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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A8C8 it is the complementary color #E75737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A8C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A8C8 shade: #1DA8C3, #2EBAD6, #3FCCE9, #50DEFC and #61F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A8C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A8C8 shade: #18A8C8, #0796B5, #0084A2, #00728F and #00607C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A8C8 shade: #18A9C9, #1879C9, #1849C9, #1819C9 and #4618C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A8C8 shade: #18A9C9, #1879C9, #1849C9, #1819C9 and #1818C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A8C8 shade matches the following richer shades: #18A9C9 and #05B4DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A8C8 shade: #18A9C9, #2A9DB7, #3C91A5, #4E8692 and #607A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A8C8 shade: #18C988, #18C9B7, #18ABC9, #187CC9 and #184DC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A8C8 shade: #0F6B7F, #138AA4, #18A9C9, #24C2E5 and #49CDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A8C8 shade: #18A8C8, #5918C9 and #C99F18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A8C8 shade: #18A8C8, #C918AB and #ABC918

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A8C8 shade: #18A8C8, #5918C9, #C93518 and #88C918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A8C8 shade: #18A8C8, #8E18C9, #C93518 and #53C918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

Complementary color

CMYK 0 / 62 / 76 / 9

HEX #E75737

RGB 231 87 55

HSL 10.91, 0.79%, 0.56%

LAB 56.17, 54.18, 47.03

 

CMYK 85 / 14 / 0 / 24

HEX #1DA8C3

RGB 29 168 195

HSL 189.76, 0.74%, 0.44%

LAB 63.51, -25.13, -23.68

 

CMYK 79 / 13 / 0 / 16

HEX #2EBAD6

RGB 46 186 214

HSL 190, 0.67%, 0.51%

LAB 69.86, -26.58, -24.43

 

CMYK 73 / 12 / 0 / 9

HEX #3FCCE9

RGB 63 204 233

HSL 190.24, 0.79%, 0.58%

LAB 76.15, -27.71, -25.1

 

CMYK 68 / 12 / 0 / 1

HEX #50DEFC

RGB 80 222 252

HSL 190.47, 0.97%, 0.65%

LAB 82.37, -28.6, -25.7

 

CMYK 62 / 6 / 0 / 0

HEX #61F0FF

RGB 97 240 255

HSL 185.7, 1%, 0.69%

LAB 88.01, -33.84, -18.69

 

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

CMYK 96 / 17 / 0 / 29

HEX #0796B5

RGB 7 150 181

HSL 190.69, 0.93%, 0.37%

LAB 57.26, -21.73, -25.43

 

CMYK 100 / 19 / 0 / 36

HEX #0084A2

RGB 0 132 162

HSL 191.11, 1%, 0.32%

LAB 50.82, -19.17, -24.48

 

CMYK 100 / 20 / 0 / 44

HEX #00728F

RGB 0 114 143

HSL 192.17, 1%, 0.28%

LAB 44.26, -16.26, -23.46

 

CMYK 100 / 23 / 0 / 51

HEX #00607C

RGB 0 96 124

HSL 193.55, 1%, 0.24%

LAB 37.52, -13.21, -22.45

 

CMYK 88 / 16 / 0 / 21

HEX #18A9C9

RGB 24 169 201

HSL 190.85, 0.79%, 0.44%

LAB 63.99, -23.96, -26.3

 

CMYK 88 / 40 / 0 / 21

HEX #1879C9

RGB 24 121 201

HSL 207.12, 0.79%, 0.44%

LAB 49.6, 3.07, -48.85

 

CMYK 88 / 64 / 0 / 21

HEX #1849C9

RGB 24 73 201

HSL 223.39, 0.79%, 0.44%

LAB 36.32, 34.07, -70.34

 

CMYK 88 / 88 / 0 / 21

HEX #1819C9

RGB 24 25 201

HSL 239.66, 0.79%, 0.44%

LAB 27.04, 60.12, -85.71

 

CMYK 65 / 88 / 0 / 21

HEX #4618C9

RGB 70 24 201

HSL 255.59, 0.79%, 0.44%

LAB 29.84, 62.6, -80.96

 

CMYK 88 / 16 / 0 / 21

HEX #18A9C9

RGB 24 169 201

HSL 190.85, 0.79%, 0.44%

LAB 63.99, -23.96, -26.3

 

CMYK 88 / 40 / 0 / 21

HEX #1879C9

RGB 24 121 201

HSL 207.12, 0.79%, 0.44%

LAB 49.6, 3.07, -48.85

 

CMYK 88 / 64 / 0 / 21

HEX #1849C9

RGB 24 73 201

HSL 223.39, 0.79%, 0.44%

LAB 36.32, 34.07, -70.34

 

CMYK 88 / 88 / 0 / 21

HEX #1819C9

RGB 24 25 201

HSL 239.66, 0.79%, 0.44%

LAB 27.04, 60.12, -85.71

 

CMYK 88 / 88 / 0 / 21

HEX #1818C9

RGB 24 24 201

HSL 240, 0.79%, 0.44%

LAB 26.92, 60.47, -85.9

 

CMYK 88 / 16 / 0 / 21

HEX #18A9C9

RGB 24 169 201

HSL 190.85, 0.79%, 0.44%

LAB 63.99, -23.96, -26.3

 

