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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B2F8 it is the complementary color #E74D07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B2F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B2F8 shade: #1DB2F3, #2EC4FF, #3FD6FF, #50E8FF and #61FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B2F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B2F8 shade: #18B2F8, #07A0E5, #008ED2, #007CBF and #006AAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B2F8 shade: #16B1F8, #1675F8, #1638F8, #3216F8 and #6F16F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B2F8 shade: #16B1F8, #1675F8, #1638F8 and #1616F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B2F8 shade matches the following richer shades: #16B1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B2F8 shade: #16B1F8, #2AAAE4, #3DA3D1, #519CBE and #6494AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B2F8 shade: #16F8C3, #16F0F8, #16B4F8, #1678F8 and #163CF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B2F8 shade: #067FB6, #079BDE, #16B1F8, #3FBFF9 and #67CCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B2F8 shade: #18B2F8, #8716F8 and #F8E116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B2F8 shade: #18B2F8, #F816B4 and #B4F816

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B2F8 shade: #18B2F8, #8716F8, #F85A16 and #87F816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B2F8 shade: #18B2F8, #CB16F8, #F85A16 and #44F816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

Complementary color

CMYK 0 / 67 / 97 / 9

HEX #E74D07

RGB 231 77 7

HSL 18.75, 0.94%, 0.47%

LAB 54.36, 57.32, 63.5

 

CMYK 88 / 27 / 0 / 5

HEX #1DB2F3

RGB 29 178 243

HSL 198.22, 0.9%, 0.53%

LAB 68.44, -13.96, -42.47

 

CMYK 82 / 23 / 0 / 0

HEX #2EC4FF

RGB 46 196 255

HSL 196.94, 1%, 0.59%

LAB 74.37, -18.24, -39.68

 

CMYK 75 / 16 / 0 / 0

HEX #3FD6FF

RGB 63 214 255

HSL 192.81, 1%, 0.62%

LAB 79.82, -25.82, -31.22

 

CMYK 69 / 9 / 0 / 0

HEX #50E8FF

RGB 80 232 255

HSL 187.89, 1%, 0.66%

LAB 85.32, -32.52, -22.79

 

CMYK 62 / 2 / 0 / 0

HEX #61FAFF

RGB 97 250 255

HSL 181.9, 1%, 0.69%

LAB 90.84, -38.46, -14.43

 

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

CMYK 97 / 30 / 0 / 10

HEX #07A0E5

RGB 7 160 229

HSL 198.65, 0.94%, 0.46%

LAB 62.38, -9.95, -44.33

 

CMYK 100 / 32 / 0 / 18

HEX #008ED2

RGB 0 142 210

HSL 199.43, 1%, 0.41%

LAB 56.09, -6.99, -43.67

 

CMYK 100 / 35 / 0 / 25

HEX #007CBF

RGB 0 124 191

HSL 201.05, 1%, 0.37%

LAB 49.71, -3.68, -42.96

 

CMYK 100 / 38 / 0 / 33

HEX #006AAC

RGB 0 106 172

HSL 203.02, 1%, 0.34%

LAB 43.19, -0.19, -42.29

 

CMYK 91 / 29 / 0 / 3

HEX #16B1F8

RGB 22 177 248

HSL 198.85, 0.94%, 0.53%

LAB 68.31, -11.99, -45.4

 

CMYK 91 / 53 / 0 / 3

HEX #1675F8

RGB 22 117 248

HSL 214.78, 0.94%, 0.53%

LAB 51.46, 23.63, -72.32

 

CMYK 91 / 77 / 0 / 3

HEX #1638F8

RGB 22 56 248

HSL 230.97, 0.94%, 0.53%

LAB 37.44, 60.41, -95.36

 

CMYK 80 / 91 / 0 / 3

HEX #3216F8

RGB 50 22 248

HSL 247.43, 0.94%, 0.53%

LAB 34.04, 74.3, -100.98

 

CMYK 55 / 91 / 0 / 3

HEX #6F16F8

RGB 111 22 248

HSL 263.63, 0.94%, 0.53%

LAB 39.12, 77.49, -92.4

 

CMYK 91 / 29 / 0 / 3

HEX #16B1F8

RGB 22 177 248

HSL 198.85, 0.94%, 0.53%

LAB 68.31, -11.99, -45.4

 

CMYK 91 / 53 / 0 / 3

HEX #1675F8

RGB 22 117 248

HSL 214.78, 0.94%, 0.53%

LAB 51.46, 23.63, -72.32

 

CMYK 91 / 77 / 0 / 3

HEX #1638F8

RGB 22 56 248

HSL 230.97, 0.94%, 0.53%

LAB 37.44, 60.41, -95.36

 

CMYK 91 / 91 / 0 / 3

HEX #1616F8

RGB 22 22 248

HSL 240, 0.94%, 0.53%

LAB 32.97, 73.72, -102.81

 

CMYK 91 / 29 / 0 / 3

HEX #16B1F8

RGB 22 177 248

HSL 198.85, 0.94%, 0.53%

LAB 68.31, -11.99, -45.4

 

