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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #189B11 it is the complementary color #E764EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #189B11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #189B11 shade: #1D9B0C, #2EAD1F, #3FBF32, #50D145 and #61E358

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #189B11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #189B11 shade: #189B11, #078900, #007700, #006500 and #005300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #189B11 shade: #189C11, #3E9C11, #639C11, #899C11 and #9C8A11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #189B11 shade: #189C11, #119C30, #119C55, #119C7B and #11989C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #189B11 shade matches the following richer shades: #189C11 and #0CAA03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #189B11 shade: #189C11, #258E1F, #32802D, #3E723B and #4B6449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #189B11 shade: #659C11, #409C11, #1B9C11, #119C2D and #119C52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #189B11 shade: #0D5209, #13770D, #189C11, #1EC115 and #25E61A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #189B11 shade: #189B11, #118A9C and #9C1152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #189B11 shade: #189B11, #111B9C and #9C111B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #189B11 shade: #189B11, #118A9C, #93119C and #9C2411

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #189B11 shade: #189B11, #11609C, #93119C and #9C4D11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

Complementary color

CMYK 3 / 58 / 0 / 7

HEX #E764EE

RGB 231 100 238

HSL 296.96, 0.8%, 0.66%

LAB 63.57, 68.42, -46.48

 

CMYK 81 / 0 / 92 / 39

HEX #1D9B0C

RGB 29 155 12

HSL 112.87, 0.86%, 0.33%

LAB 55.82, -56.69, 55.82

 

CMYK 73 / 0 / 82 / 32

HEX #2EAD1F

RGB 46 173 31

HSL 113.66, 0.7%, 0.4%

LAB 62.14, -58.92, 57.22

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF32

RGB 63 191 50

HSL 114.47, 0.59%, 0.47%

LAB 68.42, -60.4, 57.36

 

CMYK 62 / 0 / 67 / 18

HEX #50D145

RGB 80 209 69

HSL 115.29, 0.6%, 0.55%

LAB 74.66, -61.34, 56.8

 

CMYK 57 / 0 / 61 / 11

HEX #61E358

RGB 97 227 88

HSL 116.12, 0.71%, 0.62%

LAB 80.84, -61.93, 55.87

 

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

CMYK 95 / 0 / 100 / 46

HEX #078900

RGB 7 137 0

HSL 116.93, 1%, 0.27%

LAB 49.42, -53.8, 52.48

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 85 / 0 / 89 / 39

HEX #189C11

RGB 24 156 17

HSL 116.98, 0.8%, 0.34%

LAB 56.1, -57.41, 55.09

 

CMYK 60 / 0 / 89 / 39

HEX #3E9C11

RGB 62 156 17

HSL 100.58, 0.8%, 0.34%

LAB 56.92, -50.4, 56.13

 

CMYK 37 / 0 / 89 / 39

HEX #639C11

RGB 99 156 17

HSL 84.6, 0.8%, 0.34%

LAB 58.48, -38.58, 58.08

 

CMYK 12 / 0 / 89 / 39

HEX #899C11

RGB 137 156 17

HSL 68.2, 0.8%, 0.34%

LAB 60.9, -23.06, 61.07

 

CMYK 0 / 12 / 89 / 39

HEX #9C8A11

RGB 156 138 17

HSL 52.23, 0.8%, 0.34%

LAB 57.35, -5.05, 58.87

 

CMYK 85 / 0 / 89 / 39

HEX #189C11

RGB 24 156 17

HSL 116.98, 0.8%, 0.34%

LAB 56.1, -57.41, 55.09

 

CMYK 89 / 0 / 69 / 39

HEX #119C30

RGB 17 156 48

HSL 133.38, 0.8%, 0.34%

LAB 56.2, -55.89, 45.19

 

CMYK 89 / 0 / 46 / 39

HEX #119C55

RGB 17 156 85

HSL 149.35, 0.8%, 0.34%

LAB 56.64, -50.55, 27.75

 

CMYK 89 / 0 / 21 / 39

HEX #119C7B

RGB 17 156 123

HSL 165.76, 0.8%, 0.34%

LAB 57.39, -42.03, 7.77

 

CMYK 89 / 3 / 0 / 39

HEX #11989C

RGB 17 152 156

HSL 181.73, 0.8%, 0.34%

LAB 57.05, -30.65, -11.51

 

CMYK 85 / 0 / 89 / 39

HEX #189C11

RGB 24 156 17

HSL 116.98, 0.8%, 0.34%

LAB 56.1, -57.41, 55.09

 

CMYK 93 / 0 / 98 / 33

HEX #0CAA03

RGB 12 170 3

HSL 116.77, 0.97%, 0.34%

LAB 60.64, -62.9, 61.06

 

CMYK 85 / 0 / 89 / 39

HEX #189C11

RGB 24 156 17

HSL 116.98, 0.8%, 0.34%

LAB 56.1, -57.41, 55.09

 

