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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18ABCA it is the complementary color #E75435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18ABCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18ABCA shade: #1DABC5, #2EBDD8, #3FCFEB, #50E1FE and #61F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18ABCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18ABCA shade: #18ABCA, #0799B7, #0087A4, #007591 and #00637E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18ABCA shade: #18AAC9, #187AC9, #184AC9, #181BC9 and #4418C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18ABCA shade: #18AAC9, #187AC9, #184AC9, #181BC9 and #1818C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18ABCA shade matches the following richer shades: #18AAC9 and #05B6DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18ABCA shade: #18AAC9, #2A9EB7, #3C92A5, #4E8692 and #607B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18ABCA shade: #18C988, #18C9B7, #18ABC9, #187CC9 and #184DC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18ABCA shade: #0F6B7F, #138BA4, #18AAC9, #24C4E5 and #49CEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18ABCA shade: #18ABCA, #5918C9 and #C99F18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18ABCA shade: #18ABCA, #C918AB and #ABC918

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18ABCA shade: #18ABCA, #5918C9, #C93518 and #88C918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18ABCA shade: #18ABCA, #8E18C9, #C93518 and #53C918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

Complementary color

CMYK 0 / 64 / 77 / 9

HEX #E75435

RGB 231 84 53

HSL 10.45, 0.79%, 0.56%

LAB 55.67, 55.39, 47.54

 

CMYK 85 / 13 / 0 / 23

HEX #1DABC5

RGB 29 171 197

HSL 189.29, 0.74%, 0.44%

LAB 64.5, -25.99, -23.29

 

CMYK 79 / 13 / 0 / 15

HEX #2EBDD8

RGB 46 189 216

HSL 189.53, 0.69%, 0.51%

LAB 70.83, -27.43, -24.05

 

CMYK 73 / 12 / 0 / 8

HEX #3FCFEB

RGB 63 207 235

HSL 189.77, 0.81%, 0.58%

LAB 77.09, -28.57, -24.73

 

CMYK 69 / 11 / 0 / 0

HEX #50E1FE

RGB 80 225 254

HSL 190, 0.99%, 0.65%

LAB 83.29, -29.46, -25.35

 

CMYK 62 / 5 / 0 / 0

HEX #61F3FF

RGB 97 243 255

HSL 184.56, 1%, 0.69%

LAB 88.86, -35.24, -17.41

 

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

CMYK 96 / 16 / 0 / 28

HEX #0799B7

RGB 7 153 183

HSL 190.23, 0.93%, 0.37%

LAB 58.27, -22.61, -25.01

 

CMYK 100 / 18 / 0 / 36

HEX #0087A4

RGB 0 135 164

HSL 190.61, 1%, 0.32%

LAB 51.85, -20.07, -24.05

 

CMYK 100 / 19 / 0 / 43

HEX #007591

RGB 0 117 145

HSL 191.59, 1%, 0.28%

LAB 45.31, -17.18, -23.02

 

CMYK 100 / 21 / 0 / 51

HEX #00637E

RGB 0 99 126

HSL 192.86, 1%, 0.25%

LAB 38.6, -14.18, -21.99

 

CMYK 88 / 15 / 0 / 21

HEX #18AAC9

RGB 24 170 201

HSL 190.51, 0.79%, 0.44%

LAB 64.29, -24.47, -25.83

 

CMYK 88 / 39 / 0 / 21

HEX #187AC9

RGB 24 122 201

HSL 206.78, 0.79%, 0.44%

LAB 49.89, 2.46, -48.38

 

CMYK 88 / 63 / 0 / 21

HEX #184AC9

RGB 24 74 201

HSL 223.05, 0.79%, 0.44%

LAB 36.57, 33.42, -69.93

 

CMYK 88 / 87 / 0 / 21

HEX #181BC9

RGB 24 27 201

HSL 238.98, 0.79%, 0.44%

LAB 27.28, 59.37, -85.29

 

CMYK 66 / 88 / 0 / 21

HEX #4418C9

RGB 68 24 201

HSL 254.92, 0.79%, 0.44%

LAB 29.66, 62.46, -81.26

 

CMYK 88 / 15 / 0 / 21

HEX #18AAC9

RGB 24 170 201

HSL 190.51, 0.79%, 0.44%

LAB 64.29, -24.47, -25.83

 

CMYK 88 / 39 / 0 / 21

HEX #187AC9

RGB 24 122 201

HSL 206.78, 0.79%, 0.44%

LAB 49.89, 2.46, -48.38

 

CMYK 88 / 63 / 0 / 21

HEX #184AC9

RGB 24 74 201

HSL 223.05, 0.79%, 0.44%

LAB 36.57, 33.42, -69.93

 

CMYK 88 / 87 / 0 / 21

HEX #181BC9

RGB 24 27 201

HSL 238.98, 0.79%, 0.44%

LAB 27.28, 59.37, -85.29

 

CMYK 88 / 88 / 0 / 21

HEX #1818C9

RGB 24 24 201

HSL 240, 0.79%, 0.44%

LAB 26.92, 60.47, -85.9

 

CMYK 88 / 15 / 0 / 21

HEX #18AAC9

RGB 24 170 201

HSL 190.51, 0.79%, 0.44%

LAB 64.29, -24.47, -25.83

 

