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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #189B4D it is the complementary color #E764B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #189B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #189B4D shade: #1D9B48, #2EAD5B, #3FBF6E, #50D181 and #61E394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #189B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #189B4D shade: #189B4D, #07893A, #007727, #006514 and #005301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #189B4D shade: #189A4D, #189A2A, #2A9A18, #4D9A18 and #709A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #189B4D shade: #189A4D, #189A70, #189A93, #187F9A and #185B9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #189B4D shade matches the following richer shades: #189A4D and #0AA94A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #189B4D shade: #189A4D, #278C50, #357E52, #436F55 and #526158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #189B4D shade: #299A18, #189A29, #189A4C, #189A6F and #189A92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #189B4D shade: #0D5329, #13773B, #189A4D, #1EBE5F and #28DD71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #189B4D shade: #189B4D, #184C9A and #9A1818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #189B4D shade: #189B4D, #4C189A and #9A4C18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #189B4D shade: #189B4D, #184C9A, #9A1866 and #9A6618

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #189B4D shade: #189B4D, #18259A, #9A1866 and #9A8D18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

Complementary color

CMYK 0 / 57 / 23 / 9

HEX #E764B2

RGB 231 100 178

HSL 324.27, 0.73%, 0.65%

LAB 61.06, 59.11, -16.53

 

CMYK 81 / 0 / 54 / 39

HEX #1D9B48

RGB 29 155 72

HSL 140.48, 0.68%, 0.36%

LAB 56.26, -51.25, 34.08

 

CMYK 73 / 0 / 47 / 32

HEX #2EAD5B

RGB 46 173 91

HSL 141.26, 0.58%, 0.43%

LAB 62.7, -52.29, 32.44

 

CMYK 67 / 0 / 42 / 25

HEX #3FBF6E

RGB 63 191 110

HSL 142.03, 0.5%, 0.5%

LAB 69.07, -52.89, 30.89

 

CMYK 62 / 0 / 38 / 18

HEX #50D181

RGB 80 209 129

HSL 142.79, 0.58%, 0.57%

LAB 75.38, -53.19, 29.44

 

CMYK 57 / 0 / 35 / 11

HEX #61E394

RGB 97 227 148

HSL 143.54, 0.7%, 0.64%

LAB 81.63, -53.3, 28.09

 

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

CMYK 95 / 0 / 58 / 46

HEX #07893A

RGB 7 137 58

HSL 143.54, 0.9%, 0.28%

LAB 49.79, -49.14, 33.28

 

CMYK 100 / 0 / 67 / 53

HEX #007727

RGB 0 119 39

HSL 139.66, 1%, 0.23%

LAB 43.27, -46.27, 35.01

 

CMYK 100 / 0 / 80 / 60

HEX #006514

RGB 0 101 20

HSL 131.88, 1%, 0.2%

LAB 36.66, -42.44, 36.19

 

CMYK 100 / 0 / 99 / 67

HEX #005301

RGB 0 83 1

HSL 120.72, 1%, 0.16%

LAB 29.88, -38.04, 36.41

 

CMYK 84 / 0 / 50 / 40

HEX #189A4D

RGB 24 154 77

HSL 144.46, 0.73%, 0.35%

LAB 55.93, -50.64, 31.08

 

CMYK 84 / 0 / 73 / 40

HEX #189A2A

RGB 24 154 42

HSL 128.31, 0.73%, 0.35%

LAB 55.56, -55.18, 46.97

 

CMYK 73 / 0 / 84 / 40

HEX #2A9A18

RGB 42 154 24

HSL 111.69, 0.73%, 0.35%

LAB 55.76, -53.84, 53.24

 

CMYK 50 / 0 / 84 / 40

HEX #4D9A18

RGB 77 154 24

HSL 95.54, 0.73%, 0.35%

LAB 56.84, -45.07, 54.62

 

CMYK 27 / 0 / 84 / 40

HEX #709A18

RGB 112 154 24

HSL 79.38, 0.73%, 0.35%

LAB 58.62, -32.39, 56.88

 

CMYK 84 / 0 / 50 / 40

HEX #189A4D

RGB 24 154 77

HSL 144.46, 0.73%, 0.35%

LAB 55.93, -50.64, 31.08

 

CMYK 84 / 0 / 27 / 40

HEX #189A70

RGB 24 154 112

HSL 160.62, 0.73%, 0.35%

LAB 56.56, -43.42, 12.81

 

CMYK 84 / 0 / 5 / 40

HEX #189A93

RGB 24 154 147

HSL 176.77, 0.73%, 0.35%

LAB 57.47, -33.89, -5.74

 

CMYK 84 / 18 / 0 / 40

HEX #187F9A

RGB 24 127 154

HSL 192.46, 0.73%, 0.35%

LAB 49.14, -17.98, -22.39

 

CMYK 84 / 41 / 0 / 40

HEX #185B9A

RGB 24 91 154

HSL 209.08, 0.73%, 0.35%

LAB 37.86, 3.5, -40.08

 

