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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B09C it is the complementary color #E74F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B09C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B09C shade: #1DB097, #2EC2AA, #3FD4BD, #50E6D0 and #61F8E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B09C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B09C shade: #18B09C, #079E89, #008C76, #007A63 and #006850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B09C shade: #18AF9B, #18AF72, #18AF4A, #18AF21 and #38AF18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B09C shade: #18AF9B, #189AAF, #1871AF, #1849AF and #1820AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B09C shade matches the following richer shades: #18AF9B and #08BFA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B09C shade: #18AF9B, #289F8F, #388F83, #487F78 and #586F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B09C shade: #18AF4A, #18AF73, #18AF9B, #189BAF and #1873AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B09C shade: #0E665B, #138B7B, #18AF9B, #1DD3BB and #36E4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B09C shade: #18B09C, #2218AF and #AF5E18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B09C shade: #18B09C, #9B18AF and #AF9B18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B09C shade: #18B09C, #2218AF, #AF182C and #A5AF18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B09C shade: #18B09C, #4F18AF, #AF182C and #78AF18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

Complementary color

CMYK 0 / 66 / 57 / 9

HEX #E74F63

RGB 231 79 99

HSL 352.11, 0.76%, 0.61%

LAB 55.57, 59.88, 21.65

 

CMYK 84 / 0 / 14 / 31

HEX #1DB097

RGB 29 176 151

HSL 169.8, 0.72%, 0.4%

LAB 64.6, -42.21, 2.47

 

CMYK 76 / 0 / 12 / 24

HEX #2EC2AA

RGB 46 194 170

HSL 170.27, 0.62%, 0.47%

LAB 70.92, -43.24, 1.22

 

CMYK 70 / 0 / 11 / 17

HEX #3FD4BD

RGB 63 212 189

HSL 170.74, 0.63%, 0.54%

LAB 77.17, -43.98, 0.1

 

CMYK 65 / 0 / 10 / 10

HEX #50E6D0

RGB 80 230 208

HSL 171.2, 0.75%, 0.61%

LAB 83.37, -44.49, -0.92

 

CMYK 61 / 0 / 8 / 3

HEX #61F8E3

RGB 97 248 227

HSL 171.66, 0.92%, 0.68%

LAB 89.5, -44.84, -1.85

 

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

CMYK 96 / 0 / 13 / 38

HEX #079E89

RGB 7 158 137

HSL 171.66, 0.92%, 0.32%

LAB 58.33, -39.6, 1.18

 

CMYK 100 / 0 / 16 / 45

HEX #008C76

RGB 0 140 118

HSL 170.57, 1%, 0.27%

LAB 51.91, -37.44, 2.74

 

CMYK 100 / 0 / 19 / 52

HEX #007A63

RGB 0 122 99

HSL 168.69, 1%, 0.24%

LAB 45.39, -34.93, 4.46

 

CMYK 100 / 0 / 23 / 59

HEX #006850

RGB 0 104 80

HSL 166.15, 1%, 0.2%

LAB 38.69, -32.34, 6.29

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 86 / 0 / 35 / 31

HEX #18AF72

RGB 24 175 114

HSL 155.76, 0.76%, 0.39%

LAB 63.4, -51.21, 21.12

 

CMYK 86 / 0 / 58 / 31

HEX #18AF4A

RGB 24 175 74

HSL 139.87, 0.76%, 0.39%

LAB 62.8, -58.26, 40.95

 

CMYK 86 / 0 / 81 / 31

HEX #18AF21

RGB 24 175 33

HSL 123.58, 0.76%, 0.39%

LAB 62.48, -62.29, 56.85

 

CMYK 68 / 0 / 86 / 31

HEX #38AF18

RGB 56 175 24

HSL 107.28, 0.76%, 0.39%

LAB 62.98, -58.04, 59.84

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 86 / 12 / 0 / 31

HEX #189AAF

RGB 24 154 175

HSL 188.34, 0.76%, 0.39%

LAB 58.42, -25, -20.25

 

CMYK 86 / 35 / 0 / 31

HEX #1871AF

RGB 24 113 175

HSL 204.64, 0.76%, 0.39%

LAB 45.77, -2.07, -39.93

 

CMYK 86 / 58 / 0 / 31

HEX #1849AF

RGB 24 73 175

HSL 220.53, 0.76%, 0.39%

LAB 34.1, 23.96, -58.7

 

CMYK 86 / 82 / 0 / 31

HEX #1820AF

RGB 24 32 175

HSL 236.82, 0.76%, 0.39%

LAB 24.71, 49.27, -74.16

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 96 / 0 / 13 / 25

HEX #08BFA7

RGB 8 191 167

HSL 172.13, 0.92%, 0.39%

LAB 69.54, -45.37, 0.82

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 75 / 0 / 10 / 38

HEX #289F8F

RGB 40 159 143

HSL 171.93, 0.6%, 0.39%

LAB 59.19, -35.73, -0.92

 