CMYK 98 / 18 / 0 / 14

HEX #05B4DB

RGB 5 180 219

HSL 190.93, 0.96%, 0.44%

LAB 67.87, -24.22, -30.27

 

CMYK 88 / 16 / 0 / 21

HEX #18A9C9

RGB 24 169 201

HSL 190.85, 0.79%, 0.44%

LAB 63.99, -23.96, -26.3

 

CMYK 77 / 14 / 0 / 28

HEX #2A9DB7

RGB 42 157 183

HSL 191.06, 0.63%, 0.44%

LAB 59.91, -22.27, -22.46

 

CMYK 64 / 12 / 0 / 35

HEX #3C91A5

RGB 60 145 165

HSL 191.43, 0.47%, 0.44%

LAB 56.02, -19.19, -18.14

 

CMYK 47 / 8 / 0 / 43

HEX #4E8692

RGB 78 134 146

HSL 190.59, 0.3%, 0.44%

LAB 52.67, -15.08, -12.19

 

CMYK 25 / 5 / 0 / 50

HEX #607A80

RGB 96 122 128

HSL 191.25, 0.14%, 0.44%

LAB 49.45, -7.9, -6.37

 

CMYK 88 / 0 / 32 / 21

HEX #18C988

RGB 24 201 136

HSL 157.97, 0.79%, 0.44%

LAB 72.06, -56.21, 21.13

 

CMYK 88 / 0 / 9 / 21

HEX #18C9B7

RGB 24 201 183

HSL 173.9, 0.79%, 0.44%

LAB 73.15, -44.53, -2.62

 

CMYK 88 / 15 / 0 / 21

HEX #18ABC9

RGB 24 171 201

HSL 190.17, 0.79%, 0.44%

LAB 64.59, -24.98, -25.37

 

CMYK 88 / 38 / 0 / 21

HEX #187CC9

RGB 24 124 201

HSL 206.1, 0.79%, 0.44%

LAB 50.48, 1.24, -47.44

 

CMYK 88 / 62 / 0 / 21

HEX #184DC9

RGB 24 77 201

HSL 222.03, 0.79%, 0.44%

LAB 37.33, 31.46, -68.69

 

CMYK 88 / 16 / 0 / 50

HEX #0F6B7F

RGB 15 107 127

HSL 190.71, 0.79%, 0.28%

LAB 41.45, -17.36, -18.19

 

CMYK 88 / 16 / 0 / 36

HEX #138AA4

RGB 19 138 164

HSL 190.76, 0.79%, 0.36%

LAB 52.94, -20.77, -22.35

 

CMYK 88 / 16 / 0 / 21

HEX #18A9C9

RGB 24 169 201

HSL 190.85, 0.79%, 0.44%

LAB 63.99, -23.96, -26.3

 

CMYK 84 / 15 / 0 / 10

HEX #24C2E5

RGB 36 194 229

HSL 190.88, 0.79%, 0.52%

LAB 72.64, -26.56, -28.35

 

CMYK 69 / 12 / 0 / 8

HEX #49CDEA

RGB 73 205 234

HSL 190.81, 0.79%, 0.6%

LAB 76.69, -26.62, -24.78

 

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

CMYK 56 / 88 / 0 / 21

HEX #5918C9

RGB 89 24 201

HSL 262.03, 0.79%, 0.44%

LAB 31.79, 64.13, -77.66

 

CMYK 0 / 21 / 88 / 21

HEX #C99F18

RGB 201 159 24

HSL 45.76, 0.79%, 0.44%

LAB 67.49, 4.07, 67.3

 

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

CMYK 0 / 88 / 15 / 21

HEX #C918AB

RGB 201 24 171

HSL 310.17, 0.79%, 0.44%

LAB 46.99, 75.48, -34.57

 

CMYK 15 / 0 / 88 / 21

HEX #ABC918

RGB 171 201 24

HSL 70.17, 0.79%, 0.44%

LAB 76.37, -30.32, 73.4

 

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

CMYK 56 / 88 / 0 / 21

HEX #5918C9

RGB 89 24 201

HSL 262.03, 0.79%, 0.44%

LAB 31.79, 64.13, -77.66

 

CMYK 0 / 74 / 88 / 21

HEX #C93518

RGB 201 53 24

HSL 9.83, 0.79%, 0.44%

LAB 45.67, 56.75, 50.11

 

CMYK 32 / 0 / 88 / 21

HEX #88C918

RGB 136 201 24

HSL 82.03, 0.79%, 0.44%

LAB 74.24, -44.02, 70.76

 

CMYK 88 / 16 / 0 / 22

HEX #18A8C8

RGB 24 168 200

HSL 190.91, 0.79%, 0.44%

LAB 63.65, -23.78, -26.27

 

CMYK 29 / 88 / 0 / 21

HEX #8E18C9

RGB 142 24 201

HSL 280, 0.79%, 0.44%

LAB 38.93, 70.32, -65.67

 

CMYK 0 / 74 / 88 / 21

HEX #C93518

RGB 201 53 24

HSL 9.83, 0.79%, 0.44%

LAB 45.67, 56.75, 50.11

 

CMYK 59 / 0 / 88 / 21

HEX #53C918

RGB 83 201 24

HSL 100, 0.79%, 0.44%

LAB 72.01, -60.64, 67.99

 

Description

Color code: HEX #18A8C8 | qconv.com Color code: HEX #18A8C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 168 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 168 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 16 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 16% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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