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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188D67 it is the complementary color #E77298. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188D67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #188D67 shade: #1D8D62, #2E9F75, #3FB188, #50C39B and #61D5AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188D67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #188D67 shade: #188D67, #077B54, #006941, #00572E and #00451B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #188D67 shade: #188C66, #188C47, #188C27, #278C18 and #468C18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #188D67 shade: #188C66, #188C85, #18738C, #18538C and #18348C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #188D67 shade matches the following richer shades: #188C66 and #0A996B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #188D67 shade: #188C66, #257E61, #32715D, #3F6458 and #4C5753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #188D67 shade: #188C27, #188C46, #188C65, #188C84 and #18748C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #188D67 shade: #0C4532, #12684C, #188C66, #1EAF80 and #24D299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #188D67 shade: #188D67, #18278C and #8C3718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #188D67 shade: #188D67, #65188C and #8C6518

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #188D67 shade: #188D67, #18278C, #8C183E and #8C7C18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #188D67 shade: #188D67, #2B188C, #8C183E and #788C18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

Complementary color

CMYK 0 / 51 / 34 / 9

HEX #E77298

RGB 231 114 152

HSL 340.51, 0.71%, 0.68%

LAB 62.75, 49.21, 0.91

 

CMYK 79 / 0 / 30 / 45

HEX #1D8D62

RGB 29 141 98

HSL 156.96, 0.66%, 0.33%

LAB 52.05, -40.87, 14.48

 

CMYK 71 / 0 / 26 / 38

HEX #2E9F75

RGB 46 159 117

HSL 157.7, 0.55%, 0.4%

LAB 58.66, -41.56, 13

 

CMYK 64 / 0 / 23 / 31

HEX #3FB188

RGB 63 177 136

HSL 158.42, 0.48%, 0.47%

LAB 65.18, -41.93, 11.68

 

CMYK 59 / 0 / 21 / 24

HEX #50C39B

RGB 80 195 155

HSL 159.13, 0.49%, 0.54%

LAB 71.62, -42.09, 10.49

 

CMYK 54 / 0 / 18 / 16

HEX #61D5AE

RGB 97 213 174

HSL 159.83, 0.58%, 0.61%

LAB 77.98, -42.13, 9.41

 

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

CMYK 94 / 0 / 32 / 52

HEX #077B54

RGB 7 123 84

HSL 159.83, 0.89%, 0.25%

LAB 45.43, -38.84, 13.36

 

CMYK 100 / 0 / 38 / 59

HEX #006941

RGB 0 105 65

HSL 157.14, 1%, 0.21%

LAB 38.7, -36.62, 15.32

 

CMYK 100 / 0 / 47 / 66

HEX #00572E

RGB 0 87 46

HSL 151.72, 1%, 0.17%

LAB 31.84, -33.72, 17.51

 

CMYK 100 / 0 / 61 / 73

HEX #00451B

RGB 0 69 27

HSL 143.48, 1%, 0.14%

LAB 24.75, -30.49, 19.78

 

CMYK 83 / 0 / 27 / 45

HEX #188C66

RGB 24 140 102

HSL 160.34, 0.71%, 0.32%

LAB 51.73, -40.07, 11.75

 

CMYK 83 / 0 / 49 / 45

HEX #188C47

RGB 24 140 71

HSL 144.31, 0.71%, 0.32%

LAB 51.16, -46.61, 28.24

 

CMYK 83 / 0 / 72 / 45

HEX #188C27

RGB 24 140 39

HSL 127.76, 0.71%, 0.32%

LAB 50.8, -50.94, 43.21

 

CMYK 72 / 0 / 83 / 45

HEX #278C18

RGB 39 140 24

HSL 112.24, 0.71%, 0.32%

LAB 50.98, -49.72, 48.82

 

CMYK 50 / 0 / 83 / 45

HEX #468C18

RGB 70 140 24

HSL 96.21, 0.71%, 0.32%

LAB 51.98, -41.7, 50.1

 

CMYK 83 / 0 / 27 / 45

HEX #188C66

RGB 24 140 102

HSL 160.34, 0.71%, 0.32%

LAB 51.73, -40.07, 11.75

 

CMYK 83 / 0 / 5 / 45

HEX #188C85

RGB 24 140 133

HSL 176.38, 0.71%, 0.32%

LAB 52.56, -31.52, -4.98

 

CMYK 83 / 18 / 0 / 45

HEX #18738C

RGB 24 115 140

HSL 192.93, 0.71%, 0.32%

LAB 44.73, -16.34, -20.93

 

CMYK 83 / 41 / 0 / 45

HEX #18538C

RGB 24 83 140

HSL 209.48, 0.71%, 0.32%

LAB 34.55, 3.09, -36.89

 

CMYK 83 / 63 / 0 / 45

HEX #18348C

RGB 24 52 140

HSL 225.52, 0.71%, 0.32%

LAB 25.39, 24.34, -51.68

 

CMYK 83 / 0 / 27 / 45

HEX #188C66

RGB 24 140 102

HSL 160.34, 0.71%, 0.32%

LAB 51.73, -40.07, 11.75

 

CMYK 93 / 0 / 30 / 40

HEX #0A996B

RGB 10 153 107

HSL 160.7, 0.88%, 0.32%

LAB 56, -45.2, 14.82

 