CMYK 84 / 0 / 50 / 40

HEX #189A4D

RGB 24 154 77

HSL 144.46, 0.73%, 0.35%

LAB 55.93, -50.64, 31.08

 

CMYK 94 / 0 / 56 / 34

HEX #0AA94A

RGB 10 169 74

HSL 144.15, 0.89%, 0.35%

LAB 60.72, -57.25, 38.45

 

CMYK 84 / 0 / 50 / 40

HEX #189A4D

RGB 24 154 77

HSL 144.46, 0.73%, 0.35%

LAB 55.93, -50.64, 31.08

 

CMYK 72 / 0 / 43 / 45

HEX #278C50

RGB 39 140 80

HSL 144.36, 0.56%, 0.35%

LAB 51.57, -42.8, 23.95

 

CMYK 58 / 0 / 35 / 51

HEX #357E52

RGB 53 126 82

HSL 143.84, 0.41%, 0.35%

LAB 47.35, -33.51, 17.29

 

CMYK 40 / 0 / 23 / 56

HEX #436F55

RGB 67 111 85

HSL 144.55, 0.25%, 0.35%

LAB 43.09, -21.53, 9.77

 

CMYK 15 / 0 / 9 / 62

HEX #526158

RGB 82 97 88

HSL 144, 0.08%, 0.35%

LAB 39.66, -7.75, 3.21

 

CMYK 73 / 0 / 84 / 40

HEX #299A18

RGB 41 154 24

HSL 112.15, 0.73%, 0.35%

LAB 55.73, -54.02, 53.21

 

CMYK 84 / 0 / 73 / 40

HEX #189A29

RGB 24 154 41

HSL 127.85, 0.73%, 0.35%

LAB 55.55, -55.27, 47.35

 

CMYK 84 / 0 / 51 / 40

HEX #189A4C

RGB 24 154 76

HSL 144, 0.73%, 0.35%

LAB 55.91, -50.81, 31.58

 

CMYK 84 / 0 / 28 / 40

HEX #189A6F

RGB 24 154 111

HSL 160.15, 0.73%, 0.35%

LAB 56.54, -43.66, 13.35

 

CMYK 84 / 0 / 5 / 40

HEX #189A92

RGB 24 154 146

HSL 176.31, 0.73%, 0.35%

LAB 57.44, -34.19, -5.21

 

CMYK 84 / 0 / 51 / 67

HEX #0D5329

RGB 13 83 41

HSL 144, 0.73%, 0.19%

LAB 30.48, -31.5, 18.76

 

CMYK 84 / 0 / 50 / 53

HEX #13773B

RGB 19 119 59

HSL 144, 0.72%, 0.27%

LAB 43.72, -41.5, 25.34

 

CMYK 84 / 0 / 50 / 40

HEX #189A4D

RGB 24 154 77

HSL 144.46, 0.73%, 0.35%

LAB 55.93, -50.64, 31.08

 

CMYK 84 / 0 / 50 / 25

HEX #1EBE5F

RGB 30 190 95

HSL 144.38, 0.73%, 0.43%

LAB 67.97, -59.59, 36.99

 

CMYK 82 / 0 / 49 / 13

HEX #28DD71

RGB 40 221 113

HSL 144.2, 0.73%, 0.51%

LAB 78.08, -66.2, 40.81

 

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

CMYK 84 / 51 / 0 / 40

HEX #184C9A

RGB 24 76 154

HSL 216, 0.73%, 0.35%

LAB 33.34, 13.46, -47.33

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

CMYK 51 / 84 / 0 / 40

HEX #4C189A

RGB 76 24 154

HSL 264, 0.73%, 0.35%

LAB 25.33, 50.93, -60.26

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

CMYK 84 / 51 / 0 / 40

HEX #184C9A

RGB 24 76 154

HSL 216, 0.73%, 0.35%

LAB 33.34, 13.46, -47.33

 

CMYK 0 / 84 / 34 / 40

HEX #9A1866

RGB 154 24 102

HSL 324, 0.73%, 0.35%

LAB 34.97, 56.68, -11.51

 

CMYK 0 / 34 / 84 / 40

HEX #9A6618

RGB 154 102 24

HSL 36, 0.73%, 0.35%

LAB 47.54, 14.52, 48.65

 

CMYK 85 / 0 / 50 / 39

HEX #189B4D

RGB 24 155 77

HSL 144.27, 0.73%, 0.35%

LAB 56.26, -50.99, 31.5

 

CMYK 84 / 76 / 0 / 40

HEX #18259A

RGB 24 37 154

HSL 234, 0.73%, 0.35%

LAB 23.17, 39.45, -63.97

 

CMYK 0 / 84 / 34 / 40

HEX #9A1866

RGB 154 24 102

HSL 324, 0.73%, 0.35%

LAB 34.97, 56.68, -11.51

 

CMYK 0 / 8 / 84 / 40

HEX #9A8D18

RGB 154 141 24

HSL 54, 0.73%, 0.35%

LAB 58.02, -7.42, 57.63

 

Description

Color code: HEX #189B4D | qconv.com Color code: HEX #189B4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 155 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 155 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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