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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #189143 it is the complementary color #E76EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #189143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #189143 shade: #1D913E, #2EA351, #3FB564, #50C777 and #61D98A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #189143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #189143 shade: #189143, #077F30, #006D1D, #005B0A and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #189143 shade: #189143, #189122, #2E9118, #4F9118 and #6F9118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #189143 shade: #189143, #189163, #189184, #187D91 and #185C91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #189143 shade matches the following richer shades: #189143 and #0A9E3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #189143 shade: #189143, #258347, #33764A, #40684E and #4E5A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #189143 shade: #2E9118, #189122, #189142, #189162 and #189183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #189143 shade: #0C4A22, #126D32, #189143, #1DB453 and #23D863

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #189143 shade: #189143, #184E91 and #91181E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #189143 shade: #189143, #421891 and #914218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #189143 shade: #189143, #184E91, #911866 and #915A18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #189143 shade: #189143, #182A91, #911866 and #917F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

Complementary color

CMYK 0 / 52 / 19 / 9

HEX #E76EBC

RGB 231 110 188

HSL 321.32, 0.72%, 0.67%

LAB 63.15, 55.91, -19.05

 

CMYK 80 / 0 / 57 / 43

HEX #1D913E

RGB 29 145 62

HSL 137.07, 0.67%, 0.34%

LAB 52.8, -49.22, 34.92

 

CMYK 72 / 0 / 50 / 36

HEX #2EA351

RGB 46 163 81

HSL 137.95, 0.56%, 0.41%

LAB 59.31, -50.24, 33.33

 

CMYK 65 / 0 / 45 / 29

HEX #3FB564

RGB 63 181 100

HSL 138.81, 0.48%, 0.48%

LAB 65.77, -50.78, 31.79

 

CMYK 60 / 0 / 40 / 22

HEX #50C777

RGB 80 199 119

HSL 139.66, 0.52%, 0.55%

LAB 72.15, -51.03, 30.34

 

CMYK 55 / 0 / 36 / 15

HEX #61D98A

RGB 97 217 138

HSL 140.5, 0.61%, 0.62%

LAB 78.46, -51.09, 28.99

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 94 / 0 / 62 / 50

HEX #077F30

RGB 7 127 48

HSL 140.5, 0.9%, 0.26%

LAB 46.23, -47.19, 34.07

 

CMYK 100 / 0 / 73 / 57

HEX #006D1D

RGB 0 109 29

HSL 135.96, 1%, 0.21%

LAB 39.62, -44.16, 35.56

 

CMYK 100 / 0 / 89 / 64

HEX #005B0A

RGB 0 91 10

HSL 126.59, 1%, 0.18%

LAB 32.93, -39.99, 36.04

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 83 / 0 / 77 / 43

HEX #189122

RGB 24 145 34

HSL 124.96, 0.72%, 0.33%

LAB 52.47, -53, 46.84

 

CMYK 68 / 0 / 83 / 43

HEX #2E9118

RGB 46 145 24

HSL 109.09, 0.72%, 0.33%

LAB 52.84, -50.01, 50.6

 

CMYK 46 / 0 / 83 / 43

HEX #4F9118

RGB 79 145 24

HSL 92.73, 0.72%, 0.33%

LAB 54, -40.77, 52.1

 

CMYK 23 / 0 / 83 / 43

HEX #6F9118

RGB 111 145 24

HSL 76.86, 0.72%, 0.33%

LAB 55.78, -28.55, 54.36

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 83 / 0 / 32 / 43

HEX #189163

RGB 24 145 99

HSL 157.19, 0.72%, 0.33%

LAB 53.33, -42.84, 15.66

 

CMYK 83 / 0 / 9 / 43

HEX #189184

RGB 24 145 132

HSL 173.55, 0.72%, 0.33%

LAB 54.14, -34.16, -2.06

 

CMYK 83 / 14 / 0 / 43

HEX #187D91

RGB 24 125 145

HSL 189.92, 0.72%, 0.33%

LAB 48.14, -20.04, -18.64

 

CMYK 83 / 37 / 0 / 43

HEX #185C91

RGB 24 92 145

HSL 206.28, 0.72%, 0.33%

LAB 37.65, -0.72, -35

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 94 / 0 / 60 / 38

HEX #0A9E3F

RGB 10 158 63

HSL 141.49, 0.88%, 0.33%

LAB 56.96, -55.21, 39.29

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 72 / 0 / 46 / 49

HEX #258347

RGB 37 131 71

HSL 141.7, 0.56%, 0.33%

LAB 48.36, -41.25, 24.73

 