CMYK 83 / 0 / 27 / 45

HEX #188C66

RGB 24 140 102

HSL 160.34, 0.71%, 0.32%

LAB 51.73, -40.07, 11.75

 

CMYK 71 / 0 / 23 / 51

HEX #257E61

RGB 37 126 97

HSL 160.45, 0.55%, 0.32%

LAB 47.21, -33.44, 8.31

 

CMYK 56 / 0 / 18 / 56

HEX #32715D

RGB 50 113 93

HSL 160.95, 0.39%, 0.32%

LAB 43.18, -25.55, 5

 

CMYK 37 / 0 / 12 / 61

HEX #3F6458

RGB 63 100 88

HSL 160.54, 0.23%, 0.32%

LAB 39.37, -16.23, 2.63

 

CMYK 13 / 0 / 5 / 66

HEX #4C5753

RGB 76 87 83

HSL 158.18, 0.07%, 0.32%

LAB 35.94, -5.22, 0.86

 

CMYK 83 / 0 / 72 / 45

HEX #188C27

RGB 24 140 39

HSL 127.76, 0.71%, 0.32%

LAB 50.8, -50.94, 43.21

 

CMYK 83 / 0 / 50 / 45

HEX #188C46

RGB 24 140 70

HSL 143.79, 0.71%, 0.32%

LAB 51.14, -46.78, 28.76

 

CMYK 83 / 0 / 28 / 45

HEX #188C65

RGB 24 140 101

HSL 159.83, 0.71%, 0.32%

LAB 51.71, -40.31, 12.29

 

CMYK 83 / 0 / 6 / 45

HEX #188C84

RGB 24 140 132

HSL 175.86, 0.71%, 0.32%

LAB 52.53, -31.82, -4.44

 

CMYK 83 / 17 / 0 / 45

HEX #18748C

RGB 24 116 140

HSL 192.41, 0.71%, 0.32%

LAB 45.05, -16.89, -20.43

 

CMYK 83 / 0 / 28 / 73

HEX #0C4532

RGB 12 69 50

HSL 160, 0.7%, 0.16%

LAB 25.46, -23.26, 6.42

 

CMYK 83 / 0 / 27 / 59

HEX #12684C

RGB 18 104 76

HSL 160.47, 0.7%, 0.24%

LAB 38.81, -31.75, 8.92

 

CMYK 83 / 0 / 27 / 45

HEX #188C66

RGB 24 140 102

HSL 160.34, 0.71%, 0.32%

LAB 51.73, -40.07, 11.75

 

CMYK 83 / 0 / 27 / 31

HEX #1EAF80

RGB 30 175 128

HSL 160.55, 0.71%, 0.4%

LAB 63.75, -47.54, 13.97

 

CMYK 83 / 0 / 27 / 18

HEX #24D299

RGB 36 210 153

HSL 160.34, 0.71%, 0.48%

LAB 75.31, -54.94, 16.62

 

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

CMYK 83 / 72 / 0 / 45

HEX #18278C

RGB 24 39 140

HSL 232.24, 0.71%, 0.32%

LAB 22.08, 33.1, -57.11

 

CMYK 0 / 61 / 83 / 45

HEX #8C3718

RGB 140 55 24

HSL 16.03, 0.71%, 0.32%

LAB 34.75, 34.47, 36.27

 

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

CMYK 28 / 83 / 0 / 45

HEX #65188C

RGB 101 24 140

HSL 279.83, 0.71%, 0.32%

LAB 27.61, 51.38, -47.75

 

CMYK 0 / 28 / 83 / 45

HEX #8C6518

RGB 140 101 24

HSL 39.83, 0.71%, 0.32%

LAB 45.56, 8.59, 46.24

 

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

CMYK 83 / 72 / 0 / 45

HEX #18278C

RGB 24 39 140

HSL 232.24, 0.71%, 0.32%

LAB 22.08, 33.1, -57.11

 

CMYK 0 / 83 / 56 / 45

HEX #8C183E

RGB 140 24 62

HSL 340.34, 0.71%, 0.32%

LAB 30.82, 49.09, 8.2

 

CMYK 0 / 11 / 83 / 45

HEX #8C7C18

RGB 140 124 24

HSL 51.72, 0.71%, 0.32%

LAB 51.9, -4.55, 51.85

 

CMYK 83 / 0 / 27 / 45

HEX #188D67

RGB 24 141 103

HSL 160.51, 0.71%, 0.32%

LAB 52.09, -40.24, 11.67

 

CMYK 69 / 83 / 0 / 45

HEX #2B188C

RGB 43 24 140

HSL 249.83, 0.71%, 0.32%

LAB 20.28, 43.31, -60.04

 

CMYK 0 / 83 / 56 / 45

HEX #8C183E

RGB 140 24 62

HSL 340.34, 0.71%, 0.32%

LAB 30.82, 49.09, 8.2

 

CMYK 14 / 0 / 83 / 45

HEX #788C18

RGB 120 140 24

HSL 70.34, 0.71%, 0.32%

LAB 54.88, -22.22, 53.8

 

Description

Color code: HEX #188D67 | qconv.com Color code: HEX #188D67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 141 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 141 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 27 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 27% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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