4%

LAB 64.88, -54.48, 26.85

 

CMYK 87 / 0 / 17 / 29

HEX #18B495

RGB 24 180 149

HSL 168.08, 0.76%, 0.4%

LAB 65.75, -44.82, 5.24

 

CMYK 87 / 6 / 0 / 29

HEX #18A9B4

RGB 24 169 180

HSL 184.23, 0.76%, 0.4%

LAB 63.23, -30.83, -15.74

 

CMYK 86 / 0 / 39 / 58

HEX #0F6B41

RGB 15 107 65

HSL 152.61, 0.75%, 0.24%

LAB 39.58, -36.05, 16.53

 

CMYK 86 / 0 / 39 / 44

HEX #148F57

RGB 20 143 87

HSL 152.68, 0.75%, 0.32%

LAB 52.38, -45.08, 21.09

 

CMYK 87 / 0 / 39 / 29

HEX #18B46D

RGB 24 180 109

HSL 152.69, 0.76%, 0.4%

LAB 64.92, -54.09, 25.83

 

CMYK 87 / 0 / 40 / 15

HEX #1DD882

RGB 29 216 130

HSL 152.41, 0.76%, 0.48%

LAB 76.67, -62.48, 30.47

 

CMYK 75 / 0 / 34 / 11

HEX #3AE496

RGB 58 228 150

HSL 152.47, 0.76%, 0.56%

LAB 81.06, -60.02, 26.15

 

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

CMYK 87 / 63 / 0 / 29

HEX #1842B4

RGB 24 66 180

HSL 223.85, 0.76%, 0.4%

LAB 32.67, 30.61, -64

 

CMYK 0 / 75 / 87 / 29

HEX #B42D18

RGB 180 45 24

HSL 8.08, 0.76%, 0.4%

LAB 40.65, 52.85, 44.36

 

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

CMYK 41 / 87 / 0 / 29

HEX #6B18B4

RGB 107 24 180

HSL 271.92, 0.76%, 0.4%

LAB 31.98, 61.16, -64.89

 

CMYK 0 / 41 / 87 / 29

HEX #B46B18

RGB 180 107 24

HSL 31.92, 0.76%, 0.4%

LAB 52.16, 23.32, 53.91

 

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

CMYK 87 / 63 / 0 / 29

HEX #1842B4

RGB 24 66 180

HSL 223.85, 0.76%, 0.4%

LAB 32.67, 30.61, -64

 

CMYK 0 / 87 / 46 / 29

HEX #B41861

RGB 180 24 97

HSL 331.92, 0.76%, 0.4%

LAB 39.95, 62.58, -0.36

 

CMYK 0 / 23 / 87 / 29

HEX #B48A18

RGB 180 138 24

HSL 43.85, 0.76%, 0.4%

LAB 59.84, 6.1, 60.21

 

CMYK 87 / 0 / 40 / 30

HEX #18B36C

RGB 24 179 108

HSL 152.52, 0.76%, 0.4%

LAB 64.58, -53.92, 25.91

 

CMYK 83 / 87 / 0 / 29

HEX #1E18B4

RGB 30 24 180

HSL 242.31, 0.76%, 0.4%

LAB 24.4, 54.6, -77.66

 

CMYK 0 / 87 / 46 / 29

HEX #B41861

RGB 180 24 97

HSL 331.92, 0.76%, 0.4%

LAB 39.95, 62.58, -0.36

 

CMYK 3 / 0 / 87 / 29

HEX #AEB418

RGB 174 180 24

HSL 62.31, 0.76%, 0.4%

LAB 70.67, -18.84, 68.83

 

Description

Color code: HEX #18B36C | qconv.com Color code: HEX #18B36C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 179 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 179 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 40 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 40% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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