CMYK 61 / 0 / 8 / 44

HEX #388F83

RGB 56 143 131

HSL 171.72, 0.44%, 0.39%

LAB 54.16, -28.94, -1.38

 

CMYK 43 / 0 / 6 / 50

HEX #487F78

RGB 72 127 120

HSL 172.36, 0.28%, 0.39%

LAB 49.39, -20, -1.9

 

CMYK 21 / 0 / 3 / 56

HEX #586F6C

RGB 88 111 108

HSL 172.17, 0.12%, 0.39%

LAB 44.98, -9.14, -1.14

 

CMYK 86 / 0 / 58 / 31

HEX #18AF4A

RGB 24 175 74

HSL 139.87, 0.76%, 0.39%

LAB 62.8, -58.26, 40.95

 

CMYK 86 / 0 / 34 / 31

HEX #18AF73

RGB 24 175 115

HSL 156.16, 0.76%, 0.39%

LAB 63.42, -50.99, 20.6

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 86 / 11 / 0 / 31

HEX #189BAF

RGB 24 155 175

HSL 187.95, 0.76%, 0.39%

LAB 58.73, -25.51, -19.78

 

CMYK 86 / 34 / 0 / 31

HEX #1873AF

RGB 24 115 175

HSL 203.84, 0.76%, 0.39%

LAB 46.38, -3.29, -38.97

 

CMYK 86 / 0 / 11 / 60

HEX #0E665B

RGB 14 102 91

HSL 172.5, 0.76%, 0.23%

LAB 38.47, -26.99, -0.73

 

CMYK 86 / 0 / 12 / 45

HEX #138B7B

RGB 19 139 123

HSL 172, 0.76%, 0.31%

LAB 51.88, -34.45, -0.18

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 86 / 0 / 11 / 17

HEX #1DD3BB

RGB 29 211 187

HSL 172.09, 0.76%, 0.47%

LAB 76.34, -47.4, -0.1

 

CMYK 76 / 0 / 10 / 11

HEX #36E4CD

RGB 54 228 205

HSL 172.07, 0.76%, 0.55%

LAB 82.21, -47.72, -1.08

 

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

CMYK 81 / 86 / 0 / 31

HEX #2218AF

RGB 34 24 175

HSL 243.97, 0.76%, 0.39%

LAB 23.96, 53.3, -75.39

 

CMYK 0 / 46 / 86 / 31

HEX #AF5E18

RGB 175 94 24

HSL 27.81, 0.76%, 0.39%

LAB 48.49, 28.29, 50.59

 

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

CMYK 11 / 86 / 0 / 31

HEX #9B18AF

RGB 155 24 175

HSL 292.05, 0.76%, 0.39%

LAB 39.1, 67.54, -50

 

CMYK 0 / 11 / 86 / 31

HEX #AF9B18

RGB 175 155 24

HSL 52.05, 0.76%, 0.39%

LAB 63.85, -5.42, 63.29

 

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

CMYK 81 / 86 / 0 / 31

HEX #2218AF

RGB 34 24 175

HSL 243.97, 0.76%, 0.39%

LAB 23.96, 53.3, -75.39

 

CMYK 0 / 86 / 75 / 31

HEX #AF182C

RGB 175 24 44

HSL 352.05, 0.76%, 0.39%

LAB 37.75, 57.87, 30.13

 

CMYK 6 / 0 / 86 / 31

HEX #A5AF18

RGB 165 175 24

HSL 63.97, 0.76%, 0.39%

LAB 68.55, -20.23, 66.8

 

CMYK 86 / 0 / 11 / 31

HEX #18B09C

RGB 24 176 156

HSL 172.11, 0.76%, 0.39%

LAB 64.68, -41.22, -0.2

 

CMYK 55 / 86 / 0 / 31

HEX #4F18AF

RGB 79 24 175

HSL 261.85, 0.76%, 0.39%

LAB 27.87, 56.66, -68.79

 

CMYK 0 / 86 / 75 / 31

HEX #AF182C

RGB 175 24 44

HSL 352.05, 0.76%, 0.39%

LAB 37.75, 57.87, 30.13

 

CMYK 31 / 0 / 86 / 31

HEX #78AF18

RGB 120 175 24

HSL 81.85, 0.76%, 0.39%

LAB 65.53, -38.76, 63.05

 

Description

Color code: HEX #18B09C | qconv.com Color code: HEX #18B09C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 176 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 176 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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