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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A754 it is the complementary color #E758AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A754 shade: #1DA74F, #2EB962, #3FCB75, #50DD88 and #61EF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A754 shade: #18A754, #079541, #00832E, #00711B and #005F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A754 shade: #18A553, #18A52D, #29A518, #4FA518 and #75A518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A754 shade: #18A553, #18A579, #18A59F, #1885A5 and #185FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A754 shade matches the following richer shades: #18A553 and #08B450

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A754 shade: #18A553, #279655, #368758, #45775A and #55685D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A754 shade: #28A518, #18A52D, #18A553, #18A578 and #18A59E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A754 shade: #0D5D2F, #128141, #18A553, #1DC965 and #2EE179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A754 shade: #18A754, #184EA5 and #A51A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A754 shade: #18A754, #5318A5 and #A55318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A754 shade: #18A754, #184EA5, #A5186A and #A56F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A754 shade: #18A754, #1823A5, #A5186A and #A59918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

Complementary color

CMYK 0 / 62 / 26 / 9

HEX #E758AB

RGB 231 88 171

HSL 325.17, 0.75%, 0.63%

LAB 58.89, 63.39, -15.79

 

CMYK 83 / 0 / 53 / 35

HEX #1DA74F

RGB 29 167 79

HSL 141.74, 0.7%, 0.38%

LAB 60.3, -54.35, 35.51

 

CMYK 75 / 0 / 47 / 27

HEX #2EB962

RGB 46 185 98

HSL 142.45, 0.6%, 0.45%

LAB 66.64, -55.49, 33.86

 

CMYK 69 / 0 / 42 / 20

HEX #3FCB75

RGB 63 203 117

HSL 143.14, 0.57%, 0.52%

LAB 72.93, -56.18, 32.3

 

CMYK 64 / 0 / 38 / 13

HEX #50DD88

RGB 80 221 136

HSL 143.83, 0.67%, 0.59%

LAB 79.15, -56.58, 30.84

 

CMYK 59 / 0 / 35 / 6

HEX #61EF9B

RGB 97 239 155

HSL 144.51, 0.82%, 0.66%

LAB 85.32, -56.77, 29.48

 

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

CMYK 95 / 0 / 56 / 42

HEX #079541

RGB 7 149 65

HSL 144.51, 0.91%, 0.31%

LAB 53.94, -52.13, 34.75

 

CMYK 100 / 0 / 65 / 49

HEX #00832E

RGB 0 131 46

HSL 141.07, 1%, 0.26%

LAB 47.53, -49.3, 36.51

 

CMYK 100 / 0 / 76 / 56

HEX #00711B

RGB 0 113 27

HSL 134.34, 1%, 0.22%

LAB 41.04, -45.64, 37.87

 

CMYK 100 / 0 / 92 / 63

HEX #005F08

RGB 0 95 8

HSL 125.05, 1%, 0.19%

LAB 34.4, -41.37, 37.96

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 85 / 0 / 73 / 35

HEX #18A52D

RGB 24 165 45

HSL 128.94, 0.75%, 0.37%

LAB 59.25, -58.37, 49.62

 

CMYK 75 / 0 / 85 / 35

HEX #29A518

RGB 41 165 24

HSL 112.77, 0.75%, 0.37%

LAB 59.39, -57.56, 56.51

 

CMYK 52 / 0 / 85 / 35

HEX #4FA518

RGB 79 165 24

HSL 96.6, 0.75%, 0.37%

LAB 60.46, -48.72, 57.88

 

CMYK 29 / 0 / 85 / 35

HEX #75A518

RGB 117 165 24

HSL 80.43, 0.75%, 0.37%

LAB 62.3, -35.45, 60.2

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 85 / 0 / 27 / 35

HEX #18A579

RGB 24 165 121

HSL 161.28, 0.75%, 0.37%

LAB 60.32, -45.72, 13.04

 

CMYK 85 / 0 / 4 / 35

HEX #18A59F

RGB 24 165 159

HSL 177.45, 0.75%, 0.37%

LAB 61.31, -35.41, -6.84

 

CMYK 85 / 19 / 0 / 35

HEX #1885A5

RGB 24 133 165

HSL 193.62, 0.75%, 0.37%

LAB 51.48, -17.36, -25.18

 

CMYK 85 / 42 / 0 / 35

HEX #185FA5

RGB 24 95 165

HSL 209.79, 0.75%, 0.37%

LAB 39.74, 5.31, -43.64

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 96 / 0 / 56 / 29

HEX #08B450

RGB 8 180 80

HSL 145.12, 0.91%, 0.37%

LAB 64.38, -60.04, 39.93

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 74 / 0 / 43 / 41

HEX #279655

RGB 39 150 85

HSL 144.86, 0.59%, 0.37%

LAB 54.97, -45.78, 25.65

 