CMYK 91 / 29 / 0 / 3

HEX #16B1F8

RGB 22 177 248

HSL 198.85, 0.94%, 0.53%

LAB 68.31, -11.99, -45.4

 

CMYK 82 / 25 / 0 / 11

HEX #2AAAE4

RGB 42 170 228

HSL 198.71, 0.78%, 0.53%

LAB 65.63, -13.95, -38.66

 

CMYK 71 / 22 / 0 / 18

HEX #3DA3D1

RGB 61 163 209

HSL 198.65, 0.62%, 0.53%

LAB 63.17, -14.48, -31.96

 

CMYK 57 / 18 / 0 / 25

HEX #519CBE

RGB 81 156 190

HSL 198.72, 0.46%, 0.53%

LAB 61, -13.34, -24.64

 

CMYK 41 / 13 / 0 / 33

HEX #6494AA

RGB 100 148 170

HSL 198.86, 0.29%, 0.53%

LAB 58.78, -10.3, -16.64

 

CMYK 91 / 0 / 21 / 3

HEX #16F8C3

RGB 22 248 195

HSL 165.93, 0.94%, 0.53%

LAB 87.6, -60.52, 11.9

 

CMYK 91 / 3 / 0 / 3

HEX #16F0F8

RGB 22 240 248

HSL 182.12, 0.94%, 0.53%

LAB 86.64, -43.03, -17.2

 

CMYK 91 / 27 / 0 / 3

HEX #16B4F8

RGB 22 180 248

HSL 198.05, 0.94%, 0.53%

LAB 69.18, -13.62, -44.04

 

CMYK 91 / 52 / 0 / 3

HEX #1678F8

RGB 22 120 248

HSL 213.98, 0.94%, 0.53%

LAB 52.27, 21.74, -71.02

 

CMYK 91 / 76 / 0 / 3

HEX #163CF8

RGB 22 60 248

HSL 229.91, 0.94%, 0.53%

LAB 38.16, 58.33, -94.16

 

CMYK 97 / 30 / 0 / 29

HEX #067FB6

RGB 6 127 182

HSL 198.75, 0.94%, 0.37%

LAB 50.21, -8.69, -36.99

 

CMYK 97 / 30 / 0 / 13

HEX #079BDE

RGB 7 155 222

HSL 198.7, 0.94%, 0.45%

LAB 60.57, -9.71, -43.3

 

CMYK 91 / 29 / 0 / 3

HEX #16B1F8

RGB 22 177 248

HSL 198.85, 0.94%, 0.53%

LAB 68.31, -11.99, -45.4

 

CMYK 75 / 23 / 0 / 2

HEX #3FBFF9

RGB 63 191 249

HSL 198.71, 0.94%, 0.61%

LAB 73, -15.97, -38.57

 

CMYK 59 / 18 / 0 / 2

HEX #67CCFA

RGB 103 204 250

HSL 198.78, 0.94%, 0.69%

LAB 77.86, -16.48, -31.49

 

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

CMYK 46 / 91 / 0 / 3

HEX #8716F8

RGB 135 22 248

HSL 270, 0.94%, 0.53%

LAB 42, 79.57, -87.54

 

CMYK 0 / 9 / 91 / 3

HEX #F8E116

RGB 248 225 22

HSL 53.89, 0.94%, 0.53%

LAB 88.86, -9.7, 86.12

 

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

CMYK 0 / 91 / 27 / 3

HEX #F816B4

RGB 248 22 180

HSL 318.05, 0.94%, 0.53%

LAB 55.91, 86.08, -25.31

 

CMYK 27 / 0 / 91 / 3

HEX #B4F816

RGB 180 248 22

HSL 78.05, 0.94%, 0.53%

LAB 90.27, -47.74, 85.17

 

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

CMYK 46 / 91 / 0 / 3

HEX #8716F8

RGB 135 22 248

HSL 270, 0.94%, 0.53%

LAB 42, 79.57, -87.54

 

CMYK 0 / 64 / 91 / 3

HEX #F85A16

RGB 248 90 22

HSL 18.05, 0.94%, 0.53%

LAB 59.28, 57.92, 64.47

 

CMYK 46 / 0 / 91 / 3

HEX #87F816

RGB 135 248 22

HSL 90, 0.94%, 0.53%

LAB 88.13, -62.93, 82.55

 

CMYK 90 / 28 / 0 / 3

HEX #18B2F8

RGB 24 178 248

HSL 198.75, 0.94%, 0.53%

LAB 68.62, -12.45, -44.92

 

CMYK 18 / 91 / 0 / 3

HEX #CB16F8

RGB 203 22 248

HSL 288.05, 0.94%, 0.53%

LAB 51.89, 87.78, -70.97

 

CMYK 0 / 64 / 91 / 3

HEX #F85A16

RGB 248 90 22

HSL 18.05, 0.94%, 0.53%

LAB 59.28, 57.92, 64.47

 

CMYK 73 / 0 / 91 / 3

HEX #44F816

RGB 68 248 22

HSL 107.79, 0.94%, 0.53%

LAB 86.22, -78.5, 80.18

 

Description

Color code: HEX #18B2F8 | qconv.com Color code: HEX #18B2F8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 178 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 178 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 28 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 28% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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