CMYK 98 / 17 / 0 / 14

HEX #05B6DB

RGB 5 182 219

HSL 190.37, 0.96%, 0.44%

LAB 68.46, -25.24, -29.35

 

CMYK 88 / 15 / 0 / 21

HEX #18AAC9

RGB 24 170 201

HSL 190.51, 0.79%, 0.44%

LAB 64.29, -24.47, -25.83

 

CMYK 77 / 14 / 0 / 28

HEX #2A9EB7

RGB 42 158 183

HSL 190.64, 0.63%, 0.44%

LAB 60.22, -22.79, -21.99

 

CMYK 64 / 12 / 0 / 35

HEX #3C92A5

RGB 60 146 165

HSL 190.86, 0.47%, 0.44%

LAB 56.32, -19.72, -17.68

 

CMYK 47 / 8 / 0 / 43

HEX #4E8692

RGB 78 134 146

HSL 190.59, 0.3%, 0.44%

LAB 52.67, -15.08, -12.19

 

CMYK 25 / 4 / 0 / 50

HEX #607B80

RGB 96 123 128

HSL 189.38, 0.14%, 0.44%

LAB 49.75, -8.47, -5.93

 

CMYK 88 / 0 / 32 / 21

HEX #18C988

RGB 24 201 136

HSL 157.97, 0.79%, 0.44%

LAB 72.06, -56.21, 21.13

 

CMYK 88 / 0 / 9 / 21

HEX #18C9B7

RGB 24 201 183

HSL 173.9, 0.79%, 0.44%

LAB 73.15, -44.53, -2.62

 

CMYK 88 / 15 / 0 / 21

HEX #18ABC9

RGB 24 171 201

HSL 190.17, 0.79%, 0.44%

LAB 64.59, -24.98, -25.37

 

CMYK 88 / 38 / 0 / 21

HEX #187CC9

RGB 24 124 201

HSL 206.1, 0.79%, 0.44%

LAB 50.48, 1.24, -47.44

 

CMYK 88 / 62 / 0 / 21

HEX #184DC9

RGB 24 77 201

HSL 222.03, 0.79%, 0.44%

LAB 37.33, 31.46, -68.69

 

CMYK 88 / 16 / 0 / 50

HEX #0F6B7F

RGB 15 107 127

HSL 190.71, 0.79%, 0.28%

LAB 41.45, -17.36, -18.19

 

CMYK 88 / 15 / 0 / 36

HEX #138BA4

RGB 19 139 164

HSL 190.34, 0.79%, 0.36%

LAB 53.26, -21.3, -21.86

 

CMYK 88 / 15 / 0 / 21

HEX #18AAC9

RGB 24 170 201

HSL 190.51, 0.79%, 0.44%

LAB 64.29, -24.47, -25.83

 

CMYK 84 / 14 / 0 / 10

HEX #24C4E5

RGB 36 196 229

HSL 190.26, 0.79%, 0.52%

LAB 73.23, -27.56, -27.45

 

CMYK 69 / 12 / 0 / 8

HEX #49CEEA

RGB 73 206 234

HSL 190.43, 0.79%, 0.6%

LAB 76.98, -27.12, -24.34

 

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

CMYK 56 / 88 / 0 / 21

HEX #5918C9

RGB 89 24 201

HSL 262.03, 0.79%, 0.44%

LAB 31.79, 64.13, -77.66

 

CMYK 0 / 21 / 88 / 21

HEX #C99F18

RGB 201 159 24

HSL 45.76, 0.79%, 0.44%

LAB 67.49, 4.07, 67.3

 

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

CMYK 0 / 88 / 15 / 21

HEX #C918AB

RGB 201 24 171

HSL 310.17, 0.79%, 0.44%

LAB 46.99, 75.48, -34.57

 

CMYK 15 / 0 / 88 / 21

HEX #ABC918

RGB 171 201 24

HSL 70.17, 0.79%, 0.44%

LAB 76.37, -30.32, 73.4

 

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

CMYK 56 / 88 / 0 / 21

HEX #5918C9

RGB 89 24 201

HSL 262.03, 0.79%, 0.44%

LAB 31.79, 64.13, -77.66

 

CMYK 0 / 74 / 88 / 21

HEX #C93518

RGB 201 53 24

HSL 9.83, 0.79%, 0.44%

LAB 45.67, 56.75, 50.11

 

CMYK 32 / 0 / 88 / 21

HEX #88C918

RGB 136 201 24

HSL 82.03, 0.79%, 0.44%

LAB 74.24, -44.02, 70.76

 

CMYK 88 / 15 / 0 / 21

HEX #18ABCA

RGB 24 171 202

HSL 190.45, 0.79%, 0.44%

LAB 64.63, -24.65, -25.86

 

CMYK 29 / 88 / 0 / 21

HEX #8E18C9

RGB 142 24 201

HSL 280, 0.79%, 0.44%

LAB 38.93, 70.32, -65.67

 

CMYK 0 / 74 / 88 / 21

HEX #C93518

RGB 201 53 24

HSL 9.83, 0.79%, 0.44%

LAB 45.67, 56.75, 50.11

 

CMYK 59 / 0 / 88 / 21

HEX #53C918

RGB 83 201 24

HSL 100, 0.79%, 0.44%

LAB 72.01, -60.64, 67.99

 

Description

Color code: HEX #18ABCA | qconv.com Color code: HEX #18ABCA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 171 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 171 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 15 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 15% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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