CMYK 60 / 0 / 35 / 47

HEX #368758

RGB 54 135 88

HSL 145.19, 0.43%, 0.37%

LAB 50.47, -36.06, 18.1

 

CMYK 42 / 0 / 24 / 53

HEX #45775A

RGB 69 119 90

HSL 145.2, 0.27%, 0.37%

LAB 45.9, -23.93, 10.75

 

CMYK 18 / 0 / 11 / 59

HEX #55685D

RGB 85 104 93

HSL 145.26, 0.1%, 0.37%

LAB 42.19, -9.59, 3.83

 

CMYK 76 / 0 / 85 / 35

HEX #28A518

RGB 40 165 24

HSL 113.19, 0.75%, 0.37%

LAB 59.37, -57.73, 56.49

 

CMYK 85 / 0 / 73 / 35

HEX #18A52D

RGB 24 165 45

HSL 128.94, 0.75%, 0.37%

LAB 59.25, -58.37, 49.62

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 85 / 0 / 27 / 35

HEX #18A578

RGB 24 165 120

HSL 160.85, 0.75%, 0.37%

LAB 60.3, -45.96, 13.57

 

CMYK 85 / 0 / 4 / 35

HEX #18A59E

RGB 24 165 158

HSL 177.02, 0.75%, 0.37%

LAB 61.28, -35.71, -6.32

 

CMYK 86 / 0 / 49 / 64

HEX #0D5D2F

RGB 13 93 47

HSL 145.5, 0.75%, 0.21%

LAB 34.23, -34.39, 20.04

 

CMYK 86 / 0 / 50 / 49

HEX #128141

RGB 18 129 65

HSL 145.41, 0.76%, 0.29%

LAB 47.25, -44.28, 26.51

 

CMYK 85 / 0 / 50 / 35

HEX #18A553

RGB 24 165 83

HSL 145.11, 0.75%, 0.37%

LAB 59.64, -53.51, 32.64

 

CMYK 86 / 0 / 50 / 21

HEX #1DC965

RGB 29 201 101

HSL 145.12, 0.75%, 0.45%

LAB 71.54, -62.42, 38.47

 

CMYK 80 / 0 / 46 / 12

HEX #2EE179

RGB 46 225 121

HSL 145.14, 0.75%, 0.53%

LAB 79.51, -65.64, 38.7

 

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

CMYK 85 / 53 / 0 / 35

HEX #184EA5

RGB 24 78 165

HSL 217.02, 0.75%, 0.37%

LAB 34.72, 16.57, -51.72

 

CMYK 0 / 84 / 85 / 35

HEX #A51A18

RGB 165 26 24

HSL 0.85, 0.75%, 0.37%

LAB 35.6, 53.94, 38.81

 

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

CMYK 50 / 85 / 0 / 35

HEX #5318A5

RGB 83 24 165

HSL 265.11, 0.75%, 0.37%

LAB 27.32, 54.59, -63.65

 

CMYK 0 / 50 / 85 / 35

HEX #A55318

RGB 165 83 24

HSL 25.11, 0.75%, 0.37%

LAB 44.59, 30.02, 46.69

 

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

CMYK 85 / 53 / 0 / 35

HEX #184EA5

RGB 24 78 165

HSL 217.02, 0.75%, 0.37%

LAB 34.72, 16.57, -51.72

 

CMYK 0 / 85 / 36 / 35

HEX #A5186A

RGB 165 24 106

HSL 325.11, 0.75%, 0.37%

LAB 37.29, 59.8, -10.34

 

CMYK 0 / 33 / 85 / 35

HEX #A56F18

RGB 165 111 24

HSL 37.02, 0.75%, 0.37%

LAB 51.19, 14.4, 52.32

 

CMYK 86 / 0 / 50 / 35

HEX #18A754

RGB 24 167 84

HSL 145.17, 0.75%, 0.37%

LAB 60.31, -54.04, 32.96

 

CMYK 85 / 79 / 0 / 35

HEX #1823A5

RGB 24 35 165

HSL 235.32, 0.75%, 0.37%

LAB 24.04, 44.4, -69.24

 

CMYK 0 / 85 / 36 / 35

HEX #A5186A

RGB 165 24 106

HSL 325.11, 0.75%, 0.37%

LAB 37.29, 59.8, -10.34

 

CMYK 0 / 7 / 85 / 35

HEX #A59918

RGB 165 153 24

HSL 54.89, 0.75%, 0.37%

LAB 62.38, -8.86, 61.69

 

Description

Color code: HEX #18A754 | qconv.com Color code: HEX #18A754 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 167 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 167 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 50 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 50% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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