CMYK 74 / 0 / 78 / 44

HEX #258E1F

RGB 37 142 31

HSL 116.76, 0.64%, 0.34%

LAB 51.65, -50.31, 47.18

 

CMYK 61 / 0 / 65 / 50

HEX #32802D

RGB 50 128 45

HSL 116.39, 0.48%, 0.34%

LAB 47.37, -41.05, 37.03

 

CMYK 46 / 0 / 48 / 55

HEX #3E723B

RGB 62 114 59

HSL 116.73, 0.32%, 0.34%

LAB 43.32, -29.56, 25.11

 

CMYK 25 / 0 / 27 / 61

HEX #4B6449

RGB 75 100 73

HSL 115.56, 0.16%, 0.34%

LAB 39.73, -15.23, 12.37

 

CMYK 35 / 0 / 89 / 39

HEX #659C11

RGB 101 156 17

HSL 83.74, 0.8%, 0.34%

LAB 58.59, -37.83, 58.21

 

CMYK 59 / 0 / 89 / 39

HEX #409C11

RGB 64 156 17

HSL 99.71, 0.8%, 0.34%

LAB 56.99, -49.88, 56.21

 

CMYK 83 / 0 / 89 / 39

HEX #1B9C11

RGB 27 156 17

HSL 115.68, 0.8%, 0.34%

LAB 56.14, -57.07, 55.14

 

CMYK 89 / 0 / 71 / 39

HEX #119C2D

RGB 17 156 45

HSL 132.09, 0.8%, 0.34%

LAB 56.17, -56.19, 46.4

 

CMYK 89 / 0 / 47 / 39

HEX #119C52

RGB 17 156 82

HSL 148.06, 0.8%, 0.34%

LAB 56.59, -51.1, 29.28

 

CMYK 84 / 0 / 89 / 68

HEX #0D5209

RGB 13 82 9

HSL 116.71, 0.8%, 0.18%

LAB 29.76, -35.26, 33.51

 

CMYK 84 / 0 / 89 / 53

HEX #13770D

RGB 19 119 13

HSL 116.6, 0.8%, 0.26%

LAB 43.3, -46.65, 44.7

 

CMYK 85 / 0 / 89 / 39

HEX #189C11

RGB 24 156 17

HSL 116.98, 0.8%, 0.34%

LAB 56.1, -57.41, 55.09

 

CMYK 84 / 0 / 89 / 24

HEX #1EC115

RGB 30 193 21

HSL 116.86, 0.8%, 0.42%

LAB 68.37, -67.54, 64.98

 

CMYK 84 / 0 / 89 / 10

HEX #25E61A

RGB 37 230 26

HSL 116.76, 0.8%, 0.5%

LAB 80.21, -77.16, 74.32

 

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

CMYK 89 / 12 / 0 / 39

HEX #118A9C

RGB 17 138 156

HSL 187.77, 0.8%, 0.34%

LAB 52.62, -23.65, -18.23

 

CMYK 0 / 89 / 47 / 39

HEX #9C1152

RGB 156 17 82

HSL 331.94, 0.8%, 0.34%

LAB 34.14, 56.64, 0.22

 

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

CMYK 89 / 83 / 0 / 39

HEX #111B9C

RGB 17 27 156

HSL 235.68, 0.8%, 0.34%

LAB 21.22, 45.33, -68.44

 

CMYK 0 / 89 / 83 / 39

HEX #9C111B

RGB 156 17 27

HSL 355.68, 0.8%, 0.34%

LAB 33.02, 53.43, 34.05

 

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

CMYK 89 / 12 / 0 / 39

HEX #118A9C

RGB 17 138 156

HSL 187.77, 0.8%, 0.34%

LAB 52.62, -23.65, -18.23

 

CMYK 6 / 89 / 0 / 39

HEX #93119C

RGB 147 17 156

HSL 296.12, 0.8%, 0.34%

LAB 35.99, 64.26, -43.65

 

CMYK 0 / 77 / 89 / 39

HEX #9C2411

RGB 156 36 17

HSL 8.2, 0.8%, 0.34%

LAB 34.74, 48.09, 40.8

 

CMYK 85 / 0 / 89 / 39

HEX #189B11

RGB 24 155 17

HSL 116.96, 0.8%, 0.34%

LAB 55.76, -57.11, 54.8

 

CMYK 89 / 38 / 0 / 39

HEX #11609C

RGB 17 96 156

HSL 205.9, 0.8%, 0.34%

LAB 39.39, 0.53, -38.86

 

CMYK 6 / 89 / 0 / 39

HEX #93119C

RGB 147 17 156

HSL 296.12, 0.8%, 0.34%

LAB 35.99, 64.26, -43.65

 

CMYK 0 / 51 / 89 / 39

HEX #9C4D11

RGB 156 77 17

HSL 25.9, 0.8%, 0.34%

LAB 41.87, 29.29, 46.49

 

Description

Color code: HEX #189B11 | qconv.com Color code: HEX #189B11 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 155 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 155 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 89 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 89% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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