CMYK 57 / 0 / 37 / 54

HEX #33764A

RGB 51 118 74

HSL 140.6, 0.4%, 0.33%

LAB 44.45, -32.01, 17.98

 

CMYK 38 / 0 / 25 / 59

HEX #40684E

RGB 64 104 78

HSL 141, 0.24%, 0.33%

LAB 40.48, -20.37, 10.28

 

CMYK 13 / 0 / 9 / 65

HEX #4E5A52

RGB 78 90 82

HSL 140, 0.07%, 0.33%

LAB 37.01, -6.46, 3.04

 

CMYK 68 / 0 / 83 / 43

HEX #2E9118

RGB 46 145 24

HSL 109.09, 0.72%, 0.33%

LAB 52.84, -50.01, 50.6

 

CMYK 83 / 0 / 77 / 43

HEX #189122

RGB 24 145 34

HSL 124.96, 0.72%, 0.33%

LAB 52.47, -53, 46.84

 

CMYK 83 / 0 / 54 / 43

HEX #189142

RGB 24 145 66

HSL 140.83, 0.72%, 0.33%

LAB 52.77, -49.24, 32.86

 

CMYK 83 / 0 / 32 / 43

HEX #189162

RGB 24 145 98

HSL 156.69, 0.72%, 0.33%

LAB 53.31, -43.07, 16.19

 

CMYK 83 / 0 / 10 / 43

HEX #189183

RGB 24 145 131

HSL 173.06, 0.72%, 0.33%

LAB 54.12, -34.45, -1.52

 

CMYK 84 / 0 / 54 / 71

HEX #0C4A22

RGB 12 74 34

HSL 141.29, 0.72%, 0.17%

LAB 26.99, -29.27, 18.49

 

CMYK 83 / 0 / 54 / 57

HEX #126D32

RGB 18 109 50

HSL 141.1, 0.72%, 0.25%

LAB 40.07, -39.42, 25.71

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 84 / 0 / 54 / 29

HEX #1DB453

RGB 29 180 83

HSL 141.46, 0.72%, 0.41%

LAB 64.59, -58.17, 38.76

 

CMYK 84 / 0 / 54 / 15

HEX #23D863

RGB 35 216 99

HSL 141.22, 0.72%, 0.49%

LAB 76.3, -67.12, 45.29

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 83 / 46 / 0 / 43

HEX #184E91

RGB 24 78 145

HSL 213.22, 0.72%, 0.33%

LAB 33.32, 8.44, -41.9

 

CMYK 0 / 83 / 79 / 43

HEX #91181E

RGB 145 24 30

HSL 357.02, 0.72%, 0.33%

LAB 31.27, 48.73, 29.72

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 54 / 83 / 0 / 43

HEX #421891

RGB 66 24 145

HSL 260.83, 0.72%, 0.33%

LAB 23.19, 47.28, -58.28

 

CMYK 0 / 54 / 83 / 43

HEX #914218

RGB 145 66 24

HSL 20.83, 0.72%, 0.33%

LAB 37.81, 30.79, 39.45

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 83 / 46 / 0 / 43

HEX #184E91

RGB 24 78 145

HSL 213.22, 0.72%, 0.33%

LAB 33.32, 8.44, -41.9

 

CMYK 0 / 83 / 30 / 43

HEX #911866

RGB 145 24 102

HSL 321.32, 0.72%, 0.33%

LAB 33.21, 54.47, -14.36

 

CMYK 0 / 38 / 83 / 43

HEX #915A18

RGB 145 90 24

HSL 32.73, 0.72%, 0.33%

LAB 43.36, 17.31, 44.5

 

CMYK 83 / 0 / 54 / 43

HEX #189143

RGB 24 145 67

HSL 141.32, 0.72%, 0.33%

LAB 52.79, -49.08, 32.36

 

CMYK 83 / 71 / 0 / 43

HEX #182A91

RGB 24 42 145

HSL 231.07, 0.72%, 0.33%

LAB 23.32, 33.04, -58.18

 

CMYK 0 / 83 / 30 / 43

HEX #911866

RGB 145 24 102

HSL 321.32, 0.72%, 0.33%

LAB 33.21, 54.47, -14.36

 

CMYK 0 / 12 / 83 / 43

HEX #917F18

RGB 145 127 24

HSL 51.07, 0.72%, 0.33%

LAB 53.24, -3.89, 53.2

 

Description

Color code: HEX #189143 | qconv.com Color code: HEX #189143 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 145 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 145 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 54 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 54% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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